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The Vegas Job
''The Vegas Job'' is a concert film of The Who's performance on October 29, 1999, at the MGM Grand Garden Arena in Las Vegas, Nevada, at the infamous Pixelon launch event. Pixelon claimed that the performance was streamed live over the Internet to over 1 million viewers and to the video screen on One Times Square; it was reported that thousands of viewers were unable to watch the live stream due to technology failures. The DVD was certified Gold in Canada after selling 5,000 units.Certified Awards Search
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The Who
The Who are an English Rock music, rock band formed in London in 1964. Their classic lineup (1964–1978) consisted of lead vocalist Roger Daltrey, guitarist Pete Townshend, bassist John Entwistle and drummer Keith Moon. Considered one of the most influential rock bands of the 20th century, their contributions to rock music include the development of the Marshall Stack, Marshall stack, large public address systems, the use of synthesizers, Entwistle's and Moon's influential playing styles, Townshend's Guitar feedback, feedback and power chord guitar technique, and the development of the rock opera. They are cited as an influence by many hard rock, punk rock, punk, power pop and mod (subculture), mod bands. The Who were inducted into the Rock and Roll Hall of Fame in 1990. The Who evolved from an earlier group, the Detours, and established themselves as part of the pop art and mod (subculture), mod movements, featuring auto-destructive art by Instrument destruction, destr ...
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I Can't Explain
"I Can't Explain" is a song by English rock band the Who, written by Pete Townshend and produced by Shel Talmy. It was released as a single in the United States on 19 December 1964 by Decca and on 15 January 1965 in the United Kingdom by Brunswick. It was the band's second single release and first under the Who name. The song has been covered by other artists, including David Bowie. Background "I Can't Explain" was the A-side of the group's first single as the Who; its predecessor, "Zoot Suit"/"I'm the Face," was released under the name the High Numbers. In the album's liner notes, Townshend noted the song's similarity to the contemporaneous hit " All Day and All of the Night" by the Kinks: "It can't be beat for straightforward Kink copying. There is little to say about how I wrote this. It came out of the top of my head when I was 18 and a half." In a 1994 issue of ''Q'' magazine, Roger Daltrey echoed Townshend's comments regarding the Kinks' influence: We already knew Pete ...
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The Kids Are Alright (song)
"The Kids Are Alright" is a song written by Pete Townshend and recorded by the English rock band the Who. It appears as the seventh track on their debut album ''My Generation (album), My Generation'' (1965). "The Kids Are Alright" is included on the list of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll, and has been regarded by many as one of the band's finest songs and one of the most important and recognizable anthems of the 1960s. Background "The Kids Are Alright" was not released as a single until more than six months after it first appeared on the LP, first in the United States, and in the United Kingdom the following month. While not a significant hit at the time (reaching number 41 in the UK and number 85 in the US), the song, along with the album "My Generation", became anthems for the band and the Mod (subculture), Mod subculture of Britain in the 1960s. It later became the name of The Kids Are Alright (1979 film), the documentary for the band i ...
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Won't Get Fooled Again
"Won't Get Fooled Again" is a song by the English rock band the Who, written by guitarist and primary songwriter Pete Townshend. It was released as a single in June 1971, reaching the top 10 in the UK, while the full eight-and-a-half-minute version appears as the final track on the band's 1971 album ''Who's Next'', released that August. In the US, the single entered ''Billboard'' on 17 July, reaching No. 15. Townshend wrote the song as a closing number of the '' Lifehouse'' project, and the lyrics criticise revolution and power. The track is known for a staccato keyboard figure, played on a simple home organ with a "rhythm" feature that produced a synth-like effect. The Who tried recording the song in New York in March 1971, but re-recorded a superior take at Stargroves the next month using the organ from Townshend's original demo. Ultimately, ''Lifehouse'' as a project was abandoned in favour of ''Who's Next'', a straightforward album, where it also became the closing track. It ...
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Magic Bus (song)
"Magic Bus" is a song recorded by the English rock band the Who. It was written by their guitarist Pete Townshend during the time that their debut album ''My Generation'' was being recorded in 1965. However, it was not recorded until 1968, when it was released as a single on 27 July 1968 in the United States and Canada, followed by its release in the United Kingdom on 11 October 1968. It has become one of the band's most popular songs and has been a concert staple, although when released, the record only reached number 26 in the UK and number 25 in the United States. The song was included on their 1968 album '' Magic Bus: The Who on Tour''. The arrangement for "Magic Bus" uses a Latin percussion instrument known as claves, which are pairs of small wooden sticks that make a distinctive high pitched clicking noise when struck together. The Who had previously used this same instrument on the song " Disguises", which was recorded in 1966. The song makes use of the Bo Diddley beat. Bac ...
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Who Are You (The Who Song)
"Who Are You" is the title track on the Who's eighth studio album, ''Who Are You'' (1978), the last album released by the band before Keith Moon's death in September 1978. It was written by Pete Townshend and released as a double A-side single with the John Entwistle composition " Had Enough", also featured on the album. The song was one of the band's biggest hits in North America, peaking at number 7 in Canada and at number 14 on the US ''Billboard'' Hot 100, and has become one of the band's signature songs at their live shows. The piano on the track is played by Rod Argent of the Zombies and Argent. Background The lyrics of "Who Are You" were inspired by an incident Pete Townshend experienced. After going out drinking with Steve Jones and Paul Cook of the Sex Pistols, Townshend was found in a "Soho doorway" by a policeman, who recognized him and said he would let him go if he could safely walk away. However, as explained by Townshend in his memoir '' Who I Am'' (2012), ...
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Behind Blue Eyes
"Behind Blue Eyes" is a song by the English rock band the Who. It is the second single from the band's fifth album, ''Who's Next'' (1971), and was originally written by Pete Townshend for his '' Lifehouse'' project. The song is one of the Who's best-known recordings and has been covered by many artists, including Limp Bizkit. The single entered the US ''Billboard'' Charts on 6 November 1971, reaching No. 34. Background "Behind Blue Eyes" originated after a Tommy Tour concert in Denver, on 9 June 1970. Following the performance, Townshend became tempted by a female groupie, but he instead went back to his room alone, possibly as a result of the teachings of his spiritual leader, Meher Baba. Upon reaching his room, he began writing a prayer, the first words being "When my fist clenches, crack it open..." These words later appeared as lyrics in the "climactic rocking section" of "Behind Blue Eyes." When "Behind Blue Eyes" was to be released as part of the aborted ''Lifehouse'' proj ...
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My Wife (song)
"My Wife" is a song by the English rock band the Who, written and sung by bass guitarist John Entwistle. It was originally released in 1971 on ''Who's Next'' and later as the B-side of the single "Baba O'Riley" on 6 November 1971 in Europe by Polydor Records. Background "My Wife" was the fourth track on ''Who's Next'' and was recorded at Olympic Studios sometime in May 1971. While it did appear on ''Who's Next'' it was thought that it was not a part of the '' Lifehouse'' project which was confirmed in 2000, when it was not included in Pete Townshend's '' Lifehouse Chronicles'' box set. "My Wife" was written to replace " Boris the Spider" during live performances as Entwistle had grown tired of performing the latter in concert. Song structure "My Wife" is arguably John Entwistle's highlight on ''Who's Next'' being that he takes on the lead vocals, bass guitar, piano, and horn section. Unusually, this song does not feature a guitar solo, which is most likely because Entwistle co ...
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Baba O'Riley
"Baba O'Riley" is a song by the English Rock music, rock band the Who, written by guitarist and principal songwriter Pete Townshend. It is the opening track to the Who's fifth studio album, ''Who's Next'' (1971). In Europe, it was released as a single in October 1971, coupled with "My Wife (song), My Wife". Performances of "Baba O'Riley" appear on several Who live albums. Widely regarded as one of the Who's finest songs and as one of the greatest rock songs of all time, "Baba O'Riley" appears in ''Time (magazine), Time''s "All-Time 100 Songs" list, ''Rolling Stone''s list of "Rolling Stone's 500 Greatest Songs of All Time, The 500 Greatest Songs of All Time", and the Rock and Roll Hall of Fame as one of the 500 Songs That Shaped Rock and Roll. Background and composition Townshend wrote "Baba O'Riley" for his ''Lifehouse (rock opera), Lifehouse'' project, a rock opera intended as the followup to the Who's 1969 opera Tommy (The Who album), ''Tommy''. In ''Lifehouse'', a Scottish ...
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See Me, Feel Me
"See Me, Feel Me" (aka Listening To You/See Me, Feel Me and See Me, Feel Me/Listening To You) is a song from English rock band The Who's 1969 album '' Tommy''. It consists of two overture parts from ''Tommy'', the second and third parts of the album's final song "We're Not Gonna Take It": "See Me, Feel Me" and "Listening To You". It was released as a single in September 1970. The song is not identified as a separate track on the 1969 studio version of the album. The Who performed "See Me, Feel Me", followed by the refrain of "Listening To You", at the 1969 Woodstock Festival. This was captured on film in the 1970 documentary ''Woodstock'' and the 1979 rockumentary '' The Kids Are Alright''. "See Me, Feel Me" was also released as a single in the United States to capitalise on its appearance in the Woodstock film. Entering the charts on 26 September 1970, it reached number 12 on the Pop Singles Chart. It was also released in the United Kingdom but did not chart there. The band ...
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Pinball Wizard
"Pinball Wizard" is a song by the English rock band the Who, written by guitarist and primary songwriter Pete Townshend and featured on their 1969 rock opera album '' Tommy''. The original recording was released as a single in 1969 and reached No. 4 in the UK charts and No. 19 on the U.S. ''Billboard'' Hot 100. The B-side of the "Pinball Wizard" single is an instrumental credited to Keith Moon, titled "Dogs Part Two". Despite the title, it has no musical connection to the Who's 1968 UK single " Dogs". Story The lyrics are written from the perspective of a pinball champion, called "Local Lad" in the ''Tommy'' libretto book, astounded by the skills of the opera's eponymous main character, Tommy Walker: "He ain't got no distractions / Can't hear those buzzers and bells / Don't see no lights a flashin' / Plays by sense of smell / Always gets a replay / Never seen him fall / That deaf dumb and blind kid / Sure plays a mean pinball.", and "I thought I was the Bally table ki ...
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Anyway, Anyhow, Anywhere
"Anyway, Anyhow, Anywhere" was the second single released by the English rock band the Who in 1965. It features call-and-response lyrics (especially common in Who lyrics at this time) and some of the first ever recorded guitar feedback. The song was composed by lead singer Roger Daltrey and guitarist Pete Townshend, the only time they wrote together. The guitar feedback, although not the first to be heard on a record (see the Beatles' " I Feel Fine"), is thought to be the first solo with feedback. This is the first Who release with Nicky Hopkins playing piano. Overview Composition "Anyway, Anyhow, Anywhere" has a significant similarity to "Out in the Street", which appears on their debut album ''My Generation''. Both songs feature a three-chord strum before "blasting into an uptempo rhythm"; Despite this, "Out in the Street" is a marginally older song, and both tracks originate from the same recording sessions between 13 and 14 April 1965. The use of feedback throughout the ...
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