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The Times Square Show
''The Times Square Show'' was an influential collaborative, self-curated, and self-generated art exhibition held by New York artists' group Colab (aka Collaborative Projects, Inc) in Times Square in a shuttered massage parlor at 201 W. 41st and 7th Avenue during the entire month of June in 1980. ''The Times Square Show'' was largely inspired by the more radical Colab show '' The Real Estate Show'' (that occurred in January 1980), but unlike it, was open 24 hours a day, 7 days a week, in what was then a Times Square full of porno theaters, peep shows, and red light establishments. In addition to experimental painting and sculpture, the exhibition incorporated music, fashion, and an ambitious program of performance and video. For many artists the exhibition served as a forum for the exchange of ideas, a testing-ground for social-directed figurative work in progress, and a catalyst for exploring new political-artistic directions. Historic significance ''The Times Square Shows histor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Public Poster Produced For The Times Square Show
In public relations and communication science, publics are groups of individual people, and the public (a.k.a. the general public) is the totality of such groupings. This is a different concept to the sociological concept of the ''Öffentlichkeit'' or public sphere. The concept of a public has also been defined in political science, psychology, marketing, and advertising. In public relations and communication science, it is one of the more ambiguous concepts in the field. Although it has definitions in the theory of the field that have been formulated from the early 20th century onwards, and suffered more recent years from being blurred, as a result of conflation of the idea of a public with the notions of audience, market segment, community, constituency, and stakeholder. Etymology and definitions The name "public" originates with the Latin '' publicus'' (also '' poplicus''), from ''populus'', to the English word 'populace', and in general denotes some mass population ("the p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coleen Fitzgibbon
Coleen Fitzgibbon (born 1950) is an American experimental film artist associated with Collaborative Projects, Inc. (a.k.a. Colab). She worked under the pseudonym Colen Fitzgibbon between the years 1973–1980. Career history Fitzgibbon was a student of 1960s Structuralist cinema at the School of the Art Institute of Chicago and the Whitney Independent Study Program where she studied with Owen Land (aka “ George Landow”), Stan Brakhage, Yvonne Rainer, Carolee Schneemann and Vito Acconci. Fitzgibbon worked on film and sound projects for Dennis Oppenheim, Gordon Matta-Clark and Les Levine. Fitzgibbon formed the collaborative ''X&Y'' project with Robin Winters in 1976 and helped form the conceptual art project called ''The Offices of Peter Fend, Fitzgibbon, Jenny Holzer, Peter Nadin, Richard Prince and Robin Winters'' in 1979 (the same year she performed at ''Public Arts International/Free Speech''). She co-founded the New York-based Collaborative Projects, Inc. (Colab) i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rigoberto Torres
Rigoberto Torres (born 1960) is a sculptor who was born in Aguadilla, Puerto Rico and worked in New York City, before moving to Florida where he currently lives and works. Torres began working in a factory where religious figures were cast, producing religious statuary. He also considers himself to be a community based artist. Sculptures Torres is known in part for the sculptures in plaster and fiberglass that he created of his neighbors in the Bronx, together with his partner John Ahearn. Between the years 1981 and 1985, they collaborated on four murals. These were ''We Are Family'', ''Life on Dawson Street'', ''Double Dutch'', and ''Back to School''. The mural ''Double Dutch'' (1981/2010), for example, was acquired by the Pérez Art Museum Miami, city in which Torres lives. The sculptures, like much of Torres' work, were displayed in public attached to buildings, free standing and in street events as an element of performance art. On many occasions, Torres would prompt Ahearn to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Ahearn
John Ahearn (born 1951) is an American sculptor. He is best known for the public art and street art he made in South Bronx in the 1980s. Life and art Ahearn grew up in Binghamton, New York, with his twin brother Charlie Ahearn, who is a film director. John went to Cornell University where he discovered art. After trying painting, he started making life casts in 1979 while with Colab, a Manhattan artists’ collective. He made some live life casts at ''The Times Square Show'' in 1980. In the 1980s, while he participated in art world venues like Brooke Alexander Gallery and Colab, he also focused his art and life on The Bronx after going to the South Bronx and working on the sidewalk in front of Fashion Moda, casting whoever volunteered. He made two copies of every cast: one for himself and the other for the sitter/subject. Ahearn has regularly worked with Rigoberto Torres. Torres first assisted Ahearn and then became his equal collaborator. After a decade of intense cooperatio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Hammons
David Hammons (born July 24, 1943) is an American artist, best known for his works in and around New York City and Los Angeles during the 1970s and 1980s. Early life David Hammons was born in 1943 in Springfield, Illinois, the youngest of ten children being raised by a single mother. This dynamic caused great financial strain on his family during his childhood; he later stated that he is uncertain how they managed to 'get by' during this time. Although not inclined academically, Hammons showed an early talent for drawing and art; however the ease at which these practices came to him caused him to develop disdain for it. In 1962 he moved to Los Angeles, where he started attending Chouinard Art Institute (now CalArts) from 1966 to 1968 and the Otis Art Institute from 1968 to 1972. He was never officially enrolled there, but Charles White allowed him to attend night classes. There he was influenced by artists such as Charles White (artist), Charles White, Bruce Nauman, John Baldes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kenny Scharf
Kenny Scharf (born November 23, 1958) is an American painter known for his participation in New York City's interdisciplinary East Village art scene during the 1980s, alongside Jean-Michel Basquiat and Keith Haring. Scharf's do-it-yourself practice spanned painting, sculpture, fashion, video, performance art, and street art. Growing up in post-World War II Southern California, Scharf was fascinated by television and the futuristic promise of modern design. His works often include pop culture icons, such as the Flintstones and the Jetsons, or caricatures of middle-class Americans in an apocalyptic science fiction setting. Life and career Born in Los Angeles, Scharf moved to Manhattan, earning a BFA in painting at the School of Visual Arts in 1980. In the East Village of the 1980s, Scharf began his trademark Cosmic Caverns, immersive black light and Day-Glo paint installations that also function as ongoing disco parties. The first was known as the "Cosmic Closet" and was insta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Keith Haring
Keith Allen Haring (May 4, 1958 – February 16, 1990) was an American artist whose pop art emerged from the Graffiti in New York City, New York City graffiti subculture of the 1980s. His animated imagery has "become a widely recognized visual language". Much of his work includes sexual allusions that turned into social activism by using the images to advocate for safe sex and AIDS awareness. In addition to solo gallery exhibitions, he participated in renowned national and international group shows such as ''documenta'' in Kassel, the Whitney Biennial in New York, the São Paulo Biennial, and the Venice Biennale. The Whitney Museum held a retrospective of his art in 1997. Haring's popularity grew from his spontaneous drawings in New York City Subway, New York City subways: chalk outlines of figures, dogs, and other stylized images on blank black advertising spaces. After gaining public recognition, he created colorful larger scale murals, many commissioned. He produced more than ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jenny Holzer
Jenny Holzer (born July 29, 1950) is an American neo-conceptual artist, based in Hoosick, New York. Her work focuses on the delivery of words and ideas in public spaces and includes large-scale installations, advertising billboards, projections on buildings and other structures, and illuminated electronic displays. Holzer belongs to the feminist branch of a generation of artists that emerged around 1980, and was an active member of Colab during this time, participating in the famous '' Times Square Show''. Among the most notable honors she has received for her contributions to the arts are the Leone d'Oro (1990), the World Economic Forum's Crystal Award (1996), the rank of Officier des Arts et des Lettres (2016), the U.S. State Department's International Medal of Arts (2017), and the ''Time'' 100 Award (2024), as well as honorary doctorates from Williams College, the Rhode Island School of Design, the New School, and Smith College. Early life and education Holzer w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robin Winters
Robin Winters (born 1950 in Benicia, California) is an American conceptual artist and teacher based in New York. Winters is known for creating solo exhibitions containing an interactive durational performance component to his installations, sometimes lasting up to two months. As an early practitioner of Relational Aesthetics Winters has incorporated such devices as blind dates, double dates, dinners, fortune telling, and free consultation in his performances. Throughout his career he has engaged in a wide variety of media, such as performance art, film, video, writing prose and poetry, photography, installation art, printmaking, drawing, painting, ceramic sculpture, bronze sculpture, and glassblowing. Recurring imagery in his work includes faces, boats, cars, bottles, hats, and the fool. Early life and education Winters was born in Benicia, California in 1950 to lawyer parents. As a child his hobby was collecting glass bottles found on the beach and under old buildings, which ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Michel Basquiat
Jean-Michel Basquiat (; December 22, 1960 – August 12, 1988) was an American artist who rose to success during the 1980s as part of the neo-expressionism movement. Basquiat first achieved notoriety in the late 1970s as part of the graffiti duo SAMO, alongside Al Diaz (artist), Al Diaz, writing enigmatic epigrams all over Manhattan, particularly in the cultural hotbed of the Lower East Side where rap, Punk visual art, punk, and street art coalesced into early hip-hop culture. By the early 1980s, his paintings were being exhibited in galleries and museums internationally. At 21, Basquiat became the youngest artist to ever take part in Documenta in Kassel, Germany. At 22, he became one of the youngest to exhibit at the Whitney Biennial in New York. The Whitney Museum of American Art held a retrospective of his artwork in 1992. Basquiat's art focused on dichotomies such as wealth versus poverty, integration versus segregation, and inner versus outer experience. He Appropriation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tom Otterness
Tom Otterness (born 1952) is an American sculptor who is one of America's most prolific public artists. Otterness's works adorn parks, plazas, subway stations, libraries, courthouses and museums around the world, notably in New York City's Rockefeller Park in Battery Park City and '' Life Underground'' in the 14th Street – Eighth Avenue New York Subway station. He contributed a balloon (a giant upside-down Humpty Dumpty) to the Macy's Thanksgiving Day Parade. In 1994 he was elected as a member of the National Academy Museum. His style is often described as cartoonish and cheerful, but also political. His sculptures allude to sex, class, money and race.Sheets, Hilarie M., "Creeping Cats & Fish in Hats"''Art News'' 105 (April 2006): 127-29/ref> These sculptures depict, among other things, huge pennies, pudgy characters in business suits with moneybag heads, helmeted workers holding giant tools, and an alligator crawling out from under a sewer cover. His aesthetic can be seen as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fashion Moda
Fashion 时髦 Moda МОДА, whose name comes from “fashion” in English, Chinese, Spanish and Russian, colloquially referred to as Fashion Moda, started as a cultural concept guided by the idea that art can be made by anyone, anywhere. Fashion Moda was an art space located in the South Bronx, New York founded by Stefan Eins in 1978. As a museum of science, art, invention, technology, and fantasy, it was an alternative art space that combined aspects of a community arts center and a worldwide progressive arts organization until its closing in 1993. History Fashion Moda was an art space founded by Stephen Eins in 1978 after closing his previous project, the 3 Mercer Store. Eins was soon joined by artist, poet and musician, Joe Lewis and William Scott, a nineteen year-old from the neighborhood as co-directors. The gallery was located in the South Bronx, outside the traditional art gallery district which was emerging in Soho at the time. Despite this, Fashion Moda quickly becam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
