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Tokyo Ballet
The Tokyo Ballet is a classical ballet company, based in Tokyo, Japan, founded in 1964. It is one of the leading performing arts companies in Japan. History European classical ballet, heavily influenced by Russian methods, was introduced to Japan following the end of World War II. By 1959, there were at least 18 classical ballet schools found in Tokyo run by ballet companies, with perhaps 100 throughout Japan. Tokyo Ballet was founded in 1964. It began as a performance company for graduates of one of Tokyo's first classical ballet schools, Tokyo Ballet Gakko. It was soon directed by Tadatsugu Sasaki. Sasaki envisioned a large company with well-trained ensemble dancers, and developed ties to the international ballet community. In 1966, the Company embarked on its first overseas tour to Moscow, Leningrad and Kazan, which led it to being awarded the title of “Tchaikovsky Memorial” from the Soviet Ministry of Culture. The company's first European tour took place in 1970. Inte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tokyo Bunka Kaikan
The is a Japanese concert hall located in Ueno Park, Taitō, Tokyo. Designed by Japanese architect Kunio Maekawa, it was built in 1961 and renovated in 1998–99. Its larger hall seats 2303 people, and its small hall seats 649. It is operated by the Tokyo Metropolitan Foundation for History and Culture. Venues *Main Hall *Recital Hall Access * Ueno Station (with JR East and Tokyo Metro) * Keisei Ueno Station (with Keisei Electric Railway) See also * Suntory Hall * New National Theatre Tokyo The is Japan's first and foremost national centre for the performing arts, including opera, ballet, contemporary dance and drama. It is located in the Shinjuku area of Tokyo. Since 1997 more than 650 productions were staged. There are about 300 p ... * Sōgakudo Concert Hall External links * Music venues in Tokyo Concert halls in Tokyo Ueno Park Buildings and structures in Taitō Music venues completed in 1961 1961 establishments in Japan {{Japan-theat-str ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paquita
''Paquita'' is a ballet in two acts and three scenes originally choreographed by Joseph Mazilier to music by Édouard Deldevez and Ludwig Minkus. Paul Foucher received royalties as librettist. History ''Paquita'' is the creation of French composer Édouard Deldevez and Paris Opéra Ballet Master Joseph Mazilier. It was first presented at the Salle Le Peletier by the Paris Opera Ballet on 1 April 1846 and was retained in the repertory of the Opéra until 1851. In 1847, ''Paquita'' was staged for the first time in Russia for the Imperial Ballet of St. Petersburg by Marius Petipa and Pierre-Frédéric Malavergne, being the first work ever staged by Petipa in Russia. In 1881, Petipa produced a revival of the ballet for which he added new pieces specially composed by Ludwig Minkus. This included the ''Paquita pas de trois'' for the first act and the ''Paquita grand pas classique'' and the ''Mazurka des enfants'' for the last act. Petipa's version of ''Paquita'' was retained in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theme And Variations (ballet)
''Theme and Variations'' is a ballet choreographed by George Balanchine to the final movement of Tchaikovsky's Orchestral Suite No. 3 (Tchaikovsky), Orchestral Suite No. 3. The ballet was made for Ballet Theatre (now American Ballet Theatre), and premiered on November 26, 1947, at the New York City Center, City Center 55 Street Theater, with the two leads danced by Alicia Alonso and Igor Youskevitch. The ballet was well-received and was revived by other ballet companies. In 1970, Balanchine incorporated the choreography of ''Theme and Variations'' to ''Suite No. 3'' (now titled ''Tschaikovsky Suite No. 3''), performed by the New York City Ballet. Production Balanchine's ''Theme and Variations'' is set to the final movement of Tchaikovsky's Orchestral Suite No. 3 (Tchaikovsky), Orchestral Suite No. 3. It was commissioned by Lucia Chase for Ballet Theatre (now American Ballet Theatre). The sets and costumes of the original production were designed by Woodman Thompson. The ballet ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symphony In C (ballet)
''Symphony in C'', originally titled ''Le Palais de Cristal'', is a ballet choreographed by George Balanchine, to Georges Bizet's Symphony in C. The ballet was originally created for the Paris Opera Ballet, and premiered on July 28, 1947, at the Palais Garnier. Production Georges Bizet (1838 – 1875) wrote Symphony in C when he was 17-year-old student, and the score was not found until 1933. Composer Igor Stravinsky informed choreographer George Balanchine about this discovery. In 1947, as a guest ballet master at the Paris Opera Ballet, Balanchine choreographed the ballet, then titled ''Le Palais de Cristal'', to "showcase for the talent of the whole company." Balanchine paid homage to Léo Staats, a French choreographer he admired. According to NYCB, Balanchine created the ballet within two weeks. The following year, he restaged the ballet for Ballet Society, under the title ''Symphony in C'', and this version was featured in New York City Ballet's first program. Choreogra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Afternoon Of A Faun (Nijinsky)
''The Afternoon of a Faun'' () is a ballet choreographed by Vaslav Nijinsky for the Ballets Russes, and was first performed in the Théâtre du Châtelet in Paris on 29 May 1912. Nijinsky danced the main part himself. The ballet is set to Claude Debussy's symphonic poem '' Prélude à l'après-midi d'un faune''. Both the music and the ballet were inspired by the poem '' L'Après-midi d'un faune'' by Stéphane Mallarmé. The costumes, sets and programme illustrations were designed by the painter Léon Bakst. The style of the 12-minute ballet, in which a young faun meets several nymphs and proceeds to flirt with and chase them, was deliberately archaic. In the original scenography designed by Léon Bakst, the dancers were presented as part of a large tableau, a staging reminiscent of an ancient Greek vase painting. They often moved across the stage in profile as if on a bas relief. The ballet was presented in bare feet and rejected classical formalism. The work had an overtl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mikhail Fokine
Michael Fokine ( – 22 August 1942) was a Russian choreographer and dancer. Career Early years Fokine was born in Saint Petersburg to a prosperous merchant and at the age of 9 was accepted into the Saint Petersburg Imperial Ballet School. That same year, he made his performing debut in '' The Talisman'' under the direction of Marius Petipa. In 1898, on his 18th birthday, he debuted on the stage of the Imperial Mariinsky Theatre in ''Paquita'', with the Imperial Russian Ballet. In addition to being a talented dancer, Fokine was also passionate about painting and displayed talent in this area as well. He also played musical instruments, including mandolin (played on stage in ensemble led by Ginislao Paris), domra, and balalaika (played in Vasily Andreyev's Great Russian Orchestra). Transition to choreographer He became frustrated with the life of a dancer and began considering other paths, including painting. In 1902, he was offered a teaching position at the Imperial ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Petrushka
Petrushka ( rus, Петру́шка, p=pʲɪtˈruʂkə, a=Ru-петрушка.ogg) is a stock character of Russian folk puppetry. It was first introduced by traveling Italian performers in the first third of the 19th century during a period of Westernization in Russian culture. While most core characters came from Italy, they were soon transformed by the addition of material from the Russian cultural context.' Petrushkas are traditionally hand puppets. The character is a kind of a jester, a slapstick protagonist distinguished by his red dress, a red '' kolpak'', and often a long nose. Name The name "Petrushka" originally and primarily refers to the specific stock character of the Russian carnival puppetry. However, like Guignol, due to the central role Petrushka played in the puppet theatre, it also has come to refer to the tradition more generally (sometimes referred to as ''balagan'' (балаган) after the carnival booths in which the plays were enacted), or even the gen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Sylphides
() is a short, non-narrative '' ballet blanc'' to piano music by Frédéric Chopin, selected and orchestrated by Alexander Glazunov. The ballet, described as a "romantic reverie","Ballet Theater", until 1955. A compact disk of ABT's production, with Mikhail Baryshnikov as the dreamer, is available from Kultor, entitled "American Ballet Theatre at the Met – Mixed Bill (1985)". See Olga Maynard's definitive account, based on information from Fokine's son Vitale Fokine: "Les Sylphides", ''Dance Magazine'' Portfolio: December 1971, advertised separately by some online booksellers. is frequently cited as the first ballet to be simply about mood and dance. has no plot but instead consists of several white-clad sylphs dancing in the moonlight with the "poet" or "young man" dressed in white tights and a black tunic. Its original choreography was by Michel Fokine, with Chopin's music orchestrated by Alexander Glazunov. Glazunov had already set some of the music in 1892 as a purel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre Lacotte
Pierre Lacotte (4 April 1932 – 10 April 2023) was a French ballet dancer, choreographer, teacher, and company director. He specialised in the reconstruction of lost choreographies of romantic ballets. Early life Lacotte was born on 4 April 1932, his mother was a musician. As a child, he was interested in dance, and his family reluctantly allowed him to train under . In 1942, he entered the Paris Opera Ballet School, where he was taught by Ricaux, Serge Lifar, and Carlotta Zambelli. He also received private training with Lyubox Yegorova, Rousanne Sarkissian, and Nicolas Zverev. He graduated in 1946. Career Lacotte joined the Paris Opera Ballet in 1946. In 1950, he originated a major role in Lifar's ''Septuor''. He rose through the ranks, reaching the position of ''premier danseur'' in 1953. In 1954, he choreographed his first major work, ''La Nuit Est une Sorcière'', to music by Sidney Bechet, for Belgian television. The following year, hoping to pursue a career in choreog ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Sylphide
''La Sylphide'' (; ) is a romantic ballet in two acts. There were two versions of the ballet; the original choreographed by Filippo Taglioni in 1832, and a second version choreographed by August Bournonville in 1836. Bournonville's is the only version known to have survived and is one of the world's oldest surviving ballets. Taglioni version On 12 March 1832 the first version of ''La Sylphide'' premiered at the Salle Le Peletier of the Paris Opéra with choreography by the groundbreaking Italian choreographer Filippo Taglioni and music by Jean Schneitzhoeffer, Jean-Madeleine Schneitzhoeffer. Taglioni designed the work as a showcase for his daughter Marie Taglioni, Marie. ''La Sylphide'' was the first ballet where dancing ''en pointe'' had an aesthetic rationale and was not merely an acrobatic stunt, often involving ungraceful arm movements and exertions, as had been the approach of dancers in the late 1820s. Marie was known for shortening her skirts in the performance of ''La S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
