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Théodore Nézel
Théodore Nézel (25 February 1799 – 23 May 1854) was a 19th-century French playwright and Libretto, librettist. An employee at the ministry of public instruction, he was appointed managing director of the Théâtre du Panthéon in 1838. His plays, often signed "Théodore" or "Théodore N.", were presented on the most important Parisian stages of the 19th century, including the Théâtre de l'Ambigu, the Théâtre des Nouveautés, the Théâtre du Palais-Royal, and the Théâtre des Variétés. Works * ''La Famille irlandaise'', melodrama in 3 acts, 1821 * ''L'Aubergiste malgré lui'', comédie proverbe, with Nicolas Brazier, 1823 * ''La Chambre de Clairette, ou les Visites par la fenêtre'', vaudeville in 1 act, with Armand Joseph Overnay, 1825 * ''Les Deux réputations'', comédie-vaudeville in 1 act, with Overnay, 1825 * ''Six mois de constance'', comedy in 1 act, mingled with couplets, with Overnay and Constant Berrier, 1825 * ''Le Banqueroutier'', melodrama in 3 acts ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paris
Paris () is the Capital city, capital and List of communes in France with over 20,000 inhabitants, largest city of France. With an estimated population of 2,048,472 residents in January 2025 in an area of more than , Paris is the List of cities in the European Union by population within city limits, fourth-most populous city in the European Union and the List of cities proper by population density, 30th most densely populated city in the world in 2022. Since the 17th century, Paris has been one of the world's major centres of finance, diplomacy, commerce, culture, Fashion capital, fashion, and gastronomy. Because of its leading role in the French art, arts and Science and technology in France, sciences and its early adoption of extensive street lighting, Paris became known as the City of Light in the 19th century. The City of Paris is the centre of the Île-de-France region, or Paris Region, with an official estimated population of 12,271,794 inhabitants in January 2023, or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Armand-François Jouslin De La Salle
Armand-François Jouslin de La Salle (15 September 1794 – 1 July 1863) was a French lawyer, journalist, dramatist and theatre director. Jouslin de La Salle was administrator of the Comédie-Française from 1832 to 1837, and then of the théâtre des Variétés in 1839. Theatre * ''Le Mûrier'', vaudeville in 1 act, with Jules Vernet 22 June 1819. * ''Les Deux Veuves ou les Contrastes'', comedy in 1 act, with Martial Aubertin, 10 April 1821. * ''Jane Shore'', melodrame en 3 acts, with Hyacinthe Decomberousse, Alphonse de Chavanges, 1824. * ''La Famille du charlatan'', folie vaudeville in 1 act, with Maurice de Chavanges, 12 October 1824. * ''L’École du scandale'', play in 3 acts and in prose, with Charles-R.-E. de Saint-Maurice, Edmond Crosnier, 8 December 1824. * ''Les Acteurs à l’auberge'', comedy in one act, with Maurice Alhoy and Francis Cornu, 28 May 1825. * ''La Corbeille de mariage ou les Étrennes du futur'', vaudeville in one act, with Maurice Alhoy and L� ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emmanuel Théaulon
Marie-Emmanuel-Guillaume-Marguerite Théaulon de Lambert (14 August 1787, Aigues-Mortes – 16 November 1841) was a French playwright. A customs inspector, then an inspector of military hospitals, he composed an ''Ode'' on the birth of the King of Rome which brought him thanks from Napoleon himself. In 1814 he sang for the Bourbons and put on his first play, ''Les Clefs de Paris, ou le Dessert d’Henri IV'' (The Keys of Paris, or the Deservings of Henry IV), in their honour. In 1815, he composed and organised the posting of proclamations in honour of Louis XVIII. He collaborated on the royalist journals ''Le Nain rose'', ''La Foudre'', ''L’Apollon''. Selected works Above all during the Bourbon restoration, he wrote and put on a large number (sometimes alone, sometimes with collaborators), 250 according to one account. Written extremely quickly, most of them are only sketches, whose style often leaves something to be desired but which do not lack wit and beauty. He wrote two f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alexis Decomberousse
Alexis Decomberousse, full name Alexis Barbe Benoît Decomberousse, (13 January 1793 – 22 November 1862) was a 19th-century French playwright and vaudevillist. His plays were presented on the most important Parisian stages of the 19th century such as the Théâtre de l'Ambigu, Théâtre du Palais-Royal, Théâtre des Variétés, Théâtre du Gymnase, Théâtre de la Gaîté, Théâtre de la Porte-Saint-Martin etc.). Works * ''Le Cocher de fiacre'', melodrama in 3 acts, with Benjamin Antier, 1825 * ''Le Pauvre de l'Hôtel-Dieu'', mélodrama in 3 acts, with Antier, 1826 * ''Le Prisonnier amateur'', comedy mingled with couplets, with Armand d'Artois, Ferdinand Laloue and Frédérick Lemaître, 1826 * ''Le Vieil Artiste, ou la Séduction'', melodrama in 3 acts, with Frédérick Lemaître, 1826 * ''Le Fou'', drama in 3 acts, with Antony Béraud and Gustave Drouineau, 1829 * ''La Maîtresse'', comédie-vaudeville in 2 acts, with Hippolyte Le Roux and Merville, 1829 * ''L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prologue
A prologue or prolog (from Ancient Greek πρόλογος ''prólogos'', from πρό ''pró'', "before" and λόγος ''lógos'', "speech") is an opening to a story that establishes the context and gives background details, often some earlier story that ties into the main one, and other miscellaneous information. The Ancient Greek word πρόλογος includes the modern meaning of ''prologue'', but was of wider significance, more like the meaning of preface. The importance, therefore, of the prologue in Greek tragedy#Structure, Greek drama was very great; it sometimes almost took the place of a romance, to which, or to an episode in which, the play itself succeeded. Latin On the Latin stage the prologue was often more elaborate than it was in Athens, and in the careful composition of the poems which Plautus prefixes to his plays we see what importance he gave to this portion of the entertainment; sometimes, as in the preface to the ''Rudens'', Plautus rises to the height of h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henri Franconi
Henri Franconi, full name Jean Gérard Henri Franconi, (4 November 1779 – 22 July 1849) was a French playwright and circus performer of the early 19th century. A son of Antonio Franconi, in 1807 he became with his brother Laurent director of the Cirque-Olympique (1807-1837). An actor, a mime, an esquire, nicknamed ''Minette'', he authored pantomimes, dramas and vaudeville. Works *1808: ''Les Quatre fils Aymons'', equestrian scenes in 2 parts *1808: ''Cavalo-Dios, ou le Cheval génie bienfaisant'', equestrian scenes, mingled with féeries, in 2 parts, with Cuvelier *1808: ''Barberousse le Balafré, ou les Valaques'',equestrian and chivalrous scenes, in 2 parts, extravaganza, with Jean-Guillaume-Antoine Cuvelier *1808: ''Fra Diavolo, ou le Frère diable, chef de bandits dans les Alpes'', equestrian scenes in 2 parts, with Cuvelier *1808: ''La Prise de la Corogne, ou les Anglais en Espagne'', equestrian scenes *1810: ''Les chevaux vengés, ou Parodie de la parodie de Fernand C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tableau Vivant
A (; often shortened to ; ; ) is a static scene containing one or more actors or models. They are stationary and silent, usually in costume, carefully posed, with props and/or scenery, and may be theatrically illuminated. It thus combines aspects of theatre and the visual arts. They were a popular medieval form that revived considerably from the 19th century, probably as they were very suitable for recording by photography. The participants were now mostly amateurs, participating in a quick and easy form of amateur dramatics that could be brought together in an evening, and required little skill in acting or speaking. They were also popular for various sorts of community events and parades. In the late 19th and early 20th centuries, there was also a type of ''tableau'' used in the professional theatre, taking advantage of the extra latitude the law allowed for the display of nudity so long as the actors did not move. Tableaux featured ('flexible poses') by virtually nude ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antoine Simonnin
Antoine Simonnin (born Antoine-Jean-Baptiste Simonnin; Paris, 11 January 1780 – Paris, 14 May 1856) was a French writer and dramatist. Simonnin wrote, alone or in collaboration, more than 200 comédies en vaudeville, parodies or fantaisies. He also published a collection of ''Chansons sacrées et profanes'' (1856, in-18). Works * ''Arlequin au café du bosquet, ou la Belle limonadière'', vaudeville épisodique, in 1 act; * ''Augusta, ou Comme on corrige une jeune personne'', two-act comédie en vaudeville, Théâtre des jeunes élèves de M. Louis Comte, 5 December 1832; * ''Belz et Buth'', folie-vaudeville in 2 acts, with Hilpert, Théâtre du Panthéon, 21 August 1839; * ''Caroline de Litchfield'', drame-vaudeville in 2 acts and in prose, with Brazier and Carmouche Théâtre de la Porte Saint-Martin, 10 February 1827; * ''Catherine II, ou l'Impératrice et le cosaque'', play in 2 acts, extravaganza, mingled with couplets, with Théodore Nézel, Théâtre de l'Ambigu- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry Villemot
Henry Villemot (c.1796–1870) was a 19th-century French playwright. Works *1823: ''Le Vendredi d'un usurier'', comedy in 1 act *1823: ''Les Hussards dans l'étude'', folie-vaudeville in 1 act, with Jules Dulong *1824: ''Le Plâtrier ou la double accusation'', melodrama in 2 acts, with Théodore Nézel *1824: ''La Prise de Tarifa'', mélodrame militaire historique in 1 act, with Nézel and Ferdinand Laloue *1825: ''Le Flâneur'', comédie vaudeville in 1 act *1825: ''Le Chemin creux'', melodrama in 3 acts, extravaganza *1825: ''Les Ruines de la Granca'', mélodrame in 3 acts, with Dulong and Saint-Amand *1826: ''L'Amour et les poules'', comédie-vaudeville in 1 act *1827: ''Le Garde et le bucheron'', melodrama in 2 tableaux *1828: ''Bisson'', melodrama in 2 acts and in 5 parts, extravaganza, with Benjamin Antier and Nézel *1828: ''Le Remplaçant'', melodrama in 3 acts, with Antier *1829: ''La Partie d'ânes'', folie in 1 act *1830: ''La Prise de la Bastille, gloire populaire ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saint-Amand (writer)
Saint-Armand, real name Jean-Armand Lacoste, (17 November 1797 – 13 January 1885) was a 19th-century French playwright. He was born and died in Paris. Saint-Armand wrote the famous drama '' l’Auberge des Adrets'' in collaboration with Benjamin Antier and Polyanthe. Works * ''La Folle de Toulon'', three-act drama, mingled with songs ; * ''Marie Rose ou la nuit de Noël'', three-act drama, with Adrien Payn, 1832 ; * ''Moellen ou l’Enfant du bonheur'', tableau populaire in 1 act, mingled with couplets ; * ''L’Oraison de Saint Julien'', three-act comédie en vaudeville ; * ''Péblo ou Le jardinier de Valence'', three-act melodrama A melodrama is a Drama, dramatic work in which plot, typically sensationalized for a strong emotional appeal, takes precedence over detailed characterization. Melodrama is "an exaggerated version of drama". Melodramas typically concentrate on .... Sources * Georges d’Heylli, ''Gazette anecdotique, littéraire, artistique et bibli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francis Cornu
Francis Cornu (4 October 1794 – 7 March 1848) was a French playwright. Biography After he made excellent studies in Paris, he lost his father and at the young age of 17, had to work for a living. He entered as an employee at the prefecture of Nièvre. In 1815, suspected of supporting the Bourbons, he was removed from office. He then entered into business house then into a bank where he became chief clerk. Having already composed verses in Latin, he made his debut in 1816 in Lyon in the vaudeville genre. In 1819, he moved to Paris and worked again first as a bank clerk (1819-1825). His first plays did not get any success. ''Le forçat libéré'' in 1829, performed at the Ambigu-Comique was even booed. Finally, it is ''Isaure'' which was met with success that made him known. His plays, including many in collaboration with Auguste Anicet-Bourgeois, will then be regularly performed on the most important Parisian stages of the 19th century: Théâtre du Gymnase dramatique, T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adrien Payn
Adrien Henri Payn (Paris, 30 July 1800 – Montévrain, 3 October 1855) was a 19th-century French novelist and playwright. His plays were presented on the most important Parisian stages of the 19th-century, including the Théâtre de l'Ambigu-Comique, the Théâtre du Gymnase-Dramatique and the Théâtre de la Porte-Saint-Martin. In collaboration with Benjamin Antier and Polyanthe, Payn authored the famous drama ''l’Auberge des Adrets''. Payn was the mayor of the city of Montévrain from 1848 to 1854. He died aged 55. Works *1823: ''La Cousine supposée'', comedy in 1 act and in prose, with René Perin and Villard *1828: ''Roc l'exterminateur'', melodrama comique in 3 acts, with Théodore Nézel *1831: ''Le Tir et le restaurant'', comédie-vaudeville in 1 act, with Nézel and Armand Joseph Overnay *1831: ''Le Watchman'', drama in 3 acts and 6 tableaux, with Benjamin Antier and Overnay *1832: ''Marie-Rose, ou la Nuit de Noël'', three-act drama, with Saint-Amand *1835: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
