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The Last Supper (Leonardo)
''The Last Supper'' ( or ) is a mural painting by the Italian High Renaissance artist Leonardo da Vinci, dated to , housed in the refectory of the Convent of Santa Maria delle Grazie, Milan, Santa Maria delle Grazie in Milan, Italy. The painting represents the scene of the Last Supper of Jesus with the Apostles in the New Testament, Twelve Apostles, as it is told in the Gospel of Johnspecifically the moment after Jesus predicts his betrayal, Jesus announces that one of his apostles will betray him. Its handling of space, mastery of perspective, treatment of motion and complex display of human emotion has made it one of the Western world's most recognizable paintings and among Leonardo's most celebrated works. Some commentators consider it pivotal in inaugurating the transition into what is now termed the High Renaissance. The work was commissioned as part of a plan of renovations to the church and its convent buildings by Leonardo's patron Ludovico Sforza, list of dukes of Mil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leonardo Da Vinci
Leonardo di ser Piero da Vinci (15 April 1452 - 2 May 1519) was an Italian polymath of the High Renaissance who was active as a painter, draughtsman, engineer, scientist, theorist, sculptor, and architect. While his fame initially rested on his achievements as a painter, he has also become known for #Journals and notes, his notebooks, in which he made drawings and notes on a variety of subjects, including anatomy, astronomy, botany, cartography, painting, and palaeontology. Leonardo is widely regarded to have been a genius who epitomised the Renaissance humanism, Renaissance humanist ideal, and his List of works by Leonardo da Vinci, collective works comprise a contribution to later generations of artists matched only by that of his younger contemporary Michelangelo. Born out of wedlock to a successful notary and a lower-class woman in, or near, Vinci, Tuscany, Vinci, he was educated in Florence by the Italian painter and sculptor Andrea del Verrocchio. He began his career ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tempera
Tempera (), also known as egg tempera, is a permanent, fast-drying painting medium consisting of pigments mixed with a water-soluble binder medium, usually glutinous material such as egg yolk. ''Tempera'' also refers to the paintings done in this medium. Tempera paintings are very long-lasting, and examples from the first century AD still exist. Egg tempera was a primary method of painting until after 1500 when it was superseded by oil painting. A paint consisting of pigment and binder commonly used in the United States as poster paint is also often referred to as "tempera paint", although the binders in this paint are different from traditional tempera paint. Etymology The term ''tempera'' is derived from the Italian ''dipingere a tempera'' ("paint in distemper"), from the Late Latin ''distemperare'' ("mix thoroughly"). History Tempera painting has been found on early Egyptian sarcophagus decorations. Many of the Fayum mummy portraits use tempera, sometimes in comb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chiaroscuro
In art, chiaroscuro ( , ; ) is the use of strong contrasts between light and dark, usually bold contrasts affecting a whole composition. It is also a technical term used by artists and art historians for the use of contrasts of light to achieve a sense of volume in modelling three-dimensional objects and figures. Similar effects in cinema, and black and white and low-key photography, are also called chiaroscuro. Taken to its extreme, the use of shadow and contrast to focus strongly on the subject of a painting is called tenebrism. Further specialized uses of the term include chiaroscuro woodcut for colour woodcuts printed with different blocks, each using a different coloured ink; and chiaroscuro for drawings on coloured paper in a dark medium with white highlighting. Chiaroscuro originated in the Renaissance period but is most notably associated with Baroque art. Chiaroscuro is one of the canonical painting modes of the Renaissance (alongside cangiante, sfumato and uni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fresco
Fresco ( or frescoes) is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall. The word ''fresco'' () is derived from the Italian adjective ''fresco'' meaning "fresh", and may thus be contrasted with fresco-secco or secco mural painting techniques, which are applied to dried plaster, to supplement painting in fresco. The fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting. The word ''fresco'' is commonly and inaccurately used in English to refer to any wall painting regardless of the plaster technology or binding medium. This, in part, contributes to a misconception that the most geographically and temporally common wall painting technology was the painting into wet lime plaster. Even in apparently '' buon fresco'' technology ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oil Painting
Oil painting is a painting method involving the procedure of painting with pigments combined with a drying oil as the Binder (material), binder. It has been the most common technique for artistic painting on canvas, wood panel, or oil on copper, copper for several centuries. The advantages of oil for painting images include "greater flexibility, richer and denser color, the use of layers, and a wider range from light to dark". The oldest known oil paintings were created by Buddhism, Buddhist artists in Afghanistan, and date back to the 7th century AD. Oil paint was later developed by Europeans for painting statues and woodwork from at least the 12th century, but its common use for painted images began with Early Netherlandish painting in Northern Europe, and by the height of the Renaissance, oil painting techniques had almost completely replaced the use of egg tempera paints for panel paintings in most of Europe, though not for Orthodox icons or wall paintings, where tempera a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James The Less
James the Less ( ) is a figure of early Christianity. He is also called "the Minor", "the Little", "the Lesser", or "the Younger", according to translation, James is styled "the Less" to distinguish him from the Apostle James the Great (also called "James the Elder") with "Less" meaning younger or shorter rather than less important. James the Great was the brother of John the Apostle. James the Less has traditionally been commemorated along with St. Philip in the Western Christian calendars. In the Roman Catholic Church their feast day was observed on 1 May until 1955, when it was moved to 11 May to accommodate the Feast of St Joseph the Worker on 1 May. A later revision of the calendar moved the feast to 3 May. In many other churches (for example, the Church of England) the feast has never moved from 1 May. He is identified by Jerome as the same person also called " James the Just" and "James, brother of Jesus" in the Bible, thought of by Jerome and others as really a cous ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James The Great
James the Great ( Koinē Greek: Ἰάκωβος, romanized: ''Iákōbos''; Aramaic: ܝܥܩܘܒ, romanized: ''Yaʿqōḇ''; died AD 44) was one of the Twelve Apostles of Jesus. According to the New Testament, he was the second of the apostles to die after Judas Iscariot and the first to be martyred. Saint James is the patron saint of Spain and, according to tradition, what are believed to be his remains are held in Santiago de Compostela in Galicia. He is also known as James, son of Zebedee, Saint James the Great, Saint James the Greater, St. James Son of Thunder, St. James the Major, Saint James the Elder, or Saint Jacob, James the Apostle or Santiago. In the New Testament James was born into a family of Jewish fishermen on the Sea of Galilee. His parents were Zebedee and Salome. Salome was a sister of Mary (mother of Jesus) which made James the Great a cousin of Jesus. James is styled "the Greater" to distinguish him from the Apostle James "the Less," with "greater" meani ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bernardo Zenale
Bernardo (or Bernardino) Zenale (c. 1460 – 1526) was an Italian painter and architect. Biography Zenale was born in Treviglio, Lombardy, where in 1485 he finished the great polyptych for the church of St. Martin, together with his fellow Bernardino Butinone. Like Butinone, he is said to have trained with Vincenzo Civerchio. Later he collaborated to the decoration of the Certosa di Pavia. Subsequently, he was engaged by Ludovico Sforza, Duke of Milan, to paint a room in the Castello Sforzesco of that city. Also with Butinone, he frescoed the Grifi Chapel in the church of San Pietro in Gessate. After circa 1500, Zenale seemed to abandon the Ferrarese-expressionist style of Butinone, a strong influence from Leonardo da Vinci starting to appear in his works. This is manifest in the polyptych that he painted for the Confraternity of the Immaculate Conception of Cantù (1502Now divided between the J. Paul Getty Museum of [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gian Paolo Lomazzo
Gian Paolo Lomazzo (26 April 1538 – 27 January 1592; his first name is sometimes also given as "Giovan" or "Giovanni") was an Italians, Italian artist and writer on art. Praised as a painter, Lomazzo wrote about artistic practice and art theory after blindness compelled him to pursue a different professional path by 1571. Lomazzo's written works were especially influential to second generation Mannerism in Italian art and architecture. Early life Born to a family of some social status, Lomazzo appears to have received a better education than most painters. Early indications of his artistic abilities led to his studying with the little-known Giovan Battista della Cerva, Giovanni Battista della Cerva, an assistant of Gaudenzio Ferrari (whom Lomazzo appears to have regarded as his real master). Lomazzo’s autobiography, published with his ''Rime'' in 1587, indicates that he received a steady stream of commissions for murals and altarpieces, once he became an independent mast ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Donato Da Montorfano
Giovanni Donato da Montorfano (c. 1460–1502/03) was an Italian painter of the Renaissance who was born, lived, and worked in Milan. Giovanni Donato comes from a family of painters. His grandfather, Abramo, and father, Alberto da Montorfano worked in the Milan Cathedral as painters and were members of the Milan painter's guild. Both Giovanni Donato and his brother Vincenzo were pupils of their father. Giovanni Donato is best known for his fresco depicting the ''Crucifixion'' (1495) in the refectory of the convent of Santa Maria delle Grazie in Milan. It is painted on the wall facing Leonardo da Vinci's masterpiece of '' The Last Supper''. This fresco is said to have some of the figures of the Duke and his family painted by Leonardo. Giovanni Battista da Montorfano is documented as part of a team of artists, including Vincenzo Foppa Vincenzo Foppa ( – ) was an Italian painter from the Renaissance period. While few of his works survive, he was an esteemed and influential pai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coat Of Arms
A coat of arms is a heraldry, heraldic communication design, visual design on an escutcheon (heraldry), escutcheon (i.e., shield), surcoat, or tabard (the last two being outer garments), originating in Europe. The coat of arms on an escutcheon forms the central element of the full achievement (heraldry), heraldic achievement, which in its whole consists of a shield, supporters, a crest (heraldry), crest, and a motto. A coat of arms is traditionally unique to the armiger (e.g. an individual person, family, state, organization, school or corporation). The term "coat of arms" itself, describing in modern times just the heraldic design, originates from the description of the entire medieval chainmail "surcoat" garment used in combat or preparation for the latter. Roll of arms, Rolls of arms are collections of many coats of arms, and since the early Modern Age centuries, they have been a source of information for public showing and tracing the membership of a nobility, noble family, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
House Of Sforza
The House of Sforza () was a ruling family of Renaissance Italy, based in Milan. Sforza rule began with the family's acquisition of the Duchy of Milan following the extinction of the Visconti family in the mid-15th century and ended with the death of the last member of the family's main branch, Francesco II Sforza, in 1535. History The first son of Muzio Attendolo Sforza, Francesco I Sforza, married Bianca Maria (1425–1468) in 1441. She was the daughter and only heir of the last Duke of Milan, Filippo Maria Visconti. He thus acquired the title of Duke of Milan (1450–1466), ruled Milan for 16 years, and made the Sforzas the heirs of the house of Visconti. The family also held the seigniory of Pesaro, starting with Muzio Attendolo's second son, Alessandro (1409–1473). The Sforza held Pesaro until 1512, after the death of Costanzo II Sforza. Muzio's third son, Bosio (1411–1476), founded the branch of Santa Fiora, who held the title of count of Cotignola; the S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
