The Breaks (song)
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The Breaks (song)
"The Breaks" is a song by American rapper Kurtis Blow from his self-titled debut album. It was released as a single in June 1980 and peaked at No. 87 on the ''Billboard'' Hot 100. It was the first certified gold rap song, and the second certified gold 12-inch single. In 2008, the song ranked #10 on VH1's 100 Greatest Hip-Hop Songs. Lyrics and structure "The Breaks" repeats the word "break" (or any of its homophones) 84 times over six and a half minutes. It features six breakdowns (seven including the outro) while there are three definitions for "break," "to break" or "brakes" used in the lyrics. Unlike most hip-hop songs which sample prerecorded funk, the funk beat in this song is original (contrary to suggestions that it sampled "Long Train Runnin'" by the Doobie Brothers). Chart performance The single hit No. 87 on the U.S. ''Billboard'' Hot 100, No. 4 on the U.S. ''Billboard'' R&B chart, and No. 9 on the U.S. ''Billboard'' Dance chart. Certifications It sold over 500,0 ...
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Kurtis Blow
Kurtis Walker (born August 9, 1959), known professionally by his stage name Kurtis Blow, is an American rapping , rapper, songwriter, and record producer. Walker is the first commercially successful rapper and the first to sign with a major record label. "The Breaks (song) , The Breaks", a single from his 1980 Kurtis Blow (album) , self-titled debut album, is the first certified music recording sales certification , gold record rap song. Over his career he released 17 albums. He is an ordained minister. Early life, family and education Walker was raised in Harlem, Manhattan, New York City. He attended CCNY and Nyack College, studying communications/film and ministry. Career In 1979, at the age of twenty, Blow became the first rapper to be signed by a major label, Mercury Records, Mercury, which released "Christmas Rappin'". It sold over 400,000 copies, becoming one of the first commercially successful hip hop singles. Its follow-up, "The Breaks (song), The Breaks", sold over 84 ...
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Break (music)
In popular music, a break is an instrumental or percussion instrument, percussion section during a song derived from or related to stop-time – being a "break" from the main section (music), parts of the song or piece. A break is usually interpolated between sections of a song, to provide a sense of anticipation, signal the start of a new section, or create variety in the arrangement. Jazz A solo break in jazz occurs when the rhythm section (piano, bass, drums) stops playing behind a soloist for a brief period, usually two or four bars leading into the soloist's first improvised solo chorus (at which point the rhythm section resumes playing). A notable recorded example is sax player Charlie Parker's solo break at the beginning of his solo on "A Night in Tunisia". While the solo break is a break for the rhythm section, for the soloist, it is a solo cadenza, where they are expected to improvise an interesting and engaging melodic line. DJing and dance music In DJ parlance, in di ...
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Vice City
''Grand Theft Auto: Vice City'' is a 2002 action-adventure game developed by Rockstar North and published by Rockstar Games. It is the fourth main game in the ''Grand Theft Auto'' series, following 2001's ''Grand Theft Auto III'', and the sixth entry overall. Set in 1986 within the fictional Vice City (based on Miami and Miami Beach), the single-player story follows mobster Tommy Vercetti's rise to power after being released from prison and becoming caught up in an ambushed drug deal. While seeking out those responsible, Tommy gradually builds a criminal empire by seizing power from other criminal organisations. The game is played from a third-person perspective and its world is navigated on foot or by vehicle. The open world design lets the player freely roam Vice City, consisting of two main islands. The game's plot is based on multiple real-world people and events in Miami such as Cubans, Haitians, and biker gangs, the 1980s crack epidemic, the Mafioso drug lords of Mi ...
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Donna Summer
Donna Adrian Gaines (December 31, 1948May 17, 2012), known professionally as Donna Summer, was an American singer and songwriter. She gained prominence during the disco era of the 1970s and became known as the "Queen of Disco", while her music gained a global following. Born and raised in Boston, Summer dropped out of high school before graduating and began her career as the lead singer of a blues rock band named Crow and moved to New York City. In 1968, she joined the German adaptation of the musical ''Hair (musical), Hair'' in Munich, where she spent several years living, acting, and singing. There, she met music producers Giorgio Moroder and Pete Bellotte, and released her first album, the European market-only ''Lady of the Night (album), Lady of the Night'' in 1974. Following the recording and European release of the groundbreaking disco anthem, "Love to Love You Baby (song), Love to Love You Baby", she signed with Casablanca Records in 1975, where it was released in North A ...
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Barbra Streisand
Barbara Joan "Barbra" Streisand ( ; born April 24, 1942) is an American singer, actress, songwriter, producer, and director. With a career spanning over six decades, she has achieved success across multiple fields of entertainment, being the first performer to earn EGOT, Emmy, Grammy, Oscar, and Tony awards. Streisand's career began in the early 1960s performing in nightclubs and Broadway theaters. Following guest appearances on various television shows, she signed to Columbia Records—retaining full artistic control in exchange for accepting lower pay, an arrangement that continued throughout her career. Her studio debut, ''The Barbra Streisand Album'' (1963), won the Grammy Award for Album of the Year. Throughout her recording career, Streisand has amassed a total of 31 RIAA certification, RIAA platinum-certified albums, including ''People (Barbra Streisand album), People'' (1964), ''The Way We Were (Barbra Streisand album), The Way We Were'' (1974), ''Guilty (Barbra Strei ...
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No More Tears (Enough Is Enough)
"No More Tears (Enough Is Enough)" is a song recorded by American singers Barbra Streisand and Donna Summer, released in October 1979. It was written by Paul Jabara and Bruce Roberts (singer), Bruce Roberts, and produced by Giorgio Moroder and Gary Klein (producer), Gary Klein. The song was recorded for Streisand's ''Wet (album), Wet'' album (1979) and also as a new track for Summer's compilation double album ''On the Radio: Greatest Hits Volumes I & II'' (1979). The full-length version was found on Streisand's album, while a longer 11-minute edit (the 12" version) was featured on Summer's album. The longer 12" version features additional production by frequent collaborator Harold Faltermeyer, and incorporates a harder rock edge. Release The single was released on both Casablanca Records (Summer's label) and Columbia Records (Streisand's label) and sales of the two were amalgamated. The versions on the two 7" singles differed slightly however, with different mixes and slightly di ...
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RIAA
The Recording Industry Association of America (RIAA) is a trade organization that represents the music recording industry in the United States. Its members consist of record labels and distributors that the RIAA says "create, manufacture, and/or distribute approximately 85% of all legally sold recorded music in the United States". RIAA is headquartered in Washington, D.C. RIAA was formed in 1952. Its original mission was to administer recording copyright fees and problems, work with trade unions, and do research relating to the record industry and government regulations. Early RIAA standards included the RIAA equalization curve, the format of the stereophonic record groove and the dimensions of 33 1/3, 45, and 78 rpm records. RIAA says its current mission includes: #to protect intellectual property rights and the First Amendment rights of artists #to perform research about the music industry #to monitor and review relevant laws, regulations, and policies Between 2001 and 2 ...
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RIAA Certification
In the United States, the Recording Industry Association of America (RIAA) operates an awards program based on the certified number of albums and singles sold through retail and other ancillary markets.RIAA certification criteria
Retrieved on September 11, 2006
Other countries have similar awards (see ). Certification is not automatic; for an award to be made, the must first request certification. The audit is conducted against net shi ...
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Dance Club Songs
The Dance Club Songs (also known as National Disco Action, Hot Dance/Disco Club Play, and Hot Dance Club Play) was a chart published weekly between 1976 and 2020 by ''Billboard'' magazine. It used club disc jockeys set lists to determine the most popular songs being played in nightclubs across the United States. History The Dance Club Songs chart underwent several incarnations since its inception in 1974. Originally a top-10 list of tracks that garnered the largest audience response in New York City discothèques, the chart began on October 26, 1974, under the title ''Disco Action''. The chart went on to feature playlists from various cities around the country from week to week. ''Billboard'' continued to run regional and city-specific charts throughout 1975 and 1976 until the issue dated August 28, 1976, when a 30-position ''National Disco Action Top 30'' premiered. The first number-one song on the chart for the issue dated August 28, 1976, was " You Should Be Dancing" by th ...
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The Official Charts Company
The Official UK Charts Company Limited (formerly Music Industry Chart Services Limited), trading as the Official Charts Company (OCC) or the Official Charts (formerly the Chart Information Network), is a British inter-professional organisation that compiles various official record charts in the United Kingdom, Ireland and France. In the United Kingdom, its charts include ones for singles, albums and films, with the data compiled from a mixture of downloads, purchases (of physical media) and streaming. The OCC produces its charts by gathering and combining sales data from retailers through market researchers Kantar, and claims to cover 99% of the singles market and 95% of the album market, and aims to collect data from any retailer who sells more than 100 chart items per week. The OCC is operated jointly by the British Phonographic Industry and the Entertainment Retailers Association (ERA) (formerly the British Association of Record Dealers (BARD)) and is incorporated as a ...
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Hot Dance Club Play
The Dance Club Songs (also known as National Disco Action, Hot Dance/Disco Club Play, and Hot Dance Club Play) was a chart published weekly between 1976 and 2020 by ''Billboard'' magazine. It used club disc jockeys set lists to determine the most popular songs being played in nightclubs across the United States. History The Dance Club Songs chart underwent several incarnations since its inception in 1974. Originally a top-10 list of tracks that garnered the largest audience response in New York City discothèques, the chart began on October 26, 1974, under the title ''Disco Action''. The chart went on to feature playlists from various cities around the country from week to week. ''Billboard'' continued to run regional and city-specific charts throughout 1975 and 1976 until the issue dated August 28, 1976, when a 30-position ''National Disco Action Top 30'' premiered. The first number-one song on the chart for the issue dated August 28, 1976, was " You Should Be Dancing" by th ...
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Hot R&B/Hip-Hop Songs
The Hot R&B/Hip-Hop Songs chart ranks the most popular R&B and hip hop songs in the United States and is published weekly by '' Billboard''. Rankings are based on a measure of radio airplay, sales data, and streaming activity. The chart had 100 positions but was shortened to 50 positions in October 2012. The chart is used to track the success of popular music songs in urban, or primarily African-American, venues. Dominated over the years at various times by jazz, rhythm and blues, doo-wop, rock and roll, soul, and funk, it is today dominated by contemporary R&B and hip hop. Since its inception, the chart has changed its name many times in order to accurately reflect the industry at the time. History Beginning in 1942, ''Billboard'' published a chart of bestselling African-American music, first as the Harlem Hit Parade, then as Race Records. Then in 1949, ''Billboard'' began publishing a Rhythm and Blues chart, which entered "R&B" into mainstream lexicon. These three ch ...
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