Three Fantasiestücke, Op. 111
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Three Fantasiestücke, Op. 111
''Three Fantasiestücke'' for piano, Opus number, Op. 111, were written in 1851 by Robert Schumann. History Title ''Three Fantasiestücke'' for piano, Op. 111, composed in 1851, is one of four works by Schumann entitled . The other three are: * Fantasiestücke, Op. 12, ''Fantasiestücke'', Op. 12 (1837), eight pieces for solo piano, also based on Hoffmann's ''Fantasiestücke in Callots Manier'' * Fantasiestücke, Op. 73, ''Fantasiestücke'', Op. 73 (1849), three pieces for clarinet and piano (Ad libitum, ad.lib violin or cello) * ''Phantasiestücke'', Op. 88 (1842), for piano, violin and cello in four movements The title was inspired by the collection of letters and writings about music published in 1814–1815, ''Fantasiestücke in Jacques Callot, Callots Manier'' by E. T. A. Hoffmann, one of Schumann's favourite authors. The composer greatly appreciated the 17th-century engraver's sense of fantasy. Composition Schumann composed the Op. 111 in 1851, a few months after ...
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Robert Schumann
Robert Schumann (; ; 8 June 181029 July 1856) was a German composer, pianist, and music critic of the early Romantic music, Romantic era. He composed in all the main musical genres of the time, writing for solo piano, voice and piano, chamber music, chamber groups, orchestra, choir and the opera. His works typify the spirit of the Romantic era in German music. Schumann was born in Zwickau, Saxony, to an affluent middle-class family with no musical connections, and was initially unsure whether to pursue a career as a lawyer or to make a living as a pianist-composer. He studied law at the universities of Leipzig University, Leipzig and Heidelberg University, Heidelberg but his main interests were music and Romantic literature. From 1829 he was a student of the piano teacher Friedrich Wieck, but his hopes for a career as a virtuoso pianist were frustrated by a worsening problem with his right hand, and he concentrated on composition. His early works were mainly piano pieces, inclu ...
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James Friskin
James Friskin (3 March 1886 – 16 March 1967) was a Scottish-born pianist, composer and music teacher who relocated to the United States in 1914. Biography Friskin studied in Glasgow with local organist Alfred Heap, and from 1900—at the precocious age of 14—at the Royal College of Music under Edward Dannreuther for piano and (from 1905) Charles Villiers Stanford for composition. He completed his Piano Quintet in 1907 at age 21; published by Stainer & Bell, Thomas Dunhill assessed it as "one of the most brilliant op.1's in existence". After completing his studies, from 1909 to 1914 Friskin taught at the Royal Normal College for the Blind. In 1914 he emigrated to the United States, where, at the invitation of Frank Damrosch, he became a founding teacher of the Institute of Musical Arts, forerunner of the Juilliard School of Music. He taught at Juilliard until his death. While still at the Royal College, Friskin met composer and violist Rebecca Clarke (18861979). His 191 ...
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Antonín Kubálek
Antonín Kubálek (November 8, 1935January 18, 2011) was a Czech-Canadian classical pianist. Life and career Kubálek was born in Libkovice, Most District, Czechoslovakia and studied in Prague with Czech pianist František Maxián. He emigrated to Canada in 1968 and settled in Toronto. During his time in Canada, Kubálek performed in solo, chamber and orchestral concerts. Antonin Kubálek's artistry and musicianship commanded respect and admiration from audiences and critics internationally. He received three standing ovations following his performance in the Rudolfinum at the 2002 Prague Spring Festival. In November 2002, Kubálek was recognized by the Czech Music Council with a UNESCO honorary award. His exceptionally wide repertoire contained Czech and Canadian music, including contemporary pieces; but also romantic works by Chopin, Schumann, and especially Brahms, for which he is considered to be one of the foremost performers of recent times. A respected educator, Kubále ...
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Vladimir Horowitz
Vladimir Samoylovich Horowitz (November 5, 1989) was a Russian and American pianist. Considered one of the greatest pianists of all time, he was known for his virtuoso technique, timbre, and the public excitement engendered by his playing. Life and early career Horowitz was born on October 1, 1903, in Kiev, then in the Russian Empire (now Ukraine).Schonberg, 1992. According to Nicolas Slonimsky, Horowitz was born in Berdichev, a city near Zhitomir in the Volhynian Governorate. However, his birth certificate states that Kiev was his birthplace. He was the youngest of four children of Samuil Horowitz and Sophia (''née'' Bodik), who were Jewish assimilation, assimilated Jews. His father was a well-to-do electrical engineer and a distributor of electric motors for German manufacturers. His grandfather Joachim was a merchant (and an arts-supporter), belonging to the First Merchant's Guild, which exempted him from having to reside in the Pale of Settlement. In order to make him appea ...
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Sony Music Entertainment
Sony Music Entertainment (SME), commonly known as Sony Music, is an American multinational music company owned by Japanese conglomerate Sony Group Corporation. It is the recording division of Sony Music Group, with the other half being the publishing division, Sony Music Publishing. Founded in 1929 as American Record Corporation, it was acquired by the Columbia Broadcasting System in 1938 and renamed Columbia Recording Corporation. In 1966, the company was reorganized to become CBS Records. Sony bought the company in 1988 and renamed it SME in 1991. In 2004, Sony and Bertelsmann established a 50–50 joint venture known as Sony BMG to handle the operations of Sony Music and Bertelsmann Music Group (BMG), but Sony bought out Bertelsmann's stake four years later and reverted to using the 1991 company name. This buyout led to labels formerly under BMG ownership, including Arista, Jive, LaFace and J Records into former BMG and currently Sony's co-flagship record label ...
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Andreas Haefliger
Andreas Haefliger (born September 11, 1962) is a German-born Swiss pianist. Early life and education Born in Berlin on September 11, 1962, Haefliger is the youngest son of famed tenor Ernst Haefliger and interior designer and architect Anna Golin. He grew up in Berlin until the age of eight, when the family relocated to Munich, Germany. At the age of 15, Haefliger moved to New York City. A musically precocious child, Andreas began playing the piano before his fourth birthday, studying with Elisabeth Dounias-Sindermann and started performing publicly at age six. At age 12 he was accepted as the only non-college-aged student in the class of Hans Leygraf at the Mozarteum Salzburg. Since an early age he was surrounded by intense vocal artistry, being required to accompany his father’s students, thereby acquiring the beginnings of what would become a highly individual vocal piano sound, and a sense of natural lyricism in his music-making. At age 15, Andreas moved to New York City ...
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Maria Grinberg
Maria Grinberg ( Russian: Mария Израилевна Гринберг, Marija Israilevna Grinberg; September 6, 1908 – July 14, 1978) was a Russian pianist. Biography She was born in Odessa, Russian Empire. Her father was a Hebrew scholar and her mother taught piano privately. Until the age of 18, Maria took piano lessons from Odessa's noted teacher David Aisberg. Eventually she became a pupil of Felix Blumenfeld (who also taught Vladimir Horowitz) and later, after his death, continued her studies with Konstantin Igumnov at the Moscow Conservatory. In 1935, she won the Second Prize at the Second All-Union Pianist Competition. Grinberg became a major figure of the Russian piano school. She was married to baritone Peter Kirichek, with whom she also performed. In 1935 she married the Polish poet, publicist and communist Stanislaw Stande, who emigrated to the Soviet Union in 1931. With him she had a daughter, Nika, who was also a pianist. However, in 1937 both her hus ...
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Philips Classics Records
Philips Classics Records, commonly referred to as Philips Classics, was a classical music label founded by PolyGram that existed from 1983 until 2009. A new division called Philips Classics Productions was set up to manage the Philips Classics label. It was successful with artists including Alfred Brendel, Sir John Eliot Gardiner, Sir Neville Marriner and the Academy of St. Martin in the Fields, Mitsuko Uchida, Julian Lloyd Webber, Sir Colin Davis and André Rieu. A significant release by the label was the 180-CD ''The Complete Mozart Edition'', which featured all works by Wolfgang Amadeus Mozart, known at the set's publication in 1990–1991 for the bicentenary of the composer's death. It was re-released as the ''Complete Compact Mozart Edition''. In 1997, Philips Classics Productions was reorganized as Philips Music Group. Parent Universal Music Group, which was formed in 1999 from the merger of the PolyGram and MCA families of labels, merged the label into Decca Records ...
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Claudio Arrau
Claudio Arrau León (; February 6, 1903June 9, 1991) was a Chilean and American pianist known for his interpretations of a vast repertoire spanning the baroque music, baroque to 20th-century classical music, 20th-century composers, especially Bach, Wolfgang Amadeus Mozart, Mozart, Ludwig van Beethoven, Beethoven, Franz Schubert, Schubert, Frédéric Chopin, Chopin, Robert Schumann, Schumann, Franz Liszt, Liszt and Johannes Brahms, Brahms. He is widely considered one of the greatest pianists of the twentieth century. Life Arrau was born in Chillán, Chile, to Carlos Arrau, an ophthalmologist who died when Claudio was only one year old, and Lucrecia León Bravo de Villalba, a piano teacher. He belonged to an old, prominent family of Southern Chile. His ancestor Lorenzo de Arrau was a Spanish people, Spanish engineer who was sent to Chile by King Charles III of Spain, Carlos III of Spain. Through his great-grandmother, María del Carmen Daroch del Solar, Arrau was a descendant of t ...
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Arabeske (Schumann)
''Arabeske in C major, Op. 18'' is a composition by Robert Schumann, written in 1839 when he was 29 years old. He dedicated it to Frau Majorin Friederike Serre auf Maxen, to whom he also dedicated his ''Blumenstück in D-flat'', Op. 19. In the autumn of 1838 Schumann had left Leipzig for Vienna. His relationship with Clara Wieck had reached a point of no return, as her father vehemently opposed anything that might interfere with his daughter's career as a pianist and strongly disapproved of Schumann as a possible son-in-law. Geographically yet not emotionally detached from Clara, he was able to communicate with her only through letters and in his own music. This has been proposed as an explanation for this work, which alternates passages of wistful longing with more robust, declamatory episodes. Background In Vienna, Schumann found himself beset by depression and professional disappointment. Nevertheless, he managed to create a few compositions of remarkable grace and beguiling ...
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Coda (music)
In music, a coda (; ; plural ) is a passage (music), passage that brings a piece (or a movement (music), movement) to an end. It may be as simple as a few bar (music), measures, or as complex as an entire section (music), section. In classical music The presence of a coda as a structural element in a movement is especially clear in works written in particular musical forms. Codas were commonly used in both sonata form and Variation (music), variation movements during the Classical era. In a sonata form movement, the recapitulation (music), recapitulation section will, in general, follow the exposition (music), exposition in its thematic content, while adhering to the home key (music), key. The recapitulation often ends with a passage that sounds like a termination, paralleling the music that ended the exposition; thus, any music coming after this termination will be perceived as extra material, i.e., as a coda. In works in variation form, the coda occurs following the last va ...
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March (music)
A march, as a musical genre, is a piece of music with a strong regular rhythm which in origin was expressly written for marching to and most frequently performed by a military band. In mood, marches range from the moving death march in Wagner's ''Götterdämmerung'' to the brisk military marches of John Philip Sousa and the martial hymns of the late 19th century. Examples of the varied use of the march can be found in Beethoven's ''Eroica'' Symphony, in the Marches Militaires of Franz Schubert, in the Marche funèbre in Chopin's Sonata in B flat minor, the "'' Jäger March''" in the by Jean Sibelius, and in the Dead March in Handel's ''Saul''. Characteristics Marches can be written in any time signature, but the most common time signatures are , ('' alla breve'' , although this may refer to 2 time of Johannes Brahms, or ''cut time''), or . However, some modern marches are being written in or time. The modern march tempo is typically around 120 beats per minute. M ...
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