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The Virgin Pantanassa (Ritzos)
''The Virgin Pantanassa'' is a tempera painting by Andreas Ritzos. Ritzos was a Greek painter active on the island of Crete. He flourished from 1435 to 1492. The painter has an existing catalog of over sixty works attributed to him. He signed his works in both Greek and Latin. He is one of the most influential painters of the Cretan Renaissance. He painted in the traditional Greek-Italian Byzantine style. His work was also heavily influenced by Venetian painting. His teacher was Angelos Akotantos. He was also affiliated with Andreas Pavias. His son was famous Greek painter Nikolaos Ritzos. Ritzo's Italian contemporaries were Paolo Uccello and Fra Angelico. They all painted a mixture of the Greek-Italian Byzantine and Italian Renaissance styles. The art of Crete was heavily influenced by the founder of the Venetian school Paolo Veneziano. The Virgin and Child was a popular subject matter among painters. Both Greek and Italian artists used the theme in countless wor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andreas Ritzos
Andreas Ritzos ( el, Ανδρέας Ρίτζος 1421-1492) also known as (Rico, Ricio, Rizo). He was a Greek icon painter, from Crete. Ritzos is considered one of the founding fathers of the Cretan School. He was affiliated with Angelos Akotantos. Most of his work stylistically follows the traditional maniera greca. His children, grandchildren, and great-grandchildren were also painters. He was one of the most influential painters of the Cretan School along with Andreas Pavias and Angelos Akotantos. He influenced the works of Georgios Klontzas, Nikolaos Tzafouris, Theophanes the Cretan, Michael Damaskinos and El Greco. According to the Institute for Neohellenic Research, sixty of his paintings have survived. Biography Andreas Ritzos was born in Iraklio. His father Nicholas Ritzo was a seaman and jeweler, and his mother was lady Ergina. Andreas married Maria and had two sons. His son Nicholas was a painter. His other son Thomas was a jeweler and painter. Andreas is li ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emmanuel Tzanes
Emmanuel Tzanes ( el, Εμμανουήλ Τζάνες, 1610 – 28 March 1690), also known as Bounialis ( el, Μπουνιαλής) Emmanuel Tzane-Bounialis, Emmanuel Zane, and Emmanuel Tzane. He was a Greek Renaissance painter. He was an author, clergyman, painter, and educator. He was the parish priest of the church of San Giorgio dei Greci. An important Greek church in Venice. He was affiliated with the Flanginian School of the Greek Confraternity in Venice. He was a prominent painter. His known works number over 130 pieces. His works can be found in public foundations, private collections, churches and monasteries in Greece. He collaborated with many artists namely Philotheos Skoufos. Both artists were members of the Cretan School. He was influenced by the Venetian school. Emmanuel's brothers were famous painter Konstantinos Tzanes and poet Marinos Tzanes. His most popular work is ''The Holy Towel'' finished in 1659. History Tzanes was born in Rethymno, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
15th-century Paintings
The 15th century was the century which spans the Julian dates from 1 January 1401 ( MCDI) to 31 December 1500 ( MD). In Europe, the 15th century includes parts of the Late Middle Ages, the Early Renaissance, and the early modern period. Many technological, social and cultural developments of the 15th century can in retrospect be seen as heralding the " European miracle" of the following centuries. The architectural perspective, and the modern fields which are known today as banking and accounting were founded in Italy. The Hundred Years' War ended with a decisive French victory over the English in the Battle of Castillon. Financial troubles in England following the conflict resulted in the Wars of the Roses, a series of dynastic wars for the throne of England. The conflicts ended with the defeat of Richard III by Henry VII at the Battle of Bosworth Field, establishing the Tudor dynasty in the later part of the century. Constantinople, known as the capital of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James The Great
James the Great, also known as James, son of Zebedee, Saint James the Great, Saint James the Greater, Saint James the Elder, or Saint Jacob (Aramaic ܝܥܩܘܒ ܒܪ ܙܒܕܝ, Arabic يعقوب, Hebrew בן זבדי , '' Yaʿăqōḇ'', Latin ''Iacobus Maior'', Greek Ἰάκωβος τοῦ Ζεβεδαίου ''Iákōbos tû Zebedaíou''; died AD 44), was one of the Twelve Apostles of Jesus, the first apostle to be martyred according to the New Testament. Saint James is the patron saint of Spain and, according to tradition, his remains are held in Santiago de Compostela in Galicia. In the New Testament The son of Zebedee and Salome, James is styled "the Greater" to distinguish him from the Apostle James "the Less", with "greater" meaning older or taller, rather than more important. James the Great was the brother of John the Apostle. James is described as one of the first disciples to join Jesus. The Synoptic Gospels state that James and John were with their father by the se ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Halo (religious Iconography)
A halo (from the Greek , ; also known as a nimbus, aureole, glory, or gloriole) is a crown of light rays, circle or disk of light that surrounds a person in art. It has been used in the iconography of many religions to indicate holy or sacred figures, and has at various periods also been used in images of rulers and heroes. In the religious art of Ancient Greece, Ancient Rome, Christianity, Hinduism, and Buddhism among other religions, sacred persons may be depicted with a halo in the form of a circular glow, or flames in Asian art, around the head or around the whole body—this last one is often called a mandorla. Halos may be shown as almost any colour or combination of colours, but are most often depicted as golden, yellow or white when representing light or red when representing flames. Ancient Mesopotamia Sumerian religious literature frequently speaks of (loaned into Akkadian as ), a "brilliant, visible glamour which is exuded by gods, heroes, sometimes by kings, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Olive Wreath
The olive wreath, also known as ''kotinos'' ( el, κότινος), was the prize for the winner at the ancient Olympic Games. It was a branch of the wild olive tree ''Kallistefanos Elea'' (also referred to as ''Elaia Kallistephanos'') that grew at Olympia, intertwined to form a circle or a horse-shoe. The branches of the sacred wild-olive tree near the temple of Zeus were cut by a ''pais amphithales'' ( grc, , a boy whose parents were both alive) with a pair of golden scissors. Then he took them to the temple of Hera and placed them on a gold-ivory table. From there, the Hellanodikai (the judges of the Olympic Games) would take them, make the wreaths and crown the winners of the Games. History According to Pausanias it was introduced by Heracles as a prize for the running race winner to honor his father Zeus. In the ancient Olympic Games there were no gold, silver, or bronze medals. There was only one winner per event, crowned with an olive wreath made of wild-olive leaves ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giotto
Giotto di Bondone (; – January 8, 1337), known mononymously as Giotto ( , ) and Latinised as Giottus, was an Italian painter and architect from Florence during the Late Middle Ages. He worked during the Gothic/ Proto-Renaissance period. Giotto's contemporary, the banker and chronicler Giovanni Villani, wrote that Giotto was "the most sovereign master of painting in his time, who drew all his figures and their postures according to nature" and of his publicly recognized "talent and excellence".Bartlett, Kenneth R. (1992). ''The Civilization of the Italian Renaissance''. Toronto: D.C. Heath and Company. (Paperback). p. 37. Giorgio Vasari described Giotto as making a decisive break with the prevalent Byzantine style and as initiating "the great art of painting as we know it today, introducing the technique of drawing accurately from life, which had been neglected for more than two hundred years".Giorgio Vasari, ''Lives of the Artists'', trans. George Bull, Penguin Classics ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cimabue
Cimabue (; ; – 1302), Translated with an introduction and notes by J.C. and P Bondanella. Oxford: Oxford University Press (Oxford World’s Classics), 1991, pp. 7–14. . also known as Cenni di Pepo or Cenni di Pepi, was an Italian painter and designer of mosaics from Florence. Although heavily influenced by Byzantine models, Cimabue is generally regarded as one of the first great Italian painters to break from the Italo-Byzantine style. While medieval art then was scenes and forms that appeared relatively flat and highly stylized, Cimabue's figures were depicted with more advanced lifelike proportions and shading than other artists of his time. According to Italian painter and historian Giorgio Vasari, Cimabue was the teacher of Giotto, the first great artist of the Italian Proto-Renaissance. However, many scholars today tend to discount Vasari's claim by citing earlier sources that suggest otherwise. Life Little is known about Cimabue's early life. One source that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Duccio
Duccio di Buoninsegna ( , ; – ) was an Italian painter active in Siena, Tuscany, in the late 13th and early 14th century. He was hired throughout his life to complete many important works in government and religious buildings around Italy. Duccio is considered one of the greatest Italian painters of the Middle Ages,Duccio ''Encyclopedia Britannica''. and is credited with creating the painting styles of Trecento and the Sienese school. He also contributed significantly to the Sienese Gothic style. Biography Although much is still unconfirmed about Duccio and his life ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sign Of The Cross
Making the sign of the cross ( la, signum crucis), or blessing oneself or crossing oneself, is a ritual blessing made by members of some branches of Christianity. This blessing is made by the tracing of an upright cross or + across the body with the right hand, often accompanied by spoken or mental recitation of the Trinitarian formula: "In the name of the Father, and of the Son, and of the Holy Spirit. Amen." The use of the sign of the cross traces back to early Christianity, with the second century '' Apostolic Tradition'' directing that it be used during the minor exorcism of baptism, during ablutions before praying at fixed prayer times, and in times of temptation. The movement is the tracing of the shape of a cross in the air or on one's own body, echoing the traditional shape of the cross of the Christian crucifixion narrative. Where this is done with fingers joined, there are two principal forms: one—three fingers, right to left—is exclusively used by the E ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Our Lady Of The Sign
The Icon of ''Our Lady of the Sign'' ( el, Panagia or Παναγία Ορωμένη or Παναγία Πλατυτέρα; cu, italic=yes, Ikona Bozhey Materi "Znamenie"; pl, Ikona Bogurodzicy "Znamienie") is the term for a particular type of icon of the Theotokos (Virgin Mary), facing the viewer directly, depicted either full length or half, with her hands raised in the ''orans'' position, and with the image of the Child Jesus depicted within a round aureole upon her breast. Iconography The icon depicts the Theotokos during the Annunciation at the moment of saying, "May it be done to me according to your word."(). The image of the Christ child represents him at the moment of his conception in the womb of the Virgin. He is depicted not as a fetus, but rather vested in divine robes, and often holding a scroll, symbolic of his role as teacher. Sometimes his robes are gold or white, symbolizing divine glory; sometimes they are blue and red, symbolizing the two natures of Christ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lady The Lambovitissa
''Lady the Lambovitissa'' is a tempera painting by Emmanuel Tzanes. Tzanes was a Greek painter active from 1625 to 1690. His artistic periods can be broken into three parts. The Cretan Period (1625-1647), The Corfu Period (1647-1655), and the Venetian Period (1655-1690). He was a prominent member of the Late Cretan School. His art was heavily influenced by Greek painter Michael Damaskinos. His brothers Marinos Tzanes and Konstantinos Tzanes were both painters. Tzanes has a massive art collection attributed to him nearing over one hundred thirty works. During the Corfu Period (1647-1655), Konstantinos Tzanes and Emmanuel were heavily active. They painted many works on the island. The Virgin and Child enthroned was a popular theme painted by both Greek and Italian Byzantine painters. One of the most famous renditions is in Hagia Sophia. Cretan Painters adopted the theme. Georgios Klontzas and Andreas Ritzos both have notable versions. ''Lady the Lambovitissa'' was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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