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The Neon Demon
''The Neon Demon'' is a 2016 psychological horror film directed by Nicolas Winding Refn, co-written by Mary Laws, Polly Stenham, and Refn, and starring Elle Fanning. The plot follows an aspiring model in Los Angeles whose beauty and youth generate intense fascination and jealousy within the fashion industry. Supporting roles are played by Karl Glusman, Jena Malone, Bella Heathcote, Abbey Lee, Desmond Harrington, Christina Hendricks, and Keanu Reeves. An international co-production between France, Denmark, and the United States, the film competed for the Palme d'Or at the 2016 Cannes Film Festival, the third consecutive film directed by Refn to do so, following '' Drive'' (2011) and '' Only God Forgives'' (2013). In the United States, the film was released theatrically on June 24, 2016 by Amazon Studios and Broad Green Pictures. It opened to polarized reviews, and ultimately grossed a little over $3 million against a $7 million budget. Plot Following the death of her p ...
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Nicolas Winding Refn
Nicolas Winding Refn (; born 29 September 1970), also known as Jang, is a Danish film director, screenwriter, and producer. He is known for his collaborations with Mads Mikkelsen, Tom Hardy and Ryan Gosling. He gained great success early in his career directing the ''Pusher'' trilogy (1996–2005), the crime drama '' Bronson'' (2008), and the adventure film '' Valhalla Rising'' (2009). In 2011 he gained newfound stardom directing the action drama film '' Drive'' (2011) for which he won the Cannes Film Festival Award for Best Director. He was also nominated for the BAFTA Award for Best Direction. Refn's next films were the stylistically driven action film '' Only God Forgives'' (2013), and the psychological horror film ''The Neon Demon'' (2016). In 2019, he directed his first television series '' Too Old to Die Young'' (2019) which premiered on Amazon Prime. In 2008, Refn co-founded the Copenhagen-based production company Space Rocket Nation. Early life Refn was born in ...
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Amazon Studios
Amazon Studios is an American television and film producer and distributor that is a subsidiary of Amazon. It specializes in developing television series and distributing and producing films. It was started in late 2010. Content is distributed through theaters and Amazon Prime Video, Amazon's digital video streaming service, whose competitors include Netflix and Hulu, among others. Overview Scripts for television and films used to be submitted online to Amazon and read by staff; however, the website states they no longer accept submissions. Amazon aimed to review submitted scripts within 90 days (although the process may be longer). If a project was chosen for development, the writer was paid $10,000. If a developed script was selected for distribution as a full-budget movie, the creator was paid $200,000; if it was selected for distribution as a full-budget series, the creator was paid $55,000 as well as "up to 5 percent of Amazon's net receipts from toy and t-shirt licensing, ...
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Drive (2011 Film)
''Drive'' is a 2011 American action drama film directed by Nicolas Winding Refn. The screenplay, written by Hossein Amini, is based on James Sallis's 2005 novel of the same name. The film stars Ryan Gosling as an unnamed Hollywood stunt driver who moonlights as a getaway driver. He quickly grows fond of his neighbor, Irene ( Carey Mulligan), and her young son, Benicio. When her debt-ridden husband, Standard ( Oscar Isaac), is released from prison, the two men take part in what turns out to be a botched million-dollar heist that endangers the lives of everyone involved. The film co-stars Bryan Cranston, Christina Hendricks, Ron Perlman, and Albert Brooks. Producers Marc Platt and Adam Siegel optioned the source novel after Siegel read a review from ''Publishers Weekly''. Adapting the book proved to be challenging for Amini, as it had a nonlinear narrative. Gosling, one of Platt's top casting choices, eventually signed on for the lead, as he wanted to star in an action-o ...
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Palme D'Or
The Palme d'Or (; en, Golden Palm) is the highest prize awarded at the Cannes Film Festival. It was introduced in 1955 by the festival's organizing committee. Previously, from 1939 to 1954, the festival's highest prize was the Grand Prix du Festival International du Film. In 1964, The Palme d'Or was replaced again by the Grand Prix, before being reintroduced in 1975. The Palme d'Or is widely considered one of the film industry's most prestigious awards. History In 1954, the festival decided to present an award annually, titled the Grand Prix of the International Film Festival, with a new design each year from a contemporary artist. The festival's board of directors invited several jewellers to submit designs for a palm, in tribute to the coat of arms of the city of Cannes, evoking the famous legend of Saint Honorat and the palm trees lining the famous Promenade de la Croisette. The original design by Parisian jeweller Lucienne Lazon, inspired by a sketch by director Je ...
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Cinema Of The United States
The cinema of the United States, consisting mainly of major film studios (also known as Hollywood) along with some independent film, has had a large effect on the global film industry since the early 20th century. The dominant style of American cinema is classical Hollywood cinema, which developed from 1913 to 1969 and is still typical of most films made there to this day. While Frenchmen Auguste and Louis Lumière are generally credited with the birth of modern cinema, American cinema soon came to be a dominant force in the emerging industry. , it produced the third-largest number of films of any national cinema, after India and China, with more than 600 English-language films released on average every year. While the national cinemas of the United Kingdom, Canada, Australia, and New Zealand also produce films in the same language, they are not part of the Hollywood system. That said, Hollywood has also been considered a transnational cinema, and has produced multip ...
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Cinema Of Denmark
Denmark has been producing films since 1897 and since the 1980s has maintained a steady stream of product due largely to funding by the state-supported Danish Film Institute. Historically, Danish films have been noted for their realism, religious and moral themes, sexual frankness and technical innovation. The Danish filmmaker Carl Theodor Dreyer (1889–1968) is considered one of the greatest directors in the history of cinema. Other Danish filmmakers of note include Benjamin Christensen, who outside his native country directed several horror classics including '' Häxan'' (1922) and ''Seven Footprints to Satan'' (1929); Erik Balling, the creator of the popular ''Olsen-banden'' films; Gabriel Axel, an Oscar-winner for ''Babette's Feast'' in 1987; and Bille August, the Oscar-, Palme d'Or- and Golden Globe-winner for ''Pelle the Conqueror'' in 1988. In the modern era, notable filmmakers in Denmark include Lars von Trier and Thomas Vinterberg, who co-created the Dogme 95 film movem ...
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Cinema Of France
French cinema consists of the film industry and its film productions, whether made within the nation of France or by French film production companies abroad. It is the oldest and largest precursor of national cinemas in Europe; with primary influence also on the creation of national cinemas in Asia. France continues to have a particularly strong film industry, due in part to protections afforded by the French government. In 2013, France was the second largest exporter of films in the world after the United States. A study in April 2014 showed that French cinema maintains a positive influence around the world, being the most appreciated by global audiences after that of America. France currently has the most successful film industry in Europe, in terms of number of films produced per annum, with a record-breaking 300 feature-length films produced in 2015. France is also one of the few countries where non-American productions have the biggest share: American films only represented ...
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International Co-production
A co-production is a joint venture between two or more different production companies for the purpose of film production, television production, video game development, and so on. In the case of an international co-production, production companies from different countries (typically two to three) are working together. Co-production also refers to the way services are produced by their users, in some parts or entirely. History and benefits The journalist Mark Lawson identifies the first use of the term, in the context of radio production, in 1941, although the programme to which he refers, '' Children Calling Home'', "Presented in collaboration between the CBC of Canada, NBC of the U.S.A., and the BBC, and broadcast simultaneously in all three countries", was first broadcast in December 1940. Following the Second World War, US film companies were forbidden by the Marshall Plan to take their film profits in the form of foreign exchange out of European countries. As a result, ...
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Los Angeles
Los Angeles ( ; es, Los Ángeles, link=no , ), often referred to by its initials L.A., is the largest city in the state of California and the second most populous city in the United States after New York City, as well as one of the world's most populous megacities. Los Angeles is the commercial, financial, and cultural center of Southern California. With a population of roughly 3.9 million residents within the city limits , Los Angeles is known for its Mediterranean climate, ethnic and cultural diversity, being the home of the Hollywood film industry, and its sprawling metropolitan area. The city of Los Angeles lies in a basin in Southern California adjacent to the Pacific Ocean in the west and extending through the Santa Monica Mountains and north into the San Fernando Valley, with the city bordering the San Gabriel Valley to it's east. It covers about , and is the county seat of Los Angeles County, which is the most populous county in the United States with an ...
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Psychological Horror
Psychological horror is a subgenre of horror and psychological fiction with a particular focus on mental, emotional, and psychological states to frighten, disturb, or unsettle its audience. The subgenre frequently overlaps with the related subgenre of psychological thriller, and often uses mystery elements and characters with unstable, unreliable, or disturbed psychological states to enhance the suspense, drama, action, and paranoia of the setting and plot and to provide an overall unpleasant, unsettling, or distressing atmosphere. Characteristics Psychological horror usually aims to create discomfort or dread by exposing common or universal psychological and emotional vulnerabilities/fears and revealing the darker parts of the human psyche that most people may repress or deny. This idea is referred to in analytical psychology as the archetypal shadow characteristics: suspicion, distrust, self-doubt, and paranoia of others, themselves, and the world. The genre sometimes se ...
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Lene Børglum
Lene Børglum (born 21 August 1961) is a Danish film producer.Lene Børglum , LinkedIn
Børglum was one of the key executives and co-owners of from its early start in 1992 and until 2007.


Life and career

Børglum was deeply involved in the development of Zentropa from its very start till its state in 2007 as a major European independent production company. She handled international financing on a large number of Zentropa's international films, including Lars von Trier's highly acclaimed and awarded films ''The Kingdom'' (1994, 1996), ''Breaking The Waves'' (1996), ''The Idiots'' (1998), ''Dancer in the Dark'' (2000), and she was executive producer on Trier's films ''Dogville'' (2003 ...
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Box Office Mojo
Box Office Mojo is an American website that tracks box-office revenue in a systematic, algorithmic way. The site was founded in 1998 by Brandon Gray, and was bought in 2008 by IMDb, which itself is owned by Amazon. History Brandon Gray began the site on August 7, 1998, making forecasts of the top-10 highest-grossing films in the United States for the following weekend. To compare his forecasts to the actual results, he started posting the weekend grosses and wrote a regular column with box-office analysis. In 1999, he started to post the Friday daily box-office grosses, sourced from Exhibitor Relations, so that they were publicly available online on Saturdays and posted the Sunday weekend estimates on Sundays. Along with the weekend grosses, he was publishing the daily grosses, release schedules, and other charts, such as all-time charts, international box-office charts, genre charts, and actor and director charts. The site gradually expanded to include weekend charts go ...
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