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Theatre Score
Theatre or theater is a collaborative form of performing art that uses live performers, usually actors to present experiences of a real or imagined event before a live audience in a specific place, often a stage. The performers may communicate this experience to the audience through combinations of gesture, speech, song, music, and dance. It is the oldest form of drama, though live theatre has now been joined by modern recorded forms. Elements of art, such as painted scenery and stagecraft such as lighting are used to enhance the physicality, presence and immediacy of the experience. Places, normally buildings, where performances regularly take place are also called "theatres" (or "theaters"), as derived from the Ancient Greek θέατρον (théatron, "a place for viewing"), itself from θεάομαι (theáomai, "to see", "to watch", "to observe"). Modern Western theatre comes, in large measure, from the theatre of ancient Greece, from which it borrows technical termino ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sarah Bernhardt
Sarah Bernhardt (; born Henriette-Rosine Bernard; 22 October 1844 – 26 March 1923) was a French stage actress who starred in some of the most popular French plays of the late 19th and early 20th centuries, including by Alexandre Dumas fils, Alexandre Dumas ''fils'', ''Ruy Blas'' by Victor Hugo, ''Fédora'' and ''La Tosca'' by Victorien Sardou, and ''L'Aiglon'' by Edmond Rostand. She played female and male roles, including Shakespeare's Prince Hamlet, Hamlet. Rostand called her "the queen of the pose and the princess of the gesture", and Hugo praised her "golden voice". She made several theatrical tours worldwide and was one of the early prominent actresses to make sound recordings and act in motion pictures. She is also linked with the success of artist Alphonse Mucha, whose work she helped to publicize. Mucha became one of the more sought-after artists of this period for his Art Nouveau style. Biography Early life Henriette-Rosine Bernard was born at 5 rue de L'École-de- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gesture
A gesture is a form of nonverbal communication or non-vocal communication in which visible bodily actions communicate particular messages, either in place of, or in conjunction with, speech. Gestures include movement of the hands, face, or other parts of the Human body, body. Gestures differ from physical non-verbal communication that does not communicate specific messages, such as purely Emotional expression, expressive displays, proxemics, or displays of joint attention.Kendon, Adam. (2024) ''Gesture: Visible Action as Utterance''. Cambridge: Cambridge University Press. Gestures allow individuals to communicate a variety of feelings and thoughts, from contempt and hostility to approval and affection, often together with body language in addition to words when they speak. Gesticulation and speech work independently of each other, but join to provide emphasis and meaning. Gesture processing takes place in areas of the brain such as Broca's area, Broca's and Wernicke's areas, wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Medium Specificity
Medium specificity is a consideration in aesthetics and art criticism. It is most closely associated with modernism Modernism was an early 20th-century movement in literature, visual arts, and music that emphasized experimentation, abstraction, and Subjectivity and objectivity (philosophy), subjective experience. Philosophy, politics, architecture, and soc ..., but it predates it. Overview According to Clement Greenberg, who helped popularize the term, medium specificity holds that "the unique and proper area of competence" for a form of art corresponds with the ability of an artist to manipulate those features that are "unique to the nature" of a particular medium. For example, in painting, literal flatness and abstraction are emphasised rather than illusionism and figuration. Medium specific can be seen to mean that ''"the artwork is constituted by the characteristic qualities of the raw material."'' This would probably include the techniques used to manipulate the m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatre Language
Psychotechnique (A portmanteau of ''psychological technique'') forms part of the 'system' of actor training, preparation, and rehearsal developed by the Russian theatre practitioner Konstantin Stanislavski. It describes the inner, psychological elements of training that support what he called "experiencing" a role in performance. In a rehearsal process, psychotechnique is interrelated with the "embodiment" of the role, in order to achieve a fully realised characterisation. Stanislavski describes the elements of psychotechnique in the first part of his manual ''An Actor's Work''. List *RelaxationFrom Stanislavsky's book 'An Actor Prepares, and A Dream of Passion: The Development of the Method of author, actor and acting teacher Lee Strasberg (Page 59 of the original version of the book). *Concentration on an object * The "As ''if''" (Also called "What ''if"'' or "Magic 'if''") * Affective memory (Also called "Emotional memory", or divided by Maria Ouspenskaya teaching in ''Anal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Patrice Pavis
Patrice Pavis (born 1947) was Professor for Theatre Studies at the University of Kent in Canterbury, England (UK), where he retired at the end of the academic year 2015/16. He has written extensively about performance, focusing his study and research mainly in semiology and interculturalism in theatre. He was awarded the Georges Jamati Prize in 1986. Academic Positions Around 1983–84, Pavis was teaching in the Institute of Theatre Studies at Paris III University. Patrice Pavis was also Professor Professor (commonly abbreviated as Prof.) is an Academy, academic rank at university, universities and other tertiary education, post-secondary education and research institutions in most countries. Literally, ''professor'' derives from Latin ... of Theatre Studies at Paris VIII University. Concept of "verbo-corps" In 1987, Pavis suggested a new theory regarding the translation of dramatic works. The idea of 'verbo-corps' has been described as "highly theoretical" and c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stock Character
A stock character, also known as a character archetype, is a type of character in a narrative (e.g. a novel, play, television show, or film) whom audiences recognize across many narratives or as part of a storytelling tradition or convention. There is a wide range of stock characters, covering people of various ages, social classes and demeanors. They are archetypal characters distinguished by their simplification and flatness. As a result, they tend to be easy targets for parody and to be criticized as clichés. The presence of a particular array of stock characters is a key component of many genres, and they often help to identify a genre or subgenre. For example, a story with the stock characters of a knight-errant and a witch is probably a fairy tale or fantasy. There are several purposes to using stock characters. Stock characters are a time- and effort-saving shortcut for story creators, as authors can populate their tale with existing well-known character types. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theme (narrative)
In contemporary literary studies, a theme is a central topic, subject, or message within a narrative. Themes can be divided into two categories: a work's ''thematic concept'' is what readers "think the work is about" and its ''thematic statement'' being "what the work says about the subject". The most common contemporary understanding of theme is an idea or point that is central to a story, which can often be summed in a single abstract noun (for example, love, death, betrayal, patriotism, or parenthood) or noun phrase (for example, coming of age, grief during wartime, or the importance of community). Typical examples of themes of this type are conflict between the individual and society; coming of age; humans in conflict with technology; nostalgia; and the dangers of unchecked ambition. A theme may be exemplified by the actions, utterances, or thoughts of a character in a novel. An example of this would be the thematic idea of loneliness in John Steinbeck's '' Of Mice and M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Genre
Genre () is any style or form of communication in any mode (written, spoken, digital, artistic, etc.) with socially agreed-upon conventions developed over time. In popular usage, it normally describes a category of literature, music, or other forms of art or entertainment, based on some set of stylistic criteria, as in literary genres, film genres, music genres, comics genres, etc. Often, works fit into multiple genres by way of borrowing and recombining these conventions. Stand-alone texts, works, or pieces of communication may have individual styles, but genres are amalgams of these texts based on agreed-upon or socially inferred conventions. Some genres may have rigid, strictly adhered-to guidelines, while others may show great flexibility. The proper use of a specific genre is important for a successful transfer of information ( media-adequacy). Critical discussion of genre perhaps began with a classification system for ancient Greek literature, as set out in Aristotle' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatre Of Ancient Greece
A Theatre, theatrical culture flourished in ancient Greece from 700 BC. At its centre was the Polis, city-state of Classical Athens, Athens, which became a significant cultural, political, and religious place during this period, and the theatre was institutionalised there as part of a festival called the Dionysia, which honoured the god Dionysus. Greek tragedy, Tragedy (late 500 BC), Ancient Greek comedy, comedy (490 BC), and the satyr play were the three dramatic genres emerged there. Athens exported the festival to its numerous colonies. Modern Western theatre comes, in large measure, from the theatre of ancient Greece, from which it borrows technical terminology, classification into genres, and many of its theme (arts), themes, stock characters, and plot elements. Etymology The word , from which the word "tragedy" is derived, is a compound (linguistics), compound of two Greek language, Greek words: or "goat" and meaning "song", from . This etymology indicates a link with th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ancient Greek
Ancient Greek (, ; ) includes the forms of the Greek language used in ancient Greece and the classical antiquity, ancient world from around 1500 BC to 300 BC. It is often roughly divided into the following periods: Mycenaean Greek (), Greek Dark Ages, Dark Ages (), the Archaic Greece, Archaic or Homeric Greek, Homeric period (), and the Classical Greece, Classical period (). Ancient Greek was the language of Homer and of fifth-century Athens, fifth-century Athenian historians, playwrights, and Ancient Greek philosophy, philosophers. It has contributed many words to English vocabulary and has been a standard subject of study in educational institutions of the Western world since the Renaissance. This article primarily contains information about the Homeric Greek, Epic and Classical periods of the language, which are the best-attested periods and considered most typical of Ancient Greek. From the Hellenistic period (), Ancient Greek was followed by Koine Greek, which is regar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lighting
Lighting or illumination is the deliberate use of light to achieve practical or aesthetic effects. Lighting includes the use of both artificial light sources like lamps and light fixtures, as well as natural illumination by capturing daylight. Daylighting (architecture), Daylighting (using windows, skylights, or Architectural light shelf, light shelves) is sometimes used as the main source of light during daytime in buildings. This can save energy in place of using artificial lighting, which represents a major component of energy consumption in buildings. Proper lighting can enhance task performance, improve the appearance of an area, or have positive psychological effects on occupants. Indoor lighting is usually accomplished using light fixtures, and is a key part of interior design. Lighting can also be an intrinsic component of landscaping, landscape projects. History With the Control of fire by early humans, discovery of fire, the earliest form of artificial lighting used ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stagecraft
Stagecraft is a technical aspect of theatrical, film, and video production. It includes constructing and rigging scenery; hanging and focusing of lighting; design and procurement of costumes; make-up; stage management; audio engineering; and procurement of props. Stagecraft is distinct from the wider umbrella term of scenography. Considered a technical rather than an artistic field, it is primarily the practical implementation of a scenic designer's artistic vision. In its most basic form, stagecraft may be executed by a single person (often the stage manager of a smaller production) who arranges all scenery, costumes, lighting, and sound, and organizes the cast. Regional theaters and larger community theaters will generally have a technical director and a complement of designers, each of whom has a direct hand in their respective designs. Within significantly larger productions, for example a modern Broadway show, effectively bringing a show to opening night require ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
