|
The Navigator (opera)
''The Navigator'' is an opera by Liza Lim to a libretto by Patricia Sykes. The work had its world premiere at the Judith Wright Arts Centre as part of the Brisbane Festival 2008 on 30 July 2008. It lasts for about 100 minutes without an interval. The work was developed during Lim's stay in 2007/2008 in Berlin; on 9 March 2008, excerpts were performed with the ELISION ensemble conducted by Simon Hewett at the MaerzMusik Festival, part of the Berliner Festspiele The Berliner Festspiele (German language, German for Berlin Festivals) in Berlin organise and stage a large number of independent festivals as well as exhibitions and individual events in the fields of music, theatre, performance, dance, literat .... Theme Roles References {{DEFAULTSORT:Navigator, the Operas English-language operas 2008 operas Operas by Liza Lim One-act operas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera
Opera is a form of History of theatre#European theatre, Western theatre in which music is a fundamental component and dramatic roles are taken by Singing, singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libretto, librettist and incorporates a number of the performing arts, such as acting, Theatrical scenery, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conducting, conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of Western culture#Music, Western classical music, and Italian tradition in particular. Originally understood as an sung-through, entirely sung piece, in contrast to a play with songs, opera has come to include :Opera genres, numerous ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Countertenor
A countertenor (also contra tenor) is a type of classical male singing voice whose vocal range is equivalent to that of the female contralto or mezzo-soprano voice types, generally extending from around G3 to D5 or E5, although a sopranist (a specific kind of countertenor) may match the soprano's range of around C4 to C6.A sopranist is a term, widely used falsely, used to describe a countertenor whose vocal range is so high it is equivalent to that of a soprano. Countertenors often have tenor or baritone chest voices, but sing in falsetto or head voice much more often than they do in their chest voice. The nature of the countertenor voice has radically changed throughout musical history, from a modal voice, to a modal and falsetto voice, to the primarily falsetto voice that is denoted by the term today. This is partly because of changes in human physiology ( increase in body height) and partly because of fluctuations in pitch. The term first came into use in England during ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2008 Operas
8 (eight) is the natural number following 7 and preceding 9. Etymology English ''eight'', from Old English '', æhta'', Proto-Germanic ''*ahto'' is a direct continuation of Proto-Indo-European '' *oḱtṓ(w)-'', and as such cognate with Greek and Latin , both of which stems are reflected by the English prefix oct(o)-, as in the ordinal adjective ''octaval'' or ''octavary'', the distributive adjective is ''octonary''. The adjective ''octuple'' (Latin ) may also be used as a noun, meaning "a set of eight items"; the diminutive ''octuplet'' is mostly used to refer to eight siblings delivered in one birth. The Semitic numeral is based on a root ''*θmn-'', whence Akkadian ''smn-'', Arabic ''ṯmn-'', Hebrew ''šmn-'' etc. The Chinese numeral, written (Mandarin: ''bā''; Cantonese: ''baat''), is from Old Chinese ''*priāt-'', ultimately from Sino-Tibetan ''b-r-gyat'' or ''b-g-ryat'' which also yielded Tibetan '' brgyat''. It has been argued that, as the cardinal num ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
English-language Operas
English is a West Germanic language that developed in early medieval England and has since become a English as a lingua franca, global lingua franca. The namesake of the language is the Angles (tribe), Angles, one of the Germanic peoples that Anglo-Saxon settlement of Britain, migrated to Britain after its End of Roman rule in Britain, Roman occupiers left. English is the list of languages by total number of speakers, most spoken language in the world, primarily due to the global influences of the former British Empire (succeeded by the Commonwealth of Nations) and the United States. English is the list of languages by number of native speakers, third-most spoken native language, after Mandarin Chinese and Spanish language, Spanish; it is also the most widely learned second language in the world, with more second-language speakers than native speakers. English is either the official language or one of the official languages in list of countries and territories where English ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas
Opera is a form of Western theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of Western classical music, and Italian tradition in particular. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, si ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alice Babidge
Alice Babidge is an Australian production, costume and set designer. She is known internationally for her work in film, opera and theatre. Biography Babidge studied design at National Institute of Dramatic Art, graduating in 2004. She then joined the Sydney Theatre Company (STC), where she designed costumes for a wide range of classic plays by Shakespeare, Chekhov, Arthur Miller and others. In 2010 she was appointed STC's resident designer, a role that included the redesign of The Wharf bar. For the Griffin Theatre Company her costume design work included Debra Oswald's '' The Peach Season'' (2006), and Katherine Thomson's ''King Tide'' (2007). Film credits for costume design include ''Snowtown'' (2011), ''True History of the Kelly Gang'' (2019), ''The Dig'' (2021), ''Beau is Afraid'' (2023) and '' Foe'' (2023). For '' Nitram'' (2021), she was also production designer. For Opera Australia she has designed costumes for Wagner's ''Ring Cycle'' (2013, 2016) and ''Hamlet'' (20 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barrie Kosky
Barrie Kosky (born 18 February 1967) is an Australian theatre and opera director. Based at the Komische Oper Berlin, he has worked internationally. Biography Kosky was born in Melbourne, the grandson of Jewish emigrants from Europe. He attended Melbourne Grammar School where he performed in Brecht's ''The Resistible Rise of Arturo Ui'' in 1981, Shakespeare's ''Othello'' in 1982, and later directed his first play. Among many other later famous Australian artists, he also worked at the St Martins Youth Arts Centre. In 1985, he then began studies in piano and music history at the University of Melbourne. In 1988, he directed there at the Union Theatre Mozart's ''Don Giovanni'' and Frank Wedekind's ''The Lulu Plays'', '' Earth Spirit'' and '' Pandora's Box''. Career In 1989, Kosky directed the Australian premiere of Michael Tippett's '' The Knot Garden'' (reduced version) at the Melbourne Spoleto Festival. He also directed Alban Berg's ''Lulu'' at the same festival. In 1990, he f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
ELISION Ensemble
The ELISION Ensemble (often referred to as simply ELISION) is a chamber ensemble specialising in contemporary classical music, concentrating on the creation and presentation of new works. The ensemble comprises a core of around 20 virtuoso musicians from Australia and around the world. Since 1986 it has maintained an active schedule of concerts, recordings, broadcasts, and music-theatre/opera, installation art and new media art performances, principally in Australia and Europe. During 2008 the ensemble presented 36 individual works, including 11 world premieres, in 18 concerts or events in Melbourne, Sydney, Brisbane, Berlin and London. Its 18th compact disc was released in 2009 (see ). ELISION combines its Australian perspective with a long-term exploration of complex musical aesthetics, and in so doing has developed an international reputation for Australian new music and performance practice. Paul Griffiths, in ''Modern Music and After'', writes of ELISION, "whose splendifero ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Recorder (musical Instrument)
The recorder is a family of woodwind musical instruments in the group known as ''internal duct flutes'': flutes with a whistle mouthpiece, also known as fipple flutes, although this is an archaic term. A recorder can be distinguished from other duct flutes by the presence of a thumb-hole for the upper hand and seven finger-holes: three for the upper hand and four for the lower. It is the most prominent duct flute in the western classical tradition. Recorders are made in various sizes with names and compasses roughly corresponding to various vocal ranges. The sizes most commonly in use today are the soprano (also known as descant, lowest note C5), alto (also known as treble, lowest note F4), tenor (lowest note C4), and bass (lowest note F3). Recorders were traditionally constructed from wood or ivory. Modern professional instruments are almost invariably of wood, often boxwood; student and scholastic recorders are commonly of moulded plastic. The recorders' internal and ext ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass-baritone
A bass-baritone is a high-lying bass or low-lying "classical" baritone voice type which shares certain qualities with the true baritone voice. The term arose in the late 19th century to describe the particular type of voice required to sing three Wagnerian roles: the title role in '' Der fliegende Holländer'', Wotan/Der Wanderer in the '' Ring Cycle'' and Hans Sachs in '' Die Meistersinger von Nürnberg''. Wagner labelled these roles as ''Hoher Bass'' ("high bass")—see fach for more details. The bass-baritone voice is distinguished by two attributes. First, it must be capable of singing comfortably in a baritonal tessitura. Secondly, however, it needs to have the ripely resonant lower range typically associated with the bass voice. For example, the role of Wotan in '' Die Walküre'' covers the range from F2 (the F at the bottom of the bass clef) to F4 (the F above middle C), but only infrequently descends beyond C3 (the C below middle C). Bass-baritones are typically divi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Omar Ebrahim
Omar Ebrahim (born 6 September 1956 in Greasbrough, Rotherham, South Yorkshire) is an English baritone vocalist. He specializes in the performance of contemporary classical music. He studied voice at the Guildhall School of Music and Drama, then spent a performing apprenticeship at the Royal Shakespeare Company and in the Glyndebourne chorus, performing the role of Schaunard in ''La bohème'' for the Glyndebourne Touring Opera in 1980. He has sung in performances of contemporary operas and other works by Nigel Osborne, Michael Tippett, Harrison Birtwistle, Luciano Berio, Philip Glass, Peter Lieberson, Frank Zappa, György Ligeti, Peter Eötvös, and Michael Nyman. In 1992 he sang the title role in the BBC miniseries '' The Vampyr: A Soap Opera'', an updated version of Heinrich Marschner's opera Der Vampyr. In 2008, he created the role of "The Fool" in Liza Lim's opera '' The Navigator'' at the Brisbane Festival. He has also participated in performances of operas by Giacomo Puccini ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone
A baritone is a type of classical music, classical male singing human voice, voice whose vocal range lies between the bass (voice type), bass and the tenor voice type, voice-types. It is the most common male voice. The term originates from the Greek language, Greek (), meaning "low sounding". Composers typically write music for this voice in the range from the second F below C (musical note), middle C to the F above middle C (i.e. Scientific pitch notation, F2–F4) in choral music, and from the second G below middle C to the G above middle C (G2 to G4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French Religious music, sacred Polyphony, polyphonic music. At t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
