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The Loyal Subject
''The Loyal Subject'' is a Jacobean era stage play, a tragicomedy by John Fletcher that was originally published in the first Beaumont and Fletcher folio of 1647. Performance The play was acted by the King's Men; the cast list added to the text in the second Beaumont and Fletcher folio of 1679 cites Richard Burbage, Nathan Field, Henry Condell, John Underwood, John Lowin, Nicholas Tooley, Richard Sharpe, and William Ecclestone – which indicates a production in the 1616–19 era, between 1616, when Field joined the company, and Burbage's death in March 1619. Revival The company revived the play in 1633, and performed it at the Palace of Whitehall on the night of Tuesday, 10 December of that year, before King Charles I and Queen Henrietta Maria. The play was entered into the Stationers' Register in 1633, which normally preceded a publication; but the play remained out of print until 1647. Sir Henry Herbert, the Master of the Revels, left a note in his office boo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Literature In English
English literature is literature written in the English language from the English-speaking world. The English language has developed over more than 1,400 years. The earliest forms of English, a set of Anglo-Frisian languages, Anglo-Frisian dialects brought to Great Britain by Anglo-Saxon settlement of Britain, Ango-Saxon settlers in the fifth century, are called Old English. ''Beowulf'' is the most famous work in Old English. Despite being set in Scandinavia, it has achieved national epic status in England. However, following the Norman Conquest of England in 1066, the written form of the Old English, Anglo-Saxon language became less common. Under the influence of the new aristocracy, French became the standard language of courts, parliament, and polite society.Baugh, Albert and Cable, Thomas. 2002. ''The History of the English Language''. Upper Saddle River, New Jersey: Prentice Hall. pp. 79–81. The English spoken after the Normans came is known as Middle English. This form ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles I Of England
Charles I (19 November 1600 – 30 January 1649) was King of Kingdom of England, England, Kingdom of Scotland, Scotland, and Kingdom of Ireland, Ireland from 27 March 1625 until Execution of Charles I, his execution in 1649. Charles was born into the House of Stuart as the second son of King James VI of Scotland, but after his father inherited the English throne in 1603, he moved to England, where he spent much of the rest of his life. He became heir apparent to the kingdoms of England, Scotland, and Ireland in 1612 upon the death of his elder brother, Henry Frederick, Prince of Wales. An unsuccessful and unpopular attempt to marry him to Infanta Maria Anna of Spain culminated in an eight-month visit to Habsburg Spain, Spain in 1623 that demonstrated the futility of the marriage negotiation. Two years later, shortly after his accession, he married Henrietta Maria of France. After his accession in 1625, Charles quarrelled with the English Parliament, which sought to curb his ro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boy Player
A boy player was a male child or teenager who performed in Medieval theatre, Medieval and English Renaissance theatre, English Renaissance playing companies. Some boy players worked for adult companies and performed the female roles, since women were not allowed to perform on the English stage during this period. Others worked for children's companies in which all roles, not just the female ones, were played by boys. Children's companies In the Elizabethan era, Elizabethan and Jacobean era, Jacobean periods, troupes appeared that were composed entirely of boy players. They are famously mentioned in William Shakespeare, Shakespeare's ''Hamlet'', in which a group of travelling actors has left the city due to rivalry with a troupe of "little eyases" (II, ii, 339); the term "eyas" means an unfledged hawk. The children's companies grew out of the choirs of boy singers that had been connected with cathedrals and similar institutions since the Middle Ages. (Similar boy choirs exis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edward Kynaston (actor)
Edward Kynaston (c. 1640 – January 1706) was an English actor, one of the last Restoration "boy players", young male actors who played women's roles. Career Kynaston was good looking and made a convincing woman: Samuel Pepys called him "the loveliest lady that ever I saw in my life" after seeing him in a production of John Fletcher's '' The Loyal Subject'' at the Cockpit-in-Court, "only her voice snot very good". He also played the title role in Ben Jonson's '' Epicoene''. Pepys had dinner with Kynaston after this production on 18 August 1660. Simultaneously, Kynaston played male roles as well. He filled the role of Otto in '' Rollo Duke of Normandy'' on 6 December 1660, having played the female role of Arthiope in the same play in previous weeks. On 7 January 1661, Kynaston played three roles in a performance of Jonson's '' Epicoene'', one female and two male. Part of Kynaston's appeal may have been his ambiguous sexuality. The actor Colley Cibber recalled: "the Ladi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samuel Pepys
Samuel Pepys ( ; 23 February 1633 – 26 May 1703) was an English writer and Tories (British political party), Tory politician. He served as an official in the Navy Board and Member of Parliament (England), Member of Parliament, but is most remembered today for the diary he kept for almost a decade. Though he had no Maritime pilot, maritime experience, Pepys rose to be the Chief Secretary to the Admiralty under both Charles II of England, Charles II and James II of England, James II through patronage, diligence, and his talent for administration. His influence and reforms at the Admiralty (United Kingdom), English Admiralty were important in the early professionalisation of the Royal Navy. The detailed private diary that Pepys kept from 1660 until 1669 was first published in the 19th century and is one of the most important primary sources of the Stuart Restoration. It provides a combination of personal revelation and eyewitness accounts of great events, such as the Grea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Restoration (England)
The Stuart Restoration was the reinstatement in May 1660 of the Stuart monarchy in England, Scotland, and Ireland. It replaced the Commonwealth of England, established in January 1649 after the execution of Charles I, with his son Charles II. The Commonwealth of England had been governed by Lord Protector Oliver Cromwell and then his son Richard Cromwell. The term is also used to describe the reign of Charles II (1660–1685), and sometimes that of his younger brother James II (1685–1688). The Protectorate After Richard Cromwell, Lord Protector from 1658 to 1659, ceded power to the Rump Parliament, Charles Fleetwood and John Lambert then dominated government for a year. On 20 October 1659, George Monck, the governor of Scotland under the Cromwells, marched south with his army from Scotland to oppose Fleetwood and Lambert. Lambert's army began to desert him, and he returned to London almost alone whilst Monck marched to London unopposed. The Pre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lope De Vega
Félix Lope de Vega y Carpio (; 25 November 156227 August 1635) was a Spanish playwright, poet, and novelist who was a key figure in the Spanish Golden Age (1492–1659) of Spanish Baroque literature, Baroque literature. In the literature of Spain, Lope de Vega is often considered second only to Miguel de Cervantes. Cervantes said that Lope de Vega was “The Phoenix of Wits” (''Fénix de los ingenios'') and “Monster of Nature” (''Monstruo de naturaleza'').Foreword to , Miguel de Cervantes Saavedra, 1615. Quoted in Lope de Vega renewed the literary life of Spanish theatre when it became mass culture, and with the playwrights Pedro Calderón de la Barca and Tirso de Molina defined the characteristics of Spanish Baroque theatre with great insight into the human condition. The literary production of Lope de Vega includes 3,000 sonnets, three novels, four novellas, nine epic poems, and approximately 500 play (theatre), stageplays. Personally and professionally, Lope de Ve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1637 In Literature
This article contains information about the literary events and publications of 1637. Events *January – Pierre Corneille's tragicomedy '' Le Cid'' first performed at the Théâtre du Marais in Paris. Based on Guillén de Castro's play ''Las mocedades del Cid'' ( 1618), it is first published later in the year and sparks the debate of the '' Querelle du Cid'' at the ''Académie française'' over its failure to observe all the classical unities of drama and supposed lack of moral purpose, but proves popular with audiences. *January 24 – ''Hamlet'' is performed before King Charles I and Queen Henrietta Maria at Hampton Court Palace. * July 10 – Thomas Browne is registered as a physician, following which he settles in Norwich. * August 30 – The King's Men mount a production for the English Court of William Cartwright's ''The Royal Slave'' at Christ Church, Oxford. The company is paid an extra £30 "for their pains in studying and acting" the drama. * October 2 – Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Heywood
Thomas Heywood (early 1570s – 16 August 1641) was an English playwright, actor, and author. His main contributions were to late Elizabethan and early Jacobean theatre. He is best known for his masterpiece ''A Woman Killed with Kindness'', a domestic tragedy, which was first performed in 1603 at the Rose Theatre by the Worcester's Men company. He was a prolific writer, claiming to have had "an entire hand or at least a maine finger in two hundred and twenty plays", although only a fraction of his work has survived. Early years Few details of Heywood's life have been documented with certainty. Most references indicate that the county of his birth was most likely Lincolnshire, while the year has been variously given as 1570, 1573, 1574 and 1575. It has been speculated that his father was a country parson and that he was related to the half-century-earlier dramatist John Heywood, whose death year is, again, uncertain, but indicated as having occurred not earlier than 1575 a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philip Massinger
Philip Massinger (1583 – 17 March 1640) was an English dramatist. His plays, including '' A New Way to Pay Old Debts'', '' The City Madam'', and '' The Roman Actor'', are noted for their satire and realism, and their political and social themes. Early life The son of Arthur Massinger or Messanger, he was baptised at St. Thomas's Salisbury on 24 November 1583. He apparently belonged to an old Salisbury family, for the name occurs in the city records as early as 1415. He is described in his matriculation entry at St. Alban Hall, Oxford (1602), as the son of a gentleman. His father, who had also been educated at St. Alban Hall, was a member of parliament, and was attached to the household of Henry Herbert, 2nd Earl of Pembroke. Herbert recommended Arthur in 1587 for the office of examiner in the Court of the Marches. William Herbert, 3rd Earl of Pembroke, who would come to oversee the London Stage and the royal company as King James's Lord Chamberlain, succeeded to th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Buck
Sir George Buck (or Buc) (October 1622) was an English antiquarian, historian, scholar and author, who served as a Member of Parliament, government envoy to Queen Elizabeth I and Master of the Revels to King James I of England. He served in the war against the Spanish Armada in 1588 and on the Cadiz expedition of 1596. He was appointed Esquire of the Body in 1588 and a Member of Parliament for Gatton, Surrey in the 1590s, also acting at times as an envoy for Queen Elizabeth. In 1603, on the accession to the throne of King James I, Buck was made a Gentleman of the Privy Chamber and knighted. In 1606, he began to license plays for publication. In 1610, he became Master of the Revels, responsible for licensing and supervising plays in Britain, including Shakespeare's later plays, and censoring them with respect to the depiction of religion and politics. Buck's writings include a verse work, ''Daphnis Polystephanos: An Eclog....'' (1605), an historical- pastoral poem in celebrat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Master Of The Revels
The Master of the Revels was the holder of a position within the English, and later the British, royal household, heading the "Revels Office" or "Office of the Revels". The Master of the Revels was an executive officer under the Lord Chamberlain. Originally he was responsible for overseeing royal festivities, known as ''revels'', and he later also became responsible for stage censorship, until this function was transferred to the Lord Chamberlain in 1624. However, Henry Herbert, the deputy Master of the Revels and later the Master, continued to perform the function on behalf of the Lord Chamberlain until the English Civil War in 1642, when stage plays were prohibited. The office continued almost until the end of the 18th century, although with rather reduced status. History The Revels Office has an influential role in the history of the English stage. Among the expenses of the royal Wardrobe in 1347, there was provision for ''tunicae'' and ''viseres'' (shirts and hats) for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
