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The Lute Player (Cariani)
''The Lute Player'' is a 1514-1516 oil on canvas painting by Giovanni Cariani, now in the Musée des Beaux-Arts in Strasbourg, France. Its inventory number is 236. History In 1899 Adolfo Venturi adjudged the work to be "too high quality to be by Cariani", but Wilhelm von Bode attributed it to Cariani. Bode acquired it from a private Venetian collection in 1890; it entered the Strasbourg museum the following year. Since then it has also been attributed to Giorgione Giorgione (, , ; born Giorgio Barbarelli da Castelfranco; 1477–78 or 1473–74 – 17 September 1510) was an Italian painter of the Venetian school during the High Renaissance, who died in his thirties. He is known for the elusive poetic quali ... or in 1932 by some art historians to Palma il Vecchio, but is now seen as sharing all the basic characteristics of works securely attributed to Cariani. Simone Facchinetti''Gli esordi di Giovanni Cariani'' Bergamo, 2016. References External links''Le Joueur de luth'' ...
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Giovanni Cariani
Giovanni Cariani (c. 1490–1547), also known as Giovanni Busi or Il Cariani, was an Italian painter of the high- Renaissance, active in Venice and the Venetian mainland, including Bergamo, thought to be his native city. Overview His father, also Giovanni Busi, was born in Fuipiano Al Brembo which is a hamlet of San Giovanni Bianco (Bergamo), and was appointed a local magistrate for the Venetian authorities. His son, also born in Fuipiano Al Brembo, is known to have lived in Venice starting in 1509, and may have trained with either Giovanni Bellini or Giorgione, and almost certainly was influenced by them. Though he worked often in Bergamo, he died in Venice in 1547. He was strongly influenced by Palma il Vecchio, but had a provincial love of scenery as seen in his '' Sacra conversazione with a youthful donor''. While working in Bergamo (1517–1523), he likely overlapped with Lorenzo Lotto, who worked there from 1513-1525. ''Cariani and the Courtesans'' The 1987 BBC Two ...
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Venice
Venice ( ; it, Venezia ; vec, Venesia or ) is a city in northeastern Italy and the capital of the Veneto region. It is built on a group of 118 small islands that are separated by canals and linked by over 400 bridges. The islands are in the shallow Venetian Lagoon, an enclosed bay lying between the mouths of the Po and the Piave rivers (more exactly between the Brenta and the Sile). In 2020, around 258,685 people resided in greater Venice or the ''Comune di Venezia'', of whom around 55,000 live in the historical island city of Venice (''centro storico'') and the rest on the mainland (''terraferma''). Together with the cities of Padua and Treviso, Venice is included in the Padua-Treviso-Venice Metropolitan Area (PATREVE), which is considered a statistical metropolitan area, with a total population of 2.6 million. The name is derived from the ancient Veneti people who inhabited the region by the 10th century BC. The city was historica ...
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Oil On Canvas Paintings
An oil is any nonpolar chemical substance that is composed primarily of hydrocarbons and is hydrophobic (does not mix with water) & lipophilic (mixes with other oils). Oils are usually flammable and surface active. Most oils are unsaturated lipids that are liquid at room temperature. The general definition of oil includes classes of chemical compounds that may be otherwise unrelated in structure, properties, and uses. Oils may be animal, vegetable, or petrochemical in origin, and may be volatile or non-volatile. They are used for food (e.g., olive oil), fuel (e.g., heating oil), medical purposes (e.g., mineral oil), lubrication (e.g. motor oil), and the manufacture of many types of paints, plastics, and other materials. Specially prepared oils are used in some religious ceremonies and rituals as purifying agents. Etymology First attested in English 1176, the word ''oil'' comes from Old French ''oile'', from Latin ''oleum'', which in turn comes from the Greek (''elaion'') ...
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Renaissance Paintings
The Renaissance ( , ) , from , with the same meanings. is a period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ideas and achievements of classical antiquity. It occurred after the Crisis of the Late Middle Ages and was associated with great social change. In addition to the standard periodization, proponents of a "long Renaissance" may put its beginning in the 14th century and its end in the 17th century. The traditional view focuses more on the early modern aspects of the Renaissance and argues that it was a break from the past, but many historians today focus more on its medieval aspects and argue that it was an extension of the Middle Ages. However, the beginnings of the period – the early Renaissance of the 15th century and the Italian Proto-Renaissance from around 1250 or 1300 – overlap considerably with the Late Middle Ages, conventionally da ...
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Paintings In The Musée Des Beaux-Arts De Strasbourg
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative ...
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1516 Paintings
__NOTOC__ Year 1516 ( MDXVI) was a leap year starting on Tuesday (link will display the full calendar) of the Julian calendar. Events January–June * January – Juan Díaz de Solís discovers the Río de la Plata (in future Argentina). * January 23 – With the death of Ferdinand II of Aragon, his grandson, Charles of Ghent, becomes King of Spain; his mother Queen Joanna of Castile also succeeds as Queen of Aragon and co-monarch with Carlos, but remains confined at Tordesillas. * March 1 – Desiderius Erasmus publishes a new Greek edition of the New Testament, ''Novum Instrumentum omne'', in Basel. * March 29 – The Venetian Ghetto is instituted in the Republic of Venice. * April 23 – The Reinheitsgebot is instituted in Ingolstadt, Bavaria, regulating the purity of beer permissible for sale. July–December * July – Selim I of the Ottoman Empire declares war on the Mamluk Sultanate of Cairo and invades Syria. * August 13 & ...
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1515 Paintings
__NOTOC__ Year 1515 ( MDXV) was a common year starting on Monday (link will display the full calendar) of the Julian calendar. Events January–June * January 25 – Francis I of France is crowned (reigns until 1547). * May 13 – Mary Tudor, Queen of France, and Charles Brandon, 1st Duke of Suffolk, are officially married at Greenwich (near London). * June 13 – Battle of Turnadag: The army of Ottoman sultan Selim I defeats the beylik of Dulkadir under Bozkurt of Dulkadir. July–December * July 2 – Manchester Grammar School is endowed by Hugh Oldham, the first free grammar school in England. * July 22 – At the First Congress of Vienna, a double wedding takes place to cement agreements. Louis, only son of King Vladislaus II of Hungary, marries Mary of Austria, granddaughter of Maximilian I, Holy Roman Emperor; and Mary's brother, Archduke Ferdinand, marries Vladislaus' daughter, Anna. * August 25 – Conquistador Diego ...
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Palma Il Vecchio
Palma Vecchio (c. 1480 – 30 July 1528), born Jacopo Palma, also known as Jacopo Negretti, was a Venetian painter of the Italian High Renaissance. He is called Palma Vecchio in English and Palma il Vecchio in Italian ("Palma the Elder") to distinguish him from Palma il Giovane ("Palma the Younger"), his great-nephew, who was also a painter. Life Palma was born at Serina Alta near Bergamo, a dependency of the Republic of Venice, but his recorded career all took place in or near Venice. He is first recorded in Venice in 1510, but had probably already been there for some time. He was perhaps apprenticed to Andrea Previtali, who also came from Bergamo, and who returned there in 1511. Palma's earlier works show the influence of Giovanni Bellini, Previtali's master and by then the aged ''doyen'' of Venetian painting, but Palma came to follow the new style and subjects pioneered by Giorgione and Titian. After the deaths of Bellini and Giorgione, and the removal from Venice of S ...
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Giorgione
Giorgione (, , ; born Giorgio Barbarelli da Castelfranco; 1477–78 or 1473–74 – 17 September 1510) was an Italian painter of the Venetian school during the High Renaissance, who died in his thirties. He is known for the elusive poetic quality of his work, though only about six surviving paintings are firmly attributed to him. The uncertainty surrounding the identity and meaning of his work has made Giorgione one of the most mysterious figures in European art. Together with his younger contemporary Titian, he founded the Venetian school of Italian Renaissance painting, characterised by its use of colour and mood. The school is traditionally contrasted with Florentine painting, which relied on a more linear disegno-led style. Life What little is known of Giorgione's life is given in Giorgio Vasari's '' Lives of the Most Excellent Painters, Sculptors, and Architects''. He came from the small town of Castelfranco Veneto, 40 km inland from Venice. His name sometimes appe ...
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Wilhelm Von Bode
Wilhelm von Bode (10 December 1845 – 1 March 1929) was a German art historian and museum curator. Born Arnold Wilhelm Bode in Calvörde, he was ennobled in 1913. He was the creator and first curator of the Kaiser Friedrich Museum, now called the Bode Museum in his honor, in 1904. Career Bode studied law at the Universities of Göttingen and Berlin, but took an interest in art during his university years. While practicing law in Braunschweig he systematically rearranged the ducal art collections, and visited a number of museums and private collections in Belgium, the Netherlands, and Italy. After studies in art history in Berlin and Vienna, he received his doctorate from the University of Leipzig in 1870 based on his dissertation ''Frans Hals und seine Schule''. In 1871 Bode participated in the so-called "Holbein convention" in Dresden, at which a number of prominent art historians convened to determine which of two versions of Hans Holbein the Younger's ''Meyer Mad ...
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Oil Painting
Oil painting is the process of painting with pigments with a medium of drying oil as the binder. It has been the most common technique for artistic painting on wood panel or canvas for several centuries, spreading from Europe to the rest of the world. The advantages of oil for painting images include "greater flexibility, richer and denser colour, the use of layers, and a wider range from light to dark". But the process is slower, especially when one layer of paint needs to be allowed to dry before another is applied. The oldest known oil paintings were created by Buddhist artists in Afghanistan and date back to the 7th century AD. The technique of binding pigments in oil was later brought to Europe in the 15th century, about 900 years later. The adoption of oil paint by Europeans began with Early Netherlandish painting in Northern Europe, and by the height of the Renaissance, oil painting techniques had almost completely replaced the use of tempera paints in the majority ...
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Adolfo Venturi (art Historian)
Adolfo Venturi (3 September 1856, Modena – 10 June 1941, Santa Margherita Ligure) was an Italian art historian. His son, Lionello Venturi, was also an art historian. Biography He received his education in Modena and Florence, and in 1878 started working as a curator at the Galleria Estense in Modena. In 1888 he was appointed general inspector of the ''Accademia di Belle Arti di Roma''. In 1888, with Domenico Gnoli, he founded the journal, "''Archivio storico d'arte''" (after 1901 it was called "''L'Arte''"). He would remain editor of the publication up until 1940. From 1896 to 1931 he served as chair of medieval and modern art at the University of Rome.Venturi, Adolfo
Dictionary of Art Historians
In 1923, author John R. Eyre reported Venturi's opinion on the ''