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The Golden Cups
are a Japanese pop and rock band, who were one of the top bands performing in the Group Sounds scene in the late 1960s. Career The band formed in November 1966 in Yokohama, and initially comprised locally born singer Tokimune "Dave" Hirao (November 17, 1944 – November 10, 2008), guitarist Guang-yuan "Eddie" Ban (born June 22, 1947), Hawaiian-born guitarist Kenneth Ito (January 1, 1946 – March 2, 1997), bassist Masayoshi "Louis" Kabe (November 5, 1948 – September 26, 2020), and drummer Mamoru Manu (June 3, 1949 – September 2020). Hirao had previously sung in local band The Sphinx, and had recently traveled to the US, as had Ban who returned to Japan with one of the first fuzzboxes in the country. The new band initially called themselves Group & I, and were influenced by the rock and roll music broadcast on the Far East Network from the local US Army base at Honmoku, and more generally by contacts made with Americans and others in the port city of Yokohama. They began ...
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Yokohama
is the List of cities in Japan, second-largest city in Japan by population as well as by area, and the country's most populous Municipalities of Japan, municipality. It is the capital and most populous city in Kanagawa Prefecture, with a population of 3.7 million in 2023. It lies on Tokyo Bay, south of Tokyo, in the Kantō region of the main island of Honshu. Yokohama is also the major economic, cultural, and commercial hub of the Greater Tokyo Area along the Keihin region, Keihin Industrial Zone. Yokohama was one of the cities to open for trade with the Western world, West following the 1859 end of the Sakoku, policy of seclusion and has since been known as a cosmopolitan port city, after Kobe opened in 1853. Yokohama is the home of many Japan's firsts in the Meiji (era), Meiji period, including the first foreign trading port and Chinatown (1859), European-style sport venues (1860s), English-language newspaper (1861), confectionery and beer manufacturing (1865), daily newspap ...
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I Got You (I Feel Good)
"I Got You (I Feel Good)" is a song by the American singer James Brown. First recorded for the 1964 album '' Out of Sight'' and then released in an alternate take as a single in 1965 and included on the compilation album of the same name, it was his highest-charting song on the ''Billboard'' Hot 100 and is arguably his best-known recording. In 2013, the 1965 recording was inducted into the Grammy Hall of Fame. Description "I Got You (I Feel Good)" is a twelve-bar blues with a brass-heavy instrumental arrangement similar to James Brown's previous hit, " Papa's Got a Brand New Bag". It also features the same emphasis "on the one" (i.e. the first beat of the measure) that characterizes Brown's developing funk style. The lyrics have Brown exulting in how good he feels ("nice, like sugar and spice") now that he has the one he loves, his vocals punctuated by screams and shouts. The song includes an alto sax solo by Maceo Parker. Precursors "I Got You (I Feel Good)" developed from ...
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Okinawa Prefecture
is the southernmost and westernmost prefecture of Japan. It consists of three main island groups—the Okinawa Islands, the Sakishima Islands, and the Daitō Islands—spread across a maritime zone approximately 1,000 kilometers east to west and 400 kilometers north to south. Despite a modest land area of 2,281 km² (880 sq mi), Okinawa’s territorial extent over surrounding seas makes its total area nearly half the combined size of Honshu, Shikoku, and Kyushu. Of its 160 Island, islands, 49 are inhabited. The largest and most populous island is Okinawa Island, which hosts the capital city, Naha, as well as major urban centers such as Okinawa (city), Okinawa, Uruma, and Urasoe, Okinawa, Urasoe. The prefecture has a subtropical climate, characterized by warm temperatures and high rainfall throughout the year. People from the Ryukyu Islands, Nansei Islands, including Okinawa Island, Okinawa, the Sakishima Islands, and parts of Kagoshima Prefecture, are often collectively referred ...
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New Year's Eve
In the Gregorian calendar, New Year's Eve refers to the evening, or commonly the entire day, of the last day of the year, 31 December, also known as Old Year's Day. In many countries, New Year's Eve is celebrated with dancing, eating, drinking, and watching or lighting fireworks. Many Christians attend a watchnight service to mark the occasion. New Year's Eve celebrations generally continue into New Year's Day, January 1, 1 January, past midnight. The local time zone determines the advent of the New Year; the first places to welcome the New Year are west of the International Date Line: the Line Islands (part of Kiribati), Samoa and Tonga, in the Pacific Ocean. In contrast, American Samoa, Baker Island and Howland Island (part of the United States Minor Outlying Islands) are among the last. By region Africa Algeria In Algeria, New Year's Eve is usually celebrated with family and friends. In the largest cities, there are fireworks at midnight. The Martyrs' Memorial, Algiers, Ma ...
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Mike Bloomfield
Michael Bernard Bloomfield (July 28, 1943 – February 15, 1981) was an American blues guitarist and composer. Born in Chicago, he became one of the first popular music stars of the 1960s to earn his reputation almost entirely on his instrumental prowess, as he rarely sang before 1969. Respected for his guitar playing, Bloomfield knew and played with many of Chicago's blues musicians before achieving his own fame and was instrumental in popularizing blues music in the mid-1960s. In 1965, he played on Bob Dylan's '' Highway 61 Revisited'', including the single "Like a Rolling Stone", and performed with Dylan at that year's Newport Folk Festival. Bloomfield was ranked No. 22 on Rolling Stone's list of "100 Greatest Guitarists of All Time" in 2003 and No. 42 by the same magazine in 2011. He was inducted into the Blues Hall of Fame in 2012 and, as a member of the Paul Butterfield Blues Band, was inducted into the Rock and Roll Hall of Fame in 2015. Early years Bloomfield was ...
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Al Kooper
Al Kooper (born Alan Peter Kuperschmidt; February 5, 1944) is an American songwriter, record producer, and musician. Throughout much of the 1960s and 1970s he was a prolific studio musician, including playing organ on the Bob Dylan song " Like a Rolling Stone", French horn and piano on the Rolling Stones song " You Can't Always Get What You Want", and lead guitar on Rita Coolidge's " The Lady's Not for Sale". He also formed and named Blood, Sweat & Tears, though he did not stay with the group long enough to share in its subsequent popularity. Kooper produced a number of one-off collaboration albums, such as the '' Super Session'' album that saw him work separately with guitarists Mike Bloomfield and Stephen Stills. In the 1970s Kooper was a successful manager and producer, recording Lynyrd Skynyrd's first three albums. He has had a successful solo career, writing music for film soundtracks, and has lectured in musical composition. Kooper was selected for induction to the R ...
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Super Session
''Super Session'' is an album by the singer and multi-instrumentalist Al Kooper, with the guitarists Mike Bloomfield on the first half and Stephen Stills on the second half. Released by Columbia Records in 1968, it peaked at No. 12 on the ''Billboard'' 200 during a 37-week chart stay and was certified gold by RIAA. Background Al Kooper and Mike Bloomfield had worked together on the sessions for Bob Dylan's ground-breaking classic ''Highway 61 Revisited'', and played in the backing band for his controversial performance with electric instruments at the Newport Folk Festival in July 1965. Kooper had recently left Blood, Sweat & Tears after they recorded their debut album, and was now working as an A&R man for Columbia Records. Bloomfield was about to leave the Electric Flag, and at a loose end. Kooper telephoned Bloomfield to see if he was free to come down to the studio and jam; Bloomfield agreed, leaving Kooper to handle the arrangements. Kooper booked two days of studio t ...
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East-West (The Butterfield Blues Band Album)
''East-West'' is the second album by the American blues rock band the Butterfield Blues Band, released in 1966 on the Elektra Records, Elektra label. It peaked at No. 65 on the Billboard 200, Billboard pop albums chart, and is regarded as highly influential by rock and blues music historians. Content The album was recorded at the famed Chess Records, Chess Studios on 2120 South Michigan Avenue in Chicago. Like the band's The Paul Butterfield Blues Band (album), eponymous debut album, this album features traditional blues Cover version, covers and the guitar work of Mike Bloomfield and Elvin Bishop. Unlike the debut album, Bishop also contributed guitar solos; drummer Sam Lay had left the band due to illness and was replaced by the more jazz-oriented Billy Davenport. The social complexion of the band changed as well; ruled by Butterfield in the beginning, it evolved into more of a democracy both in terms of financial reward and input into repertoire. One result was the inclusio ...
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Paul Butterfield Blues Band
The Paul Butterfield Blues Band was an American blues and blues-rock band from Chicago. Formed in the summer of 1963, the group originally featured eponymous vocalist and harmonicist Paul Butterfield, guitarist Elvin Bishop, bassist Jerome Arnold, and drummer Sam Lay. The band added guitarist Mike Bloomfield and keyboardist Mark Naftalin before recording their self-titled debut album, which was released in October 1965. The founding sextet were inducted into the Rock and Roll Hall of Fame in 2015, along with Billy Davenport, their drummer on their second album, '' ''. History In the early 1960s, Butterfield met aspiring blues guitarist Elvin Bishop. Bishop recalled: Eventually, Butterfield, on vocals and harmonica, and Bishop, accompanying him on guitar, were offered a regular gig at Big John's, a folk club in the Old Town district on Chicago's near North Side. With this booking, they persuaded bassist Jerome Arnold and drummer Sam Lay (both from Howlin' Wolf's tourin ...
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Julian Cope
Julian David Cope (born 21 October 1957) is an English musician and author. He was the singer and songwriter in Liverpool post-punk band the Teardrop Explodes and has followed a solo career since 1983 in addition to working on musical side projects such as Queen Elizabeth (band), Queen Elizabeth, Brain Donor and Black Sheep (anarcho-folk band), Black Sheep. Cope is also an author on Neolithic culture, publishing ''The Modern Antiquarian'' in 1998, and a political and cultural activist with a public interest in occultism and paganism. He has written two volumes of autobiography, ''Head-On'' (1994) and ''Repossessed'' (1999); two volumes of archaeology, ''The Modern Antiquarian'' (1998) and ''The Megalithic European'' (2004); and three volumes of musicology, ''Krautrocksampler'' (1995), ''Japrocksampler'' (2007); and ''Copendium: A Guide to the Musical Underground'' (2012). Early life Cope's family resided in Tamworth, Staffordshire, Tamworth, Staffordshire, but he was born in ...
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Woman, Woman
"Woman, Woman" is the debut single by Gary Puckett & The Union Gap, from their 1968 debut album '' Woman, Woman''. It was written and composed by Jim Glaser and Jimmy Payne, and uses session musicians from The Wrecking Crew. Like most of the band's hits, it is a ballad centered around Gary Puckett's soulful vocals. The lyrics are from the perspective of a man who senses that his wife is dissatisfied with him sexually, and fears that she is going to start cheating on him. The song was inspired by Jim Glaser and Mel Tillis discussing Tillis' song Ruby, Don't Take Your Love To Town. The song went to number 3 on ''Cash Box'' and number 4 on the ''Billboard'' Hot 100 in early 1968. The band recorded the song in August 1967, Band entry at Allmusic.com Accessed September 27, 2011 and it was released as their debut single in September. It was certified as a million-selling Gold disc in February 1968. The B-side was a cover of the Tim Hardin song "Don't Make Promises." An international s ...
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Garage Band
Garage rock (sometimes called garage punk or 60s punk) is a raw and energetic style of rock music that flourished in the mid-1960s, most notably in the United States and Canada, and has experienced a series of subsequent revivals. The style is characterized by basic chord structures played on electric guitars and other instruments, sometimes distorted through a fuzzbox, as well as often unsophisticated and occasionally aggressive lyrics and delivery. Its name derives from the perception that groups were often made up of young amateurs who rehearsed in the family garage, although many were professional. In the US and Canada, surf rock—and later the Beatles and other beat groups of the British Invasion—motivated thousands of young people to form bands between 1963 and 1968. Hundreds of grass-roots acts produced regional hits, some of which gained national popularity, usually played on AM radio stations. With the advent of psychedelia, numerous garage bands incorporated ...
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