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The Plumber (1979 Film)
''The Plumber'' is a 1979 Australian psychological thriller film about a psychotic plumber who terrorizes a grad student. Written and directed by Peter Weir, ''The Plumber'' was originally made and broadcast as a television film in Australia in 1979 but was subsequently released to theatres in several countries beginning with the United States in 1981. The film was made shortly after Weir's critically acclaimed '' Picnic at Hanging Rock'' became one of the first Australian films to appeal to an international audience. The film stars Judy Morris, Ivar Kants, and Robert Coleby, all of them being most notable at the time as actors in Australian soap operas. Plot Dr. Brian Cowper takes a shower in the flat he shares with his wife Jill, who is a masters student in anthropology. As he exits the building's lift on his way to work, an ominous character is seen entering and randomly choosing the button for the ninth floor. He knocks on the Cowpers' door and announces himself as Max, the ...
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Peter Weir
Peter Lindsay Weir ( ; born 21 August 1944) is a retired Australian film director. He is known for directing films crossing various genres over forty years with films such as '' Picnic at Hanging Rock'' (1975), '' Gallipoli'' (1981), '' The Year of Living Dangerously'' (1982), ''Witness'' (1985), '' Dead Poets Society'' (1989), '' Fearless'' (1993), '' The Truman Show'' (1998), '' Master and Commander: The Far Side of the World'' (2003), and '' The Way Back'' (2010). He has received six Academy Award nominations. In 2022, he was awarded the Academy Honorary Award for his lifetime achievement career. In 2024, he received an honorary life-time achievement award at the Venice Film Festival ( Golden Lion). Early in his career as a director, Weir was a leading figure in the Australian New Wave cinema movement (1970–1990). Weir made his feature film debut with '' Homesdale'' (1971), and continued with the mystery drama '' Picnic at Hanging Rock'' (1975), the supernatural thrille ...
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South Australian Film Corporation
South Australian Film Corporation (SAFC) is a South Australian Government statutory corporation established in 1972 to engage in film production and promote the film industry, located in Adelaide, South Australia. The Adelaide Studios are managed by the South Australian Film Corporation for the use of the South Australian film industry. History 1972–2000 The South Australian Film Corporation was founded as a production company in 1972, established under the ''South Australian Film Corporation Act'' by the Dunstan government. It was intended “to stimulate and encourage the formation and continued development of the South Australian film and television industry”. At the time of the Corporation's establishment, the Australian film industry was stagnating, and the Corporation played a significant role in the revival of Australian film making. Premier Don Dunstan played an instrumental role in the foundation of the Corporation and its early film production activities.David St ...
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Australian Films Of 1979
1979 See also * 1979 in Australia * 1979 in Australian television References External links Australian filmat the Internet Movie Database {{DEFAULTSORT:Australian Films of 1979 1979 Lists of 1979 films by country Films A film, also known as a movie or motion picture, is a work of Visual arts, visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, emotions, or atmosphere through the use of moving images that are gen ...
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1979 In Film
The year 1979 in film involved many significant events. Highest-grossing films United States and Canada The top ten 1979 released films by North American gross are as follows: International Major events * March 2 – Buena Vista release their first film since the advent of U.S. movie ratings to not be G-rated, '' Take Down''. * March 5 – Production begins on '' The Empire Strikes Back''. * March – Frank Price becomes president of Columbia Pictures. * May 25 – '' Alien'', a landmark of the science fiction genre, is released. * May 29 - Mary Pickford, a silent screen legend and Hollywood pioneer who was, at the height of her career, the most famous woman in the world, dies of a stroke. * May 31 – '' The Muppet Movie'', Jim Henson's Muppets' first foray into the world of feature-length motion pictures, is released in United Kingdom. * June 11 – John Wayne, a famous Western movie actor, dies at the age of 72 from stomach cancer. * June 27 – 20th Century Fo ...
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Rotten Tomatoes
Rotten Tomatoes is an American review aggregator, review-aggregation website for film and television. The company was launched in August 1998 by three undergraduate students at the University of California, Berkeley: Senh Duong, Patrick Y. Lee, and Stephen Wang. Although the name "Rotten Tomatoes" connects to the practice of audiences throwing rotten tomatoes in disapproval of a poor Theatre, stage performance, the direct inspiration for the name from Duong, Lee, and Wang came from an equivalent scene in the 1992 Canadian film ''Léolo''. Since January 2010, Rotten Tomatoes has been owned by Flixster, which was in turn acquired by Warner Bros. in 2011. In February 2016, Rotten Tomatoes and its parent site Flixster were sold to Comcast's Fandango Media, Fandango ticketing company. Warner Bros. retained a minority stake in the merged entities, including Fandango. The site is influential among moviegoers, a third of whom say they consult it before going to the cinema in the U.S. ...
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Australian New Wave
The Australian New Wave (also known as the Australian Film Revival, Australian Film Renaissance, or New Australian Cinema) was an era of resurgence in the worldwide popularity of the Australian cinema, particularly in the United States. It began in the early 1970s and lasted until the mid-late 1980s. The era also marked the emergence of Ozploitation, a film genre characterised by the exploitation of colloquial Australian culture. Background The Australian film industry declined after World War II, coming to a virtual stop by the early 1960s. The Gorton (1968–71) and Whitlam governments (1972–75) intervened and rescued the industry from its expected oblivion. The federal and several state governments established bodies to assist with the funding of film production and the training of film makers through the Australian Film, Television and Radio School, which fostered a new generation of Australian filmmakers who were able to bring their visions to the screen. The 1970s sa ...
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Peter Jackson
Sir Peter Robert Jackson (born 31 October 1961) is a New Zealand filmmaker. He is best known as the director, writer, and producer of the ''Lord of the Rings'' trilogy (2001–2003) and the ''Hobbit'' trilogy (2012–2014), both of which are adapted from the novels of the same name by J. R. R. Tolkien. Other notable films include the critically lauded drama '' Heavenly Creatures'' (1994), the horror comedy '' The Frighteners'' (1996), the epic monster remake film '' King Kong'' (2005), the World War I documentary film '' They Shall Not Grow Old'' (2018) and the documentary '' The Beatles: Get Back'' (2021). He is the fifth-highest-grossing film director of all-time, with his films having made over $6.5 billion worldwide. Jackson began his career with the " splatstick" horror comedy '' Bad Taste'' (1987) and the black comedy '' Meet the Feebles'' (1989) before filming the zombie comedy '' Braindead'' (1992). He shared a nomination for Academy Award for Best Original Screenpl ...
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The Cars That Ate Paris
''The Cars That Ate Paris'' is a 1974 Australian horror comedy film, produced by twin brothers Hal and Jim McElroy and directed by Peter Weir. It was his first feature film, and was also based on an original story he had written. Shot mostly in the rural town of Sofala, New South Wales, the film is set in the fictional town of Paris in which most of the inhabitants appear to be directly, or indirectly, involved in profiting from the results of car accidents. The film is considered part of the Australian New Wave genre. Plot The film begins with an urban couple driving through the countryside in what looks like a cinema advertisement. The scene comes to a halt with a fatal accident. The rural Australian town of Paris arranges fatal accidents to visitors driving through. Townspeople collect items from the luggage of the deceased passengers whilst survivors are taken to the local hospital where they are given lobotomies with power tools and kept as "veggies" for medical experiment ...
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Exploitation Film
An exploitation film is a film that seeks commercial success by capitalizing on current trends, niche genres, or sensational content. Exploitation films often feature themes such as suggestive or explicit sex, sensational violence, drug use, nudity, gore, destruction, rebellion, mayhem, and the bizarre. While often associated with low-budget "B movies", some exploitation films have influenced popular culture, attracted critical attention, gained historical significance, and developed cult followings. History While their modern form first appeared in the early 1920s, the peak periods of exploitation films were mainly the 1960s through the early 1980s, with a few earlier and later outliers. Early exploitation of the 1930s and the 1940s were often disguised as "educational" but were really sensationalist. These were shown in traveling roadshows, skirting censorship under the guise of moral instruction. 1950s saw low-budget sci-fi, monster movies, and teen rebellion films. They were ...
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Ozploitation
Ozploitation films are exploitation films – a category of low-budget horror, comedy, sexploitation and action films – made in Australia after the introduction of the R rating in 1971. The year also marked the beginnings of the Australian New Wave movement, and the Ozploitation style peaked within the same time frame (early 1970s to late 1980s). Ozploitation is often considered a smaller wave within the New Wave, covering a wide range of genres from sexploitation, biker films, horror and even martial arts. The origin of the term "Ozploitation" is credited to the documentary '' Not Quite Hollywood: The Wild, Untold Story of Ozploitation!''. This 2008 feature explores Ozploitation films made during the Australian New Wave. The film includes interviews with numerous figures involved in Ozploitation, as well as fans of the genre, including American director Quentin Tarantino, who coined the phrase "Aussiesploitation", which director Mark Hartley then shortened to "Ozploi ...
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The Last Wave
''The Last Wave'' (also released in the United States as ''Black Rain'') is a 1977 Australian mystery drama film directed by Peter Weir.''Variety'' film review; 16 November 1977, p. 21. It is about a white solicitor in Sydney whose seemingly normal life is disrupted after he takes on a murder case and discovers that he shares a strange, mystical connection with the small group of local Aboriginal people accused of the crime. Plot The film opens with a montage of scenes of daily life in Australia in the 1970s— a rural school in the desert with children playing, the main street of an outback town, a traffic jam in the city— all being affected by unusually adverse weather conditions that suddenly appear. These include heavy rainfall followed by unusually large chunks of hail breaking through the windows of the school injuring students, a frog infestation, and other anomalies. Only the local Aboriginal people seem to recognise the cosmological significance of these weather pheno ...
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Art Film
An art film, arthouse film, or specialty film is an independent film aimed at a niche market rather than a mass market audience. It is "intended to be a serious, artistic work, often experimental and not designed for mass appeal", "made primarily for aesthetic reasons rather than commercial profit", and containing "unconventional or highly symbolic content". Film critics and film studies scholars typically define an art film as possessing "formal qualities that mark them as different from mainstream Hollywood films". These qualities can include (among other elements) a sense of social realism; an emphasis on the authorial expressiveness of the director; and a focus on the thoughts, dreams, or motivations of characters, as opposed to the unfolding of a clear, goal-driven story. Film scholars David Bordwell and Barry Keith Grant describe art cinema as "a film genre, with its own distinct conventions". Art film producers usually present their films at special theaters (repertory ...
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