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To Each His Own (2017 Film)
To Each His Own may refer to: *''Suum cuique'', a Latin expression meaning ''to each his own'' * ''To Each His Own'' (novel), a 1966 novel by Leonardo Sciascia * ''To Each His Own'' (1946 film), an American drama film starring Olivia de Havilland *''We Still Kill the Old Way'' (Italian: A ciascuno il suo; lit. 'To each his own'), a 1967 Italian film starring Gian Maria Volonte * ''To Each His Own'' (2017 film), a Japanese film starring Sota Fukushi *'' To Each His Own Cinema'', a 2007 film * "To Each His Own" (Jay Livingston and Ray Evans song), 1946 * "To Each His Own" (Faith, Hope & Charity song), 1975 * ''To Each His Own'' (album), a 1968 album by Frankie Laine See also *''Jedem das Seine "'" () is the literal German translation of the Latin phrase '' suum cuique'', meaning "to each his own" or "to each what he deserves". During World War II the phrase was contemptuously used by the Nazis as a motto displayed over the entrance o ...'', a German translation of the Latin ' ...
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Suum Cuique
"" (), or "''Unicuique suum''", is a Latin phrase often translated as "to each his own" or "may all get their due." ''Suum cuique'' has been significant in the history of philosophy and as a motto. The English phrase "to each his own eserts (''suum cuique'') is not to be confused with the similar phrase "each to his own astes ('' chacun à son goût''), which corresponds more closely to the Latin '' de gustibus non est disputandum''. History Antiquity The Latin phrase relates to an old Greek principle of justice which translates into English as "to each his own". Plato, in ''Republic'', offers the provisional definition that "justice is when everyone minds his own business, and refrains from meddling in others' affairs" ( Greek: "...τὸ τὰ αὑτοῦ πράττειν καὶ μὴ πολυπραγμονεῖν δικαιοσύνη ἐστί...", 4.433a). Everyone should do according to his abilities and capabilities, to serve the country and the society as a whole ...
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To Each His Own (novel)
''To Each His Own'' (Italian title: ''A ciascuno il suo'') is a 1966 detective novel by Leonardo Sciascia in which an introverted academic (Professor Laurana), in attempting to solve a double-homicide, gets in too deep, with his naive interference in town politics.Set in an era of political corruption in Sicily and Italy as a whole; the novel deals with themes such as anomie, exclusion and identity. Plot summary Dr. Manno, the town pharmacist, receives an anonymous letter made up of newspaper cuttings. The letter contains a death threat, but is dismissed by the locals as a practical joke. However, when Dr. Manno and his hunting companion, Dr. Roscio, are found murdered the next day, it becomes quite apparent that the letter was intended to do more than simply frighten the pharmacist from engaging in his favourite pastime. Although the double-homicide is interesting gossip for the townspeople, nobody gives the motives for the murders a second thought, and it is assumed that the p ...
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To Each His Own (1946 Film)
''To Each His Own'' is a 1946 American romantic drama film directed by Mitchell Leisen and starring Olivia de Havilland, Mary Anderson, Roland Culver and John Lund. It was produced and distributed by Paramount Pictures. The screenplay was written by Charles Brackett and Jacques Théry. A young woman bears a child out of wedlock and has to give him up. De Havilland won the Academy Award for Best Actress. Brackett was nominated for Best Writing, Original Story. The title song became a hit. Plot In World War II London, fire wardens Josephine "Jody" Norris and Lord Desham keep vigil and bond over being lonely, middle-aged people. While Desham is arranging dinner plans, a man from Jody’s hometown turns up and tells her that someone from their town is arriving at the train station. Overjoyed, she rushes to the station and runs into a young woman who is waiting for her pilot beau, which sends Jody into a flashback. Jody is the belle of her small American hometown of Piersen F ...
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We Still Kill The Old Way (1967 Film)
''We Still Kill the Old Way'' (; ) is a 1967 Italian crime film directed by Elio Petri. It is based on the novel '' To Each His Own'' by Leonardo Sciascia. Plot The death threats against the local pharmacist Arturo Manno do not surprise any of his friends because he is a known womanizer in his small town. They do not take his reports seriously until Manno, together with his friend Antonio Roscio, is killed while hunting one early morning. Suspicion falls on the father and two brothers of the Manno's underage servant Rosina, with whom Manno had an affair. Professor Laurana, who had seen one of the extortion letters, does not believe in the guilt of these illiterate men since the letters had been made with clippings from the Osservatore Romano, a Vatican newspaper with only two local subscribers. Laurana asks his lawyer friend Rosello to take care of the prisoners, and begins his own research, also motivated by his secret love for Luisa Roscio, the widow of Manno's murdered comp ...
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To Each His Own (2017 Film)
To Each His Own may refer to: *''Suum cuique'', a Latin expression meaning ''to each his own'' * ''To Each His Own'' (novel), a 1966 novel by Leonardo Sciascia * ''To Each His Own'' (1946 film), an American drama film starring Olivia de Havilland *''We Still Kill the Old Way'' (Italian: A ciascuno il suo; lit. 'To each his own'), a 1967 Italian film starring Gian Maria Volonte * ''To Each His Own'' (2017 film), a Japanese film starring Sota Fukushi *'' To Each His Own Cinema'', a 2007 film * "To Each His Own" (Jay Livingston and Ray Evans song), 1946 * "To Each His Own" (Faith, Hope & Charity song), 1975 * ''To Each His Own'' (album), a 1968 album by Frankie Laine See also *''Jedem das Seine "'" () is the literal German translation of the Latin phrase '' suum cuique'', meaning "to each his own" or "to each what he deserves". During World War II the phrase was contemptuously used by the Nazis as a motto displayed over the entrance o ...'', a German translation of the Latin ' ...
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To Each His Own Cinema
''To Each His Own Cinema'' () is a 2007 French comedy-drama anthology film commissioned for the 60th anniversary of the Cannes Film Festival. The film is a collection of 34 short films, each 3 minutes in length, by 36 acclaimed directors. Representing five continents and 25 countries, the filmmakers were invited to express "their state of mind of the moment as inspired by the motion picture theatre". The film's subtitle reads "a declaration of love to the big screen". Many of the shorts share similar subjects, including homage to classic European art cinema, the death of the filmgoing experience, memories of childhood wonder, the transporting power of cinema, and activities performed during a movie screening, including talking, stealing, crying, and having sex. Distribution Premiere ''To Each His Own Cinema'' premiered at the 2007 Cannes Film Festival on 20 May and was televised on the same night in France on Canal+. David Lynch's contribution, '' Absurda'', was not ready in tim ...
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To Each His Own (Jay Livingston And Ray Evans Song)
"To Each His Own" is a popular song with music written by Jay Livingston and lyrics by Ray Evans. It is the title song of the movie of the same name and was published in 1946 by Paramount Music. The duo were assigned to write this song after film composer Victor Young turned it down. Original 1946 recordings In 1946, three different versions hit number one on the ''Billboard'' charts in the United States. Two other versions reached number three and number four. *On the ''Billboard'' "Most Played" chart for August 24, 1946, and again on September 7, September 14 and October 5, all five versions appeared simultaneously in the Top Ten. While many popular songs of the pre-rock period had multiple hit versions – for example, "Dinah" had nine top ten covers over the years, and fifteen versions of "St. Louis Blues" charted between 1916 and 1953 – according to its co-composer Ray Evans, "To Each His Own" is the only song to take up half the slots on the Top Ten at the same time. * ...
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To Each His Own (Faith, Hope & Charity Song)
"To Each His Own" is a 1975 dance/R&B single by trio, Faith, Hope & Charity. The single was an early disco favorite, hitting the top 20 on the disco chart peaking at number fifteen. "To Each His Own" was a number-one R&B hit for one week in late 1975 and also peaked at number fifty on the ''Billboard'' Hot 100 pop chart. It was composed by Van McCoy who arranged and conducted the original recording. Chart history Other versions *Enoch Light and The Light Brigade also recorded this song, which appears on their ''Big Hits of the 70s'' album. *Van McCoy, who composed the song, recorded it for his '' The Real McCoy'' album. The album also featured Faith Hope & Charity members Brenda Hilliard, Albert Bailey, Diane Destry on background vocals well as Jocelyn Shaw, Lorraine Moore and Roberta Blassingame. Discography * Faith Hope & Charity - "To Each His Own" / "Find A Way" - RCA Victor - RCA 2599 - (1975) * Faith Hope & Charity - "To Each His Own" / "Find A Way" - RCA Victor P ...
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To Each His Own (album)
''To Each His Own'' is a studio album by Frankie Laine released in 1968 on ABC Records ABC Records was an American record label founded in New York City in 1955. It originated as the main popular music label operated by the Am-Par Record Corporation. Am-Par also created the Impulse! jazz label in 1960. It acquired many labels bef .... Track listing Charts References {{Authority control 1968 albums Frankie Laine albums ABC Records albums Albums produced by Bob Thiele ...
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Jedem Das Seine
"'" () is the literal German translation of the Latin phrase '' suum cuique'', meaning "to each his own" or "to each what he deserves". During World War II the phrase was contemptuously used by the Nazis as a motto displayed over the entrance of Buchenwald concentration camp. This has resulted in use of the phrase being considered controversial in modern Germany. History ''Jedem das Seine'' has been an idiomatic German expression for several centuries. For example, it is found in the works of Martin Luther and contemporaries. It appears in the title of a cantata by Johann Sebastian Bach, '' Nur jedem das Seine'' (BWV 163), first performed at Weimar in 1715. Some nineteenth-century comedies bear the title ''Jedem das Seine'', including works by Johann Friedrich Rochlitz and Caroline Bernstein. An ironic twist on the proverb, ''"jedem das Seine, mir das Meiste"'' ("to each his own, to me the most"), has been known in the reservoir of German idioms for a long time, including ...
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