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The Torture Technique
''The Torture Technique'' is the second studio album by Sister Machine Gun, released on March 15, 1994 by TVT and Wax Trax! Records. The album spent eight weeks on the CMJ Radio Top 150 peaking at #46, and nine weeks on the CMJ RPM Charts peaking at #10. Reception Vincent Jeffries of allmusic gave ''The Torture Technique'' a one and a half out of five stars, saying "to Chris Randall's credit, he expands his programming skills ("Salvation," "Brother Bomb") and vocal performances ("Cocaine Jesus") enough to mimic industrial rock success stories Ministry and White Zombie, instead of exclusively copying Nine Inch Nails." He concluded by saying, "''The Torture Technique'' isn't as dry or repetitive as Sister Machine Gun's first release, but Randall's marginal improvements aren't enough to warrant a recommendation." ''Aiding & Abetting'' praised the very stripped down sound of the album, saying it's "experimental enough to get me hard, bouncy enough to make me dance, Sister Machine ...
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Sister Machine Gun
Sister Machine Gun is an American industrial rock band originally based in Chicago, Illinois. History The early years Sister Machine Gun was formed by Chris Randall and Guilherme Machado in New York City. They performed at New Jersey's Pipeline, and New York's Limelight. The band went on a short hiatus after Chris Randall joined KMFDM's tour as a stage technician. After the tour, Randall left New York City and relocated to Chicago. He then found work in the mailroom of Wax Trax! Records, and began recording a demo with Jim Marcus and Van Christie of Die Warzau. The rough demo was given to Sascha Konietzko of KMFDM for mixing. Konietzko passed the demo along to Jim Nash, head of Wax Trax! Records, where Randall worked. The label then signed the band to a record deal. The Wax Trax! years Sister Machine Gun's debut album '' Sins of the Flesh'' was released on Wax Trax! in 1992. During this time, Chris Randall assembled a group of musicians to tour in support of the album. Tom Ga ...
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Option (music Magazine)
''Option'' (subtitled ''Music Alternatives'', then ''Music Culture'') was a music magazine based in Los Angeles, California, US. It covered independent, underground and alternative music and multiple musical genres for an international subscription base. Its print run began in 1985 and ended in 1998. History Originally called ''OPtion'', it, along with ''Sound Choice'', were the dual successors to the earlier music magazine '' OP'', published by John Foster and the Lost Music Network and known for its diverse scope and the role it played in providing publicity to DIY musicians in the midst of the cassette culture. When Foster ended ''OP'' after only twenty-six issues, he held a conference, offering the magazine's resources to parties interested in carrying on; attendant journalist David Ciaffardini went on to start ''Sound Choice'', while Scott Becker, alongside Richie Unterberger, founded ''Option''. Whereas ''Sound Choice'' was described as a low-budget and "chaotic" publication ...
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James Woolley
Woolley in the 90's. James Joseph Woolley (September 26, 1966 – August 14, 2016) was an American keyboard and synthesizer player, best known for performing with industrial rock band Nine Inch Nails during the 1991 Lollapalooza Tour and the beginning part of the 1994 Self Destruct Tour. Woolley also appeared in the videos for "Wish" and "March of the Pigs", as well as parts of the Nine Inch Nails release '' Closure'' (1997). Woolley won a Grammy Award in 1993 for "Best Metal Performance" for "Wish". Prior to Nine Inch Nails, Woolley was a major collaborator along with former NIN drummer Chris Vrenna to Chicago band Die Warzau. In 1994, just before NIN hit the road, Woolley contributed to Sister Machine Gun's album, '' The Torture Technique''. Subsequent to Nine Inch Nails, Woolley made contributions to Die Warzau albums again, particularly 2005's ''Convenience''. In 1998, Woolley toured with Rob Halford's one-time band 2wo, which also included John 5 of Marilyn Manson. After ...
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Sound Recording And Reproduction
Sound recording and reproduction is the electrical, mechanical, electronic, or digital inscription and re-creation of sound waves, such as spoken voice, singing, instrumental music, or sound effects. The two main classes of sound recording technology are analog recording and digital recording. Sound recording is the transcription of invisible vibrations in air onto a storage medium such as a phonograph disc. The process is reversed in sound reproduction, and the variations stored on the medium are transformed back into sound waves. Acoustic analog recording is achieved by a microphone diaphragm that senses changes in atmospheric pressure caused by acoustic sound waves and records them as a mechanical representation of the sound waves on a medium such as a phonograph record (in which a stylus cuts grooves on a record). In magnetic tape recording, the sound waves vibrate the microphone diaphragm and are converted into a varying electric current, which is then converted to ...
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Music Sequencer
A music sequencer (or audio sequencer or simply sequencer) is a device or application software that can record, edit, or play back music, by handling Musical note, note and performance information in several forms, typically CV/Gate, MIDI, or Open Sound Control (OSC), and possibly audio signal, audio and automation data for Digital audio workstation, DAWs and Audio plugin, plug-ins. On WhatIs.com of TechTarget (whatis.techtarget.com), an author seems to define a term "Sequencer" as an abbreviation of "MIDI sequencer". * Note: an example of section title containing "''Audio Sequencer''" Overview Modern sequencers The advent of MIDI, Musical Instrument Digital Interface (MIDI) and the Atari ST home computer in the 1980s gave programmers the opportunity to design software that could more easily record and play back sequences of notes played or programmed by a musician. This software also improved on the quality of the earlier sequencers which tended to be mechanical soun ...
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Bass Guitar
The bass guitar, electric bass or simply bass (), is the lowest-pitched member of the string family. It is a plucked string instrument similar in appearance and construction to an electric or an acoustic guitar, but with a longer neck and scale length, and typically four to six strings or courses. Since the mid-1950s, the bass guitar has largely replaced the double bass in popular music. The four-string bass is usually tuned the same as the double bass, which corresponds to pitches one octave lower than the four lowest-pitched strings of a guitar (typically E, A, D, and G). It is played primarily with the fingers or thumb, or with a pick. To be heard at normal performance volumes, electric basses require external amplification. Terminology According to the ''New Grove Dictionary of Music and Musicians'', an "Electric bass guitar sa Guitar, usually with four heavy strings tuned E1'–A1'–D2–G2." It also defines ''bass'' as "Bass (iv). A contraction of Double bass ...
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En Esch
Nicklaus Schandelmaier, (born 23 March 1968) is a German musician, better known by his stage name En Esch, and has been a member of the bands KMFDM, Pigface, Slick Idiot, and . And more recently with NUKES, a 16 member band that includes Chris Connelly, John Bechdel, Mario Alberto Cabada, David J and more. History En Esch, born near Frankfurt, is an orchestra percussionist, drummer, programmer, producer, guitarist and singer. He was a member of the German industrial rock group, KMFDM, from 1985 to 1999, during which time he contributed to ten studio albums and more than a dozen singles as musician, composer and producer. Sascha Konietzko claims to have given Esch his nickname because the latter felt that his real name was inappropriate for the stage. It is derived from the German pronunciation of his initials (N. Sch.). Esch lived in Germany until 1992, when he moved to Chicago to join Konietzko, who had moved there a year earlier. It was at this time that Esch first worked ...
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Drum Kit
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player (drummer) typically holds a pair of matching drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a stand * A bass drum, played with a beater moved by a foot-operated pedal * One or more tom-toms, including rack toms and/or floor toms * One or more cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. __TOC__ History Early development Before the development of the drum set, drums and cymbals used in military and orchestral mu ...
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Steve Stoll (musician)
Steve Stoll (born 1967, as ''Stephen Stollmeyer'') is an American techno musician and label owner. Stoll also produces under monikers such as Acid Farm, Ausgang, The Blunted Boy Wonder, Cobalt, Critical Mass, Dark Man, Datacloud, Floating Point, Mr. Proper, The Operator, Storm, Systematic, Test Tones and Time Attack. Life Stoll was born in Staten Island, New York, and raised in Brooklyn, where he learned to play drums.Q&A session with Steve Stoll
, elektraxmusic.com, retrieved 1 April 2014
He had three siblings, a brother named Glen, and two sisters, Dorothy and Maria. In the late 1980s he became interested in electronic music while he was drumming for the independent label Wax Trax! Records. After hig ...
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Audio Mixing (recorded Music)
In sound recording and reproduction, audio mixing is the process of optimizing and combining multitrack recordings into a final mono, stereo or surround sound product. In the process of combining the separate tracks, their relative levels are adjusted and balanced and various processes such as equalization and compression are commonly applied to individual tracks, groups of tracks, and the overall mix. In stereo and surround sound mixing, the placement of the tracks within the stereo (or surround) field are adjusted and balanced. Audio mixing techniques and approaches vary widely and have a significant influence on the final product. Audio mixing techniques largely depend on music genres and the quality of sound recordings involved. The process is generally carried out by a mixing engineer, though sometimes the record producer or recording artist may assist. After mixing, a mastering engineer prepares the final product for production. Audio mixing may be performed on a m ...
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Record Producer
A record producer is a recording project's creative and technical leader, commanding studio time and coaching artists, and in popular genres typically creates the song's very sound and structure. Virgil Moorefield"Introduction" ''The Producer as Composer: Shaping the Sounds of Popular Music'' (Cambridge, MA & London, UK: MIT Press, 2005). Richard James Burgess, ''The History of Music Production'' (New York: Oxford University Press, 2014)pp 12–13Allan Watson, ''Cultural Production in and Beyond the Recording Studio'' (New York: Routledge, 2015)pp 25–27 The record producer, or simply the producer, is likened to film director and art director. The executive producer Executive producer (EP) is one of the top positions in the making of a commercial entertainment product. Depending on the medium, the executive producer may be concerned with management accounting or associated with legal issues (like copyrights o ..., on the other hand, enables the recording project through entrep ...
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Programming (music)
Programming is a form of music production and performance using electronic devices and computer software, such as sequencers and workstations or hardware synthesizers, sampler and sequencers, to generate sounds of musical instruments. These musical sounds are created through the use of music coding languages. There are many music coding languages of varying complexity. Music programming is also frequently used in modern pop and rock music from various regions of the world, and sometimes in jazz and contemporary classical music. It gained popularity in the 1950s and has been emerging ever since. Music programming is the process in which a musician produces a sound or "patch" (be it from scratch or with the aid of a synthesizer/sampler), or uses a sequencer to arrange a song. Coding languages Music coding languages are used to program the electronic devices to produce the instrumental sounds they make. Each coding language has its own level of difficulty and function. Alda ...
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