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Things We Like
''Things We Like'' is an instrumental jazz album by Scottish musician Jack Bruce. The album was Bruce's second solo album to be released (in late 1970 in the U.K.; early 1971 in the U.S.) but first to be recorded, in August 1968, while he was still a member of the rock and roll, rock power trio Cream (band), Cream. ''Things We Like'' is Bruce's only instrumental album, mostly containing tunes that Bruce claims to have composed in 1955, when he was twelve years of age. The album also prominently features Bruce's technique on the double bass, an instrument he rarely otherwise recorded with. Whereas most of Bruce's prior recorded work was in the rock music, rock or blues music genres, ''Things We Like'' is a jazz album, in particular drawing from 1950s bebop and 1960s free jazz influences. The album did not chart upon its release. Bruce had previously worked with two of his backing musicians on ''Things We Like'' – guitarist John McLaughlin (musician), John McLaughlin and sax ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
IBC Studios
The IBC Recording Studios were independent recording studios located at 35 Portland Place in London, England. In the 1960s and 1970s, the studios become internationally famous after being used by recording artists such ase Status Quo, the Kinks, the Who, Bee Gees, Cream and others. History In 1930, Leonard Plugge established the International Broadcasting Company (IBC) as a commercial rival to the BBC, with IBC's studios utilised for radio production work. In the years following World War II, IBC's work gradually shifted from radio production to music production and, in 1962, Plugge sold the studios to BBC conductor Eric Robinson and musician George Clouston. Bolstered by the success of clients such as the Who, IBC was regarded as one of the top recording studios in London in the late 1960s. In July, 1978, IBC was bought by musician Chas Chandler, who renamed them Portland Recording Studios. The address was also home to George Peckham's cutting rooms (Porky Prime Cuts) an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bebop
Bebop or bop is a style of jazz developed in the early to mid-1940s in the United States. The style features compositions characterized by a fast tempo (usually exceeding 200 bpm), complex chord progressions with rapid chord changes and numerous Modulation (music), changes of key, instrumental virtuosity, and Jazz improvisation, improvisation based on a combination of harmonic structure, the use of scales, and occasional references to the melody. Bebop developed as the younger generation of jazz musicians expanded the creative possibilities of jazz beyond the popular, dance-oriented swing music-style to a new "musician's music" that was not as danceable and demanded close listening.Lott, Eric. Double V, Double-Time: Bebop's Politics of Style. Callaloo, No. 36 (Summer, 1988), pp. 597–605 As bebop was not intended for dancing, it enabled the musicians to play at faster tempos. Bebop musicians explored advanced harmonies, complex syncopation, altered chords, extended chords, cho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arrangement
In music, an arrangement is a musical adaptation of an existing composition. Differences from the original composition may include reharmonization, melodic paraphrasing, orchestration, or formal development. Arranging differs from orchestration in that the latter process is limited to the assignment of notes to instruments for performance by an orchestra, concert band, or other musical ensemble. Arranging "involves adding compositional techniques, such as new thematic material for introductions, transitions, or modulations, and endings. Arranging is the art of giving an existing melody musical variety".(Corozine 2002, p. 3) In jazz, a memorized (unwritten) arrangement of a new or pre-existing composition is known as a ''head arrangement''. Classical music Arrangement and transcriptions of classical and serious music go back to the early history of classical music. Eighteenth century J. S. Bach frequently made arrangements of his own and other composers' p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and is a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano Saxophone
The soprano saxophone is a small, high-pitched member of the saxophone family of woodwind instruments invented in the 1840s by Belgian instrument maker Adolphe Sax. Built in B♭ an octave above the tenor saxophone (or rarely, slightly smaller in C), the soprano is the third-smallest member of the saxophone family, which consists (from smallest to largest) of the soprillo, sopranino, soprano, alto, tenor, baritone, bass, contrabass, and subcontrabass. The soprillo and sopranino are rare instruments, making the soprano the smallest saxophone in common use. The instrument A transposing instrument pitched in the key of B, the modern soprano saxophone with a high F key has a range from concert A3 to E6 (written low B to high F) and is therefore pitched one octave above the tenor saxophone. There is also a soprano saxophone pitched in C, which is uncommon; most examples were produced in America in the 1920s. The soprano has all the keys of other saxophone models (with the e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Wells (songwriter)
Robert Wells (born Robert Levinson, October 15, 1922 – September 23, 1998) was an American songwriter, composer, screenwriter and television producer. During his early career, he collaborated with Mel Tormé, writing several hit songs, most notably "The Christmas Song" in 1945. Later, he became a prolific writer and producer for television, for such shows as '' The Dinah Shore Chevy Show'', as well as for numerous variety specials, such as ''If They Could See Me Now'', starring Shirley MacLaine. He was nominated for several Academy Awards and won six Emmys and a Peabody Award. Early life and career Robert Wells was born to a Jewish family in 1922 in Raymond, Washington, the son of Edna Irene (Bradford) and Nathan Levinson. He attended a local business college and later the University of Southern California, where he majored in speech and drama. He served in the United States Army Air Forces during World War II. Both before and after the war, he worked as a scriptwrit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mel Tormé
Melvin Howard Tormé (September 13, 1925 – June 5, 1999), nicknamed "the Velvet Fog", was an American musician, singer, composer, arrangement, arranger, drummer, actor, and author. He composed the music for "The Christmas Song" ("Chestnuts Roasting on an Open Fire") and co-wrote the lyrics with Robert Wells (songwriter), Bob Wells. Tormé won two Grammy Awards and was nominated a total of 14 times. Early life and education Melvin Howard Tormé was born in Chicago, Illinois, to William David Tormé (born Wowe Torma, also spelled as Tarme or Tarmo), a History of the Jews in Poland, Polish Jewish immigrant from Brest, Belarus, Brest (now Belarus), and Sarah "Betty" Tormé (''née'' Sopkin), a New York City native. Named after the actor Melvyn Douglas, Tormé grew up in a home filled with music and entertainment. His father, whom he recalled as having the pure voice of a cantor, had been an amateur dancer in his youth. His aunt Faye Tormé had risen to local fame in Chicago, where, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Milt Jackson
Milton Jackson (January 1, 1923 – October 9, 1999), nicknamed "Bags", was an American jazz vibraphonist. He is especially remembered for his cool swinging solos as a member of the Modern Jazz Quartet and his penchant for collaborating with hard bop and post-bop players. A very expressive player, Jackson differentiated himself from other vibraphonists in his attention to variations on harmonics and rhythm. He was particularly fond of the twelve-bar blues at slow tempos. On occasion, Jackson also sang and played piano. Biography Jackson was born on January 1, 1923, in Detroit, Michigan, United States, the son of Manley Jackson and Lillie Beaty Jackson. Like many of his contemporaries, he was surrounded by music from an early age, particularly that of religious meetings: "Everyone wants to know where I got that funky style. Well, it came from church. The music I heard was open, relaxed, impromptu soul music" (quoted in Nat Hentoff's liner notes to '' Plenty, Plenty Soul''). ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Tony Williams Lifetime
The Tony Williams Lifetime was a jazz fusion group led by drummer Tony Williams. The band was pivotal in the development of fusion and featured various noteworthy jazz and rock musicians throughout its history, including guitarists John McLaughlin and Allan Holdsworth, keyboardists Larry Young and Alan Pasqua, and bassists Jack Bruce and Ron Carter. Original line-up The Tony Williams Lifetime was founded in 1969 as a power trio with John McLaughlin on electric guitar and Larry Young on organ. The band was possibly named for Williams' debut album as a bandleader, '' Life Time'', released on Blue Note in 1965. Its debut album was '' Emergency!'', a double album released on Polydor/ PolyGram Records in 1969. It was largely rejected by jazz listeners at the time of its release because of its heavy rock influences, but it is now looked upon as a fusion classic. Jack Bruce joined the group to provide bass and vocals on its second album, '' Turn It Over'', released in 1970. M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jon Hiseman
Philip John Albert "Jon" Hiseman (21 June 1944 – 12 June 2018) was an English drummer, audio engineer, recording engineer, record producer, and Music publisher (popular music), music publisher. He played with the Graham Bond Organisation, with John Mayall & the Bluesbreakers and later formed what has been described as the "seminal" jazz rock/progressive rock band, Colosseum (band), Colosseum. He later formed Colosseum II in 1975. He was married to saxophonist Barbara Thompson (musician), Barbara Thompson from 1967 until his death in 2018, following surgery to remove a brain tumor. Early life Hiseman was born in Woolwich, south-east London, to Lily (née Spratt) and Philip Hiseman. His mother worked at the Bank of England and his father was a lecturer at the Camberwell School of Arts and Crafts. His family included musicians, and his mother played piano and flute. Hiseman studied at the Addey and Stanhope School. He initially studied violin and piano, but eventually focused ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Graham Bond Quartet
Graham John Clifton Bond (28 October 1937 – 8 May 1974) was an English rock/blues musician and vocalist, considered a founding father of the English rhythm and blues boom of the 1960s. Bond was an innovator, described as "an important, under-appreciated figure of early British R&B", along with Cyril Davies and Alexis Korner. Jack Bruce, John McLaughlin and Ginger Baker first achieved prominence in his group, the Graham Bond Organisation. Bond was voted Britain's New Jazz Star in 1961. He was an early user of the Hammond organ/Leslie speaker combination in British rhythm and bluesColin Larkin, ''Virgin Encyclopedia of Sixties Music'', (Muze UK Ltd, 1997), , p. 69 – he "split" the Hammond for portability – and was the first rock artist to record using a Mellotron. As such he was a major influence upon later rock keyboardists: Deep Purple's Jon Lord said "He taught me, hands on, most of what I know about the Hammond organ". Biography Bond was born in Romford, Essex. Adopt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Graham Bond Organisation
The Graham Bond Organisation (GBO) were a British blues/blues rock group of the mid-1960s consisting of Graham Bond (vocals, keyboards, alto-saxophone), Jack Bruce (bass), Ginger Baker (drums), Dick Heckstall-Smith (tenor/soprano saxophone) and John McLaughlin (guitar). They recorded several albums and further recordings were issued when the group's members achieved fame in jazz rock. On original releases, the spelling of the band's name varied between the British "S" and the American "Z". History At the start of the British rhythm and blues boom the Graham Bond Organisation earned a reputation for playing aggressive R & B with prominent jazz and blues. Bond was the primary songwriter but encouraged the other musicians to contribute material, including Dick Heckstall-Smith's "Dick's Instrumental" and Ginger Baker's "Camels and Elephants", in which the drummer explored ideas he eventually developed into his signature piece "Toad". Jack Bruce's harmonica-driven version of Pete ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
