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The Fatal Legacy
''The Fatal Legacy'' is a 1723 tragedy by the British writer Jane Robe. It was inspired by Jean Racine's 1664 play '' La Thébaïde''.Staves p.208 It concerns the children of Oedipus in Ancient Thebes. The original Lincoln's Inn Fields cast included Anthony Boheme as Eteocles, Lacy Ryan as Polynices, James Quin as Creon, Thomas Walker as Phocias, Thomas Smith as Alcander, John Egleton as Attalus, Anna Maria Seymour as Jocasta and Jane Rogers as Antigona. The prologue was written by Charles Beckingham Charles Beckingham (25 July 1699 – 19 February 1730-31) was an English poet and dramatist. Life Beckingham was born, according to the register of Merchant Taylors' School, on 25 July 1699 (Robinson's ''Register'', ii. 32). His father was a .... References Bibliography * Burling, William J. ''A Checklist of New Plays and Entertainments on the London Stage, 1700-1737''. Fairleigh Dickinson Univ Press, 1992. * Nicoll, Allardyce. ''A History of Early Eighteenth Century ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lincoln's Inn Fields Theatre
Lisle's Tennis Court was a building off Portugal Street in Lincoln's Inn Fields in London. Originally built as a real tennis court, it was used as a playhouse during two periods, 1661–1674 and 1695–1705. During the early period, the theatre was called Lincoln's Inn Fields Playhouse, also known as The Duke's Playhouse, The New Theatre or The Opera. The building was demolished and replaced by a purpose-built theatre for a third period, 1714–1728. The tennis court theatre was the first public playhouse in London to feature the moveable scenery that would become a standard feature of Restoration theatres. Historical background The period beginning in England in 1642 and lasting until 1660 is known as the Interregnum, meaning "between kings." At this time, there was no monarch on the throne, and theatre was against the law. Spanning from 1642 to 1649, the English Civil War occurred. This war was an uprising against the current King of England, King Charles I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Smith (actor)
Thomas Smith (died 1766) was a British stage actor of the eighteenth century. He first joined the Drury Lane company in the late seventeenth century. He spent time at the Queen's Theatre in Haymarket and in 1715 joined John Rich's company at Lincoln's Inn Fields. He remained with the company, although acting elsewhere such as Dublin's Smock Alley Theatre, until 1728. There another Smith, named Charles, at the company in his latter years and their roles are sometimes confused. After leaving Lincoln's Inn, Thomas Smith moved to the Haymarket Theatre and then to Goodman's Fields where he acted in Henry Giffard's company until 1733. His daughter, was also an actress, making her debut at Lincoln's Inn Fields in 1716.Highfill, Burnim & Langhans p.162 Selected roles * Cyaxeres in ''Cyrus the Great'' by John Banks (1695) * Peter in '' Imposture Defeated'' by George Powell (1697) * Brisson in ''The Unhappy Penitent'' by Catherine Trotter (1701) * Phorbas in ''The Virgin Prophetess'' b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
British Plays
British may refer to: Peoples, culture, and language * British people, nationals or natives of the United Kingdom, British Overseas Territories, and Crown Dependencies. ** Britishness, the British identity and common culture * British English, the English language as spoken and written in the United Kingdom or, more broadly, throughout the British Isles * Celtic Britons, an ancient ethno-linguistic group * Brittonic languages, a branch of the Insular Celtic language family (formerly called British) ** Common Brittonic, an ancient language Other uses *'' Brit(ish)'', a 2018 memoir by Afua Hirsch *People or things associated with: ** Great Britain, an island ** United Kingdom, a sovereign state ** Kingdom of Great Britain (1707–1800) ** United Kingdom of Great Britain and Ireland (1801–1922) See also * Terminology of the British Isles * Alternative names for the British * English (other) * Britannic (other) * British Isles * Brit (other) * Br ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1723 Plays
Seventeen or 17 may refer to: *17 (number), the natural number following 16 and preceding 18 * one of the years 17 BC, AD 17, 1917, 2017 Literature Magazines * ''Seventeen'' (American magazine), an American magazine * ''Seventeen'' (Japanese magazine), a Japanese magazine Novels * ''Seventeen'' (Tarkington novel), a 1916 novel by Booth Tarkington *''Seventeen'' (''Sebuntiin''), a 1961 novel by Kenzaburō Ōe * ''Seventeen'' (Serafin novel), a 2004 novel by Shan Serafin Stage and screen Film * ''Seventeen'' (1916 film), an American silent comedy film *'' Number Seventeen'', a 1932 film directed by Alfred Hitchcock * ''Seventeen'' (1940 film), an American comedy film *'' Eric Soya's '17''' (Danish: ''Sytten''), a 1965 Danish comedy film * ''Seventeen'' (1985 film), a documentary film * ''17 Again'' (film), a 2009 film whose working title was ''17'' * ''Seventeen'' (2019 film), a Spanish drama film Television * ''Seventeen'' (TV drama), a 1994 UK dramatic short starring Chri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Beckingham
Charles Beckingham (25 July 1699 – 19 February 1730-31) was an English poet and dramatist. Life Beckingham was born, according to the register of Merchant Taylors' School, on 25 July 1699 (Robinson's ''Register'', ii. 32). His father was a linen draper in Fleet Street. Beckingham was educated at Merchant Taylors' School under Dr. Smith, and is said to have displayed "great proficiency in his studies", and given "the strongest testimonials of extraordinary abilities". On 18 February 1718 ''Scipio Africanus'', a historical tragedy in the regulation five acts, was produced at the theatre in Lincoln's Inn Fields. This was followed at the same house on 7 November of the next year by a second work of a similar description, entitled '' Henry IV of France''. The youth of the author, and the presence of a large number of his fellow-students who had been permitted to visit the theatre, gave some éclat to the production of the earlier work. A chief subject of praise in contemporary w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prologue
A prologue or prolog (from Greek πρόλογος ''prólogos'', from πρό ''pró'', "before" and λόγος ''lógos'', "word") is an opening to a story that establishes the context and gives background details, often some earlier story that ties into the main one, and other miscellaneous information. The Ancient Greek ''prólogos'' included the modern meaning of ''prologue'', but was of wider significance, more like the meaning of preface. The importance, therefore, of the prologue in Greek drama was very great; it sometimes almost took the place of a romance, to which, or to an episode in which, the play itself succeeded. Latin On the Latin stage the prologue was often more elaborate than it was in Athens, and in the careful composition of the poems which Plautus prefixes to his plays we see what importance he gave to this portion of the entertainment; sometimes, as in the preface to the '' Rudens'', Plautus rises to the height of his genius in his adroit and romantic pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jane Rogers (actress, Died 1739)
Jane Rogers (died 1739) was a British stage actress. She was the illegitimate daughter of the actor Robert Wilks and Jane Rogers an actress. To distinguish her from her mother she was sometimes known as Jane Rogers the Younger. In 1717 she married Christopher Bullock, an actor-manager at the Lincoln's Inn Fields Theatre. He died in 1722 from consumption, after they had three children together. She continued to be a popular actress at Lincoln's Inn, and in 1732 moved with the rest of the company to the new Covent Garden Theatre. In 1736 as her career drew to a close she received a benefit performance at Covent Garden, and the following year another benefit was held at the Smock Alley Theatre in Dublin. She died in Ireland two years later and was buried at Glasnevin.Highfill, Burnim & Langhans p.403 Selected roles * Louisa in '' The Northern Heiress'' (1716) * Selinda in '' The Perfidious Brother'' (1716) * Mrs Winwife in '' The Artful Husband'' (1717) * Amidea in '' The Traitor' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anna Maria Seymour
Anna Maria Seymour or Mrs Seymour (c. 1692 – 10 July 1723) was a British actress. Life Seymour is first heard of in 1717 when she appeared at Drury Lane in ''The Scowrers''. She took leading roles in Richard III and Hamlet with Lacy Ryan as well as appearing with James Quin in ''Othello'' and with him as Lady Macbeth. In 1718-19 she moved to John Rich's theatre at Lincoln's Inn Fields to take leading roles. Her most noted role was as ''Marianne'' in Elijah Fenton Elijah Fenton (20 May 1683 – 16 July 1730) was an English poet, biographer and translator. Life Born in Shelton (now Stoke-on-Trent), and educated at Jesus College, Cambridge, for a time he acted as secretary to the Charles Boyle, 4th Earl of ...'s play of the same name. Her final appearance was with her future husband on 7 June 1723. She married Anthony Boheme who was also a leading actor in 1723 and she was said to have been lost to the profession. However the marriage did not last the year as she died in No ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Egleton
John Egleton (1698-1727) was a British stage actor. He was a member of the Lincoln's Inn Fields company between 1717 and 1726, and also routinely performed at the summer fairs in London. In 1721 he married the actress Jane Giffard.Johanson p.409 Selected roles * Florio in '' The Traitor'' by Christopher Bullock (1718) * Ranger in '' The Coquet'' by Charles Molloy (1718) * Varnish in ''Kensington Gardens'' by John Leigh (1719) * Ravillac in ''Henry IV of France'' by Charles Beckingham (1719) * Carew in ''Sir Walter Raleigh'' by George Sewell (1719) * Honoric in ''The Imperial Captives'' by John Mottley (1720) * Woodville in '' Hob's Wedding'' by John Leigh (1720) * Arsaces in ''Antiochus'' by John Mottley (1721) * Achmat in ''The Fair Captive'' by Eliza Haywood (1721) * Jerry in ''Hanging and Marriage'' by Henry Carey (1722) * Idas in '' Love and Duty'' by John Sturmy (1722) * O'Connor in ''Hibernia Freed'' by William Phillips (1722) * Attalus in ''The Fatal Legacy'' by Jane R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Walker (actor)
Thomas Walker (1698–1744) was an English actor and dramatist. Early life He was the son of Francis Walker of Soho, London. At around the year 1714, he joined the Shepherd's company (perhaps the Shepherd who was at William Pinkethman's theatre in Greenwich in 1710). Barton Booth saw Walker in a droll, ''The Siege of Troy'', and recommended him to the management of the Drury Lane Theatre. Actor In November 1715 Walker seems to have played Tyrrel in Colley Cibber's ''Richard III''; on 12 December 1715 he was Young Fashion in a revival of ''The Relapse'' (John Vanburgh). On 23 September 1721 he appeared at Lincoln's Inn Fields as Edmund in ''King Lear'', and he remained there until 1733. On 29 January 1728 Walker took on his major original part, Captain Macheath in the '' Beggar's Opera'', and his reputation was established. On 10 February 1733, at the new Covent Garden Theatre, Walker was the first Periphas in John Gay's ''Achilles''.At this house he played Lothario, Banquo, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tragedy
Tragedy (from the grc-gre, τραγῳδία, ''tragōidia'', ''tragōidia'') is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a main character. Traditionally, the intention of tragedy is to invoke an accompanying catharsis, or a "pain hatawakens pleasure", for the audience. While many cultures have developed forms that provoke this paradoxical response, the term ''tragedy'' often refers to a specific tradition of drama that has played a unique and important role historically in the self-definition of Western civilization. That tradition has been multiple and discontinuous, yet the term has often been used to invoke a powerful effect of cultural identity and historical continuity—"the Greeks and the Elizabethans, in one cultural form; Hellenes and Christians, in a common activity," as Raymond Williams puts it. From its origins in the theatre of ancient Greece 2500 years ago, from which there survives only a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Quin
James Quin (24 February 1693 – 21 January 1766) was an English actor of Irish descent. Life Quin was born in King Street, Covent Garden, London, an illegitimate son of James Quin, an Irish-born barrister, and his partner (whom he apparently never lawfully married) Mrs. Grinsell. He was the grandson of Mark Quin, Lord Mayor of Dublin in 1667–8. William Whitshed, Lord Chief Justice of Ireland, was his first cousin. He was educated in Dublin, and probably spent some time at Trinity College, Dublin. His grandfather, the Lord Mayor of Dublin, who caused a sensation by committing suicide in Christ Church Cathedral, Dublin in 1674, supposedly because of his wife's infidelity, was one of the richest men in Dublin. James unsuccessfully claimed a share of the family fortune,Sturgeon, Sinéad "Quin, James" ''Dictionary of Irish Biography'' but he could not prove that his parents had been lawfully married, since his mother had a previous husband who was still alive. Soon after his fat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
