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Jacopo Pontormo
Jacopo Carucci or Carrucci (; May 24, 1494 – January 2, 1557), usually known as Jacopo (da) Pontormo or simply Pontormo (), was an Italian Mannerist painter and portraitist from the Florentine School. His work represents a profound stylistic shift from the calm perspectival regularity that characterized the art of the Florentine Renaissance. He is famous for his use of twining poses, coupled with ambiguous perspective; his figures often seem to float in an uncertain environment, unhampered by the forces of gravity. Biography and early work Jacopo Carucci was born at Pontorme (then known as Pontormo or Puntormo), near Empoli, to Bartolomeo di Jacopo di Martino Carrucci and Alessandra di Pasquale di Zanobi. Vasari relates how the orphaned boy, "young, melancholy, and lonely", was shuttled around as a young apprentice: Pontormo painted in and around Florence, often supported by Medici patronage. A foray to Rome, largely to see Michelangelo's work, influenced his later sty ...
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Republic Of Florence
The Republic of Florence (; Old Italian: ), known officially as the Florentine Republic, was a medieval and early modern state that was centered on the Italian city of Florence in Tuscany, Italy. The republic originated in 1115, when the Florentine people rebelled against the Margraviate of Tuscany upon the death of Matilda of Tuscany, who controlled vast territories that included Florence. The Florentines formed a commune in Rabodo's (Matilda’s successor) successors' place. The republic was ruled by a council known as the Signoria of Florence. The signoria was chosen by the (titular ruler of the city), who was elected every two months by Florentine guild members. During the Republic's history, Florence was an important cultural, economic, political and artistic force in Europe. Its coin, the florin, was the dominant trade coin of Western Europe for large scale transactions and became widely imitated throughout the continent. During the Republican period, Florence was al ...
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Lives Of The Most Excellent Painters, Sculptors, And Architects
''The Lives of the Most Excellent Painters, Sculptors, and Architects'' () is a series of artist biographies written by 16th-century Italian painter and architect Giorgio Vasari, which is considered "perhaps the most famous, and even today the most-read work of the older literature of art",Max Marmor, ''Kunstliteratur''
translated by Ernst Gombrich, in Art Documentation Vol 11 # 1, 1992
"some of the 's most influential writing on art", and "the first important book on

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Michelangelo
Michelangelo di Lodovico Buonarroti Simoni (6March 147518February 1564), known mononymously as Michelangelo, was an Italian sculptor, painter, architect, and poet of the High Renaissance. Born in the Republic of Florence, his work was inspired by models from classical antiquity and had a lasting influence on Western art. Michelangelo's creative abilities and mastery in a range of artistic arenas define him as an archetypal Renaissance man, along with his rival and elder contemporary, Leonardo da Vinci. Given the sheer volume of surviving correspondence, sketches, and reminiscences, Michelangelo is one of the best-documented artists of the 16th century. He was lauded by contemporary biographers as the most accomplished artist of his era. Michelangelo achieved fame early. Two of his best-known works, the ''Pietà (Michelangelo), Pietà'' and ''David (Michelangelo), David'', were sculpted before the age of 30. Although he did not consider himself a painter, Michelangelo created ...
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Villa
A villa is a type of house that was originally an ancient Roman upper class country house that provided an escape from urban life. Since its origins in the Roman villa, the idea and function of a villa have evolved considerably. After the fall of the Roman Republic, villas became small farming compounds, which were increasingly fortified in Late Antiquity, sometimes transferred to the Church for reuse as a monastery. They gradually re-evolved through the Middle Ages into elegant upper-class country homes. In the early modern period, any comfortable detached house with a garden near a city or town was likely to be described as a villa; most surviving villas have now been engulfed by suburbia. In modern parlance, "villa" can refer to various types and sizes of residences, ranging from the suburban semi-detached double villa to, in some countries, especially around the Mediterranean, residences of above average size in the countryside. Roman Roman villas included: * the ' ...
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Fresco
Fresco ( or frescoes) is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall. The word ''fresco'' () is derived from the Italian adjective ''fresco'' meaning "fresh", and may thus be contrasted with fresco-secco or secco mural painting techniques, which are applied to dried plaster, to supplement painting in fresco. The fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting. The word ''fresco'' is commonly and inaccurately used in English to refer to any wall painting regardless of the plaster technology or binding medium. This, in part, contributes to a misconception that the most geographically and temporally common wall painting technology was the painting into wet lime plaster. Even in apparently '' buon fresco'' technology ...
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Bronzino
Agnolo di Cosimo (; 17 November 150323 November 1572), usually known as Bronzino ( ) or Agnolo Bronzino, was an Italians, Italian Mannerism, Mannerist painter from Florence. His sobriquet, ''Bronzino'', may refer to his relatively dark skin or reddish hair. He lived all his life in Florence, and from his late 30s was kept busy as the court painter of Cosimo I de' Medici, Grand Duke of Tuscany. He was mainly a portraitist, but also painted many religious subjects, and a few allegorical subjects, which include what is probably his best-known work, ''Venus, Cupid, Folly and Time'', c. 1544–45, now in London. Many portraits of the Medicis exist in several versions with varying degrees of participation by Bronzino himself, as Cosimo was a pioneer of the copied portrait sent as a diplomatic gift. He trained with Pontormo, the leading Florentine painter of the first generation of Mannerism, and his style was greatly influenced by him, but his elegant and somewhat elongated figures al ...
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Joseph In Egypt (painting)
''Joseph in Egypt'' is an oil painting on panel of by Pontormo, now in the National Gallery The National Gallery is an art museum in Trafalgar Square in the City of Westminster, in Central London, England. Founded in 1824, it houses a collection of more than 2,300 paintings dating from the mid-13th century to 1900. The current di ... in London, which bought it in 1882. Like the same artist's '' Joseph's Brothers Beg for Help'', '' Joseph Sold to Potiphar'' and '' Pharaoh with his Butler and Baker'' (all also in the National Gallery), it was originally part of the Marriage Chamber in the Palazzo Borgherini in Florence. References {{Pontormo category:1518 paintings Paintings of Joseph (Genesis) category:Paintings by Pontormo Paintings in the National Gallery, London ...
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National Gallery
The National Gallery is an art museum in Trafalgar Square in the City of Westminster, in Central London, England. Founded in 1824, it houses a collection of more than 2,300 paintings dating from the mid-13th century to 1900. The current director of the National Gallery is Gabriele Finaldi. The National Gallery is an exempt charity, and a non-departmental public body of the Department for Culture, Media and Sport. Its collection belongs to the government on behalf of the British public, and entry to the main collection is free of charge. Unlike comparable museums in continental Europe, the National Gallery was not formed by nationalising an existing royal or princely art collection. It came into being when the British government bought 38 paintings from the heirs of John Julius Angerstein in 1824. After that initial purchase, the gallery was shaped mainly by its early directors, especially Charles Lock Eastlake, and by private donations, which now account for two-third ...
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Joseph (son Of Jacob)
Joseph (; ) is an important Hebrew figure in the Bible's Book of Genesis. He was the first of the two sons of Jacob and Rachel (Jacob's twelfth named child and eleventh son). He is the founder of the Tribe of Joseph among the Israelites. His story functions as an explanation for Israel's residence in Egypt. He is the favourite son of the patriarch Jacob, and his envious brothers sell him into slavery in Biblical Egypt, where he eventually ends up incarcerated. After correctly interpreting the dreams of Pharaoh, he rises to second-in-command in Egypt and saves Egypt during a famine. Jacob's family travels to Egypt to escape the famine, and it is through him that they are given leave to settle in the Land of Goshen (the eastern part of the Nile Delta). Scholars hold different opinions about the historical background of the Joseph story, as well as the date and development of its composition. Some scholars suggest that the biblical story of Joseph (Gen 37-50) was a multigenerationa ...
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Jacopo Pontormo 032
Jacopo (also Iacopo) is a masculine Italian given name, derivant from Latin ''Iacōbus''. It is an Italian variant of Giacomo ( James in English). * Jacopo Aconcio (), Italian religious reformer * Jacopo Bassano (1592), Italian painter * Iacopo Barsotti (1921–1987), Italian mathematician * Jacopo da Bologna (), Italian composer * Jacopo Robusti (1518–1594), Italian painter otherwise known as Tintoretto * Jacopo Carucci (1494–1557), Italian painter otherwise known as Pontormo * Jacopo Corsi (1561–1602), Italian composer * Jacopo da Leona (died 1277), Italian poet * Jacopo Peri (1561–1633), Italian composer * Jacopo della Quercia (1438), Italian sculptor * Jacopo Riccati (1676–1754), Italian mathematician * Jacopo Sadoleto (1477–1547), Italian Catholic cardinal Fictional characters: * Jacopo, a key character in the 2002 film version of ''The Count of Monte Cristo'' (and a minor character in the book). * Jacopo Bearzatti, one of the central characters of ''The Hous ...
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Drapery
Drapery is a general word referring to cloths or textiles (Old French , from Late Latin">-4; we might wonder whether there's a point at which it's appropriate to talk of the beginnings of French, that is, when it wa ... , from Late Latin ). It may refer to cloth used for decorative purposes – such as around windows – or to the trade of retailing cloth, originally mostly for clothing, formerly conducted by drapers. Drape Drape (draping or fabric drape) is the property of different textile materials describing how they fold, fall, or hang over a three-dimensional body. Draping depends upon the fiber characteristics and the flexibility, looseness, and Hand feel, softness of the material. Draped garments follow the form of the human body beneath them. Art In art history, drapery refers to any cloth or textile depicted, which is usually clothing. The schematic depiction of the folds and woven patterns of loose-hanging clothing on the human form, with ancient prototype ...
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Elizabeth (biblical Figure)
Elizabeth was the mother of John the Baptist, the wife of Zechariah and a relative of Mary, mother of Jesus, according to the Gospel of Luke. She was past normal child-bearing age when she conceived and gave birth to John. She is revered as a saint by the Roman Catholic, Eastern Orthodox, Oriental Orthodox, and Lutheran churches, in addition to being a highly respected figure in Islam. Biblical narrative According to the Gospel of Luke chapter 1, Elizabeth was "of the daughters of Aaron". She and her husband Zechariah/Zachariah were "righteous before God, walking in all the commandments and ordinances of the Lord blameless" (), but childless. While he was in the temple of the Lord (), Zachariah was visited by the angel Gabriel: The date on which this occurred, according to theologian Adam C. English, "is September 24, based on computations from the Jewish calendar in accordance with Leviticus 23 regarding the Day of Atonement." Zachariah doubted whereby he could know this ...
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