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The DNAgents
''The DNAgents'' is a comic-book series created by writer Mark Evanier and artist Will Meugniot and published by Eclipse Comics from 1983. The series centers on a team of superheroes created through genetic engineering by the Matrix Corporation to act as superhuman enforcers for the head of the company. Publication history Both Marvel Comics and DC Comics expressed interest in publishing ''The DNAgents'', but Evanier and Meugniot decided against signing with them because they would have had to give up the TV and merchandising rights, and since both had extensive backgrounds and contacts in the television industry, they were confident that they would be able to sell DNAgents as a TV series without help from a publisher. Mike Friedrich served as an agent for Evanier and Meugniot, submitting ''The DNAgents'' to five different publishers. When all five offered to publish it, they decided on large independent publisher Eclipse Comics for the amount of creative freedom they were ready ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Will Meugniot
Will Meugniot () is an American writer, storyboard/comics artist, film producer and director. He is known for his work on animated shows spanning the 1980s, 1990s, and 2000s. Awards and nominations * 1991, Daytime Emmy nomination for 'Outstanding Animated Program' for '' Captain Planet and the Planeteers'' * 1991, Daytime Emmy nomination for 'Outstanding Animated Program' for '' The Real Ghostbusters'' * 1999, won International Monitor Award for 'Children's Programming – Director' for '' The Secret Files of the Spy Dogs'' Selected works TV series * ''The Adventures of Corduroy'' (storyboard artist) * '' Batman: The Animated Series'' (storyboard artist) * '' Biker Mice from Mars'' (storyboard artist, 2006 version) * '' Bionic Six'' (storyboard director) * ''Bob the Builder'' (director, ''Ready, Steady, Build!'') * '' Bucky O'Hare and the Toad Wars'' (storyboard director) * ''Captain America'' (unproduced due to Marvel's bankruptcy problems, replaced by ''Spy Dogs'') * '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Howell (comics)
Richard Howell (born November 16, 1955) is an American comics artist best known as the co-founder and editor of Claypool Comics. Career Richard Howell entered the comics industry in 1977 with his self-published series '' Portia Prinz of the Glamazons''. Beginning in 1980, he and his partner Carol Kalish co-edited the New Media/Irjax line of magazines. They also ran the New Media/Irjax-owned Boston-area distributor Solar Spice and Liquors, named after a fictional corporation created by science fiction writer Poul Anderson. Howell replaced Peter B. Gillis as editorial director of New Media/Irjax in June 1981. Howell began working for Marvel Comics in 1982 and DC Comics in 1983. Writer Tony Isabella and Howell produced ''The Shadow War of Hawkman'' limited series in 1985 and an ongoing ''Hawkman'' series the following year. Howell and writer Steve Englehart crafted a twelve-issue ''The Vision and the Scarlet Witch'' limited series in 1985-1986, wherein the Scarlet Witch bec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
One-shot (comics)
In comics, a one-shot is a work composed of a single standalone issue or chapter, contrasting a Limited series (comics), limited series or ongoing series, which are composed of multiple issues or chapters.Albert, Aaron"One Shot Definition" About Entertainment. Retrieved July 8, 2016. One-shots date back to the early 19th century, published in newspapers, and today may be in the form of single published Comic book, comic books, parts of Comic magazine, comic magazines/Anthology, anthologies or published online in websites. In the marketing industry, some one-shots are used as promotion tools that tie in with existing productions, films, video games or television shows. Overview In the Japanese manga industry, one-shots are called , a term which implies that the comic is presented in its entirety without any continuation. One-shot manga are often written for contests, and sometimes later developed into a full-length series, much like a television pilot. Many popular manga series bega ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stereoscopy
Stereoscopy, also called stereoscopics or stereo imaging, is a technique for creating or enhancing the depth perception, illusion of depth in an image by means of stereopsis for binocular vision. The word ''stereoscopy'' derives . Any stereoscopic image is called a stereogram. Originally, stereogram referred to a pair of stereo images which could be viewed using a stereoscope. Most stereoscopic methods present a pair of two-dimensional images to the viewer. The left image is presented to the left eye and the right image is presented to the right eye. When viewed, the human brain perceives the images as a single 3D view, giving the viewer the perception of Three-dimensional space, 3D depth. However, the 3D effect lacks proper focal depth, which gives rise to the Vergence-accommodation conflict. Stereoscopy is distinguished from other types of 3d display#3D displays, 3D displays that display an image in Three-dimensional space, three full dimensions, allowing the observer to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Limited Series (comics)
In the field of comic books, and particularly in the United States, a limited series is a comics series with a predetermined number of issues. A limited series differs from an ongoing series in that the number of issues is finite and determined before production, and it differs from a one shot in that it is composed of multiple issues. The term is often used interchangeably with miniseries (mini-series) and maxiseries (maxi-series), usually depending on the length and number of issues. In Dark Horse Comics' definition of a limited series, "this term primarily applies to a connected series of individual comic books. A limited series refers to a comic book series with a clear beginning, middle and end". Dark Horse Comics and DC Comics refer to limited series of two to eleven issues as miniseries and series of twelve issues or more as maxiseries, but other publishers alternate terms. Characteristics A limited series can "vary widely in length, but often run from three to ten issu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Crossfire (Eclipse Comics)
''Crossfire'' is an American comic book series created by writer Mark Evanier and artist Dan Spiegle originally for Eclipse Comics. It was a spin-off from '' DNAgents'', which was also written by Evanier. The series ran for 26 issues from May 1984 to October 1988. Publication history The original Crossfire - Jeff Baker - first appeared in ''DNAgents'' #4. Jay Endicott, Crossfire for the solo series, first appeared in ''DNAgents'' #9. In 1985 Evanier would state "''Crossfire'' is the comic I enjoy the most out of anything I've written". The series originally ran for 26 issues, initially but sold poorly. This prompted a change of format from color to black and white printing to reduce expense. In turn, the series took a more realistic tone to the stories such as Endicott having to make do with only his mask after he was forced to destroy the rest of his costume to escape police custody. In addition to the superhero adventures, Evanier used his considerable experience in the Holl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rick Hoberg
Richard Renick Hoberg (; born June 7, 1952) is an American comics artist and animator. Newspaper strips Hoberg began his career in comic books in the mid-1970s, working for Russ Manning on ''Tarzan'' comic books for overseas distribution (1975–1976) and later assisted Manning on the ''Star Wars'' comic strip (1979–1980). Hoberg also ghosted Sunday pages for Fred Kida on ''The Amazing Spider-Man'' strip (1981–1982). Comic books Between 1977 and 1979, Hoberg contributed artwork for Marvel Comics' ''The Invaders'', '' Kull the Destroyer'', '' Savage Sword of Conan'', ''Star Wars'', and '' What If...?''. In the 1980s, Hoberg mainly drew for such DC Comics titles as ''All-Star Squadron'', ''Batman'', ''The Brave and the Bold'', ''Captain Carrot and His Amazing Zoo Crew!'', ''Checkmate'', ''Green Arrow'', ''Green Lantern'', and '' Justice League of America Annual''. He was one of the contributors to the '' DC Challenge'' limited series in 1986. Writer Dennis Mallonee and Hob ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mike Sekowsky
Michael Sekowsky (; November 19, 1923 – March 30, 1989) was an American comics artist known as the penciler for DC Comics' '' Justice League of America'' during most of the 1960s, and as the regular writer and artist on ''Wonder Woman'' during the late 1960s and early 1970s. Biography Early life and career Sekowsky was born in Lansford, Pennsylvania, and began working in the comics medium in 1941, as an artist at Marvel Comics' predecessor, Timely Comics, in New York City. There he worked as both a cartoonist on such humor features as " Ziggy Pig and Silly Seal", and as a superhero artist on such star characters as Captain America and the Sub-Mariner in issues of '' All Winners Comics'', '' Daring Comics'', '' Marvel Mystery Comics'', '' USA Comics'', and '' Young Allies Comics''. Sekowsky developed a reputation as one of the fastest artists in the comics field. Fellow Timely artist Gene Colan commented on his work: "His pencils were something to behold. Very loose, bu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chuck Patton
Francis Chuck Patton is an African-American comics artist and animator. He is best known for his work on DC Comics' ''Justice League of America'' in the 1980s, specifically for the period in which the team relocated to Detroit and was staffed with new, multicultural super-heroes. With writer Gerry Conway, Patton created Gypsy and Vibe, as well as redesigning Vixen and Steel, The Indestructible Man. Career Comics A self-taught comics artist, although with a degree in art, Patton's influences included José Luis García-López, John Buscema, Gil Kane, Neal Adams, and Dick Giordano. Patton was interested in journalism, but was enticed into a comics career in large part thanks to Giordano by then a top executive at DC. Patton entered the comics industry in 1983 by penciling a brief run of Creeper back-up stories in ''The Flash''. After drawing various titles including ''Green Lantern'', ''The Brave and the Bold'', and the "Green Arrow" backup feature in ''Detective Comics'', Pat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fantagraphics
Fantagraphics (previously Fantagraphics Books) is an American publisher of alternative comics, classic comic strip anthologies, manga, magazines, graphic novels, and (formerly) the Erotic comics, erotic Eros Comix imprint. They have managed several awards for achievement in comic books. History Founding Fantagraphics was founded in 1976 by Gary Groth and Michael Catron in College Park, Maryland. The company took over an zine, adzine named ''The Nostalgia Journal'', which it renamed ''The Comics Journal''. As comics journalist (and former Fantagraphics employee) Michael Dean writes, "the publisher has alternated between flourishing and nearly perishing over the years." Kim Thompson joined the company in 1977, using his inheritance to keep the company afloat. (He soon became a co-owner.) The company moved from Washington, D.C., to Stamford, Connecticut, to Los Angeles over its early years, before settling in Seattle in 1989. Beginning in 1981 Fantagraphics (under its Redbea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amazing Heroes
''Amazing Heroes'' was a magazine about the comic book medium published by American company Fantagraphics Books from 1981 to 1992. Unlike its companion title, '' The Comics Journal'', ''Amazing Heroes'' was a hobbyist magazine rather than an analytical journal. Publication history Fantagraphics decided to publish ''Amazing Heroes'' as another income stream to supplement ''The Comics Journal''. As long-time Fantagraphics co-publisher Kim Thompson put it: "If you want to look at it cynically, we set out to steal '' The Comic Reader'''s cheese. Which we did." ''Amazing Heroes''' first editor was Fantagraphics' head of promotion and circulation, Michael Catron. His inability to meet deadlines led to his being replaced after issue #6 by ''Comics Journal'' editor Kim Thompson. The magazine was initially published under the Fantagraphics imprint Zam Inc., through issue #6.''Amazing Heroes'' #6, November 1981, p. 5 indicia Beginning with #7, the publishing imprint became Redbeard ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
