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The Deposition From The Cross (Pontormo)
The ''Deposition from the Cross'' is an altarpiece, completed in 1528, depicting the Deposition of Christ by the Italian Renaissance painter Jacopo Pontormo. It is broadly considered to be the artist's surviving masterpiece. Painted in tempera on wood, it is located above the altar of the Capponi Chapel of the church of Santa Felicita in Florence. Interpretation This painting suggests a whirling dance of the grief-stricken. They inhabit a flattened space, comprising a sculptural congregation of brightly demarcated colors. The vortex of the composition droops down towards the limp body of Jesus off center in the left. Those lowering Christ appear to demand our help in sustaining both the weight of his body (and the burden of sin Christ took on) and their grief. No cross is visible; the natural world itself also appears to have nearly vanished: a lonely cloud and a shadowed patch of ground with a crumpled sheet provide sky and stratum for the mourners. If the sky and earth have l ...
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Jacopo Pontormo
Jacopo Carucci or Carrucci (; May 24, 1494 – January 2, 1557), usually known as Jacopo (da) Pontormo or simply Pontormo (), was an Italian Mannerist painter and portraitist from the Florentine School. His work represents a profound stylistic shift from the calm perspectival regularity that characterized the art of the Florentine Renaissance. He is famous for his use of twining poses, coupled with ambiguous perspective; his figures often seem to float in an uncertain environment, unhampered by the forces of gravity. Biography and early work Jacopo Carucci was born at Pontorme (then known as Pontormo or Puntormo), near Empoli, to Bartolomeo di Jacopo di Martino Carrucci and Alessandra di Pasquale di Zanobi. Vasari relates how the orphaned boy, "young, melancholy, and lonely", was shuttled around as a young apprentice: Pontormo painted in and around Florence, often supported by Medici patronage. A foray to Rome, largely to see Michelangelo's work, influenced his later sty ...
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The Entombment Of Christ Or Deposition From The Cross (Caravaggio)
Caravaggio created one of his most admired altarpieces, ''The Entombment of Christ'', in 1603–1604 for the second chapel on the right in Santa Maria in Vallicella (the ''Chiesa Nuova''), a church built for the Oratory of Saint Philip Neri. A copy of the painting is now in the chapel, and the original is in the Vatican Pinacoteca. The painting has been copied by artists as diverse as Rubens, Fragonard, Géricault and Cézanne. History On 11 July 1575, Pope Gregory XIII (1572–1585) issued a bull confirming the formation of a new society called the Oratory and granting it the church of Santa Maria in Vallicella. Two months after the bull, the rebuilding of the church commenced. Envisaged in the planned reconstruction of the Chiesa Nuova (new church), as it became known, was the dedication of all the altars to the mysteries of the Virgin. Starting in the left transept and continuing around the five chapels on either side of the nave to the right transept, the altars are dedicate ...
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Annunciation (Pontormo)
The ''Annunciation'' is a wall painting by the Italian mannerist artist Jacopo Pontormo, executed in 1527–1528 as part of his commission to decorate the Capponi Chapel in the church of Santa Felicita, Florence, Italy. It is frescoed around the window on the wall adjacent to Pontormo's masterpiece, the famous ''Deposition from the Cross''. Pontormo depicts the Annunciation, the revelation to Mary by the Archangel Gabriel that she would conceive a child to be born the Son of God, in a lively composition, with both figures in an elastic contrapposto. Sources * 1528 paintings Pontormo Jacopo Carucci or Carrucci (; May 24, 1494 – January 2, 1557), usually known as Jacopo (da) Pontormo or simply Pontormo (), was an Italian Mannerist painter and portraitist from the Florentine School. His work represents a profound stylisti ... Fresco paintings in Florence Paintings by Pontormo {{1520s-painting-stub ...
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Contrapposto
( 'counterpoise'), in the visual arts, is a human figure standing with most of its weight on one foot, so that its shoulders and arms twist off-axis from the hips and legs in the axial plane. First appearing in Ancient Greece in the early 5th century BCE, ''contrapposto'' is considered a crucial development in the history of Ancient Greek art (and, by extension, Western art), as it marks the first time in Western art that the human body is used to express a psychological disposition. The style was further developed and popularized by sculptors in the Hellenistic and Imperial Roman periods, fell out of use in the Middle Ages, and was later revived during the Renaissance. Michelangelo's statue of ''David'', one of the most iconic sculptures in the world, is a famous example of ''contrapposto''. Definition ''Contrapposto'' was historically an important sculptural development, for its appearance marks the first time in Western art that the human body is used to express a more re ...
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Carmignano
Carmignano is a ''comune'' (municipality) in the province of Prato, part of the Italian region Tuscany. It is located about west of Florence and about southwest of Prato. It is the centre of the wine region of the same name. It has 14,577 inhabitants. Geography Carmignano borders the following municipalities: Capraia e Limite, Lastra a Signa, Montelupo Fiorentino, Poggio a Caiano, Prato, Quarrata, Signa, Vinci. Demographics Main sights The most important attraction of the town is the church of San Michele e San Francesco (12th century), which houses a ''Visitation'' by the Renaissance master Pontormo. The 10th century ''Rocca'' ("Castle"), in the upper part of the town, is well preserved. The ''frazione'' of Comeana is home to several Etruscan __NOTOC__ Etruscan may refer to: Ancient civilization *Etruscan civilization (1st millennium BC) and related things: **Etruscan language ** Etruscan architecture **Etruscan art **Etruscan cities **Etruscan coins **Etrusca ...
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Bronzino
Agnolo di Cosimo (; 17 November 150323 November 1572), usually known as Bronzino ( ) or Agnolo Bronzino, was an Italians, Italian Mannerism, Mannerist painter from Florence. His sobriquet, ''Bronzino'', may refer to his relatively dark skin or reddish hair. He lived all his life in Florence, and from his late 30s was kept busy as the court painter of Cosimo I de' Medici, Grand Duke of Tuscany. He was mainly a portraitist, but also painted many religious subjects, and a few allegorical subjects, which include what is probably his best-known work, ''Venus, Cupid, Folly and Time'', c. 1544–45, now in London. Many portraits of the Medicis exist in several versions with varying degrees of participation by Bronzino himself, as Cosimo was a pioneer of the copied portrait sent as a diplomatic gift. He trained with Pontormo, the leading Florentine painter of the first generation of Mannerism, and his style was greatly influenced by him, but his elegant and somewhat elongated figures al ...
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Apprentice
Apprenticeship is a system for training a potential new practitioners of a Tradesman, trade or profession with on-the-job training and often some accompanying study. Apprenticeships may also enable practitioners to gain a license to practice in a regulated occupation. Most of their training is done while working for an employer who helps the apprentices learn their trade or profession, in exchange for their continued labor for an agreed period after they have achieved measurable competencies. Apprenticeship lengths vary significantly across sectors, professions, roles and cultures. In some cases, people who successfully complete an apprenticeship can reach the "journeyman" or professional certification level of competence. In other cases, they can be offered a permanent job at the company that provided the placement. Although the formal boundaries and terminology of the apprentice/journeyman/master system often do not extend outside guilds and trade unions, the concept of on-the ...
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Pendentives
In architecture, a pendentive is a constructional device permitting the placing of a circular dome over a square room or of an elliptical dome over a rectangular room. The pendentives, which are triangular segments of a sphere, taper to points at the bottom and spread at the top to establish the continuous circular or elliptical base needed for a dome. In masonry the pendentives thus receive the weight of the dome, concentrating it at the four corners where it can be received by the piers beneath. Prior to the pendentive's development, builders used the device of corbelling or squinches in the corners of a room. Pendentives commonly occurred in Orthodox, Renaissance, and Baroque churches, with a drum with windows often inserted between the pendentives and the dome. The first experimentation with pendentives began with Roman dome construction in the 2nd–3rd century AD, while full development of the form came in the 6th-century Eastern Roman cathedral, Hagia Sophia, i ...
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Four Evangelists
In Christian tradition, the Four Evangelists are Matthew the Apostle, Matthew, Mark the Evangelist, Mark, Luke the Evangelist, Luke, and John the Evangelist, John, the authors attributed with the creation of the four canonical Gospel accounts. In the New Testament, they bear the following titles: the Gospel of Matthew; the Gospel of Mark; the Gospel of Luke; and the Gospel of John. Gospels The gospels of Gospel of Matthew, Matthew, Gospel of Mark, Mark, and Gospel of Luke, Luke are known as the Synoptic Gospels, because they include many of the same stories, often in the same sequence or even verbatim. While the periods to which the gospels are usually dated suggest otherwise, convention traditionally holds that the authors were two of the Twelve Apostles of Jesus, John and Matthew, as well as two "apostolic men", Mark and Luke, whom Orthodox Tradition records as members of the 70 Apostles (Luke 10): * Matthew the Evangelist, Matthew – a former tax collector (Levi) who w ...
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Roundel
A roundel is a circular disc used as a symbol. The term is used in heraldry, but also commonly used to refer to a type of national insignia used on military aircraft, generally circular in shape and usually comprising concentric rings of different colours. Other symbols also often use round shapes. Heraldry In heraldry, a ''roundel'' is a circular charge. ''Roundels'' are among the oldest charges used in coats of arms, dating from at least the twelfth century. Roundels in British heraldry have different names depending on their tincture. Thus, while a roundel may be blazoned by its tincture, e.g., ''a roundel vert'' (literally "a roundel green"), it is more often described by a single word, in this case ''pomme'' (literally "apple", from the French) or, from the same origins, ''pomeis''—as in "Vert; on a cross Or five pomeis" (a green field with a golden/yellow cross on which are drawn five green roundels/circles). One special example of a named roundel is the fountain, de ...
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Galleria Borghese
The or Borghese Gallery is an art gallery in Rome, Italy, housed in the former Villa Borghese Pinciana. At the outset, the gallery building was integrated with its gardens, but nowadays the Villa Borghese gardens are considered a separate tourist attraction. The Galleria Borghese houses a substantial part of the Borghese Collection of paintings, sculpture and antiquities, begun by Cardinal Scipione Borghese, the nephew of Pope Paul V (reign 1605–1621). The building was constructed by the architect Flaminio Ponzio, developing sketches by Scipione Borghese himself, who used it as a '' villa suburbana'', a country villa at the edge of Rome. The museum displays one of the most prestigious art collections in the world, with masterpieces by artists such as Caravaggio, Bernini, Canova, Raphael and Titian. Scipione Borghese was an early patron of Bernini and an avid collector of works by Caravaggio, who is well represented in the collection by his '' Boy with a Basket of Fruit'', ...
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Raphael
Raffaello Sanzio da Urbino (; March 28 or April 6, 1483April 6, 1520), now generally known in English as Raphael ( , ), was an Italian painter and architect of the High Renaissance. List of paintings by Raphael, His work is admired for its clarity of form, ease of composition, and visual achievement of the Platonism in the Renaissance, Neoplatonic ideal of human grandeur. Together with Leonardo da Vinci and Michelangelo, he forms the traditional trinity of great masters of that period. His father Giovanni Santi was court painter to the ruler of the small but highly cultured city of Urbino. He died when Raphael was eleven, and Raphael seems to have played a role in managing the family workshop from this point. He probably trained in the workshop of Pietro Perugino, and was described as a fully trained "master" by 1500. He worked in or for several cities in north Italy until in 1508 he moved to Rome at the invitation of Pope Julius II, to work on the Apostolic Palace at Vatican ...
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