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Thirteenth (other)
In music or music theory, a thirteenth is the note thirteen scale degrees from the root of a chord and also the interval between the root and the thirteenth. The thirteenth is most commonly major or minor . A thirteenth chord is the stacking of six ( major or minor) thirds, the last being above the 11th of an eleventh chord. Thus a thirteenth chord is a tertian (built from thirds) chord containing the interval of a thirteenth, and is an extended chord if it includes the ninth and/or the eleventh. "The jazzy thirteenth is a very versatile chord and is used in many genres." Since 13th chords tend to become unclear or confused with other chords when inverted, they are generally found in root position.Benward & Saker (2009). ''Music in Theory and Practice: Volume II'', p.179. Eighth Edition. . For example, depending on voicing, a major triad with an added major sixth is usually called a sixth chord , because the sixth serves as a substitution for the major seventh, thus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Major Thirteenth On F
Major (Commandant (rank), commandant in certain jurisdictions) is a military rank of commissioned officer status, with corresponding ranks existing in many military forces throughout the world. When used unhyphenated and in conjunction with no other indicators, major is one rank above Captain (land), captain, and one rank below lieutenant colonel. It is considered the most junior of the field officer ranks. Background Majors are typically assigned as specialised executive or operations officers for battalion-sized units of 300 to 1,200 soldiers while in some nations, like Germany, majors are often in command of a Company (military unit), company. When used in hyphenated or combined fashion, the term can also imply seniority at other levels of rank, including ''general-major'' or ''major general'', denoting a low-level general officer, and ''sergeant major'', denoting the most senior non-commissioned officer (NCO) of a military unit. The term ''major'' can also be used wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Inverted Chord
In music theory, an inversion is a type of change to intervals, chords, voices (in counterpoint), and melodies. In each of these cases, "inversion" has a distinct but related meaning. The concept of inversion also plays an important role in musical set theory. Intervals An interval is inverted by raising or lowering either of the notes by one or more octaves so that the positions of the notes reverse (i.e. the higher note becomes the lower note and vice versa). For example, the inversion of an interval consisting of a C with an E above it (the third measure below) is an E with a C above it – to work this out, the C may be moved up, the E may be lowered, or both may be moved. : The tables to the right show the changes in interval quality and interval number under inversion. Thus, perfect intervals remain perfect, major intervals become minor and vice versa, and augmented intervals become diminished and vice versa. (Doubly diminished intervals become doubly augm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chord-scale System
The chord-scale system is a method of matching, from a list of possible chords, a list of possible scales.Mervyn Cooke, David Horn (2003). '' The Cambridge companion to jazz'', p.266. . The system has been widely used since the 1970s and is "generally accepted in the jazz world today". However, the majority of older players used the chord tone/chord arpeggio method. The system is an example of the difference between the treatment of dissonance in jazz and classical harmony: "Classical treats all notes that don't belong to the chord...as potential dissonances to be resolved...Non-classical harmony just tells you which note in the scale to otentially avoid..., meaning that all the others are okay". The chord-scale system may be compared with other common methods of improvisation, first, the older traditional chord tone/chord arpeggio method, and where one scale on one root note is used throughout all chords in a progression (for example the blues scale on A for all chords of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lydian Dominant Scale
In music, the acoustic scale, overtone scale, Lydian dominant scale, Lydian 7 scale, or the Pontikonisian Scale is a seven-note synthetic scale. : This differs from the major scale in having an augmented fourth and a minor seventh scale degree. It is the fourth mode of the melodic minor ascending scale. The term "acoustic scale" is sometimes used to describe a particular mode of this seven-note collection (e.g. the specific ordering C–D–E–F–G–A–B) and is sometimes used to describe the collection as a whole (e.g. including orderings such as E–F–G–A–B–C–D). History In traditional music, the overtone scale persists in the music of peoples of South Siberia, especially in Tuvan music. Overtone singing and the sound of the Jew's harp are naturally rich in overtones, but melodies performed on the igil (bowed instrument distantly related to the violin) and plucked string instruments such as the doshpuluur or the chanzy also often follow the overtone sc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mixolydian Mode
Mixolydian mode may refer to one of three things: the name applied to one of the ancient Greek ''harmoniai'' or ''tonoi'', based on a particular octave species or scale; one of the medieval church modes; or a modern musical mode or diatonic scale, related to the medieval mode. (The Hypomixolydian mode of medieval music, by contrast, has no modern counterpart.) The modern diatonic mode is the scale forming the basis of both the rising and falling forms of Harikambhoji in Carnatic music, the classical music form of southern India. Greek Mixolydian The idea of a Mixolydian mode comes from the music theory of ancient Greece. The invention of the ancient Greek Mixolydian mode was attributed to Sappho, the poet and musician. However, what the ancient Greeks thought of as Mixolydian is very different from the modern interpretation of the mode. The prefix ''mixo''- (μιξο-) means "half", referring to its resemblance to the Lydian mode. In Greek theory, the Mixolydian ''tonos'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prelude To The Afternoon Of A Faun Dominant Thirteenth Chord
Prelude may refer to: Music * Prelude (music), a musical form * Prelude (band), an English-based folk band * Prelude Records (record label), a former New York-based dance independent record label *Chorale prelude, a short liturgical composition for organ using a chorale as its basis Albums and songs * ''Prelude'' (EP), a 2017 EP by April * ''Prelude'' (Jack McDuff album), a 1963 album by jazz organist Brother Jack McDuff * ''Prelude'' (The Moody Blues album), 1987 album by The Moody Blues * ''Prelude'' (Deodato album), a 1973 album by Eumir Deodato *"Prelude", a song by Pete Townshend from '' All the Best Cowboys Have Chinese Eyes'' *"Prelude", a song by Flobots from '' Flobots Present... Platypus'' *"Prelude", a song by Killswitch Engage from ''Killswitch Engage'' (2000 album) *'' Preludes: Rare and Unreleased Recordings'', an album by Warren Zevon *"Prelude", a song by the Sword from '' Used Future'' *"Prelude", a song by Hieroglyphics from '' Full Circle'' *''Prelude'', an EP ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Four-part Harmony
The term "four-part harmony" refers to music written for four voices, or for some other musical medium—four musical instruments or a single keyboard instrument, for example—for which the various musical parts can give a different note for each chord of the music. The four main voices are typically labelled as soprano (or treble and countertenor), alto ( contralto, countertenor or mezzo), tenor, and bass. Because the human voice has a limited range, different voice types are usually not able to sing pitches that lie outside of their specific range. The effort required to perform four-part harmony varies greatly. Pieces written in such a style can be usually executed by a single keyboard player, a group of 4 instruments (or singers), or even a large choir with multiple singers per part. In European classical music In the baroque era, a set of rules developed for voice leading in four-part harmony. In these rules, the bass voice would be assigned the root of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Diatonic Function
In music, function (also referred to as harmonic function) is a term used to denote the relationship of a chord"Function", unsigned article, ''Grove Music Online'', . or a scale degree to a tonal centre. Two main theories of tonal functions exist today: * The German theory created by Hugo Riemann in his ''Vereinfachte Harmonielehre'' of 1893, which soon became an international success (English and Russian translations in 1896, French translation in 1899), and which is the theory of functions properly speaking."It was Riemann who coined the term 'function' in ''Vereinfachte Harmonielehre'' (1893) to describe relations between the dominant and subdominant harmonies and the referential tonic: he borrowed the word from mathematics, where it was used to designate the correlation of two variables, an 'argument' and a 'value'". Brian Hyer, "Tonality", ''Grove Music Online'', . Riemann described three abstract tonal "functions", tonic, dominant and subdominant, denoted by the letters T, D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dominant (music)
In music, the dominant is the fifth scale degree () of the diatonic scale. It is called the ''dominant'' because it is second in importance to the first scale degree, the tonic. In the movable do solfège system, the dominant note is sung as "So(l)". The triad built on the dominant note is called the dominant chord. This chord is said to have dominant function, which means that it creates an instability that requires the tonic for resolution. Dominant triads, seventh chords, and ninth chords typically have dominant function. Leading-tone triads and leading-tone seventh chords may also have dominant function. Dominant chords In music theory, the dominant triad is a major chord, symbolized by the Roman numeral "V" in the major scale. In the natural minor scale, the triad is a minor chord, denoted by "v". However, in a minor key, the seventh scale degree is often raised by a half step ( to ), creating a major chord. These chords may also appear as seventh chord ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dominant Thirteenth Chord On C 4 Voice
Domination or dominant may refer to: Society * World domination, which is mainly a conspiracy theory * Colonialism in which one group (usually a nation) invades another region for material gain or to eliminate competition * Chauvinism in which a person or group consider themselves to be superior, and thus entitled to use force to dominate others * Sexual dominance involving individuals in a subset of BDSM behaviour * Hierarchy * Patriarchy Music * Dominant (music), a diatonic scale step and diatonic function in tonal music theory * Dominant seventh chord, a four-note chord consisting of a major triad and a minor seventh * ''Domination'' (Cannonball Adderley album), 1965 * ''Domination'' (Domino album), 2004 * ''Domination'' (Morbid Angel album), 1995 * ''Domination'' (Morifade album), 2004 * "Domination", a song by Band-Maid from '' World Domination'' * " Domination", a song by Pantera from '' Cowboys from Hell'' * "Domination", a song by Symphony X from ''Paradise Lost'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guitar
The guitar is a fretted musical instrument that typically has six strings. It is usually held flat against the player's body and played by strumming or plucking the strings with the dominant hand, while simultaneously pressing selected strings against frets with the fingers of the opposite hand. A plectrum or individual finger picks may also be used to strike the strings. The sound of the guitar is projected either acoustically, by means of a resonant chamber on the instrument, or amplified by an electronic pickup and an amplifier. The guitar is classified as a chordophone – meaning the sound is produced by a vibrating string stretched between two fixed points. Historically, a guitar was constructed from wood with its strings made of catgut. Steel guitar strings were introduced near the end of the nineteenth century in the United States; nylon strings came in the 1940s. The guitar's ancestors include the gittern, the vihuela, the four-course Renaissance guitar, an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sixth Chord
The term ''sixth chord'' refers to two different kinds of chord, the first in classical music and the second in modern popular music. The original meaning of the term is a ''chord in first inversion'', in other words with its third in the bass and its root a sixth above it. This is how the term is still used in classical music today, and in this sense it is called also a chord of the sixth. A first-inversion C major chord is shown below. In modern popular music, a sixth chord is any triad with an added sixth above the root as a chord factor. This was traditionally (and in classical music is still today) called an '' added sixth chord'' or ''triad with added sixth'' since Jean-Philippe Rameau (''sixte ajoutée'') in the 18th century. It is not common to designate chord inversions in popular music, so there is no need for a term designating the first inversion of a chord, and so the term ''sixth chord'' in popular music is a short way of saying ''added sixth chord''. When ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
