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The Hundred Guilder Print
The ''Hundred Guilder Print'' is an etching with drypoint by Rembrandt, measuring 278 x 388 mm (platemark). The etching's popular name derives from the large sum of money supposedly charged for it. It is also called ''Christ healing the sick'', ''Christ with the Sick around Him, Receiving Little Children'', or ''Christ preaching'', since the print depicts multiple events from Matthew 19 in the New Testament, including Jesus, Christ Miracles of Jesus, healing the sick, debating with scholars and The Little Children, calling on children to come to him. The Jesus and the rich young man, rich young man mentioned in the chapter is leaving through the gateway on the right. , Rijksmuseum. Retrieved 4 September 2011. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rembrandt The Hundred Guilder Print
Rembrandt Harmenszoon van Rijn (; ; 15 July 1606 – 4 October 1669), mononymously known as Rembrandt was a Dutch Golden Age painter, printmaker, and Drawing, draughtsman. He is generally considered one of the greatest visual artists in the history of Art of Europe, Western art.Gombrich, p. 420. It is estimated that Rembrandt's surviving works amount to about three hundred paintings, three hundred etchings and several hundred drawings. Unlike most Dutch painters of the 17th century, Rembrandt's works depict a wide range of styles and subject matter, from portrait painting, portraits and self-portraits to landscapes, genre scenes, allegorical and historical scenes, biblical and mythological subjects and animal studies. His contributions to art came in a period that historians call the Dutch Golden Age. Rembrandt never went abroad but was considerably influenced by the work of the Italian Old Masters and Bentvueghels, Dutch and Flemish artists who had studied in Italy. A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Allen Memorial Art Museum
The Allen Memorial Art Museum (AMAM) is an art museum located in Oberlin, Ohio, and it is run by Oberlin College. Founded in 1917, the collection contains over 15,000 works of art. Overview The AMAM is primarily a teaching museum and is aimed at the students, faculty and staff of Oberlin College, in addition to the surrounding community. Notable strengths include seventeenth-century Dutch and Flemish art, nineteenth and early twentieth-century European and contemporary American art, as well as Asian, European and American works on paper. The collection is housed in an Italian Renaissance-style building designed by Cass Gilbert and named after its founder, Dr. Dudley Peter Allen (B.A., 1875), a graduate and trustee of Oberlin College and the first husband of Elisabeth Severance Prentiss, whose bequest as Mrs. F. F. Prentiss included parts of her art collection started during her first marriage. In 1977, Robert Venturi and Denise Scott Brown designed an addition that represents on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Print Room
A print room is a room in an art gallery or museum where a collection of old master print, old master and modern prints, usually together with drawings, watercolours, and photographs, are held and viewed. A further meaning is a room decorated by pasting prints onto the wall in a quasi-collage style to form a sort of wallpaper, an 18th-century fashion, of which several examples survive. One of the largest, though atypically the prints are cut out round shapes, that are pasted well spaced apart, is at The Vyne, Basingstoke, Hampshire. Appearance For conservation reasons, works on paper cannot be permanently displayed, as light, temperature, and humidity conditions leave them vulnerable to damage, normally limiting an open display to no more than 6 months. They are kept in inert, acid-free boxes, albums, or portfolios behind closed doors; which considerations of space would dictate in any case for the vast majority. Where possible, they are mounted on archivally safe supports, b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Entombment Of Christ (Rembrandt)
''The Entombment of Christ'' is an oil-on-oak panel painting by Rembrandt believed to be dated around . It measures 32.2 x 40.5 cm. The composition is a variant of a painting of the same subject now in the Alte Pinakothek, in Munich.Schwartz, Gary (1985). ''Rembrandt: His Life, His Paintings''. London: Penguin. p. 117. . In 1783, the Scottish anatomist William Hunter bequeathed it to University College (now the University of Glasgow). Since 1807, it has hung in the university's art gallery, the Hunterian Museum and Art Gallery. See also * List of paintings by Rembrandt References 1635 paintings Paintings by Rembrandt Paintings in Glasgow Rembrandt Rembrandt Harmenszoon van Rijn (; ; 15 July 1606 – 4 October 1669), mononymously known as Rembrandt was a Dutch Golden Age painter, printmaker, and Drawing, draughtsman. He is generally considered one of the greatest visual artists in ... Oil on panel paintings {{1630s-painting-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Tempesta
Antonio Tempesta, also called il Tempestino (1555 – 5 August 1630), was an Italian painter and engraver, whose art acted as a point of connection between Roman Baroque, Baroque Rome and the culture of Antwerp. Much of his work depicts major battles and historical figures. Life He was born and trained in Florence and painted in a variety of styles, influenced to some degree by "Counter-''Maniera''" or Counter-Mannerism. He enrolled in the Florence, Florentine Accademia delle Arti del Disegno in 1576. He was a pupil of Santi di Tito, then of the Southern Netherlands, Flemish painter Giovanni Stradano, Joannes Stradanus. He was part of the large team of artists working under Giorgio Vasari on the interior decoration of the Palazzo Vecchio in Florence. His favourite subjects were battles, cavalcades, and processions. He relocated to Rome, where he associated with artists from the Habsburg Netherlands, which may have led to his facility with landscape painting. Among his follower ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lucas Van Leyden
Lucas van Leyden (1494 – 8 August 1533), also named either Lucas Hugensz or Lucas Jacobsz, was a Dutch painter and printmaker in engraving and woodcut. Lucas van Leyden was among the first Dutch exponents of genre painting and was a very accomplished engraver. Lucas was the son of the painter Huygh Jacobsz. He was born, died, and was mainly active in Leiden. Carel van Mander characterizes Lucas as a tireless artist, who as a child annoyed his mother by working long hours after nightfall, which she forbade not only for the cost of candlelight, but also because she felt that too much study was bad for his sensibilities. According to Van Mander, as a boy he only consorted with other young artists, such as painters, glass-etchers and goldsmiths, and was paid by the ''Heer van Lochorst'' (Johan van Lockhorst of Leiden, who died in 1510) a golden florin for each of his years at age 12 for a watercolor of St. Hubert. [Baidu] |
Albrecht Dürer
Albrecht Dürer ( , ;; 21 May 1471 – 6 April 1528),Müller, Peter O. (1993) ''Substantiv-Derivation in Den Schriften Albrecht Dürers'', Walter de Gruyter. . sometimes spelled in English as Durer or Duerer, was a German painter, Old master prints, printmaker, and history of geometry#Renaissance, theorist of the German Renaissance. Born in Free Imperial City of Nuremberg, Nuremberg, Dürer established his reputation and influence across Europe in his twenties due to his high-quality List of woodcuts by Dürer, woodcut prints. He was in contact with the major Italian artists of his time, including Raphael, Giovanni Bellini and Leonardo da Vinci, and from 1512 was patronized by Holy Roman Emperor, Emperor Maximilian I, Holy Roman Emperor, Maximilian I. Dürer's vast body of work includes List of engravings by Dürer, engravings, his preferred technique in his later prints, Altarpiece, altarpieces, portraits and self-portraits, watercolours and books. The woodcuts series are stylist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Greenwood (artist)
John Greenwood Sr. (7 December 1727 – 16 September 1792) was an American painter, engraver and auctioneer. Life Greenwood was born on 7 December 1727 in Boston, Massachusetts, and baptized on 10 December in the Old North Church, Boston. His father died insolvent in 1742 and at about this time Greenwood apprenticed to Thomas Johnston, a Boston line engraver, sign painter, and japanner. According to his son's later account, Greenwood soon left Johnston's studio in order to pursue portraiture. He left Boston in 1752 and traveled to the Dutch colony of Surinam in northeast South America. He stayed there for over five years, during which time he executed 115 portraits, before traveling again, this time to Europe, arriving in Amsterdam in May 1758. He settled there for a time to learn the art of making mezzotints, and was documented as a member of the Amsterdam Drawing Academy in 1758 by Jacob Otten Husly. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Baillie (engraver)
William Baillie (1723–1810) often known as "Captain William Baillie" was an Irish printmaker, known especially for works in the style of, or directly copied from, the etchings of Rembrandt. Usually described as an amateur artist, he was an officer in the British Army until 1761, and later held the post of Commissioner of Stamps. He also acted as an agent for art collectors, most notably Lord Bute. Life Baillie was born at Kilbride, County Carlow, on 5 June 1723. He was educated at Dr. Sheridan's school in Dublin, and at about the age of eighteen his father sent him to London to study law. However he decided to follow the example of a younger brother and join the army. After some opposition from his father, he was allowed to accept of a commission offered to him by Lord Archibald Hamilton, in the 13th Regiment of Foot. He joined the regiment as the senior ensign before the battle of Lafeldt, where he carried the colours. He served with this regiment for many years, and was at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hundred Guilder Print By Baillie
100 or one hundred (Roman numeral: C) is the natural number following 99 and preceding 101. In mathematics 100 is the square of 10 (in scientific notation it is written as 102). The standard SI prefix for a hundred is " hecto-". 100 is the basis of percentages ( meaning "by the hundred" in Latin), with 100% being a full amount. 100 is a Harshad number in decimal, and also in base-four, a base in-which it is also a self-descriptive number. 100 is the sum of the first nine prime numbers, from 2 through 23. It is also divisible by the number of primes below it, 25. 100 cannot be expressed as the difference between any integer and the total of coprimes below it, making it a noncototient. 100 has a reduced totient of 20, and an Euler totient of 40. A totient value of 100 is obtained from four numbers: 101, 125, 202, and 250. 100 can be expressed as a sum of some of its divisors, making it a semiperfect number. The geometric mean of its nine divisors is 10. 100 is the su ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
State (printmaking)
In printmaking, a state is a different form of a print, caused by a deliberate and permanent change to a matrix such as a copper plate (for engravings etc.) or woodblock (for woodcut). Artists often take prints from a plate (or block, etc.) and then do further work on the plate before printing more impressions (copies). Sometimes two states may be printed on the same day, sometimes several years may elapse between them. States are usually numbered in Roman numerals: I, II, III ..., and often as e.g.: "I/III", to indicate the first of three recorded states. Some recent scholars refine the work of their predecessors, without wishing to create a confusing new numbering, by identifying states such as "IIa", "IVb" and so forth. A print with no different states known is catalogued as "only state". Most authorities do not count accidental damage to a plate – usually scratches on a metal plate or cracks in a woodcut block – as constituting different states, partly be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bishop Of Bruges
The Diocese of Bruges (; ) is a Latin Church ecclesiastical territory or diocese of the Catholic Church in Belgium. It is a suffragan in the ecclesiastical province of the metropolis (religious jurisdiction), metropolitan Archdiocese of Mechelen-Brussels, which covers all of Belgium. A diocese from 1558 to its suppression in 1801, in 1832 it became a pre-diocesan apostolic vicariate as the Apostolic Administration of West Flanders. Its territory coincides with West Flanders. The episcopal see of the diocese is St. Salvator's Cathedral, dedicated to Our Savior, in Bruges, West Flanders, which is also a minor basilica. The patron saint of the diocese is Donatian of Reims, so the cathedral is also known as ''Sint-Salvators- en Donaaskathedraal''. Statistics , it pastorally served 965,000 Catholics (82.1% of 1,174,752 total) on 3,145 km² in 362 parishes and 65 missions with 708 priests (499 diocesan, 209 religious), 91 deacons, 1,986 lay religious (290 brothers, 1,696 siste ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
