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The Two Stars (ballet)
''The Two Stars'' or ''The Stars'' or ''The Two Little Stars'' (aka ''Les Deux étoiles'') is an '' Anacreontic ballet'' in 1 act, with choreography by Marius Petipa, and music by Cesare Pugni. Libretto by Marius Petipa, based on an ancient Greek myth.Studies in Dance History - Volume 3, Issue 1 - Page 83 1992 ... Moscow, with the title Two Little Stars. First presented by the Imperial Ballet on January 31/February 6 (Julian/ Gregorian calendar dates), 1871 at the Imperial Bolshoi Kamenny Theatre, St. Petersburg, Russia. ''Principal Dancers-'' Ekaterina Vazem (as the First Star), Alexandra Virginia (as The Second Star), and Pavel Gerdt (as Apollo) Revivals/Restagings * Restaging by Marius Petipa for the Ballet of the Moscow Imperial Bolshoi Theatre as ''The Two Little Stars''. First presented on February 25/March 3, 1878 in Moscow, Russia. * Revival by Ivan Clustine for the Ballet of the Moscow Imperial Bolshoi Theatre as ''The Stars''. First presented on January 14/26, 1897 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anacreontic
Anacreontics are verses in a metre used by the Greek poet Anacreon in his poems dealing with love and wine. His later Greek imitators (whose surviving poems are known as the ''Anacreontea'') took up the same themes and used the Anacreontic meter. In modern poetry, Anacreontics are short lyrical pieces that keep the Anacreontic subject matter but not the metre. The Greek meter image:P.Oxy. II 220.jpg, A section from an ancient metrical treatise concerning the ''anacreonteus''. Above the description the lengths of all but the first syllable can be seen marked out; the final syllable is marked as anceps. Near the beginning of the description it is reported that some call the ''anacreonteus'' "Parionic" (παριωνικόν) because of its resemblance to the "class of Ionic meters" (Ἰωνικῶν γένους). ( P.Oxy. II 220 col. vii, 1st or 2nd century CE). The Anacreontic verse or anacreonteus is the eight-syllable line u u – u – u – – (where u = syllable weight, brev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ivan Clustine
Ivan Nikolayevich Khlyustin (russian: Иван Николаевич Хлюстин; 22 August 1862 – 21 November 1941), usually referred to outside Russia as Ivan Clustine, was a Russian dancer, ballet master, and choreographer. He was "offered the position of ballet master and teacher at the Paris Opera, where he served from 1909 to 1914." He was then intermittently ballet master of Anna Pavlova Anna Pavlovna Pavlova ( , rus, Анна Павловна Павлова ), born Anna Matveyevna Pavlova ( rus, Анна Матвеевна Павлова; – 23 January 1931), was a Russian prima ballerina of the late 19th and the early 20t ...'s company until her death. Among his choreographies were '' La Péri'' (1912), ''Philotis'', and ''Hansli le Bossu'' (1914). Notes References {{DEFAULTSORT:Clustine, Ivan 1862 births 1941 deaths Ballet masters Dancers from Moscow Russian choreographers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballets By Cesare Pugni
Cesare Pugni (; russian: Цезарь Пуни, Cezar' Puni; 31 May 1802 in Genoa – ) was an Italian composer of ballet music, a pianist and a violinist. In his early career he composed operas, symphonies, and various other forms of orchestral music. Pugni is most noted for the ballets he composed for Her Majesty's Theatre in London (1843–1850), and for the Imperial Theatres in St. Petersburg, Russia (1850–1870). The majority of his ballet music was composed for the works of the ballet master Jules Perrot, who mounted nearly every one of his ballets to scores by Pugni. In 1850 Perrot departed London for Russia, having accepted the position of ''Premier maître de ballet'' of the St. Petersburg Imperial Theatres at the behest of Carlotta Grisi, who was engaged as ''Prima ballerina''. Cesare Pugni followed Perrot and Grisi to Russia, and remained in the imperial capital even after Grisi's departure in 1853 and Perrot's departure in 1858. Pugni went on to compose for Perrot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballets By Marius Petipa
Marius Ivanovich Petipa (russian: Мариус Иванович Петипа), born Victor Marius Alphonse Petipa (11 March 1818), was a French ballet dancer, pedagogue and choreographer. Petipa is one of the most influential ballet masters and choreographers in ballet history. Marius Petipa is noted for his long career as ''Premier maître de ballet'' (''First Ballet Master'') of the St. Petersburg Imperial Theatres, making him Ballet Master and principal choreographer of the Imperial Ballet (today known as the Mariinsky Ballet), a position he held from 1871 until 1903. Petipa created over fifty ballets, some of which have survived in versions either faithful to, inspired by, or reconstructed from the original. Among these works, he is most noted for ''The Pharaoh's Daughter'' (1862); ''Don Quixote'' (1869); ''La Bayadère'' (1877); ''Le Talisman'' (1889); '' The Sleeping Beauty'' (1890); ''The Nutcracker'' (choreographed jointly with Lev Ivanov) (1892); '' Le Réveil de Flore ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sergei Lukianov
Sergius is a male given name of Ancient Roman origin after the name of the Latin ''gens'' Sergia or Sergii of regal and republican ages. It is a common Christian name, in honor of Saint Sergius, or in Russia, of Saint Sergius of Radonezh, and has been the name of four popes. It has given rise to numerous variants, present today mainly in the Romance (Serge, Sergio, Sergi) and Slavic languages (Serhii, Sergey, Serguei). It is not common in English, although the Anglo-French name Sergeant is possibly related to it. Etymology The name originates from the Roman ''nomen'' (patrician family name) ''Sergius'', after the name of the Roman ''gens'' of Latin origins Sergia or Sergii from Alba Longa, Old Latium, counted by Theodor Mommsen as one of the oldest Roman families, one of the original 100 ''gentes originarie''. It has been speculated to derive from a more ancient Etruscan name but the etymology of the nomen Sergius is problematic. Chase hesitantly suggests a connection with th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nikolai Legat
Nikolai Gustavovich Legat (russian: Никола́й Густа́вович Лега́т) (30 December 1869, Moscow – 24 January 1937, London) was a premier dancer with the Russian Imperial Ballet from 1888 to 1914, and also with the Mariinsky Ballet. Both he and his younger brother, Sergey, became ballet masters and caricaturists. Legat is considered to be the main successor to Pavel Gerdt. Legat later served as a balletmaster in Russia, teaching and passing on the repertoire of the Imperial ballet company, whose groundwork was the legacy of the great choreographer-balletmaster, Marius Petipa. He left Russia with his third wife, Nadine, in 1922 and eventually settled in England in 1926. The couple opened their first ballet school in Kent. They were later able to start classes in Hammersmith, London. Among their notable pupils were Ninette de Valois and Margot Fonteyn. Legat's wife, Nadine Nicolaeva, was a ballerina of the Imperial and State theatres of Moscow and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nadezhda Bakerkina
Nadezhda may refer to: * Nadezhda (given name), people with the given name ''Nadezhda'' * Nadezhda (satellite), a series of Russian navigation satellites, of which one was launched in 1998 *2071 Nadezhda, an asteroid *Nadezhda (cockroach), the first Earth creature to produce offspring that had been conceived in space *Lada Nadezhda, a minivan produced by AvtoVAZ * Nadezhda, a bandy club in Birobidzhan, Russia Places *Nadezhda, Sofia, a municipality, part of Sofia, Bulgaria *Nadezhda Strait, Okhotsk Sea *Nadezhda Island, Sitka County, Alaska Ships * STS ''Nadezhda'', a Russian sail training ship, sister of STS ''Mir'' * ''Nadezhda'' (1802 Russian ship), a Russian sloop * Bulgarian torpedo gunboat ''Nadezhda'' See also *Nadège *Nadezhdinsky (other) Nadezhdinsky (masculine), Nadezhdinskaya (feminine), or Nadezhdinskoye (neuter) may refer to: *Nadezhdinsky District Nadezhdinsky District (russian: Наде́ждинский райо́н) is an administrativeLaw #161-KZ and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Olga Preobrajenskaya
Olga Iosifovna Preobrajenska (russian: О́льга Ио́сифовна Преображе́нская; born Preobrazhenskaya; – 27 December 1962) was a Russian ballerina of the Russian Imperial Ballet and a ballet instructor. Biography She was born in Saint Petersburg as Olga Preobrazhenskaya (the final syllable of her surname was dropped to shorten her name for professional purposes, and she used the French transliteration, Preobrajenska). Olga—born frail and with a crooked spine—was an unlikely prima ballerina. But she had dreams of being a dancer, and for years her parents tried unsuccessfully to get her enrolled in dance school. The selection committee repeatedly rejected her as a candidate. But after three years of trying, her parents succeeded and the eight-year-old Olga entered the Imperial Ballet School in 1879. Despite her physical shortcomings, Preobrazhenskaya grew strong with training under Marius Petipa, Lev Ivanov and Anna Johansson. She developed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Imperial Mariinsky Theatre
The Mariinsky Theatre ( rus, Мариинский театр, Mariinskiy teatr, also transcribed as Maryinsky or Mariyinsky) is a historic theatre of opera and ballet in Saint Petersburg, Russia. Opened in 1860, it became the preeminent music theatre of late 19th-century Russia, where many of the stage masterpieces of Tchaikovsky, Mussorgsky, and Rimsky-Korsakov received their premieres. Through most of the Soviet era, it was known as the Kirov Theatre. Today, the Mariinsky Theatre is home to the Mariinsky Ballet, Mariinsky Opera and Mariinsky Orchestra. Since Yuri Temirkanov's retirement in 1988, the conductor Valery Gergiev has served as the theatre's general director. Name The theatre is named after Empress Maria Alexandrovna, wife of Tsar Alexander II. There is a bust of the Empress in the main entrance foyer. The theatre's name has changed throughout its history, reflecting the political climate of the time: * 1860 – 1920: Imperial Mariinsky Theatre ( rus, Импера ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Riccardo Drigo
Riccardo Eugenio Drigo ( ru. Риккардо Эудженьо Дриго) (30 June 18461 October 1930) was an Italian composer of ballet music and Italian opera, a theatrical conductor, and a pianist. Drigo is most noted for his long career as kapellmeister and Director of Music of the Imperial Ballet of Saint Petersburg, Russia, for which he composed music for the original works and revivals of the choreographers Marius Petipa and Lev Ivanov. Drigo also served as Chef d'orchestre for Italian opera performances of the orchestra of the Imperial Mariinsky Theatre. During his career in Saint Petersburg, Drigo conducted the premieres and regular performances of nearly every ballet and Italian opera performed on the Tsarist stage. Drigo is equally noted for his original full-length compositions for the ballet as well as his large catalog of supplemental music written ad hoc for insertion into already-existing works. Drigo is also noted for his adaptations of already-existing scores ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Enrico Cecchetti
Enrico Cecchetti (; 21 June 1850 – 13 November 1928) was an Italian ballet dancer, mime, and founder of the Cecchetti method. The son of two dancers from Civitanova Marche, he was born in the costuming room of the ''Teatro Tordinona'' in Rome. After an illustrious career as a dancer in Europe, he went to dance for the Imperial Ballet in St. Petersburg, Russia, where he further honed his skills. Cecchetti was praised for his agility and strength in his performances, as well as his technical abilities in dance. By 1888, he was widely accepted as the greatest ballet virtuoso in the world. After an esteemed career in Russia, originating such roles as both the Bluebird and Carabosse in Petipa's masterpiece, '' The Sleeping Beauty'', he turned to teaching. Some of his students included other notable dancers of the Imperial Ballet, such as: Anna Pavlova, Léonide Massine, and Vaslav Nijinsky. While in London in 1920, he provided instruction to the American ballerina Ruth Page ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vasily Tikhomirov
Vasiliy Dmitriyevich Tikhomirov (1876–1956) was a dancer (from 1895) and a choreographer (from 1913) with the Bolshoi Ballet of Moscow, Russia. His most distinguished production was ''The Red Poppy'' (1927), with his wife Yekaterina Geltzer in the main role. After the divorce Yekaterina Geltzer and Vasily Tikhomirov remained onstage partners. He and Geltzer were buried in the Novodevichy Cemetery. See also *List of Russian ballet dancers This is a list of ballet dancers from the Russian Empire, Soviet Union, and Russian Federation, including both ethnic Russians and people of other ethnicities. This list includes as well those who were born in these three states but later emigra ... {{DEFAULTSORT:Tikhomirov, Vasily 1876 births 1956 deaths Ballets by Vasily Tikhomirov Soviet male ballet dancers Male ballet dancers from the Russian Empire Ballet choreographers Choreographers from the Russian Empire Burials at Novodevichy Cemetery Soviet choreographers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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