This Is For The Lover In You
"This Is for the Lover in You" is a song written by Howard Hewett, member of the trio Shalamar, and songwriter Dana Meyers. The track was originally recorded by Shalamar and appeared on their 1980 Platinum album, '' Three for Love''. The song was the third single released from their album, ''Three for Love''. The single peaked at No. 17 on the U.S. R&B chart in 1981. In 2009, ''Essence'' magazine included the song in their list of the "25 Best Slow Jams of All Time". The song's main melody bears resemblance to Teddy Pendergrass' hit " Close the Door" (1978) and Michael Jackson's hit "Rock with You" (1979). Charts Babyface version "This Is for the Lover in You" was later remade by American singer, songwriter, and record producer Babyface for his fourth studio album, '' The Day'' (1996). It features LL Cool J and the former members of Shalamar: Howard Hewett, Jody Watley, and Jeffrey Daniel. The Babyface version was a successful hit, reaching #6 on the US Hot 100 chart, ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Shalamar
Shalamar () is an American R&B and soul music vocal group created by Dick Griffey and Don Cornelius in 1977 and active throughout the 1980s. Shalamar's classic lineup on the SOLAR label consisted of Howard Hewett, Jody Watley, and Jeffrey Daniel. It was originally a disco-driven group created by ''Soul Train'' booking agent Dick Griffey and show creator and producer Don Cornelius. They went on to be an influential dance trio managed by Dick Griffey. Initially signed to Soul Train Records they transferred to Griffey's Solar Records after the Cornelius-Griffey Entertainment company was dissolved. According to ''British Hit Singles & Albums'', they were fashion icons and trendsetters, and helped to introduce " body-popping" to the United Kingdom. Their name was created by Griffey. Career The first hit credited to Shalamar was " Uptown Festival" (1977), which was recorded at Ike & Tina Turner's studio Bolic Sound in 1976. It was released on Soul Train Records. Its success ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Contemporary R&B
Contemporary R&B (or simply R&B) is a popular music Music genre, genre, originating from African Americans, African-American musicians in the 1980s that combines rhythm and blues with elements of Pop music, pop, Soul music, soul, funk, Hip-hop, hip hop, and electronic music. The genre features a distinctive Record producer, record production style and a smooth, lush style of vocal arrangement. Electronic music, Electronic influences and the use of hip hop or electronic dance music, dance-inspired beat (music), beats are typical, although the roughness and grit inherent in hip hop may be reduced and smoothed out. Contemporary R&B vocalists often use melisma, and since the mid-1980s, R&B rhythms have been combined with elements of hip hop culture and music, pop culture and pop music. Precursors According to Geoffrey Himes speaking in 1989, the progressive soul movement of the early 1970s "expanded the musical and lyrical boundaries of [R&B] in ways that haven't been equaled since" ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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US R&B
The Hot R&B/Hip-Hop Songs chart ranks the most popular R&B and hip hop songs in the United States and is published weekly by ''Billboard''. Rankings are based on a measure of radio airplay, sales data, and streaming activity. The chart had 100 positions but was shortened to 50 positions in October 2012. The chart is used to track the success of popular music songs in urban, or primarily African-American, venues. Dominated over the years at various times by jazz, rhythm and blues, doo-wop, rock and roll, soul, and funk, it is today dominated by contemporary R&B and hip hop. Since its inception, the chart has changed its name many times in order to accurately reflect the industry at the time. History Beginning in 1942, ''Billboard'' published a chart of bestselling African-American music, first as the Harlem Hit Parade, then as Race Records. Then in 1949, ''Billboard'' began publishing a Rhythm and Blues chart, which entered "R&B" into mainstream lexicon. These three charts were c ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Billboard Hot 100
The ''Billboard'' Hot 100, also known as simply the Hot 100, is the music industry standard record chart in the United States for songs, published weekly by '' Billboard'' magazine. Chart rankings are based on sales (physical and digital), online streaming, and radio airplay in the U.S. A new chart is compiled and released online to the public by ''Billboard''s website on Tuesdays but post-dated to the following Saturday, when the printed magazine first reaches newsstands. The weekly tracking period for sales is currently Friday–Thursday, after being changed in July 2015. It was initially Monday–Sunday when Nielsen started tracking sales in 1991. This tracking period also applies to compiling online streaming data. Radio airplay is readily available on a real-time basis, unlike sales figures and streaming, but is also tracked on the same Friday–Thursday cycle, effective with the chart dated July 17, 2021. Previously, radio was tracked Monday–Sunday and, before Ju ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Off The Hook (Jody Watley Song)
"Off the Hook" is a song by American singer Jody Watley, released in February 1998 by Atlantic as the first single from the singer's sixth album, ''Flower'' (1998). The song was written by Charles Pendleton, Cassandra Lucas, Darryl Floyd and D Reed, and produced by Malik Pendleton. It was the first single released by Watley to reach the US ''Billboard'' Hot 100 since 1993, peaking at number 73. The song also reached the ''Billboard'' Hot R&B Singles chart, peaking at number 23 and became her fifth chart topper on the ''Billboard'' Hot Dance Club Play chart. In the UK, "Off the Hook" charted on the UK Singles Chart, reaching number 51. A remixed version featuring rapper Rakim was also released. Critical reception A reviewer from ''Music Week'' remarked that the song "sees her shaking off the dance rhythms of " Real Love" for a more downtempo R&B groove", and added that it "finds the one-time Grammy winner at her most seductive with an intimately sensual vocal performance which is ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Affection (Jody Watley Song)
Affection or fondness is a "disposition or state of mind or body" commonly linked to a feeling or type of love. It has led to multiple branches in philosophy and psychology that discuss emotion, disease, influence, and state of being. Often, "affection" denotes more than mere goodwill or friendship. Writers on ethics generally use the word to refer to distinct states of feeling, both lasting and temporary. Some contrast it with ''passion'' as being free from the distinctively sensual element. Affection can elicit diverse emotional reactions such as embarrassment, disgust, pleasure, and annoyance. The emotional and physical effect of affection also varies between the giver and the receiver. Restricted definition Sometimes the term is restricted to emotional states directed towards living entities, including humans and animals. Affection is often compared with passion, stemming from the Greek word . Consequently, references to affection are found in the works of philosophers ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Ain't Nobody
"Ain't Nobody" is a song by American funk band Rufus and American singer Chaka Khan. It was released on November 4, 1983, by Warner Bros., as one of four studio tracks included on their live album, ''Stompin' at the Savoy'' (1983). "Ain't Nobody" quickly gathered popularity, and reached number one on the US ''Billboard'' R&B chart and number 22 on the US ''Billboard'' Hot 100. In 1984 at the 26th Annual Grammy Awards, "Ain't Nobody" won for Best R&B Performance by a Duo or Group with Vocal. It has become one of Khan's signature songs. Rufus keyboardist David "Hawk" Wolinski wrote the song around a repeating synthesizer loop backed by a Linn LM-1 drum computer; however, John "JR" Robinson, the band's drummer, played real drums for the recording session. The band held a democratic vote, and they decided to include the song in their album repertoire. Once the song was recorded, Warner executives wanted to issue another song as the album's first single. Wolinski threatened to ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Loungin
"Loungin" is a song by American rapper LL Cool J, released on June 25, 1996 as the third and final single from his sixth studio album '' Mr. Smith''. Issued by Def Jam Recordings, the LP version was produced by Rashad "Ringo" Smith and featured backing vocals by R&B duo Terri & Monica. The Radio Remix Edit, titled "Loungin (Who Do Ya Luv)", was featured on the soundtrack to Paramount and Nickelodeon's 1997 comedy film '' Good Burger'', remixed by Trackmasters and featuring backing vocals by R&B group Total. "Loungin (Who Do Ya Luv)" was also featured in the compilation '' All World: Greatest Hits'' and also appeared in an episode of LL's sitcom, '' In the House''. Reception The single was a success, peaking at number three on the ''Billboard'' Hot 100, number one on Hot Rap Singles and number four on Hot R&B/Hip-Hop Songs. It sold 1.3 million copies, earning a platinum certification from the RIAA. Samples This original LP version features a sample of " Nite and Day" b ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Slow Jams
"Slow Jams" is a song by American musician Quincy Jones from his studio album ''Q's Jook Joint'' (1995). Written and produced by Rod Temperton, vocals for the song were initially recorded by Babyface (musician), Babyface, Portrait (group), Portrait, Barry White and SWV. A remix version, released in 1996 as the album's second single, replaced the latter's vocals with Tamia. A commercial success, it peaked at number 2 on the New Zealand Singles Chart and reached the top 20 on ''Billboard''s Hot R&B/Hip-Hop Songs, Hot R&B Singles chart. The original version featuring SWV earned a nomination for Best R&B Performance by a Duo or Group with Vocals at the 39th Grammy Awards in 1997. Charts Weekly charts Year-end charts Certifications References {{Authority control 1995 songs 1996 singles Quincy Jones songs Tamia songs Barry White songs Song recordings produced by Quincy Jones Songs written by Rod Temperton Contemporary R&B ballads 1990s ballads Qwest Records singles ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Bryce Wilson
Bryce Wilson (born October 7, 1972) is an American record producer, entrepreneur and actor. He was one half of the 1990s duo Groove Theory, and a former member of the dance/ electro hip-hop group Mantronix. Mantronix MC and keyboardist Following the departure of electro-funk/hip hop group Mantronix's original rapper MC Tee, Wilson (then known as Bryce "Luvah" or MC Luvah), and D.J. D, the cousin of the remaining Mantronix member Kurtis Mantronik, joined Mantronix for 1990's '' This Should Move Ya''. The album spawned two top-10 hits on the UK Singles Chart, " Got to Have Your Love" at No. 4, and "Take Your Time" at No. 10. In the United States, the album reached No. 61 on the Top R&B/Hip-Hop Albums chart. Wilson was the primary rapper on all of the rap-based tracks that appeared on the album, and was responsible for the lyrical content. Mantronix's final release, with vocalist Jade Trini replacing D.J. D, was '' The Incredible Sound Machine'' in 1991. ''The Incredible ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |