|
Thel (opera)
''Thel'' or ''The Lamentations of Thel'' ( or – ) is a chamber opera in four scenes with a prologue by the Russian composer Dmitri N. Smirnov to his own libretto in English after William Blake. It was composed in 1985–1986, and was also translated to Russian. Subject and creation history The opera was composed during 1985-1986 in Moscow and Ruza. It is a sequel to another opera based on Blake, '' Tiriel'' (1985). The libretto is based on the very early poem by Blake, " The Book of Thel" (1789), in which he presented part of his immense mythology. Thel, so-called from the Greek word meaning "desire" or "will", is young girl complaining on her future death. There are points of dialogue between two works. And they are interconnected through the common idea of search for a meaning to life, through the place where the action is set, the Valleys of Har – a creation of Blake’s imagination – and also through the similarity of the music material. In the first instance, howev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chamber Opera
Chamber opera is a designation for operas written to be performed with a Chamber music, chamber ensemble rather than a full orchestra. Early 20th-century operas of this type include Paul Hindemith's ''Cardillac'' (1926). Earlier small-scale operas such as Giovanni Battista Pergolesi, Pergolesi's ''La serva padrona'' (1733) are sometimes known as chamber operas. Other 20th-century examples include Gustav Holst's ''Savitri (opera), Savitri'' (1916). Benjamin Britten wrote works in this category in the 1940s when the English Opera Group needed works that could easily be taken on tour and performed in a variety of small performance spaces. ''The Rape of Lucretia'' (1946) was his first example in the genre, and Britten followed it with ''Albert Herring'' (1947), ''The Turn of the Screw (opera), The Turn of the Screw'' (1954) and ''Curlew River'' (1964). Other composers, including Hans Werner Henze, Harrison Birtwistle, Thomas Adès, George Benjamin (composer), George Benjamin, William Wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mime Artist
A mime artist, or simply mime (from Greek language, Greek , , "imitator, actor"), is a person who uses ''mime'' (also called ''pantomime'' outside of Britain), the acting out of a story through body motions without the use of speech, as a theatrical medium or as a performance art. In earlier times, in English, such a performer would typically be referred to as a mummer. Miming is distinguished from silent comedy, in which the artist is a character in a film or skit without sound. Jacques Copeau, strongly influenced by Commedia dell'arte and Japanese Noh theatre, used masks in the training of his actors. His pupil Étienne Decroux was highly influenced by this, started exploring and developing the possibilities of mime, and developed corporeal mime into a highly sculptural form, taking it outside the realms of naturalism. Jacques Lecoq contributed significantly to the development of mime and physical theatre with his training methods. As a result of this, the practice of mime h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harp
The harp is a stringed musical instrument that has individual strings running at an angle to its soundboard; the strings are plucked with the fingers. Harps can be made and played in various ways, standing or sitting, and in orchestras or concerts. Its most common form is triangular in shape and made of wood. Some have multiple rows of strings and pedal attachments. Ancient depictions of harps were recorded in Mesopotamia (now Iraq), Persia (now Iran) and Egypt, and later in India and China. By medieval times harps had spread across Europe. Harps were found across the Americas where it was a popular folk tradition in some areas. Distinct designs also emerged from the African continent. Harps have symbolic political traditions and are often used in logos, including in Ireland. Historically, strings were made of sinew (animal tendons). Other materials have included gut (animal intestines), plant fiber, braided hemp, cotton cord, silk, nylon, and wire. In pedal harp scor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Celesta
The celesta () or celeste (), also called a bell-piano, is a struck idiophone operated by a keyboard. It looks similar to an upright piano (four- or five-octave), albeit with smaller keys and a much smaller cabinet, or a large wooden music box (three-octave). The keys connect to hammers that strike a graduated set of metal (usually steel) plates or bars suspended over wooden resonators. Four- or five-octave models usually have a damper pedal that sustains or damps the sound. The three-octave instruments do not have a pedal because of their small "table-top" design. One of the best-known works that uses the celesta is Pyotr Ilyich Tchaikovskys "Dance of the Sugar Plum Fairy" from ''The Nutcracker''. The sound of the celesta is similar to that of the glockenspiel, but with a much softer and more subtle timbre. This quality gave the instrument its name, ''celeste'', meaning "heavenly" in French. The celesta is often used to enhance a melody line played by another instrument or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vibraphone
The vibraphone (also called the vibraharp) is a percussion instrument in the metallophone family. It consists of tuned metal bars and is typically played by using Percussion mallet, mallets to strike the bars. A person who plays the vibraphone is called a ''vibraphonist,'' ''vibraharpist,'' or ''vibist''. The vibraphone resembles the Marimbaphone, steel marimba, which it superseded. One of the main differences between the vibraphone and other keyboard percussion instruments is that each bar suspends over a resonator tube containing a flat metal disc. These discs are attached together by a common axle and spin when the motor is turned on. This causes the instrument to produce its namesake tremolo or vibrato effect. The vibraphone also has a sustain pedal similar to a piano. When the pedal is up, the bars produce a muted sound; when the pedal is down, the bars sustain for several seconds or until again muted with the pedal. The vibraphone is commonly used in jazz music, in which ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Xylophone
The xylophone (; ) is a musical instrument in the percussion family that consists of wooden bars struck by mallets. Each bar is an idiophone tuned to a pitch of a musical scale, whether pentatonic or heptatonic in the case of many African and Asian instruments, diatonic in many western children's instruments, or chromatic for orchestral use. The term ''xylophone'' may be used generally, to include all such instruments such as the marimba, balafon and even the semantron. However, in the orchestra, the term ''xylophone'' refers specifically to a chromatic instrument of somewhat higher pitch range and drier timbre than the marimba, and these two instruments should not be confused. A person who plays the xylophone is known as a ''xylophonist'' or simply a ''xylophone player''. The term is also popularly used to refer to similar instruments of the lithophone and metallophone types. For example, the Pixiphone and many similar toys described by the makers as xylophones have b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tubular Bell
Tubular bells (also known as chimes) are musical instruments in the percussion family. Their sound resembles that of church bells, carillons, or a bell tower; the original tubular bells were made to duplicate the sound of church bells within an ensemble. Each bell is a metal tube, in diameter, tuned by altering its length. Its standard range is C4–F5, though many professional instruments reach G5. Tubular bells are often replaced by studio chimes, which are smaller and usually less expensive instruments. Studio chimes are similar in appearance to tubular bells, but each bell has a smaller diameter than the corresponding bell on tubular bells. Tubular bells are sometimes struck on the top edge of the tube with a rawhide- or plastic-headed hammer. Often, a sustain pedal will be attached to allow extended ringing of the bells. They can also be bowed at the bottom of the tube to produce a very loud, very high-pitched overtone. The tubes provide a purer tone than solid cylind ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Glockenspiel
The glockenspiel ( ; or , : bells and : play) or bells is a percussion instrument consisting of pitched aluminum or steel bars arranged in a Musical keyboard, keyboard layout. This makes the glockenspiel a type of metallophone, similar to the vibraphone. The glockenspiel is played by striking the bars with Percussion mallet, mallets, often made of a hard material such as metal or plastic. Its clear, high-pitched tone is often heard in Orchestra, orchestras, Concert band, wind ensembles, Marching band, marching bands, and in popular music. Terminology In German, a carillon is also called a , and in French, the glockenspiel is sometimes called a . It may also be called a () in French, although this term may sometimes be specifically reserved for the keyboard glockenspiel. In Italian, the term () is used. The glockenspiel is sometimes erroneously referred to as a xylophone. (The xylophone has wooden bars, unlike the glockenspiel which has metal bars.) The Pixiphone, a type of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tam-tam
A gongFrom Indonesian and ; ; zh, c=鑼, p=luó; ; ; ; ; is a percussion instrument originating from Southeast Asia, and used widely in Southeast Asian and East Asian musical traditions. Gongs are made of metal and are circular and flat or bowl-like in shape, and can come in various sizes. They are typically struck with a mallet. They can be played alone, giving a characteristic "crashing" sound, or played as part of a tuned set that produce bell-like sounds. The earliest possible depictions of gongs is from the details on the surface of the Ngọc Lũ I bronze drum () from the Dong Son culture of northern Vietnam. It depicts what looks like seven-gong ensembles along with other instruments (including cymbals/bells and the bronze drums themselves). The oldest undisputed historical mention of gongs can be found in sixth century AD Chinese records, which mentioned it as a foreign instrument that came from a country between Tibet and Burma. The term ''gong'' () origina ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass Drum
The bass drum is a large drum that produces a note of low definite or indefinite pitch. The instrument is typically cylindrical, with the drum's diameter usually greater than its depth, with a struck head at both ends of the cylinder. The heads may be made of calfskin or plastic and there is normally a means of adjusting the tension, either by threaded taps or by strings. Bass drums are built in a variety of sizes, but size does not dictate the volume produced by the drum. The pitch and the sound can vary much with different sizes,Norman Del Mar, Del Mar, Norman (1981). ''Anatomy of the Orchestra''. . but the size is also chosen based on convenience and aesthetics. Bass drums are percussion instruments that vary in size and are used in several musical genres. Three major types of bass drums can be distinguished. * The type usually seen or heard in orchestral, ensemble or concert band music is the orchestral, or concert bass drum (in Italian: gran cassa, gran tamburo). It is the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gong
A gongFrom Indonesian language, Indonesian and ; ; zh, c=鑼, p=luó; ; ; ; ; is a percussion instrument originating from Southeast Asia, and used widely in Southeast Asian and East Asian musical traditions. Gongs are made of metal and are circular and flat or bowl-like in shape, and can come in various sizes. They are typically struck with a mallet. They can be played alone, giving a characteristic "crashing" sound, or played as part of a tuned set that produce bell-like sounds. The earliest possible depictions of gongs is from the details on the surface of the Ngọc Lũ I Dong son drum, bronze drum () from the Dong Son culture of northern Vietnam. It depicts what looks like seven-gong ensembles along with other instruments (including cymbals/bells and the bronze drums themselves). The oldest undisputed historical mention of gongs can be found in sixth century AD Chinese records, which mentioned it as a foreign instrument that came from a country between Tibet and Bur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cymbal
A cymbal is a common percussion instrument. Often used in pairs, cymbals consist of thin, normally round plates of various alloys. The majority of cymbals are of indefinite pitch, although small disc-shaped cymbals based on ancient designs sound a definite note (such as crotales). Cymbals are used in many ensembles ranging from the orchestra, percussion ensembles, jazz bands, heavy metal bands, and marching groups. Drum kits usually incorporate at least a crash, ride, or crash/ride, and a pair of hi-hat cymbals. A player of cymbals is known as a cymbalist. Etymology and names The word cymbal is derived from the Latin , which is the latinisation , which in turn derives . In orchestral scores, cymbals may be indicated by the French ; German , , , or ; Italian or ; and Spanish . Many of these derive from the word for plates. History Cymbals have existed since ancient times. Representations of cymbals may be found in reliefs and paintings from Armenian Highlands (7t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
