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The Olympics (band)
The Olympics are an American doo-wop group, formed in 1957 by lead singer Walter Ward (singer), Walter Ward (August 28, 1940 – December 11, 2006). The group also included Eddie Lewis (tenor, Ward's cousin), Charles Fizer (tenor), Walter Hammond (baritone), and Melvin King (bass (voice), bass). With the exception of Lewis, all were friends in a Los Angeles, California, high school. History and influence Their first gramophone record, record was credited to Walter Ward and the Challengers ("I Can Tell" on Melatone Records). After the name change, they recorded "Western Movies" (Demon Records) in the summer of 1958. Songwriter, Co-written by Fred Sledge Smith, Fred Smith and Cliff Goldsmith, "Western Movies" made it to No. 8 on the Billboard Hot 100, ''Billboard'' Hot 100 record chart, chart. The song reflected the nation's preoccupation with western (genre), western themed movies and television programs. It told the story of a man who lost his girl to TV westerns, and it includ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Doo-wop
Doo-wop (also spelled doowop and doo wop) is a subgenre of rhythm and blues music that originated in African-American communities during the 1940s, mainly in the large cities of the United States, including New York, Philadelphia, Pittsburgh, Chicago, Baltimore, Newark, Detroit, Washington, D.C., and Los Angeles. It features vocal group harmony that carries an engaging melodic line to a simple beat with little or no instrumentation. Lyrics are simple, usually about love, sung by a lead vocal over background vocals, and often featuring, in the bridge, a melodramatically heartfelt recitative addressed to the beloved. Harmonic singing of nonsense syllables (such as "doo-wop") is a common characteristic of these songs. Gaining popularity in the 1950s, doo-wop was commercially viable until the early 1960s and continued to influence performers in other genres. Origins Doo-wop has complex musical, social, and commercial origins. Musical precedents Doo-wop's style is a mixture of p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gunshot
A gunshot is a single discharge of a gun, typically a man-portable firearm, producing a visible flash, a powerful and loud shockwave and often chemical gunshot residue. The term can also refer to a ballistic wound caused by such a discharge. Multiple discharges of one or more firearms are referred to as gunfire. The word can connote either the sound of a gun firing, the projectiles that were fired, or both. For example, the statement "gunfire came from the next street" could either mean the sound of discharge, or it could mean the bullets that were discharged. It is better to be a bit more specific while writing however. "The sound of gunfire" or "we came under gunfire" would be more descriptive and prevent confusion. In the latter phrase, in particular, "fire" is used more (i.e. "under fire"), as both words hold the same general meaning within the proper context. Gunfire characteristics There are three primary attributes that characterize gunfire and hence enable the d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Who
The Who are an English Rock music, rock band formed in London in 1964. Their classic lineup (1964–1978) consisted of lead vocalist Roger Daltrey, guitarist Pete Townshend, bassist John Entwistle and drummer Keith Moon. Considered one of the most influential rock bands of the 20th century, their contributions to rock music include the development of the Marshall Stack, Marshall stack, large public address systems, the use of synthesizers, Entwistle's and Moon's influential playing styles, Townshend's Guitar feedback, feedback and power chord guitar technique, and the development of the rock opera. They are cited as an influence by many hard rock, punk rock, punk, power pop and mod (subculture), mod bands. The Who were inducted into the Rock and Roll Hall of Fame in 1990. The Who evolved from an earlier group, the Detours, and established themselves as part of the pop art and mod (subculture), mod movements, featuring auto-destructive art by Instrument destruction, destr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Ventures
The Ventures are an American instrumental rock band formed in Tacoma, Washington, in 1958, by Don Wilson (musician), Don Wilson and Bob Bogle. The band, which was a quartet for most of its existence, helped to popularize the electric guitar across the world during the 1960s. While their popularity in the United States waned in the 1970s, the group remains especially Big in Japan (phrase), revered in Japan, where they have toured regularly. The classic lineup of the band consisted of Wilson (rhythm guitar), Bogle (initially lead guitar, later bass), Nokie Edwards (initially bass, later lead guitar), and Mel Taylor (drums). Their first wide-release single, "Walk, Don't Run (instrumental), Walk, Don't Run" (1960), brought international fame to the group, and is often cited as one of the top songs ever recorded for guitar. In the 1960s and early 1970s, 38 of the band's albums Billboard 200, charted in the US, ranking them as the 6th best album chart performer during the 1960s, and th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mary Wells
Mary Esther Wells (May 13, 1943 – July 26, 1992) was an American singer, who helped to define the emerging sound of Motown in the early 1960s. Along with the Supremes, the Miracles, the Temptations, Martha Reeves and the Vandellas, and the Four Tops, Wells was said to have been part of the charge in black music onto radio stations and record shelves of mainstream America, "bridging the color lines in music at the time". With a string of hit singles composed mainly by Smokey Robinson, including "The One Who Really Loves You (song), The One Who Really Loves You", "Two Lovers (Mary Wells song), Two Lovers", and the Grammy Award, Grammy-nominated "You Beat Me to the Punch", all in 1962, plus her signature hit, "My Guy" (1964), she became recognized as "The Queen of Motown" until her departure from the company in 1964, at the height of her success. Life and career Early life and initial recordings (1943–1962) Mary Esther Wells was born near Detroit's Wayne State University on M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Rascals
The Rascals (originally known as the Young Rascals) are an American rock band, formed in Garfield, New Jersey, southeast of Paterson in 1965. The original lineup featured lead vocalist and keyboardist Felix Cavaliere, vocalist and percussionist Eddie Brigati, drummer Dino Danelli, and guitarist and vocalist Gene Cornish. Cavaliere and Brigati wrote the majority of the Rascals' original material. Between 1966 and 1968 the band gained popularity with a blend of rock, pop and soul music. Nine of their singles charted in the top 20 of the ''Billboard'' Hot 100, including the #1s " Good Lovin'" (1966), "Groovin'" (1967), and " People Got to Be Free" (1968); as well as big radio hits like the much-covered " How Can I Be Sure?" (#4 1967) and " A Beautiful Morning" (#3 1968). Another critical favorite "A Girl Like You" (#10 1967), became an early example of the blue-eyed soul genre. Additionally, four of the band's LPs received gold certifications in the US, including the top 10 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rudy Clark
Rudolph Clark (October 29, 1935 – September 3, 2020) was an American songwriter credited with hit songs such as " If You Gotta Make a Fool of Somebody", " Got My Mind Set on You", "The Shoop Shoop Song (It's in His Kiss)", and "Good Lovin' " (written with Artie Resnick). He was most active from the early 1960s through the early 1970s. He has more than 250 copyrights listed by BMI. Background While working as a mailman in New York City in 1961, Clark wrote songs, and discovered singer James Ray in a small nightclub. Clark's songs won the interest of Gerry Granahan of Caprice Records, and Clark suggested that Ray record them. As a result, Ray recorded Clark's song " If You Gotta Make a Fool of Somebody", which became a pop and R&B hit in 1962 and was later a hit for Freddie and the Dreamers. Ray also recorded " Got My Mind Set on You", which became a No. 1 US and No. 2 UK hit for George Harrison in 1987, and was a No. 1 hit in 18 countries. Clark was a close friend of sing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Good Lovin'
"Good Lovin" is a song written by Rudy Clark and Arthur Resnick that was a #1 hit single for the Young Rascals in 1966. Original version The song was first recorded by Lemme B. Good (stage name of singer Limmie Snell) in March 1965 and written by Rudy Clark. The following month it was recorded with different lyrics by R&B artists The Olympics, produced by Jerry Ragovoy; this version reached #81 on the Billboard Pop Singles chart. The Young Rascals' version The tale has been told that Rascal Felix Cavaliere heard The Olympics' recording on a New York City radio station and the group added it to their concert repertoire, using the same lyrics and virtually the same arrangement as The Olympics' version. Co-producer Tom Dowd captured this live feel on their 1966 recording, even though the group did not think the performance held together well. "Good Lovin rose to the top of the ''Billboard'' Pop Singles chart in the spring of 1966 and represented the Young Rascals' first rea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhythm And Blues
Rhythm and blues, frequently abbreviated as R&B or R'n'B, is a genre of popular music that originated within African American communities in the 1940s. The term was originally used by record companies to describe recordings marketed predominantly to African Americans, at a time when "rocking, jazz based music ... [with a] heavy, insistent beat" was starting to become more popular. In the commercial rhythm and blues music typical of the 1950s through the 1970s, the bands usually consisted of a piano, one or two guitars, bass, drums, one or more saxophones, and sometimes background vocalists. R&B lyrical themes often encapsulate the African-American history and experience of pain and the quest for freedom and joy, as well as triumphs and failures in terms of societal racism, oppression, relationships, economics, and aspirations. The term "rhythm and blues" has undergone a number of shifts in meaning. In the early 1950s, it was frequently applied to blues records. Starting i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Jolly Green Giant
"The Jolly Green Giant" is a song written by Lynn Easton, Don Harris, and Dewey Terry and performed by The Kingsmen. It reached No.1 on the Canadian chart, No.4 on the U.S. pop chart, and No.25 on the U.S. R&B chart in 1965. It was featured on their 1965 album '' The Kingsmen Volume 3''. The song was based on the Green Giant food brand's mascot the Jolly Green Giant. The single originally only credited Easton as the writer, but Harris and Terry were later added when it was determined the song was a re-write of The Olympics song "Big Boy Pete". It was arranged by The Kingsmen, produced by Jerry Dennon, and ranked No. 39 on ''Billboard'' magazine's Top 100 singles of 1965. Other versions *Sandy Nelson - on his 1965 album ''Drum Discotheque''. *The Ravens - as the B-side The A-side and B-side are the two sides of phonograph record, vinyl records and Compact cassette, cassettes, and the terms have often been printed on the labels of two-sided music recordings. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Kingsmen
The Kingsmen are a 1960s American rock band from Portland, Oregon. They are best known for their 1963 recording of R&B singer Richard Berry's "Louie Louie", which held the No. 2 spot on the ''Billboard'' charts for six weeks and has become an enduring classic. In total, the Kingsmen charted 13 singles from 1963 to 1968 and five consecutive albums from 1963 to 1966. Their first album, '' The Kingsmen in Person'', remained on the ''Billboard'' Top LPs chart for 131 weeks from January 1964 to August 1966. Their early albums were released internationally in Canada, the UK, France, Germany, Mexico, South Africa, and Taiwan. Early years Lynn Easton and Jack Ely started performing at an early age in local newspaper-sponsored revues with the Journal Juniors and the Young Oregonians, respectively. In 1957, they started performing together, with Ely singing and playing guitar and Easton on the drum kit. The two teenagers had grown up together, as their parents were close frien ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hully Gully
The Hully Gully is a type of unstructured line dance often considered to have originated in the 1960s, but is also mentioned some forty years earlier as a dance common in the black juke joints in the first part of the twentieth century. In its modern form it consisted of a series of dance steps called out by the MC. Each step was relatively simple and easy to execute; however, the challenge was to keep up with the speed of each step. The phrase "Hully Gully" or "Hull da Gull" comes from a folk game in which a player shakes a handful of nuts or seeds and asks his opponent "Hully Gully, how many?" Modern form The Hully Gully was started by Frank Rocco at the Cadillac Hotel in Miami Beach, Florida. In 1959 The Olympics sang the song " Hully Gully", which involved no physical contact at all. In 1961 the Olympics version of the song was popularized in the south of England by the first version of Zoot Money's Big Roll Band and involved the audience facing the stage in lines and dan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
