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Theodore Hauman
Theodore Hauman (Ghent, 3 July 1808 - Brussels, 21 August 1878) also written Theodor Haumann, was a Belgian violinist and teacher. Biography Theodore Hauman was a prominent Belgian violinist born in a Jewish family in Ghent. He studied violin with Joseph François Snel of the Grand théâtre of Brussels. During his training, he alternated for several periods the study of the violin, with university studies. At the behest of his parents he studied at the University of Leuven but he left it after two years to devote himself to the violin, but ultimately graduated in Law in 1830. Since 1827, he was successful soloistThe Violin and Its Music By George Hart, George Hart Ditson, 1883 p .322 in performances in Paris and devoted himself entirely to music, practicing violin for up to ten hours a day. He made a new appearance in Paris in 1832 with great success. The following year Hauman met Niccolò Paganini who took a friendly interest in him so much that he became his protégé. Hauma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theodor Haumann Litho
Theodor is a masculine given name. It is a German form of Theodore. It is also a variant of Teodor. List of people with the given name Theodor * Theodor Adorno, (1903–1969), German philosopher * Theodor Aman, Romanian painter * Theodor Blueger, Latvian professional ice hockey forward for the Pittsburgh Penguins of the National Hockey League (NHL) * Theodor Burghele, Romanian surgeon, President of the Romanian Academy * Theodor Busse, German general during World War I and World War II * Theodor Cazaban, Romanian writer * Theodor Eicke, German SS general * Theodor Fischer (fencer), German Olympic épée and foil fencer * Theodor Fontane, (1819–1898), German writer * Theodor Geisel, American writer and cartoonist, known by the pseudonym Dr. Seuss * Theodor W. Hänsch (born 1940), German physicist * Theodor Herzl, (1860–1904), Austrian-Hungary Jewish journalist and the founder of modern political Zionism * Theodor Heuss, (1884–1963), German politician and publicist * T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Niccolò Paganini
Niccolò (or Nicolò) Paganini (; ; 27 October 178227 May 1840) was an Italian violinist and composer. He was the most celebrated violin virtuoso of his time, and left his mark as one of the pillars of modern violin technique. His 24 Caprices for Solo Violin (Paganini), 24 Caprices for Solo Violin Op. 1 are among the best known of his compositions and have served as an inspiration for many prominent composers. Son of a ship chandler from Genoa, Paganini showed great gifts for music from an early age and studied under Alessandro Rolla, Ferdinando Paer and Gasparo Ghiretti. Accompanied by his father, he toured northern Italy extensively as a teenager. By 1805 he had come into the service of Napoleon's sister, Elisa Bonaparte, who then ruled Lucca where Paganini was first violin. From 1809 on he returned to touring and achieved continental fame in the subsequent two and a half decades, developing a reputation for his technical brilliance and showmanship, as well as his extravagant ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hector Berlioz
Louis-Hector Berlioz (11 December 1803 – 8 March 1869) was a French Romantic music, Romantic composer and conductor. His output includes orchestral works such as the ''Symphonie fantastique'' and ''Harold en Italie, Harold in Italy'', choral pieces including the Requiem (Berlioz), Requiem and ''L'Enfance du Christ'', his three operas ''Benvenuto Cellini (opera), Benvenuto Cellini'', ''Les Troyens'' and ''Béatrice et Bénédict'', and works of hybrid genres such as the "dramatic symphony" ''Roméo et Juliette (Berlioz), Roméo et Juliette'' and the "dramatic legend" ''La Damnation de Faust''. The elder son of a provincial physician, Berlioz was expected to follow his father into medicine, and he attended a Parisian medical college before defying his family by taking up music as a profession. His independence of mind and refusal to follow traditional rules and formulas put him at odds with the conservative musical establishment of Paris. He briefly moderated his style ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symphonie Fantastique
' (''Fantastic Symphony: Episode in the Life of an Artist … in Five Sections'') Opus number, Op. 14, is a program music, programmatic symphony written by Hector Berlioz in 1830. The first performance was at the Paris Conservatoire on 5 December 1830. Berlioz wrote semi-autobiographical programme notes for the piece that allude to the Romanticism, romantic sufferings of a gifted artist who has poisoned himself with opium because of his unrequited love for a beautiful and fascinating woman (in real life, the Shakespearean actress Harriet Smithson, who in 1833 became the composer's wife). The composer, who revered Beethoven, followed the latter's unusual addition in the Symphony No. 6 (Beethoven), ''Pastoral'' Symphony of a fifth movement to the normal four of a classical symphony. The artist's reveries take him to a ball and to a pastoral scene in a field, which is interrupted by a hallucinatory march to the Scaffold (execution site), scaffold, leading to a grotesque satanic dan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Schumann
Robert Schumann (; ; 8 June 181029 July 1856) was a German composer, pianist, and music critic of the early Romantic music, Romantic era. He composed in all the main musical genres of the time, writing for solo piano, voice and piano, chamber music, chamber groups, orchestra, choir and the opera. His works typify the spirit of the Romantic era in German music. Schumann was born in Zwickau, Saxony, to an affluent middle-class family with no musical connections, and was initially unsure whether to pursue a career as a lawyer or to make a living as a pianist-composer. He studied law at the universities of Leipzig University, Leipzig and Heidelberg University, Heidelberg but his main interests were music and Romantic literature. From 1829 he was a student of the piano teacher Friedrich Wieck, but his hopes for a career as a virtuoso pianist were frustrated by a worsening problem with his right hand, and he concentrated on composition. His early works were mainly piano pieces, inclu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clara Wieck
Clara Josephine Schumann (; ; née Wieck; 13 September 1819 – 20 May 1896) was a German pianist, composer, and piano teacher. Regarded as one of the most distinguished pianists of the Romantic era, she exerted her influence over the course of a 61-year concert career, changing the format and repertoire of the piano recital by lessening the importance of purely virtuosic works. She also composed solo piano pieces, a Piano Concerto, chamber music, choral pieces, and songs. She grew up in Leipzig, where both her father Friedrich Wieck and her mother Mariane were pianists and piano teachers. In addition, her mother was a singer. Clara was a child prodigy, and was trained by her father. She began touring at age eleven, and was successful in Paris and Vienna, among other cities. She married the composer Robert Schumann, on 12 September 1840, and the couple had eight children. Together, they encouraged Johannes Brahms and maintained a close relationship with him. She gave the publ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Camillo Sivori
Ernesto Camillo Sivori (June 6, 1817February 18, 1894) was an Italian virtuoso violinist and composer. Life Early life Born in Genoa, he was the only known pupil of Niccolò Paganini. He also studied with composer Antonio Restano (1790–1885), Paganini's teacher (1760s or 70s-~1836?) and Agostino Dellepiane. In 1827, Sivori began the career of a travelling virtuoso which lasted almost without interruption until 1864. On November 18, 1846, he performed at the Howard Athenaeum in Boston, where he played '' La Campanella'' and ''The Carnival of Venice''. He performed Mendelssohn's violin concerto for the first time in England in 1846, and was in England again in the seasons of 1851 and 1864. In 1864, he formed a permanent trio with cellist Alfredo Piatti and pianist Charlotte Tardieu. Camillo Sivori also collaborated with Giuseppe Verdi. In 1893 Verdi heard Sivori's performance at his private music soirée and noted Sivori's impeccable technique, agility and musiciansh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fantasia (music)
A fantasia (; also English: ''fantasy'', ''fancy'', ''fantazy'', ''phantasy'', , ''Phantasie'', ) is a musical composition with roots in improvisation. The fantasia, like the impromptu, seldom follows the textbook rules of any strict musical form. History The term was first applied to music during the 16th century, at first to refer to the imaginative musical "''idea''" rather than to a particular compositional genre. Its earliest use as a title was in German keyboard manuscripts from before 1520, and by 1536 is found in printed tablatures from Spain, Italy, Germany, and France. From the outset, the fantasia had the sense of "the play of imaginative invention", particularly in lute or vihuela composers such as Francesco Canova da Milano and Luis de Milán. Its form and style consequently ranges from the freely improvisatory to the strictly contrapuntal, and also encompasses more or less standard sectional forms. One of the most important composers in the development of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Air (music)
An air (; also ''air'' in French language, French) is a song-like vocal or instrumental Music, composition. The term can also be applied to the interchangeable Melody, melodies of Folk music, folk songs and Ballad, ballads. It is a variant of the musical song form often referred to (in opera, cantata and oratorio) as aria. English lute ayres Lute airs were first produced in the royal court of England toward the end of the 16th century and enjoyed considerable popularity until the 1620s. Probably based on Italian monody and French ''air de cour'', they were solo songs, occasionally with more (usually three) parts, accompanied on a lute.G. J. Buelow, ''History of Baroque Music: Music in the 17th and First Half of the 18th Centuries'', Indiana University Press, 2004 (p. 306). Their popularity began with the publication of John Dowland's (1563–1626) ''First Booke of Songs or Ayres'' (1597). His most famous airs include "Come Again (Dowland), Come again", "Flow, my tears", "I saw ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heinrich Heine
Christian Johann Heinrich Heine (; ; born Harry Heine; 13 December 1797 – 17 February 1856) was an outstanding poet, writer, and literary criticism, literary critic of 19th-century German Romanticism. He is best known outside Germany for his early lyric poetry, which was set to music in the form of ''Lieder'' (art songs) by composers such as Robert Schumann and Franz Schubert. Heine's later verse and prose are distinguished by their satirical wit and irony. He is considered a member of the Young Germany movement. His radical political views led to many of his works being Censorship in Germany, banned by German authorities—which, however, only added to his fame. He spent the last 25 years of his life as an expatriate in Paris. Heine's early works, such as ''Letters from Berlin'' (1826) and ''Germany. A Winter's Tale'' (1828), gained widespread attention for their poetic expression, profound exploration of love, and satirical commentary on social phenomena. As a member of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
19th-century Belgian Classical Violinists
The 19th century began on 1 January 1801 (represented by the Roman numerals MDCCCI), and ended on 31 December 1900 (MCM). It was the 9th century of the 2nd millennium. It was characterized by vast social upheaval. Slavery was Abolitionism, abolished in much of Europe and the Americas. The First Industrial Revolution, though it began in the late 18th century, expanded beyond its British homeland for the first time during the 19th century, particularly remaking the economies and societies of the Low Countries, France, the Rhineland, Northern Italy, and the Northeastern United States. A few decades later, the Second Industrial Revolution led to ever more massive urbanization and much higher levels of productivity, profit, and prosperity, a pattern that continued into the 20th century. The Catholic Church, in response to the growing influence and power of modernism, secularism and materialism, formed the First Vatican Council in the late 19th century to deal with such problems an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
