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The Tempest (Adès)
''The Tempest'' is an opera by English composer Thomas Adès with a libretto in English by Meredith Oakes based on the play '' The Tempest'' by William Shakespeare. Background and premiere performances Following the success of '' Powder Her Face'', The Royal Opera, Covent Garden, commissioned a new opera from Adès in the late 1990s. Working with a librettist, a poetic version of the Jonestown Massacre of 1978 was prepared, but the composer found it impossible to set it to music. Finally, the libretto he needed emerged from a collaboration with Meredith Oakes. The new opera became a co-production with the Copenhagen Opera House and the Opéra national du Rhin in Strasbourg. ''The Tempest'' received its world premiere to critical acclaim at the Royal Opera House in London on 10 February 2004. Other productions followed in Strasbourg and Copenhagen later in 2005 and the opera was given its US premiere staging by the Santa Fe Opera on 29 July 2006. Performance history Covent Ga ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Adès
Thomas Joseph Edmund Adès (born 1 March 1971) is a British composer, pianist and conductor. Five compositions by Adès received votes in the 2017 Classic Voice poll of the greatest works of art music since 2000: '' The Tempest'' (2004), ''Violin Concerto'' (2005), '' Tevot'' (2007), ''In Seven Days'' (2008), and ''Polaris'' (2010). Biography Adès was born in London to art historian Dawn Adès and poet Timothy Adès. His surname is of Syrian Jewish origin. Adès studied piano with Paul Berkowitz and later composition with Robert Saxton at Guildhall School of Music and Drama, London. After attending University College School, he achieved a double starred first in 1992 at King's College, Cambridge, studying with Alexander Goehr and Robin Holloway. He was made Britten Professor of Composition at the Royal Academy of Music, and in 2004 was given an honorary doctorate by the University of Essex. In 2006, Adès entered a civil partnership, later terminated, with Israeli fil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ariel (The Tempest)
Ariel is a spirit who appears in William Shakespeare's play '' The Tempest''. Ariel is bound to serve the magician Prospero, who rescued him from the tree in which he was imprisoned by Sycorax, the witch who previously inhabited the island. Prospero greets disobedience with a reminder that he saved Ariel from Sycorax's spell, and with promises to grant Ariel his freedom. Ariel is Prospero's eyes and ears throughout the play, using his magical abilities to cause the tempest in Act One which gives the play its name, and to foil other characters' plots to bring down their master. Ariel means "Lion of God" in the Hebrew language. Ariel may also be a simple play on the word "aerial". Scholars have compared Ariel to spirits depicted in other Elizabethan plays, and have managed to find several similarities between them, but one thing which makes Ariel unique is the human edge and personality given to Ariel by Shakespeare. The name is also phonetically similar to the word "areal", m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Passacaglia
The passacaglia (; ) is a musical form that originated in early seventeenth-century Spain and is still used today by composers. It is usually of a serious character and is often based on a bass-ostinato and written in triple metre. Origin The term passacaglia ( es, pasacalle; french: passacaille; Italian: ''passacaglia'', ''passacaglio'', ''passagallo'', ''passacagli'', ''passacaglie'') derives from the Spanish ''pasar'' (to walk) and ''calle'' (street). It originated in early 17th-century Spain as a strummed interlude between instrumentally accompanied dances or songs. Despite the form's Spanish roots (confirmed by references in Spanish literature of the period), the first written examples of passacaglias are found in an Italian source dated 1606. These pieces, as well as others from Italian sources from the beginning of the century, are simple, brief sequences of chords outlining a cadential formula. The passacaglia was redefined in the late 1620s by Italian composer Girolamo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Consonance And Dissonance
In music, consonance and dissonance are categorizations of simultaneous or successive sounds. Within the Western tradition, some listeners associate consonance with sweetness, pleasantness, and acceptability, and dissonance with harshness, unpleasantness, or unacceptability, although there is broad acknowledgement that this depends also on familiarity and musical expertise. The terms form a structural dichotomy in which they define each other by mutual exclusion: a consonance is what is not dissonant, and a dissonance is what is not consonant. However, a finer consideration shows that the distinction forms a gradation, from the most consonant to the most dissonant. In casual discourse, as German composer and music theorist Paul Hindemith stressed, "The two concepts have never been completely explained, and for a thousand years the definitions have varied". The term ''sonance'' has been proposed to encompass or refer indistinctly to the terms ''consonance'' and ''dissonance''. D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aside
An aside is a dramatic device in which a character speaks to the audience. By convention, the audience is to realize that the character's speech is unheard by the other characters on stage. It may be addressed to the audience expressly (in character or out) or represent an unspoken thought. An aside is usually a brief comment, rather than a speech, such as a monologue or soliloquy. Unlike a public announcement, it occurs within the context of the play. An aside is, by convention, a true statement of a character's thought; a character may be mistaken in an aside, but may not be dishonest. Examples This technique is used by many playwrights, including William Shakespeare. For instance, in the play ''Macbeth'', Macbeth has the following aside: Another example is found in ''Hamlet'': This technique has frequently been used in film comedy, for example in the Bob Hope "Road" comedies, Woody Allen comedies and in ''Ferris Bueller's Day Off''. The Jean-Luc Godard film ''Breathless'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prime Suspect ''Prime Suspect'' is a British police procedural television drama series devised by Lynda La Plante. It stars Helen Mirren as Jane Tennison, one of the first female Detective Chief Inspectors in Greater London's Metropolitan Police Service, who rises to the rank of Detective Superintendent while confronting institutionalised sexism within the police force. Plot ''Prime Suspect'' focuses on a no-nonsense female Detective Chief Inspector (DCI), Jane Tennison (played by Helen Mirren), who is an officer in the Metropolitan Police, initially at the fictional Southampton Row police station. The series follows her constant battles to prove herself within a male-dominated profession in which many |
