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The Three Treasures
is a 1959 Japanese epic film, epic List of religious films, religious fantasy film directed by Hiroshi Inagaki, with special effects by Eiji Tsuburaya. Produced by Toho as their celebratory thousandth film, it was the most expensive Japanese film ever made upon its release and is based on the legends ''Kojiki'' and ''Nihon Shoki'' and the origins of ''Shinto''. The film was the highest-grossing film of 1959 for Toho and the second highest grossing domestic production in Japan for the year. The film was shown in Japan in 1959 as ''Nippon Tanjo'' (''The Birth of Japan'') with a running time of 182 minutes, but it was released in the United States in December 1960 as ''The Three Treasures'', edited down to only 112 minutes. It was also shown internationally under the title ''Age of the Gods''. Plot ''The Three Treasures'' retells the story of the Yamato Takeru legend, and features a recounting of the great battle between Susanoo and the legendary dragon Orochi. Cast * Toshiro M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hiroshi Inagaki
was a Japanese filmmaker who worked on over 100 films in a career spanning over five decades. He is one of the most successful and critically acclaimed filmmakers in the history of Japanese cinema, having directed several ''jidaigeki'' epics such as the 1954 Academy Award-winning film '' Samurai I: Musashi Miyamoto'', and its two sequels (1955's '' Samurai II: Duel at Ichijoji Temple'' (1955) and 1956's '' Samurai III: Duel at Ganryu Island''). Career Born in Tokyo as the son of a shinpa actor, Inagaki appeared on stage in his childhood before joining the Nikkatsu studio as an actor in 1922. Wishing to become a director, he joined Chiezō Kataoka's Chiezō Productions and made his directorial debut with ''Tenka taiheiki'' (1928). Returning to Nikkatsu, he continued making jidaigeki and participated in the Naritaki Group of young filmmakers such as Sadao Yamanaka and Fuji Yahiro who collaboratively wrote screenplays under the made up name "Kinpachi Kajiwara". Like others in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Akira Ifukube
was a Japanese composer. He is best known for composing several entries in the Godzilla (franchise), ''Godzilla'' franchise as well as developing the Godzilla, titular monster's roar. Biography Early years in Hokkaido Akira Ifukube was born on 31 May 1914, in Kushiro, Hokkaidō, Kushiro, Japan as the third son of a police officer Toshimitsu Ifukube. The origins of this family can be traced back to at least the 7th century with the birth of Ifukibe-no-Tokotarihime. He was strongly influenced by the Ainu folk music, Ainu music as he spent his childhood (from age of 9 to 12) in Otofuke near Obihiro, where was with a mixed population of Ainu people, Ainu and Japanese. His first encounter with classical music occurred when attending secondary school in Sapporo city. Ifukube decided to become a composer at the age of 14 after hearing a radio performance of Igor Stravinsky's ''The Rite of Spring'', and also cited the music of Manuel de Falla as a major influence. Ifukube studied fore ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Susanoo-no-Mikoto
__FORCETOC__ Susanoo (, ; Historical kana orthography, historical orthography: , ), often referred to by the honorific title Susanoo-no-Mikoto (), is a in Japanese mythology. The younger brother of Amaterasu, goddess of the sun and mythical ancestress of the Imperial House of Japan, Japanese imperial line, he is a multifaceted deity with contradictory characteristics (both good and bad), being portrayed in various stories either as a wild, impetuous god associated with the sea and storms, as a heroic figure who killed a monstrous serpent, or as a local deity linked with the harvest and agriculture. Shinbutsu shūgō, Syncretic beliefs of the Gion cult that arose after Buddhism in Japan, the introduction of Buddhism to Japan also saw Susanoo becoming conflated with deities of pestilence and disease. Susanoo, alongside Amaterasu and the earthly Ōkuninushi (also Ōnamuchi) – depicted as either Susanoo's son or scion depending on the source – is one of the central deities of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Susanoo
__FORCETOC__ Susanoo (, ; historical orthography: , ), often referred to by the honorific title Susanoo-no-Mikoto (), is a in Japanese mythology. The younger brother of Amaterasu, goddess of the sun and mythical ancestress of the Japanese imperial line, he is a multifaceted deity with contradictory characteristics (both good and bad), being portrayed in various stories either as a wild, impetuous god associated with the sea and storms, as a heroic figure who killed a monstrous serpent, or as a local deity linked with the harvest and agriculture. Syncretic beliefs of the Gion cult that arose after the introduction of Buddhism to Japan also saw Susanoo becoming conflated with deities of pestilence and disease. Susanoo, alongside Amaterasu and the earthly Ōkuninushi (also Ōnamuchi) – depicted as either Susanoo's son or scion depending on the source – is one of the central deities of the imperial Japanese mythological cycle recorded in the ( CE) and the (720 CE). One ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yamato Takeru
, originally , was a Japanese folk hero and semi-legendary prince of the imperial dynasty, son of Emperor Keikō, who is traditionally counted as the 12th Emperor of Japan. The kanji spelling of his name varies: it appears in the ''Nihon Shoki'' as 日本武尊 and in the ''Kojiki'' as 倭建命. The story of his life and death are told principally in the Japanese chronicles in ''Kojiki'' (712) and ''Nihon Shoki'' (720), but also mentioned in ''Kogo Shūi'' (807) and some histories like the (721). One of his sons became Emperor Chūai, the 14th Emperor of Japan. His history is uncertain but based on the chronicles his life can be calculated. He was born circa 72 and died in 114. Details are different between the two books, and the version in ''Kojiki'' is assumed to be loyal to the older form of this legend. Legendary narrative Prince Takeru slew his elder brother . His father, Emperor Keikō, feared his brutal temperament. To keep him at a distance, the emperor sent his s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shinto
, also called Shintoism, is a religion originating in Japan. Classified as an East Asian religions, East Asian religion by Religious studies, scholars of religion, it is often regarded by its practitioners as Japan's indigenous religion and as a nature religion. Scholars sometimes call its practitioners ''Shintoists'', although adherents rarely use that term themselves. With no central authority in control of Shinto, there is much diversity of belief and practice evident among practitioners. A polytheism, polytheistic and animism, animistic religion, Shinto revolves around supernatural entities called the (神). The are believed to inhabit all things, including forces of nature and prominent landscape locations. The are worshipped at household shrines, family shrines, and Shinto shrine, ''jinja'' public shrines. The latter are staffed by priests, known as , who oversee offerings of food and drink to the specific enshrined at that location. This is done to cultivate harmony ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eiji Tsuburaya
was a Japanese special effects director, filmmaker, and cinematographer. A co-creator of the ''Godzilla (franchise), Godzilla'' and ''Ultraman'' franchises, he is considered one of the most important and influential figures in the history of cinema. Tsuburaya is known as the having pioneered Japan's special effects industry and introduced several technological developments in film productions. In a career spanning five decades, Tsuburaya worked on approximately Eiji Tsuburaya filmography, 250 films—including globally renowned features directed by Ishirō Honda, Hiroshi Inagaki, and Akira Kurosawa—and earned six Japan Technical Awards. Following a brief stint as an inventor, Tsuburaya was employed by Japanese cinema pioneer Yoshirō Edamasa in 1919 and began his career working as an assistant cinematographer on Edamasa's ''A Tune of Pity''. Thereafter, he worked as an assistant cinematographer on several films, including Teinosuke Kinugasa's ''A Page of Madness'' (1926). ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fantasy Film
Fantasy films are films that belong to the fantasy genre with fantastic themes, usually Magic (paranormal), magic, supernatural events, mythology, folklore, or exotic fantasy worlds. The Film genre, genre is considered a form of speculative fiction alongside science fiction films and horror films, although the genres do overlap. Fantasy films often have an element of magic, myth, Wonder (emotion), wonder, escapism, and the extraordinary. Subgenres Several sub-categories of fantasy films can be identified, although the delineations between these subgenres, much as in fantasy literature, are somewhat fluid. The most common fantasy subgenres depicted in movies are high fantasy and sword and sorcery. Both categories typically employ quasi-medieval settings, wizards, magical creatures and other elements commonly associated with fantasy stories. High fantasy films tend to feature a more richly developed fantasy world, and may also be more character-oriented or thematically complex. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Religious Films ...
This is a list of films with religious themes. List List of highest-grossing religious films Following is a list of highest-grossing religious films Grosses presented here are worldwide box office receipts. Films must have surpass $1 million. See also *List of Christian films * List of Islam-related films *List of films based on the Bible References {{DEFAULTSORT:Religious films * Religious Religion is a range of social- cultural systems, including designated behaviors and practices, morals, beliefs, worldviews, texts, sanctified places, prophecies, ethics, or organizations, that generally relate humanity to supernatural ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Epic Film
Epic films have large scale, sweeping scope, and spectacle. The term is slightly ambiguous, sometimes designating a film genre and at other times simply big-budget films. Like epics in the classical literary sense, it is often focused on a heroic character. An epic's ambitious nature helps to set it apart from other genres such as the period piece or adventure film. Epic historical films would usually take a historical or a mythical event and add an extravagant setting, lavish costumes, an expansive musical score, and an ensemble cast, which would make them extremely expensive to produce. The most common subjects of epic films are royalty and important figures from various periods in world history. Characteristics The term "epic" originally came from the poetic genre exemplified by such works as the '' Epic of Gilgamesh'' and the works of the Trojan War Cycle. In classical literature, epics are considered works focused on deeds or journeys of heroes upon which the fate of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kinema Junpo
, commonly called , is Japan's oldest film magazine and began publication in July 1919. It was first published three times a month, using the Japanese ''Jun'' (旬) system of dividing months into three parts, but the postwar ''Kinema Junpō'' has been published twice a month. The magazine was founded by a group of four students, including Saburō Tanaka, at the Tokyo Institute of Technology (Tokyo Technical High School at the time). In that first month, it was published three times on days with a "1" in them. These first three issues were printed on art paper and had four pages each. ''Kinejun'' initially specialized in covering foreign films, in part because its writers sided with the principles of the Pure Film Movement and strongly criticized Japanese cinema. It later expanded coverage to films released in Japan. While long emphasizing film criticism, it has also served as a trade journal, reporting on the film industry in Japan and announcing new films and trends. After th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Google Books
Google Books (previously known as Google Book Search, Google Print, and by its code-name Project Ocean) is a service from Google that searches the full text of books and magazines that Google has scanned, converted to text using optical character recognition (OCR), and stored in its digital database.The basic Google book link is found at: https://books.google.com/ . The "advanced" interface allowing more specific searches is found at: https://books.google.com/advanced_book_search Books are provided either by publishers and authors through the Google Books Partner Program, or by Google's library partners through the Library Project. Additionally, Google has partnered with a number of magazine publishers to digitize their archives. The Publisher Program was first known as Google Print when it was introduced at the Frankfurt Book Fair in October 2004. The Google Books Library Project, which scans works in the collections of library partners and adds them to the digital inventory, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
