|
Thriambus
A thriambus (also spelled thriamb, thriambas, or thriambos; Ancient Greek, Greek ) is a hymn to Dionysus, sung in processions in his honour, and at the same time an epithet of the god himself, according to Diodorus (4.5.2): ''Thriambus'' is a name that has been given him, they say, because he was the first of those of whom we have a record to have celebrated a triumph (''thriambos'') upon entering his native land after his campaign, this having been done when he returned from Ἰνδία, India with great booty. It was loaned into Old Latin via Etruscan language, Etruscan as ', in Classical Latin taking the form ', the Roman triumph where the victorious general takes the role of Dionysus as leader of the procession, later associated with rather than Dionysus. Arrian traces the custom to Alexander the Great when he states (''Anabasis Alexandri, Anabasis'' 6b.28): Certain authors have said (though to me the statement seems incredible) that Alexander led his forces through Carman ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bacchanalia
The Bacchanalia were unofficial, privately funded popular Roman festivals of Bacchus, based on various ecstatic elements of the Greek Dionysia. They were almost certainly associated with Rome's native cult of Liber, and probably arrived in Rome itself around 200 BC. Like all mystery religions of the ancient world, very little is known of their rites. They seem to have been popular and well-organised throughout the central and southern Italian peninsula. Livy, writing some 200 years after the event, offers a scandalized and extremely colourful account of the Bacchanalia, with frenzied rites, sexually violent initiations of both sexes, all ages and all social classes; he represents the cult as a murderous instrument of conspiracy against the state. Livy claims that seven thousand cult leaders and followers were arrested, and that most were executed. Livy believed the Bacchanalia scandal to be one of several indications of Rome's inexorable moral decay. Modern scholars take a ske ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dithyramb
The dithyramb (; grc, διθύραμβος, ''dithyrambos'') was an ancient Greek hymn sung and danced in honor of Dionysus, the god of wine and fertility; the term was also used as an epithet of the god. Plato, in '' The Laws'', while discussing various kinds of music mentions "the birth of Dionysos, called, I think, the dithyramb." Plato also remarks in the '' Republic'' that dithyrambs are the clearest example of poetry in which the poet is the only speaker. However, in '' The Apology'' Socrates went to the dithyrambs with some of their own most elaborate passages, asking their meaning but got a response of, "Will you believe me?" which "showed me in an instant that not by wisdom do poets write poetry, but by a sort of genius and inspiration; they are like diviners or soothsayers who also say many fine things, but do not understand the meaning of them." Plutarch contrasted the dithyramb's wild and ecstatic character with the paean. According to Aristotle, the dithyramb was th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ancient Greek
Ancient Greek includes the forms of the Greek language used in ancient Greece and the ancient world from around 1500 BC to 300 BC. It is often roughly divided into the following periods: Mycenaean Greek (), Dark Ages (), the Archaic period (), and the Classical period (). Ancient Greek was the language of Homer and of fifth-century Athenian historians, playwrights, and philosophers. It has contributed many words to English vocabulary and has been a standard subject of study in educational institutions of the Western world since the Renaissance. This article primarily contains information about the Epic and Classical periods of the language. From the Hellenistic period (), Ancient Greek was followed by Koine Greek, which is regarded as a separate historical stage, although its earliest form closely resembles Attic Greek and its latest form approaches Medieval Greek. There were several regional dialects of Ancient Greek, of which Attic Greek developed into Koi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phrygian Language
The Phrygian language () was the Indo-European language of the Phrygians, spoken in Anatolia (modern Turkey), during classical antiquity (c. 8th century BC to 5th century AD). Phrygian ethno-linguistic homogeneity is debatable. Ancient Greek authors used "Phrygian" as an umbrella term to describe a vast ethno-cultural complex located mainly in the central areas of Anatolia rather than a name of a single "tribe" or "people". Plato observed that some Phrygian words resembled Greek ones. Because of the fragmentary evidence of Phrygian, its exact position within the Indo-European language family is uncertain. Phrygian shares important features with Greek and Armenian. Evidence of a Thraco-Armenian separation from Phrygian and other Paleo-Balkan languages at an early stage, Phrygian's classification as a centum language, and the high frequency of phonetic, morphological, and lexical isoglosses shared with Greek, have led to a current consensus which regards Greek as the closest r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Religious Music
Religious music (also sacred music) is a type of music that is performed or composed for religious use or through religious influence. It may overlap with ritual music, which is music, sacred or not, performed or composed for or as ritual. Religious songs have been described as a source of strength, as well as a means of easing pain, improving one's mood, and assisting in the discovery of meaning in one's suffering. While style and genre vary broadly across traditions, religious groups still share a variety of musical practices and techniques. Religious music takes on many forms and varies throughout cultures. Religions such as Islam, Judaism, and Sinism demonstrate this, splitting off into different forms and styles of music that depend on varying religious practices. Religious music across cultures depicts its use of similar instruments, used in accordance to create these melodies. drums (and drumming), for example, is seen commonly in numerous religions such as Rastafari and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hymns To Dionysus
A hymn is a type of song, and partially synonymous with devotional song, specifically written for the purpose of adoration or prayer, and typically addressed to a deity or deities, or to a prominent figure or personification. The word ''hymn'' derives from Greek (''hymnos''), which means "a song of praise". A writer of hymns is known as a hymnist. The singing or composition of hymns is called hymnody. Collections of hymns are known as hymnals or hymn books. Hymns may or may not include instrumental accompaniment. Although most familiar to speakers of English in the context of Christianity, hymns are also a fixture of other world religions, especially on the Indian subcontinent (''stotras''). Hymns also survive from antiquity, especially from Egyptian and Greek cultures. Some of the oldest surviving examples of notated music are hymns with Greek texts. Origins Ancient Eastern hymns include the Egyptian ''Great Hymn to the Aten'', composed by Pharaoh Akhenaten; the Hurrian '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Epithets Of Dionysus
An epithet (, ), also byname, is a descriptive term (word or phrase) known for accompanying or occurring in place of a name and having entered common usage. It has various shades of meaning when applied to seemingly real or fictitious people, divinities, objects, and binomial nomenclature. It can also be a descriptive title: for example, Pallas Athena, Phoebus Apollo, Alfred the Great, Suleiman the Magnificent, and Władysław I the Elbow-high. Many English monarchs have traditional epithets: some of the best known are Edward the Confessor, William the Conqueror, Richard the Lionheart, Æthelred the Unready, John Lackland and Bloody Mary. The word ''epithet'' can also refer to an abusive, defamatory, or derogatory phrase. This use as a euphemism is criticized by Martin Manser and other proponents of linguistic prescription. H. W. Fowler complained that "epithet is suffering a vulgarization that is giving it an abusive imputation." Linguistics Epithets are sometime ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iamb (foot)
An iamb () or iambus is a metrical foot used in various types of poetry Poetry (derived from the Greek '' poiesis'', "making"), also called verse, is a form of literature that uses aesthetic and often rhythmic qualities of language − such as phonaesthetics, sound symbolism, and metre − to evoke meanings .... Originally the term referred to one of the feet of the quantitative meter of classical Greek prosody: a short syllable followed by a long syllable (as in () "beautiful (f.)"). This terminology was adopted in the description of accentual-syllabic verse in English, where it refers to a foot comprising an unstressed syllable followed by a stressed syllable (as in ''abóve''). Thus a Latin word like , because of its short-long rhythm, is considered by Latin scholars to be an iamb, but because it has a stress on the first syllable, in modern linguistics it is considered to be a trochee. Etymology Robert S. P. Beekes, R. S. P. Beekes has suggested that the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modern Greek
Modern Greek (, , or , ''Kiní Neoellinikí Glóssa''), generally referred to by speakers simply as Greek (, ), refers collectively to the dialects of the Greek language spoken in the modern era, including the official standardized form of the languages sometimes referred to as Standard Modern Greek. The end of the Medieval Greek period and the beginning of Modern Greek is often symbolically assigned to the fall of the Byzantine Empire in 1453, even though that date marks no clear linguistic boundary and many characteristic features of the modern language arose centuries earlier, beginning around the fourth century AD. During most of the Modern Greek period, the language existed in a situation of diglossia, with regional spoken dialects existing side by side with learned, more archaic written forms, as with the vernacular and learned varieties ('' Dimotiki'' and '' Katharevousa'') that co-existed in Greece throughout much of the 19th and 20th centuries. Varieties Varieties ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
