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Tilya Kori Madrasa
The Tilya Kori Madrasa (), also known as Tila-Kori Madrasa, is a 17th-century madrasa (Islamic school) in the historic center of Samarkand, a UNESCO World Heritage Site in Uzbekistan. Background It is the youngest monument in the monumental ensemble of Registan, which is formed by the Ulugh Beg Madrasa, Samarkand, Ulug Beg Madrasa, the Sher-Dor Madrasa and the Tilya Kori Madrasa. It was built between 1646 and 1660, ten years after the construction of the Sher-Dor Madrasa. The madrasa was not only used for the education of students but was also one of the most important mosques for a long time. Tilya Kori Madrasa is one of the finest examples of Architecture of Turkey, Turkic Architecture and Turkish art, Turkic Art. Turkic art is a broad term encompassing architectural, decorative, and applied arts developed by Turkic civilizations throughout history. It includes intricate geometric patterns, calligraphy, and floral motifs, often seen in madrasas, mosques, and mausoleums. Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samarkand
Samarkand ( ; Uzbek language, Uzbek and Tajik language, Tajik: Самарқанд / Samarqand, ) is a city in southeastern Uzbekistan and among the List of oldest continuously inhabited cities, oldest continuously inhabited cities in Central Asia. Samarkand is the capital of the Samarkand Region and a district-level city, that includes the urban-type settlements Kimyogarlar, Farxod, Farhod and Xishrav, Khishrav. With 551,700 inhabitants (2021), it is the List of cities in Uzbekistan, third-largest city in Uzbekistan. There is evidence of human activity in the area of the city dating from the late Paleolithic Era. Though there is no direct evidence of when Samarkand was founded, several theories propose that it was founded between the 8th and 7th centuries BC. Prospering from its location on the Silk Road between East Asia, China, Persia and Europe, at times Samarkand was one of the largest cities in Central Asia,Guidebook of history of Samarkand", and was an important city of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Registan
The Registan () was the heart of the city of Samarkand of the Timurid Empire, now in Uzbekistan. The name ''Rēgistan'' () means "sandy place" or "desert" in Persian. The Registan was a public square, where people gathered to hear royal proclamations, heralded by blasts on enormous copper pipes called ''dzharchis'' — and a place of public executions. It is framed by three madrasahs (Islamic schools) of distinctive Persian architecture. The square was regarded as the hub of the Timurid Renaissance. Madrasahs The three madrasahs of the Registan are the Ulugh Beg Madrasah (1417–1420), the Sher-Dor Madrasah (1619–1636), and the Tilya-Kori Madrasah (1646–1660). ''Madrasah'' is an Arabic term meaning school. Ulugh Beg Madrasah (1417–1420) The Ulugh Beg Madrasah, built by Ulugh Beg during the Timurid Empire era of Timur, has an imposing iwan with a lancet-arch pishtaq or portal facing the square. The corners are flanked by high minarets. The mosaic panel over the iwan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Minbar
A minbar (; sometimes romanized as ''mimber'') is a pulpit in a mosque where the imam (leader of prayers) stands to deliver sermons (, ''khutbah''). It is also used in other similar contexts, such as in a Hussainiya where the speaker sits and lectures the congregation. Etymology The word is a derivative of the Arabic root ''n-b-r'' ("to raise, elevate"); the Arabic plural is ''manābir'' (). Function and form The minbar is symbolically the seat of the imam who leads prayers in the mosque and delivers sermons. In the early years of Islam, this seat was reserved for the Islamic prophet Muhammad and later for the caliphs who followed him, each of whom was officially the imam of the whole Muslim community. It eventually became standard for all Friday mosques and was used by the local imam, but it retained its significance as a symbol of authority. While minbars are roughly similar to church pulpits, they have a function and position more similar to that of a church lectern ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Squinch
In architecture, a squinch is a structural element used to support the base of a circular or octagonal dome that surmounts a square-plan chamber. Squinches are placed to diagonally span each of the upper internal corners ( vertices) where the walls meet. Constructed from masonry, they have several forms, including a graduated series of stepped arches; a hollow, open half-cone (like half of a funnel laid horizontally); or a small half-dome niche. They are designed to evenly spread the load of a dome across the intersecting walls on which it rests, thus avoiding concentrating higher structural stress on smaller load-bearing areas. By bridging corners, they also visually transition an angular space to a round or near-circular zone. Squinches originated in the Sassanid Empire of Ancient Persia, remaining in use across Central and West Asia into modern times. From its pre-Islamic origin, it developed into an influential structure for Islamic architecture. Georgia and Armenia also in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Muqarnas
Muqarnas (), also known in Iberian architecture as Mocárabe (from ), is a form of three-dimensional decoration in Islamic architecture in which rows or tiers of niche-like elements are projected over others below. It is an archetypal form of Islamic architecture, integral to the vernacular of Islamic buildings, and typically featured in domes and vaults, as well as iwans, entrance portals, or other niches. It is sometimes referred to as "honeycomb vaulting" or "stalactite vaulting". The muqarnas structure originated from the squinch. Its purpose is to create a smooth, decorative zone of transition in an otherwise bare, structural space. This structure gives the ability to distinguish between the main parts of a building and serves as a transition from the walls of a square or rectangular room to a round dome or vault above it. Muqarnas could also form entire vaults and domes. From below, these compositions can create an elaborate visual effect based on the interplay of light ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mihrab
''Mihrab'' (, ', pl. ') is a niche in the wall of a mosque that indicates the ''qibla'', the direction of the Kaaba in Mecca towards which Muslims should face when praying. The wall in which a ''mihrab'' appears is thus the "''qibla'' wall". The '' minbar'', which is the raised platform from which an imam (leader of prayer) addresses the congregation, is located to the right of the ''mihrab''. Etymology The origin of the word ''miḥrāb'' is complicated, and multiple explanations have been proposed by different sources and scholars. It may come from Old South Arabian (possibly Sabaic) ''mḥrb'' meaning a certain part of a palace, as well as "part of a temple where ''tḥrb'' (a certain type of visions) is obtained," from the root word ''ḥrb'' "to perform a certain religious ritual (which is compared to combat or fighting and described as an overnight retreat) in the ''mḥrb'' of the temple." It may also possibly be related to Ethiopic ''məkʷrab'' "temple, sanctua ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spandrel
A spandrel is a roughly triangular space, usually found in pairs, between the top of an arch and a rectangular frame, between the tops of two adjacent arches, or one of the four spaces between a circle within a square. They are frequently filled with decorative elements. Meaning There are four or five accepted and cognate meanings of the term ''spandrel'' in architecture, architectural and art history, mostly relating to the space between a curved figure and a rectangular boundary – such as the space between the curve of an arch and a rectilinear bounding moulding, or the wallspace bounded by adjacent arches in an arcade and the stringcourse or moulding above them, or the space between the central medallion of a carpet and its rectangular corners, or the space between the circular face of a clock and the corners of the square revealed by its hood. Also included is the space under a flight of stairs, if it is not occupied by another flight of stairs. In a building with more ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Banna'i
In Iranian architecture, banna'i (, "builder's technique" in Persian) is an architectural decorative art in which glazed tiles are alternated with plain bricks to create geometric patterns over the surface of a wall or to spell out sacred names or pious phrases. This technique originated in Syria and Iraq in the 8th century, and matured in the Seljuq and Timurid era, as it spread to Iran, Anatolia and Central Asia. If the brickwork design is in relief then it is referred to as hazarbaf (, compound of ''hazar'' "thousand" and ''baf'' "weavings", referring to the woven appearance of the bricks). History The earliest surviving example of decorative brick work with colored bricks is found in the city gate of Raqqa (c. 772). The earliest known example of ''hazārbāf'' is found in the Ukhaydir Palace near Baghdad, built around 762. The technique appeared in Iran and central Asia more than a century later but with more sophisticated designs. The tomb of the Samanid ruler Ismā ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iwan
An iwan (, , also as ''ivan'' or ''ivān''/''īvān'', , ) is a rectangular hall or space, usually vaulted, walled on three sides, with one end entirely open. The formal gateway to the iwan is called , a Persian term for a portal projecting from the facade of a building, usually decorated with calligraphy bands, glazed tilework, and geometric designs. Since the definition allows for some interpretation, the overall forms and characteristics can vary greatly in terms of scale, material, or decoration. Iwans are most commonly associated with Islamic architecture; however, the form is pre-Islamic Iranian in origin and was invented much earlier and fully developed in Mesopotamia around the third century CE, during the Parthian period. Etymology ''Iwan'' is a Persian word that was subsequently borrowed into other languages such as Arabic and Turkish. The New Persian form is ''eyvān'' and its etymology is unclear. A theory by scholars like Ernst Herzfeld and Walter Bruno He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antiquities Of Samarkand
Antiquities are objects from antiquity, especially the civilizations of the Mediterranean such as the Classical antiquity of Greece and Rome, Ancient Egypt, and the other Ancient Near Eastern cultures such as Ancient Persia (Iran). Artifacts from earlier periods such as the Mesolithic, and other civilizations from Asia and elsewhere may also be covered by the term. The phenomenon of giving a high value to ancient artifacts is found in other cultures, notably China, where Chinese ritual bronzes, three to two thousand years old, have been avidly collected and imitated for centuries, and the Pre-Columbian cultures of Mesoamerica, where in particular the artifacts of the earliest Olmec civilization are found reburied in significant sites of later cultures up to the Spanish Conquest. A person who studies antiquities, as opposed to just collecting them, is often called an antiquarian. Definition The definition of the term is not always precise, and institutional definitions such a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Uzbekistan
, image_flag = Flag of Uzbekistan.svg , image_coat = Emblem of Uzbekistan.svg , symbol_type = Emblem of Uzbekistan, Emblem , national_anthem = "State Anthem of Uzbekistan, State Anthem of the Republic of Uzbekistan" , image_map = File:Uzbekistan (centered orthographic projection).svg , map_caption = Location of Uzbekistan (green) , capital = Tashkent , coordinates = , largest_city = capital , official_languages = Uzbek language, Uzbek , languages_type = Writing system, Official script , languages = Latin Script, Latin , recognized_languages = Karakalpak language, Karakalpak , ethnic_groups = , ethnic_groups_ref = , ethnic_groups_year = 2021 , religion_ref = , religion_year = 2020 , religion = , demonym = Uzbeks, Uzbek • Demographics of Uzbekistan, Uzbekistani , ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
