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The Prophet (album)
''The Prophet'' is an album by jazz organist Johnny Hammond recorded for the Kudu label (a subsidiary of CTI Records) in 1972. accessed April 30, 2013 Track listing All compositions by Johnny "Hammond" Smith except where noted # "Prophet" ( Alfred Ellis) – 7:35 # "Tomorrow Belongs to the Children" (Bob Gundry) – 4:00 # " Witchy Woman" (, |
Johnny "Hammond" Smith
John Robert "Johnny Hammond" Smith (December 16, 1933 – June 4, 1997) was an American soul jazz and hard bop organist. Born in Louisville, Kentucky, he was a renowned player of the Hammond B-3 organ so earning "Hammond" as a nickname, which also avoided his being confused with jazz guitarist Johnny Smith, although this could sometimes lead to him being confused with Jimmy Smith, another Hammond great. Biography Smith played with Paul Williams and Chris Columbo before forming his own group. His bands featured singers Etta Jones, Byrdie Green, saxophonists Houston Person, Earl Edwards, guitarists Eddie McFadden, Floyd Smith, James Clark, vibist Freddie McCoy. His career took off as he was serving as accompanist to singer Nancy Wilson. One of his last accomplishments also included Nancy Wilson. He wrote the song "Quiet Fire" for her ''Nancy Now!'' release in 1988. After a 10-year spell on Prestige Records throughout the 1960s, resulting in a series of albums, he signed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marvin Stamm
Marvin Louis Stamm (born May 23, 1939) is an American jazz trumpeter. Career Stamm was born in Memphis, Tennessee, United States. Stamm began on trumpet at age twelve. He attended North Texas State University, where he was a member of the One O'Clock Lab Band. He was a member of Stan Kenton's Mellophonium Orchestra from 1961 to 1963, then worked with Woody Herman from 1965 to 1966. Following this he was with The Thad Jones/Mel Lewis Orchestra from 1966 to 1972 and with Benny Goodman from 1974 to 1975. In the 1970s, he began a decades-long career as a prolific studio and session musician. In the studio he has recorded with Paul McCartney, Average White Band, Bill Evans, Quincy Jones, Donald Fagen, Oliver Nelson, Duke Pearson, Wes Montgomery, Freddie Hubbard, Stanley Turrentine, Grover Washington, Jr., Patrick Williams, Michel Legrand, Lena Horne, Frank Foster, Paul Desmond, Frankie Valli, Deodato, Les DeMerle, and George Benson. He played the flugelhorn solo on " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Bass
The double bass (), also known as the upright bass, the acoustic bass, the bull fiddle, or simply the bass, is the largest and lowest-pitched string instrument, chordophone in the modern orchestra, symphony orchestra (excluding rare additions such as the octobass). It has four or five strings, and its construction is in between that of the gamba and the violin family. The bass is a standard member of the orchestra's string section, along with violins, violas, and cellos,''The Orchestra: A User's Manual'' , Andrew Hugill with the Philharmonia Orchestra as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ron Carter
Ronald Levin Carter (born May 4, 1937) is an American jazz double bassist. His appearances on 2,221 recording sessions make him the most-recorded jazz bassist in history. He has won three Grammy Awards, and is also a Cello, cellist who has recorded numerous times on the instrument. In addition to a solo career of more than 60 years, Carter is well-known for playing on numerous iconic Blue Note albums in the 1960s, as well as being the anchor of trumpeter Miles Davis's "Miles Davis Quintet#Second Great Quintet, Second Great Quintet" from 1963-1968. Beginning with ''Where? (album), Where?'' in 1961, Carter's studio albums as leader also include ''Uptown Conversation'' (1969), ''Blues Farm'' (1973), ''All Blues (Ron Carter album), All Blues'' (1973), ''Spanish Blue (album), Spanish Blue'' (1974), ''Anything Goes (Ron Carter album), Anything Goes'' (1975), ''Yellow & Green (Ron Carter album), Yellow & Green'' (1976), ''Pastels (album), Pastels'' (1976), ''Piccolo (album), Piccolo'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eric Gale
Eric Gale (September 20, 1938 – May 25, 1994) was an American jazz and jazz fusion guitarist. Biography Eric Gale was born in Bedford–Stuyvesant, Brooklyn, New York. His grandfather was English, and Gale had relatives in Venezuela and Barbados. Growing up, Gale spent his holidays visiting family in the UK, which allowed him to look at the world through a different perspective. He was fluent in Spanish, German, and French. Gale started playing the guitar at age 12. He attended private, all-boys Catholic schools and he was exceptionally skilled at math, which resulted in him skipping junior high school. During high school, he frequently visited John Coltrane's home after school and sat in on jam sessions, which inspired Gale's readily recognizable style. Eric mentioned how John Coltrane's wife would provide after school snacks and that he was grateful for them. Gale received his Masters in chemistry at Niagara University. Gale made a fateful decision to pursue a musical car ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone Saxophone
The baritone saxophone (sometimes abbreviated to "bari sax") is a member of the saxophone family of instruments, larger (and lower-pitched) than the tenor saxophone, but smaller (and higher-pitched) than the bass saxophone, bass. It is the lowest-pitched saxophone in common use — the bass, contrabass saxophone, contrabass and subcontrabass saxophone, subcontrabass saxophones are relatively uncommon. Like all saxophones, it is a single-reed instrument. It is commonly used in concert bands, chamber music, military bands, big bands, and jazz combos. It can also be found in other ensembles such as Rock music, rock bands and marching bands. Modern baritone saxophones are pitched in E. History The baritone saxophone was created in 1846 by the Belgian instrument maker Adolphe Sax as one of a family of 14 instruments. Sax believed these instruments would provide a useful tonal link between the woodwinds and brasses. The family was divided into two groups of seven saxophones each, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cecil Payne
Cecil Payne (December 14, 1922 – November 27, 2007) was an American jazz baritone saxophonist born in Brooklyn, New York. Payne also played the alto saxophone and flute. He played with other prominent jazz musicians, in particular Dizzy Gillespie and Randy Weston, in addition to his solo work as bandleader. Biography Payne received his first saxophone aged 13, asking his father for the instrument after hearing " Honeysuckle Rose" performed by Count Basie with Lester Young soloing. Payne took lessons from a local alto sax player, Pete Brown, and studied at Boys High School, Bedford-Stuyvesant. Payne began his professional recording career with J. J. Johnson on the Savoy label in 1946. During that year he also began playing with Roy Eldridge, through whom he met Dizzy Gillespie. His earlier recordings would largely fall under the swing category, until Gillespie hired him. Payne stayed on board until 1949, heard performing solos on "Ow!" and "Stay On It". In the early 1950s, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pepper Adams
Park Frederick "Pepper" Adams III (October 8, 1930 – September 10, 1986) was an American jazz baritone saxophonist and composer. He composed 42 pieces, was the leader on eighteen albums spanning 28 years, and participated in 600 sessions as a sideman. He worked with an array of musicians, and had especially fruitful collaborations with trumpeter Donald Byrd and as a member of the Thad Jones/Mel Lewis Big Band. Biography Early life Pepper Adams was born in Highland Park, Michigan, to father Park Adams II, who worked as the manager of a furniture store, and mother, Cleo Marie Coyle. Both of his parents were college graduates, with each spending some time at the University of Michigan. Due to the onset of the Great Depression, Adams' parents separated to allow his father to find work without geographic dependence. In the fall of 1931, Adams moved with his mother to his extended family's farm near Columbia City, Indiana, where food and support were more readily available. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and is a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maceo Parker
Maceo Parker (; born February 14, 1943) is an American funk and soul jazz saxophonist, best known for his work with James Brown in the 1960s, Parliament-Funkadelic in the 1970s and Prince in the 2000s. Parker was a prominent soloist on many of Brown's hit recordings, and a key part of his band, playing alto, tenor and baritone saxophones. Since the early 1990s, he has toured under his own name. Biography Parker was born in Kinston, North Carolina, United States. Parker's father played piano and drums in addition to singing in church with Parker's mother; his brother Melvin played drums and his brother Kellis played the trombone.Thompson, Dave (2001). ''Funk''. Backbeat Books. pp. 176-179. . Parker and his brother Melvin joined James Brown in 1963; in his autobiography, Brown claims that he originally wanted Melvin as his drummer, but agreed to additionally take Maceo under his wing as part of the deal.Brown, James (1988). ''The Godfather of Soul'' (with Bruce Tucker), Fonta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jerry Dodgion
Jerry Dodgion (August 29, 1932 – February 17, 2023) was an American jazz saxophonist, clarinetist and flautist. Dodgion was born in Richmond, California. He played alto sax in middle school and began working locally in the San Francisco area in the 1950s. He played in bands with Rudy Salvini, John Coppola/ Chuck Travis and Gerald Wilson and worked with the Vernon Alley Quartet, who accompanied Billie Holiday in 1955. He played with Gerald Wilson from 1953 to 1955, Benny Carter in the 1950s, Red Norvo from 1958 to 1961, Benny Goodman (for his 1962 tour of the Soviet Union), Oliver Nelson, Thad Jones and Mel Lewis (from 1965-1979), Herbie Hancock, Duke Pearson, Blue Mitchell, Count Basie, and Marian McPartland. Dodgion was married to drummer/singer Dottie Dodgion for 20 years. Dodgion had a long career as a sideman, recording up to 2004 only two dates as leader or co-leader: two tracks in 1955 for Fantasy Records with Sonny Clark on piano and an album in 1958 for World Paci ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass Trombone
The bass trombone (, ) is the bass instrument in the trombone family of brass instruments. Modern instruments are pitched in the same B♭ as the tenor trombone but with a larger bore, bell and mouthpiece to facilitate low register playing, and usually two brass instrument valve, valves to fill in the missing range immediately above the pedal tones. History The earliest bass trombones were pitched a minor third, perfect fourth, fourth, or perfect fifth, fifth below the tenor, which was then pitched in A.Due to the higher concert pitch#History of pitch standards in Western music, church pitch used throughout parts of Renaissance Europe, tenor trombones were usually described as pitched in A, even though they are a similar size to modern B♭ tenor trombones. The first position A = 466 Hz in high pitch produces the B♭ in the modern A440 (pitch standard), 440 Hz pitch standard. They had a smaller bore and less flared bell than modern instruments, and a longer slide with an att ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
