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The Compositions Of Al Cohn
''The Compositions of Al Cohn'' is the fourth studio album by jazz musician Miles Davis. It was released in 1953 as a 10 inch LP. It is his third album as leader for Prestige, and fourth altogether, following 1952's '' Young Man with a Horn'' for Blue Note. The four tracks were recorded at New York's Beltone Studios on February 19, 1953. Background All the tunes were written by tenor saxophonist, composer and arranger Al Cohn. Ira Gitler's liner notes explain the desire to return to arranged music, along the lines of the '' Birth of the Cool'' sessions, following three albums focused more on soloing. " was felt that Miles needed a change of pace for his next recording date; compositions and arrangements which would suit him and result in a happy combination of arranged music and solo work ... Three of the pieces, "Willie The Wailer", "Floppy", and "For Adults Only" were written for this session. "Tasty Pudding" had been written before but Al arranged it specially for Mile ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miles Davis
Miles Dewey Davis III (May 26, 1926September 28, 1991) was an American trumpeter, bandleader, and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th-century music. Davis adopted a variety of musical directions in a five-decade career that kept him at the forefront of many major stylistic developments in jazz. Born in Alton, Illinois, and raised in East St. Louis, Davis left to study at Juilliard in New York City, before dropping out and making his professional debut as a member of saxophonist Charlie Parker's bebop quintet from 1944 to 1948. Shortly after, he recorded the '' Birth of the Cool'' sessions for Capitol Records, which were instrumental to the development of cool jazz. In the early 1950s, Davis recorded some of the earliest hard bop music while on Prestige Records but did so haphazardly due to a heroin addiction. After a widely acclaimed comeback performance at the Newport Jazz Festival, he signed a long-term co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Birth Of The Cool
''Birth of the Cool'' is a compilation album by American jazz trumpeter and bandleader Miles Davis, released in February 1957 by Capitol Records. It compiles eleven tracks recorded by Davis's nonet for the label over the course of three sessions during 1949 and 1950. Featuring unusual instrumentation and several notable musicians, the music consisted of innovative arrangements influenced by classical music techniques such as polyphony, and marked a major development in post-bebop jazz. As the title suggests, these recordings are considered seminal in the history of cool jazz. Most of them were originally released in the 10-inch 78-rpm format and are all approximately three minutes long. Background From 1944 to 1948, Miles Davis played in Charlie Parker's quintet. Davis recorded several albums worth of material with Parker during this period, including Parker's Sessions for the Savoy and Dial labels. Davis' first records released under his own name were recorded with Parke ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miles Davis Albums
The mile, sometimes the international mile or statute mile to distinguish it from other miles, is a British imperial unit and United States customary unit of distance; both are based on the older English unit of length equal to 5,280 English feet, or 1,760 yards. The statute mile was standardised between the British Commonwealth and the United States by an international agreement in 1959, when it was formally redefined with respect to SI units as exactly . With qualifiers, ''mile'' is also used to describe or translate a wide range of units derived from or roughly equivalent to the Roman mile, such as the nautical mile (now exactly), the Italian mile (roughly ), and the Chinese mile (now exactly). The Romans divided their mile into 5,000 Roman feet but the greater importance of furlongs in Elizabethan-era England meant that the statute mile was made equivalent to or in 1593. This form of the mile then spread across the British Empire, some successor states of which conti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1953 Albums
Events January * January 6 – The Asian Socialist Conference opens in Rangoon, Burma. * January 12 – Estonian émigrés found a Estonian government-in-exile, government-in-exile in Oslo. * January 14 ** Marshal Josip Broz Tito is chosen President of Socialist Federal Republic of Yugoslavia, Yugoslavia. ** The Central Intelligence Agency, CIA-sponsored Robertson Panel first meets to discuss the Unidentified flying object, UFO phenomenon. * January 15 – Georg Dertinger, foreign minister of East Germany, is arrested for spying. * January 19 – 71.1% of all television sets in the United States are tuned into ''I Love Lucy'', to watch Lucy give birth to Little Ricky, which is more people than those who tune into Dwight Eisenhower's inauguration the next day. This record has yet to be broken. * January 20 – Dwight D. Eisenhower is First inauguration of Dwight D. Eisenhower, sworn in as the 34th President of the United States. * January 24 ** Mau Mau Upr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual'' , Andrew Hugill with the Philharmonia Orchestra as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leonard Gaskin
Leonard Gaskin (August 25, 1920 – January 24, 2009) was an American jazz bassist born in New York City. Gaskin played on the early bebop scene at Minton's and Monroe's in New York in the early 1940s. In 1944 he took over Oscar Pettiford's spot in Dizzy Gillespie's band, and followed it with stints in bands led by Cootie Williams, Charlie Parker, Don Byas, Eddie South, Charlie Shavers, and Erroll Garner. In the 1950s, he played with Eddie Condon's Dixieland band, and played with Ruby Braff, Bud Freeman, Rex Stewart, Cootie Williams, Billie Holiday, Stan Getz, J.J. Johnson, and Miles Davis. In the 1960s he became a studio musician, playing on numerous gospel and pop records. In the 1970s and 1980s he returned to jazz, playing with Sy Oliver, Panama Francis, and The International Art of Jazz. Gaskin became involved in educating young people later in his life. He performed and shared his knowledge with elementary students with the Good Groove Band (Leonard Gaski ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kenny Clarke
Kenneth Clarke Spearman (January 9, 1914January 26, 1985), nicknamed Klook, was an American jazz drummer and bandleader. A major innovator of the bebop style of drumming, he pioneered the use of the ride cymbal to keep time rather than the hi-hat, along with the use of the bass drum for irregular accents (" dropping bombs"). Born in Pittsburgh, Pennsylvania, he was orphaned at the age of about five and began playing the drums when he was eight or nine on the urging of a teacher at his orphanage. Turning professional in 1931 at the age of seventeen, he moved to New York City in 1935 when he began to establish his drumming style and reputation. As the house drummer at Minton's Playhouse in the early 1940s, he participated in the after-hours jams that led to the birth of bebop. After military service in the US and Europe between 1943 and 1946, he returned to New York, but from 1948 to 1951 he was mostly based in Paris. He stayed in New York between 1951 and 1956, performing with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Lewis (pianist)
John Aaron Lewis (May 3, 1920 – March 29, 2001) was an American jazz pianist, composer and arranger, best known as the founder and musical director of the Modern Jazz Quartet. Early life John Lewis was born in La Grange, Illinois, and after his parents' divorce moved with his mother, a trained singer, to Albuquerque, New Mexico when he was two months old. She died from peritonitis when he was four and he was raised by his grandmother and great-grandmother. He began learning classical music and piano at the age of seven. His family was musical and had a family band that allowed him to play frequently and he also played in a Boy Scout music group. Lyons, p. 77. Even though he learned piano by playing the classics, he was exposed to jazz from an early age because his aunt loved to dance and he would listen to the music she played. He attended the University of New Mexico, where he led a small dance band that he formed Giddins, p. 378. and double majored in Anthropology and Music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sonny Truitt
Sonny Truitt was an American jazz trombonist, pianist, and composer. He was best known for his work with Miles Davis. Discography With Bill Chapin *''Jim Chapin Sextet'' (Prestige, 1955) With Miles Davis *''Miles Davis and Horns'' (Prestige, 1953) With Charlie Mariano *''Charlie Mariano'' (Prestige, 1951) With Tony Scott *''The Complete Tony Scott'' (RCA, 1956) With The Six (John Glasel & Bob Wilber Robert Sage Wilber (March 15, 1928 – August 4, 2019) was an American jazz clarinetist, saxophonist, and band leader. Although his scope covers a wide range of jazz, Wilber was a dedicated advocate of classic styles, working throughout his car ...) * ''The View from Jazzbo's Head'' (Bethlehem, 1956) References American jazz trombonists Male trombonists American jazz pianists American male jazz pianists American male jazz musicians {{US-jazz-trombonist-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zoot Sims
John Haley "Zoot" Sims (October 29, 1925 – March 23, 1985) was an American jazz saxophonist, playing mainly tenor but also alto (and, later, soprano) saxophone. He first gained attention in the "Four Brothers" sax section of Woody Herman's big band, afterward enjoying a long solo career, often in partnership with fellow saxmen Gerry Mulligan and Al Cohn. Biography Sims was born in 1925 in Inglewood, California, United States, to vaudeville performers Kate Haley and John Sims. His father was a vaudeville hoofer, and Sims prided himself on remembering many of the steps his father taught him. Growing up in a performing family, he learned to play drums and clarinet at an early age. His brother was the trombonist Ray Sims. Sims began on tenor saxophone at age 13. He initially modelled his playing on the work of Lester Young, Ben Webster, and Don Byas. By his late teens, having dropped out of high school, he was playing in big bands, starting with those of Kenny Baker and B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognize ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miles Davis And Horns
''Miles Davis and Horns'' (PRLP 7025) is a compilation album by jazz trumpeter Miles Davis, released by Prestige Records in 1956. It compiles material from different albums previously released by Prestige in the discontinued 10 inch LP format. The fifth, sixth, and eighth tracks were originally issued on the various artists album '' Modern Jazz Trumpets'' (PRLP 113), and had also been issued as 78rpm singles. Tracks 1–4 first appeared on '' Miles Davis Plays The Compositions Of Al Cohn'' (PRLP 154). Track 3 was also previously released as the B-side of the "Morpheus" single (Prestige 734). Track 7 was originally on ''Blue Period'' (PRLP 140). The cover art was designed by '' MAD'' magazine cartoonist Don Martin, who created several album covers for Prestige before beginning his career with ''MAD''. 12" LP track listing PRLP7025: An alternate take of "Blue Room" was later added as a bonus track. Personnel Tracks 1–4: * Miles Davis – Trumpet * Zoot Sims – Ten ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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