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The Double Gallant
''The Double Gallant'' is a 1707 comedy play by the British writer Colley Cibber. It was originally performed on 1 November 1707 at the Queen's Theatre in the Haymarket with a cast that included Benjamin Johnson as Sir Solomon, Barton Booth as Clerimont, Robert Wilks as Careless, Colley Cibber as Atall, William Bowen as Captain Strut, Henry Norris as Sir Squabble Splithair, George Pack as Saunter, William Bullock as Old Wilful, Richard Cross as Sir Harry Atall, Anne Oldfield as Lady Dainty, Letitia Cross as Lady Sadlife, Jane Rogers as Clarinda, Lucretia Bradshaw as Sylvia and Margaret Saunders Margaret Saunders or Mrs Saunders (born 1686 - c. 1748) was a British actress. Life Saunders was born in Weymouth and attended a boarding school in Wiltshire before being apprenticed by a milliner. At the age of sixteen she began her acting c ... as Wishwell.Van Lennep p.156 References Bibliography * Burling, William J. ''A Checklist of New Plays and Entertainments on the ...
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Theatre Royal, Drury Lane
The Theatre Royal, Drury Lane, commonly known as Drury Lane, is a West End theatre and Grade I listed building in Covent Garden, London, England. The building faces Catherine Street (earlier named Bridges or Brydges Street) and backs onto Drury Lane. The building is the most recent in a line of four theatres which were built at the same location, the earliest of which dated back to 1663, making it the oldest theatre site in London still in use. According to the author Peter Thomson, for its first two centuries, Drury Lane could "reasonably have claimed to be London's leading theatre". For most of that time, it was one of a handful of patent theatres, granted monopoly rights to the production of "legitimate" drama in London (meaning spoken plays, rather than opera, dance, concerts, or plays with music). The first theatre on the site was built at the behest of Thomas Killigrew in the early 1660s, when theatres were allowed to reopen during the English Restoration. Initial ...
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William Bullock (actor)
William Bullock (''c.'' 1657 – ''c.'' 1740) was an English actor, "of great glee and much comic vivacity." He played at all the London theatres of his time, and in the summer at a booth at Bartholomew Fair. Life Bullock's name is mentioned in Downes's "Roscius Anglicanus." He first appears in the cast of Colley Cibber's "Love's Last Shift," produced by the associated companies of Drury Lane and Dorset Garden, 1696. In Cibber's piece he played Sly. He had joined the companies the previous year. Among his original characters were Sir Tunbelly Clumsy in the "Relapse," 1697, and Soto in '' She Would and She Would Not'' 1702. He also played with success many parts in the plays of John Dryden, William Wycherley, Thomas Shadwell. Until 1706, he was at Drury Lane. He then went to the Haymarket, returning to Drury Lane in 1708. After another brief migration to the Haymarket, followed by a new return to Drury Lane, he quitted definitely the latter theatre, 1715–16, for Lincoln's Inn F ...
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Plays By Colley Cibber
Play most commonly refers to: * Play (activity), an activity done for enjoyment * Play (theatre), a work of drama Play may refer also to: Computers and technology * Google Play, a digital content service * Play Framework, a Java framework * Play Mobile, a Polish internet provider * Xperia Play, an Android phone * Rakuten.co.uk (formerly Play.com), an online retailer * Backlash (engineering), or ''play'', non-reversible part of movement * Petroleum play, oil fields with same geological circumstances * Play symbol, in media control devices Film * ''Play'' (2005 film), Chilean film directed by Alicia Scherson * ''Play'', a 2009 short film directed by David Kaplan * ''Play'' (2011 film), a Swedish film directed by Ruben Östlund * ''Rush'' (2012 film), an Indian film earlier titled ''Play'' and also known as ''Raftaar 24 x 7'' * ''The Play'' (film), a 2013 Bengali film Literature and publications * ''Play'' (play), written by Samuel Beckett * ''Play'' (''The New York ...
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1707 Plays
Seventeen or 17 may refer to: * 17 (number), the natural number following 16 and preceding 18 * one of the years 17 BC, AD 17, 1917, 2017 Literature Magazines * ''Seventeen'' (American magazine), an American magazine * ''Seventeen'' (Japanese magazine), a Japanese magazine Novels * ''Seventeen'' (Tarkington novel), a 1916 novel by Booth Tarkington *''Seventeen'' (''Sebuntiin''), a 1961 novel by Kenzaburō Ōe * ''Seventeen'' (Serafin novel), a 2004 novel by Shan Serafin Stage and screen Film * ''Seventeen'' (1916 film), an American silent comedy film *''Number Seventeen'', a 1932 film directed by Alfred Hitchcock * ''Seventeen'' (1940 film), an American comedy film *''Eric Soya's '17''' (Danish: ''Sytten''), a 1965 Danish comedy film * ''Seventeen'' (1985 film), a documentary film * ''17 Again'' (film), a 2009 film whose working title was ''17'' * ''Seventeen'' (2019 film), a Spanish drama film Television * ''Seventeen'' (TV drama), a 1994 UK dramatic short starring Christie ...
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Margaret Saunders
Margaret Saunders or Mrs Saunders (born 1686 - c. 1748) was a British actress. Life Saunders was born in Weymouth and attended a boarding school in Wiltshire before being apprenticed by a milliner. At the age of sixteen she began her acting career at Drury Lane Theatre due to an introduction by her lifelong friend Anne Oldfield. In 1708 and 1709 she was billed "Mrs Saunders" for her performances at Drury Lane. but it appears that she never married as she was declared a spinster when she died. Saunders appeared in many significant roles. Her comedy appearances were celebrated at a benefit performance in 1747 at the Theatre Royal. Saunders did not appear as she had been unable to leave her house for a year and a half. Selected roles * Wishwell in '' The Double Gallant'' by Colley Cibber (1707) * Mrs Flimsy in ''The Fine Lady's Airs'' by Thomas Baker (1708) * Patch in '' The Busie Body'' by Susanna Centlivre (1709) * Dorothy in '' The Man's Bewitched'' by Susanna Centlivre (17 ...
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Lucretia Bradshaw
Lucretia Bradshaw (fl. 1714 - 1741) was an English actress. She was often billed as Mrs. Bradshaw. In Thomas Betterton's 1741 ''A History of the English Stage'', it is stated that: She declared herself to have learned from Elizabeth Barry: "to make herself Mistress of her Part and leave the ''Figure'' and ''Action'' to ''Nature''". In 1710 she appeared in the title role in Aaron Hill's play '' Elfrid''. In 1714 she married Martin Folkes (1690-1754), an English antiquary, numismatist, mathematician, and astronomer, who "ook heroff the Stage, for her exemplary and prudent Conduct". The wedding took place on 18 September 1714 at St Helen's church, London. Their marriage is described by Betterton in the words: "And such has been her Behaviour to him, that there is not a more happy Couple." They had three children: Dorothy (born 1718), Martin (1720-1740), and Lucretia (1721–1758, who married Richard Betenson). In March 1753 the family went on a tour of Germany and Italy, and ...
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Jane Rogers (17th-century Actress)
Jane Rogers (died 1718) was an English stage actress. To distinguish her from her daughter she is sometimes referred to as Jane Rogers the Elder. She first appeared at Theatre Royal, Drury Lane in 1692 in Thomas Shadwell's '' The Volunteers''. Following the split of the United Company in 1695, she remained at Drury Lane with Christopher Rich's company rather than join the breakaways under Thomas Betterton. She benefited from the departed of Anne Bracegirdle with whom she had been competing for roles and became one of the leading members of the company. Sometimes in the 1690s she gave birth to Jane Rogers reportedly following a liaison with fellow actor Robert Wilks. Her daughter later became an actress as part of the Lincoln's Inn Fields company, where she married Christopher Bullock and was consequently known by his surname. The elder Rogers continued at Drury Lane until 1706, when she switched to the new Queen's Theatre in the Haymarket. She then returned to Drury Lane wher ...
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Letitia Cross
Letitia Cross (1681/1682 – 4 April 1737) was a British singer and actor. She appeared at the Drury Lane Theatre and was the mistress of Peter the Great when he visited England. Life Cross was born in Surrey and it has been suggested that this was 1681 or 1682 based on later information she volunteered. She was brought up in the theatre by her mother and her grandparents may have been Leonard and Ann Cross. She was baptised in Dorking. In 1694 whilst still a child she was a member of the Drury Lane/Dorset Garden theatre company in London. At that time it was the only theatre company but a group left which included Thomas Betterton. She sang songs by Henry Purcell whilst he was still alive as well as appearing in his unfinished opera '' The Indian Queen'' after his death. She sang in ''The Mock Marriage'', '' The Rival Sisters'' and a version of ''The Tempest'' by John Dryden. She sang in various other productions and in 1696 she appeared as herself in a satire and later in tha ...
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Anne Oldfield
Anne Oldfield (168323 October 1730) was an English actress and one of the highest paid actresses of her time. Early life and discovery She was born in London in 1683. Her father was a soldier, James Oldfield. Her mother was either Anne or Elizabeth Blanchard. Her grandfather owned a tavern and left her father several properties, he however mortgaged these which resulted in Anne and her mother being placed in financial difficulty when he died young. It appears that Oldfield received some education because her biographers state that she read widely in her youth. Oldfield and her mother went to live with her aunt, Mrs Voss, in the Mitre tavern, St James. In 1699, she attracted George Farquhar's attention when he overheard her reciting lines from Francis Beaumont and John Fletcher's play '' The Scornful Lady'' (1616) in a back room of her tavern. Soon after, she was hired by Christopher Rich to join the cast of the Theatre Royal, Drury Lane. Career A year later she was cast in ...
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Richard Cross (actor)
Richard Cross was a British stage actor of the seventeenth and eighteenth century. It is probable that he began his career at the Smock Alley Theatre in Dublin before moving to London in 1700. It is also likely he was the brother of Letitia Cross. From 1710 to 1724 he appeared at the Drury Lane with a brief period at the Queen's Theatre in Haymarket.Highfill, Burnim & Langhans p.66 The actor also named Richard Cross was likely to have been his son. Selected roles * Charino in '' Love Makes a Man'' by Colley Cibber (1700) * Major Bombard in ''The Old Mode and the New'' by Thomas d'Urfey (1703) * Salathiel in ''Farewell Folly'' by Peter Motteux (1705) * Sir Hary Atall in '' The Double Gallant'' by Colley Cibber (1707) * Slouch in ''The Man's Bewitched'' by Susanna Centlivre (1709) * Sir Humphrey in ''The What D'Ye Call It'' by John Gay (1715) * Constable in ''The Contrivances'' by Henry Carey Henry Carey may refer to: *Henry Carey, 1st Baron Hunsdon (1526–1596), politician ...
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George Pack (actor)
George Pack (fl. 1700 – 1724) was a British stage actor, singer and theatre manager of the eighteenth century.Heard p.48 His first known performance on the West End theatre, London stage was as Westmoreland in Shakespeare's ''Henry IV, Part I, Henry IV'' at the Lincoln's Inn Fields Theatre and he remained with the company until it transferred to the Her Majesty's Theatre, Queens's Theatre in the Haymarket, London, Haymarket in 1705. He played in a mixture of comedies and tragedies, originating roles in plays by many of the leading dramatists of the era including Nicholas Rowe (writer), Nicholas Rowe, Mary Pix, John Vanbrugh and Susanna Centlivre. In 1708 Pack joined the Theatre Royal, Drury Lane, Drury Lane company and remained with it until he left to join John Rich (producer), John Rich's new company at the revived Lincoln's Inn Fields Theare in 1715. His final original role was in ''The Chimera (play), The Chimera'' in 1721. The following year he announced his retirement but c ...
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Colley Cibber
Colley Cibber (6 November 1671 – 11 December 1757) was an English actor-manager, playwright and Poet Laureate. His colourful memoir ''Apology for the Life of Colley Cibber'' (1740) describes his life in a personal, anecdotal and even rambling style. He wrote 25 plays for his own company at Drury Lane, half of which were adapted from various sources, which led Robert Lowe and Alexander Pope, among others, to criticise his "miserable mutilation" of "crucified Molière ndhapless Shakespeare". He regarded himself as first and foremost an actor and had great popular success in comical fop parts, while as a tragic actor he was persistent but much ridiculed. Cibber's brash, extroverted personality did not sit well with his contemporaries, and he was frequently accused of tasteless theatrical productions, shady business methods, and a social and political opportunism that was thought to have gained him the laureateship over far better poets. He rose to ignominious fame when he became t ...
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