The Hangover (Suzanne Valadon)
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The Hangover (Suzanne Valadon)
''The Hangover (Suzanne Valadon)'' (), also known as ''The Drinker'' (), is a late 1880s, oil-on-canvas painting by French artist Henri de Toulouse-Lautrec. The painting was created just before he became successful as an artist. It depicts a drunken woman drinking alone in a club, reflecting the counterculture of Montmartre and the spectre of alcoholism among French women during the Belle Époque. The model in ''The Hangover'' is artist Suzanne Valadon, Lautrec's lover. In the early 1880s, after falling from a circus trapeze at the age of 15 and suffering a back injury, Valadon began working as an art model in Montmartre. She had been drawing all her life, but now she pursued a career as an artist, becoming the first woman painter admitted to the Société Nationale des Beaux-Arts. French cabaret singer and nightclub owner Aristide Bruant is thought to have influenced the development of the painting and possibly even its title. Lautrec's technique is loosely reminiscent of bo ...
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Oil On Canvas
Oil painting is a painting method involving the procedure of painting with pigments combined with a drying oil as the binder. It has been the most common technique for artistic painting on canvas, wood panel, or copper for several centuries. The advantages of oil for painting images include "greater flexibility, richer and denser color, the use of layers, and a wider range from light to dark". The oldest known oil paintings were created by Buddhist artists in Afghanistan, and date back to the 7th century AD. Oil paint was later developed by Europeans for painting statues and woodwork from at least the 12th century, but its common use for painted images began with Early Netherlandish painting in Northern Europe, and by the height of the Renaissance, oil painting techniques had almost completely replaced the use of egg tempera paints for panel paintings in most of Europe, though not for Orthodox icons or wall paintings, where tempera and fresco, respectively, remained the usua ...
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