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The Cenci (Stendhal)
''The Cenci. A Tragedy, in Five Acts'' (1820) is a verse drama in five acts by Percy Bysshe Shelley written in the summer of 1819, and inspired by a real Roman family, the House of Cenci (in particular, Beatrice Cenci, pronounced CHEN-chee). Shelley composed the play in Rome and at Villa Valsovano near Livorno, from May to 5 August 1819. The work was published by Charles and James Ollier in London in 1819. The Livorno edition was printed in Livorno, Italy by Shelley himself in a run of 250 copies. Shelley told Thomas Love Peacock that he arranged for the printing himself because in Italy "it costs, with all duties and freightage, about half of what it would cost in London." Shelley sought to have the play staged, describing it as "totally different from anything you might conjecture that I should write; of a more popular kind... written for the multitude." Shelley wrote to his publisher Charles Ollier that he was confident that the play "will succeed as a publication." A secon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
01 Portret Beatrice Cenci
1 (one, unit, unity) is a number representing a single or the only entity. 1 is also a numerical digit and represents a single unit of counting or measurement. For example, a line segment of ''unit length'' is a line segment of length 1. In conventions of sign where zero is considered neither positive nor negative, 1 is the first and smallest positive integer. It is also sometimes considered the first of the infinite sequence of natural numbers, followed by 2, although by other definitions 1 is the second natural number, following 0. The fundamental mathematical property of 1 is to be a multiplicative identity, meaning that any number multiplied by 1 equals the same number. Most if not all properties of 1 can be deduced from this. In advanced mathematics, a multiplicative identity is often denoted 1, even if it is not a number. 1 is by convention not considered a prime number; this was not universally accepted until the mid-20th century. Additionally, 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatre Of Cruelty
The Theatre of Cruelty (french: Théâtre de la Cruauté, also french: Théâtre cruel) is a form of theatre generally associated with Antonin Artaud. Artaud, who was briefly a member of the surrealist movement, outlined his theories in '' The Theatre and Its Double''. The Theatre of Cruelty can be seen as a break from traditional Western theatre and a means by which artists assault the senses of the audience. Artaud's works have been highly influential on artists including Jean Genet, Jerzy Grotowski, Peter Brook, and Romeo Castellucci. History Antonin Artaud was well known as an actor, playwright, and essayist of avant-garde theatre, and briefly a member of the surrealist movement in Paris from 1924 - 1926, before his 'radical independence and his uncontrollable personality, perpetually in revolt, brought about his excommunication by André Breton.' Much of the avant-garde theatre developed in France from 1914 to 1939 can be seen as a revolt against tradition. Deeply affec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonin Artaud
Antoine Marie Joseph Paul Artaud, better known as Antonin Artaud (; 4 September 1896 – 4 March 1948), was a French writer, poet, dramatist, visual artist, essayist, actor and theatre director. He is widely recognized as a major figure of the European avant-garde. In particular, he had a profound influence on twentieth-century theatre through his conceptualization of the Theatre of Cruelty. Known for his raw, surreal and transgressive work, his texts explored themes from the cosmologies of ancient cultures, philosophy, the occult, mysticism and indigenous Mexican and Balinese practices. Early life Antonin Artaud was born in Marseille, to Euphrasie Nalpas and Antoine-Roi Artaud. His parents were first cousins—his grandmothers were sisters from Smyrna (modern day İzmir, Turkey). His paternal grandmother, Catherine Chilé, was raised in Marseille, where she married Marius Artaud, a Frenchman. His maternal grandmother, Mariette Chilé, grew up in Smyrna, where she married Lou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lugné-Poe
Aurélien-Marie Lugné (27 December 1869 19 June 1940), known by his stage and pen name Lugné-Poe, was a French actor, theatre director, and scenic designer. He founded the landmark Paris theatre company, the Théâtre de l'Œuvre, which produced experimental work by French Symbolist writers and painters at the end of the nineteenth century. Like his contemporary, theatre pioneer André Antoine, he gave the French premieres of works by the leading Scandinavian playwrights Henrik Ibsen, August Strindberg, and Bjørnstjerne Bjørnson. Early career In 1887, at age 17, Lugné-Poe and friend Georges Bourdon created an amateur theatre group called le Cercle des Escholiers, which sought to perform "unpublished or, at the very least, little-known works." As he prepared to audition for the Paris Conservatory, he changed his name from Lugné to "Lugné-Poe" in homage to Edgar Allan Poe. While the Conservatory rejected his audition in fall 1887, they accepted him in fall 1888; days later he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Petrella Salto
Petrella Salto ( Sabino: ) is a ''comune'' (municipality) in the Province of Rieti in the Italian region Latium, located about northeast of Rome and about southeast of Rieti Rieti (; lat, Reate, Sabino: ) is a town and ''comune'' in Lazio, central Italy, with a population of 47,700. It is the administrative seat of the province of Rieti and see of the diocese of Rieti, as well as the modern capital of the Sabin .... References External links Official website Cities and towns in Lazio {{Latium-geo-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spain
, image_flag = Bandera de España.svg , image_coat = Escudo de España (mazonado).svg , national_motto = '' Plus ultra'' ( Latin)(English: "Further Beyond") , national_anthem = (English: "Royal March") , image_map = , map_caption = , image_map2 = , capital = Madrid , coordinates = , largest_city = Madrid , languages_type = Official language , languages = Spanish , ethnic_groups = , ethnic_groups_year = , ethnic_groups_ref = , religion = , religion_ref = , religion_year = 2020 , demonym = , government_type = Unitary parliamentary constitutional monarchy , leader_title1 = Monarch , leader_name1 = Felipe VI , leader_title2 = Prime Minister , leader_name2 = Pedro Sánchez , legislature = ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salamanca
Salamanca () is a city in western Spain and is the capital of the Province of Salamanca in the autonomous community of Castile and León. The city lies on several rolling hills by the Tormes River. Its Old City was declared a UNESCO World Heritage Site in 1988. As of 2018, the municipality has a population of 143,978. It is one of the most important university cities in Spain and supplies 16% of Spain's market for the teaching of the Spanish language. Salamanca attracts thousands of international students. The University of Salamanca, founded in 1218, is the oldest university in Spain and the third oldest western university. Pope Alexander IV gave universal validity to its degrees. With 30,000 students, the university is, together with tourism, a primary source of income in Salamanca. It is on the Vía de la Plata path of the Camino de Santiago. History Remains of a house at the archeological site of the Cerro de San Vicente (c. 800–400 BC), a hamlet assigned to the E ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Porta Pinciana
Porta Pinciana is a gate of the Aurelian Walls in Rome. The name derives from the ''gens'' Pincia, who owned the eponymous hill (Pincian Hill). In ancient times it was also called ''Porta Turata'' ("Plugged Gate", for it was partially closed) and ''Porta Salaria vetus'', as the oldest Via Salaria passed under it (the ''Via Salaria nova'' passed under the Porta Salaria). The gate was built under the emperor Honorius in the early 5th century. During the Middle Ages a legend told that the Byzantine general Belisarius, who here had defended Rome against the Ostrogoths in the siege of 537–538, was refused admission by the Romans. The two side passages are a modern addition. The gate remained closed until the early 20th century. See also * *List of ancient monuments in Rome This is a list of ancient monuments from Republican and Imperial periods in the city of Rome, Italy. Amphitheaters * Amphitheater of Caligula * Amphitheatrum Castrense * Amphitheater of Nero * Am ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Cenci
Beatrice Cenci (; 6 February 157711 September 1599) was a Roman noblewoman who murdered her father, Count Francesco Cenci. She was beheaded in 1599 after a lurid murder trial in Rome that gave rise to an enduring legend about her. Life Beatrice was the daughter of Ersilia Santacroce and Count Francesco Cenci, a "man of great wealth but dissolute habits and violent temper". When Beatrice was seven years old, in June 1584, her mother died. After her mother's death, Beatrice and her elder sister Antonina were sent to a small monastery, Santa Croce a Montecitorio for Franciscan Tertiary nuns in the rione Colonna of Rome. The family lived in Rome at the Palazzo Cenci in the rione Regola. The members of the extended family living together included Count Francesco's second wife, Lucrezia Petroni; Beatrice's elder brother, Giacomo; and Bernardo, Francesco's son from his second marriage. They also possessed a castle, ''La Rocca'' of Petrella Salto, a small village in the Abruzzi mou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ginevra Cantofoli
Ginevra Cantofoli (1618–1672) was an Italian painter. She was active in Bologna during the Baroque period. Career Cantofoli was born in Bologna, Italy in 1618. She trained under Giovanni Andrea Sirani, the father of Elisabetta Sirani, in Bologna. Although a generation older than Elisabetta Sirani, Cantofoli was described by Carlo Cesare Malvasia, , and Marcello Oretti as Elisabetta's student. Also named as her teachers are Emilio Taruffi, Lorenzo Pasinelli, and Giovanni Gioseffo dal Sole. According to art historian Laura M. Ragg, among the women painters in Bologna at the time, Cantofoli "had much more talent than any of her companions." Her early works were pastel portraits and small paintings, but she later went on to paint large-scale compositions. She was primarily a history painter. She also produced several altarpieces for Bolognese churches, although none of these works are known to still exist. Art historian Massimo Pulini attributes 30 works to Cantofoli. Among her ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guido Reni
Guido Reni (; 4 November 1575 – 18 August 1642) was an Italian painter of the Baroque period, although his works showed a classical manner, similar to Simon Vouet, Nicolas Poussin, and Philippe de Champaigne. He painted primarily religious works, but also mythological and allegorical subjects. Active in Rome, Naples, and his native Bologna, he became the dominant figure in the Bolognese School that emerged under the influence of the Carracci. Biography Born in Bologna into a family of musicians, Guido Reni was the only child of Daniele Reni and Ginevra Pozzi.Spear, Richard E. "Reni, Guido". ''Grove Art Online. Oxford Art Online''. Oxford University Press. Apprenticed at the age of nine to the Bolognese studio of Denis Calvaert, he was soon joined in that studio by Albani and Domenichino. When Reni was about twenty years old, the three Calvaert pupils migrated to the rising rival studio, named '' Accademia degli Incamminati'' (Academy of the "newly embarked", or p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
