Three Concert Études (Liszt)
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Three Concert Études (Liszt)
Three Concert Études (''Trois études de concert''), S.144, is a set of three piano études by Franz Liszt, composed between 1845–49 and published in Paris as ''Trois caprices poétiques'' with the three individual titles as they are known today. As the title indicates, they are intended not only for the acquisition of a better technique, but also for concert performance. Liszt was himself a virtuoso pianist and was able to easily play many complex patterns generally considered difficult. The Italian subtitles now associated with the études—''Il lamento'' ("The Lament"), ''La leggierezza'' ("Lightness"), and ''Un sospiro'' ("A sigh")—first appeared in the French edition. Étude No. 1, ''Il lamento'' ''Il lamento'' is the first of the études. Written in A-flat major, it is among Liszt's longest pieces in the genre. It starts with a four-note lyrical melody which folds itself through the work, followed by a Chopin-like chromatic pattern which reappears again in the coda. ...
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List Of Compositions By Franz Liszt (S
Hungarian Romantic music, Romantic composer Franz Liszt (1811–1886) was especially prolific, composing more than 700 works. A virtuoso pianist himself, much of his output is dedicated to solo works for the instrument and is particularly technically demanding. The primary cataloguing system for his compositions was developed by Humphrey Searle; it has been thoroughly revamped by Michael Short and Leslie Howard (musician), Leslie Howard. Legend The table below gives the following information for works by Franz Liszt (where applicable): # S. — numbering as given in Humphrey Searle, ''The Music of Liszt'', 1966 (with additions by Sharon Winklhofer and Leslie Howard (musician), Leslie Howard). A number sign (#) signifies that a number is no longer in use. # LW. — numbering by R. Charnin Mueller and M. Eckhardt referenced in ''Grove Music Online'' (2010) # Title — normally following the New Liszt Edition' and Library of Congress', as well as other authoritative sources # Forc ...
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Cadenza
In music, a cadenza, (from , meaning cadence; plural, ''cadenze'' ) is, generically, an improvised or written-out ornamental passage played or sung by a soloist(s), usually in a "free" rhythmic style, and often allowing virtuosic display. During this time the accompaniment will rest, or sustain a note or chord. Thus an improvised cadenza is indicated in written notation by a fermata in all parts. A cadenza will usually occur over either the final or penultimate note in a piece, the lead-in (), or the final or penultimate note in an important subsection of a piece. A cadenza can also be found before a final coda or ritornello. Origin Initially, cadenzas were more simple and structured - a performer would add small embellishments such as trills to the end of cadences. These small embellishments of the early cadenza did not affect meter. However, as the improvised embellishments continued, they became longer and more thought out. This made way for the 'composed' cade ...
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Claudio Arrau
Claudio Arrau León (; February 6, 1903June 9, 1991) was a Chilean and American pianist known for his interpretations of a vast repertoire spanning the baroque music, baroque to 20th-century classical music, 20th-century composers, especially Bach, Wolfgang Amadeus Mozart, Mozart, Ludwig van Beethoven, Beethoven, Franz Schubert, Schubert, Frédéric Chopin, Chopin, Robert Schumann, Schumann, Franz Liszt, Liszt and Johannes Brahms, Brahms. He is widely considered one of the greatest pianists of the twentieth century. Life Arrau was born in Chillán, Chile, to Carlos Arrau, an ophthalmologist who died when Claudio was only one year old, and Lucrecia León Bravo de Villalba, a piano teacher. He belonged to an old, prominent family of Southern Chile. His ancestor Lorenzo de Arrau was a Spanish people, Spanish engineer who was sent to Chile by King Charles III of Spain, Carlos III of Spain. Through his great-grandmother, María del Carmen Daroch del Solar, Arrau was a descendant of t ...
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Jorge Bolet
Jorge Bolet (November 15, 1914October 16, 1990) was a Cuban-born American concert pianist, conductor and teacher. Among his teachers were Leopold Godowsky, and Moriz Rosenthal – the latter a renowned pupil of Franz Liszt. Life Bolet was born in Havana and studied at the Curtis Institute of Music in Philadelphia, where he himself taught from 1939 to 1942. His teachers included Leopold Godowsky, Josef Hofmann, David Saperton, Moriz Rosenthal and Fritz Reiner."Bolet, Jorge"
''Grove Music Online'', 2007. Accessed June 2, 2007.
In 1937, he won the Naumburg Competition and gave his debut recital. In 1942, Bolet joined the US Army. He was sent to Japan as part of the Army of ...
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Van Cliburn
Harvey Lavan "Van" Cliburn Jr. (July 12, 1934February 27, 2013) was an American pianist. At the age of 23, Cliburn achieved worldwide recognition when he won the inaugural International Tchaikovsky Competition in Moscow in 1958 during the Cold War. Cliburn's mother, a piano teacher and an accomplished pianist in her own right, discovered him playing at age three, mimicking one of her students, and arranged for him to start taking lessons. Cliburn developed a rich, round tone and a singing-voice-like phrasing, having been taught from the start to sing each piece. Cliburn toured domestically and overseas. He played for royalty, heads of state, and every US president from Harry S. Truman to Barack Obama. Early life Harvey Lavan Cliburn Jr. was born in Shreveport, Louisiana, the son of Rildia Bee (''née'' O'Bryan) and Harvey Lavan Cliburn Sr. When he was three, he began taking piano lessons from his mother, who had studied under Arthur Friedheim, a pupil of Franz Liszt. When Cli ...
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Liszt Sospiro Concert Etude Opening
Franz Liszt (22 October 1811 – 31 July 1886) was a Hungarian composer, virtuoso pianist, conductor and teacher of the Romantic music, Romantic period. With a diverse List of compositions by Franz Liszt, body of work spanning more than six decades, he is considered to be one of the most prolific and influential composers of his era, and his piano works continue to be widely performed and recorded. Liszt achieved success as a concert pianist from an early age, and received lessons from the esteemed musicians Carl Czerny and Antonio Salieri. He gained further renown for his performances during tours of Europe in the 1830s and 1840s, developing a reputation for technical brilliance as well as physical attractiveness. In a phenomenon dubbed "Lisztomania", he rose to a degree of stardom and popularity among the public not experienced by the virtuosos who preceded him. During this period and into his later life, Liszt was a friend, musical promoter and benefactor to many composer ...
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