The Borderlines (band)
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The Borderlines (band)
''Don't Stop'' is the third solo album by Jeffrey Osborne, released on September 21, 1984. Reception The album reached #39 on the Billboard 200 albums chart and #7 on the R&B album chart. The title song as well as the two other singles, "The Borderlines" and "Let Me Know", all reached #6, #7, and #44 on the R&B Singles Chart. Track listing #"Don't Stop" (David Batteau, Danny Sembello) - 4:09 #"Let Me Know" (Geoffrey Brillhart Leib, Jeffrey Osborne) - 5:26 #"The Borderlines" (Raymond Jones) - 5:27 #"The Power" (Don Freeman, Warren Giancaterino, Jeffrey Osborne) - 4:51 #"Is It Right" (Jeffrey Osborne, David Wolinski) - 4:46 #"You Can't Be Serious" (Don Freeman, Jeffrey Osborne) - 4:37 #"Crazy 'Bout Cha" (Don Freeman, Jeffrey Osborne) - 3:31 #"Hot Coals" (Don Freeman, Jeffrey Osborne) - 3:27 #"Live for Today" (David Batteau, Don Freeman, Jeffrey Osborne) - 4:26 Personnel Information is based on the album's Liner Notes Singers and Musicians * Jeffrey Osborne – lead vocals ( ...
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Jeffrey Osborne
Jeffrey Linton Osborne (born March 9, 1948) is an American singer-songwriter, musician and lyricist. He is the former drummer and lead singer of the American R&B/soul group L.T.D. (band), L.T.D., with whom he began his musical career in 1970. Biography Early life and family Osborne was born in Providence, Rhode Island. Born the youngest of twelve children which consisted of six brothers and six sisters, Osborne's family was musically inclined. Some of Osborne's siblings went on to have music careers as well; his brother Billy Osborne was his band-mate in L.T.D. Osborne's father, Clarence "Legs" Osborne, was a popular trumpeter who played with Lionel Hampton, Count Basie and Duke Ellington. Osborne's father died in 1961 when Osborne was thirteen. L.T.D. Osborne began his music career in 1970 becoming a member of the American soul band "Love Men Ltd.", who would later become known as L.T.D. The band recorded hit singles such as "(Every Time I Turn Around) Back in Love Again" (1977 ...
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Prophet-5
The Prophet-5 is an analog synthesizer manufactured by the American company Sequential (company), Sequential. It was designed by Dave Smith (engineer), Dave Smith and John S. Bowen (sound designer), John Bowen in 1977. It was the first Polyphony and monophony in instruments, polyphonic synthesizer with fully Computer memory, programmable memory. Before the Prophet-5, synthesizers required users to adjust controls to change sounds, with no guarantee of exactly recreating a sound. Sequential used Microprocessor, microprocessors to allow users to recall sounds instantly rather than having to recreate them manually. The Prophet-5 facilitated a move from synthesizers creating unpredictable sounds to producing "a standard package of familiar sounds". The Prophet-5 became a market leader and was widely used in popular music and film soundtracks. In 1981, Sequential released a 10-voice, double-keyboard version, the Prophet-10. Sequential introduced new versions in 2020, and it has been ...
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Michael Sembello
Michael Andrew Sembello (born April 17, 1954) is an American singer, guitarist, keyboardist, songwriter, composer and producer from Philadelphia, Pennsylvania. Sembello was nominated for an Academy Award and a Golden Globe for his 1983 song " Maniac", which he sang and co-wrote. The song reached number one in the United States and featured in the ''Flashdance'' film soundtrack. Early life Sembello was born and raised in Ardmore, Pennsylvania, a western suburb of Philadelphia. Career Sembello began his career in music as a session musician, working as a guitarist. By age 17, he was working professionally with Stevie Wonder on electric and acoustic guitar as a studio player on Wonder's '' Fulfillingness' First Finale''. He continued the same year, chosen as one of the core artists who worked on '' Songs in the Key of Life'', an ambitious double album that took two years to create. He was credited as lead and rhythm guitarist on most of the tracks—including the intricate jazz ...
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Minimoog
The Minimoog is an analog synthesizer first manufactured by Moog Music between 1970 and 1981. Designed as a more affordable, portable version of the modular Moog synthesizer, it was the first synthesizer sold in retail stores. It was first popular with progressive rock and jazz musicians and found wide use in disco, pop, rock and electronic music. Production of the Minimoog stopped in the early 1980s after the sale of Moog Music. In 2002, founder Robert Moog regained the rights to the Moog brand, bought the company, and released an updated version of the Minimoog, the Minimoog Voyager. In 2016 and in 2022, Moog Music released another new version of the original Minimoog. Development In the 1960s, RA Moog Co manufactured Moog synthesizers, which helped bring electronic sounds to music but remained inaccessible to ordinary people. These modular synthesizers were difficult to use and required users to connect components manually with patch cables to create sounds. They w ...
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PPG Wave
The PPG Wave is a series of synthesizers built by the German company Palm Products GmbH from 1981 to 1987. Background Until the early 1980s, the tonal palette of commercial synthesizers was limited to that which could be obtained by combining a few simple waveforms such as sine, sawtooth, pulse. The result was shaped with VCFs and VCAs. Wolfgang Palm transcended this limitation by pioneering the concept of wavetable synthesis, where single cycle waveforms of differing harmonic spectra were stored in adjacent memory slots. Dynamic spectral shifts were achieved by scanning through the waveforms, with interpolation used to avoid noticeable 'jumps' between the adjacent waveforms. Palm's efforts resulted in PPG's first wavetable synthesizer, the Wavecomputer 360 (1978), which provides the user with 30 different wavetables consisting of 64 waves each. While the expansive range of sound is evident, the absence of filters results in the Wavecomputer 360 sounding buzzy and thin, wh ...
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Roland Juno-60
The Roland Juno-60 is an analog synthesizer manufactured by the Roland Corporation between 1982 and 1984. It followed the Juno-6, an almost identical synthesizer released months earlier. The Juno synthesizers introduced Roland's digitally controlled oscillators, allowing for greatly improved tuning stability over its competitors. The Juno-6 and Juno-60 were introduced as low-cost alternatives to polyphonic synths such as the Sequential Circuits Prophet-5 and Roland's own Jupiter-8. Its built-in chorus effect was designed to make up for the weaker sound of its single oscillator, and it went on to become its signature effect. The Juno-60 had an immediate impact in 1980s pop music, being used on hits such as " Take On Me" by a-ha, " A Different Corner" by George Michael, and " Time After Time" by Cyndi Lauper. The Juno-60 continued to be popular in the 1990s, being used by house and techno artists. It experienced a resurgence in the 2000s and beyond, gaining popularity amongst mod ...
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Fairlight (company)
Fairlight is a digital audio company based in Sydney, Australia. In 1979, it released its Series I Fairlight CMI, one of the earliest digital audio workstations (DAWs) with a digital audio sampler. Their subsequent Series II and III CMIs featured a graphic sequencer known as Page R, during a time when most computerised music sequencers required coding skills. These computer-instruments were used by artists such as Peter Gabriel, Kate Bush and Jean-Michel Jarre. They became such a prominent part of 1980s pop music that Phil Collins included the text "there is no Fairlight on this record" in the liner notes of '' No Jacket Required''. History In 1975, Fairlight Instruments Pty Ltd was established by Peter Vogel and Kim Ryrie. The company produced microprocessor-based music workstations with samplers, which were revolutionary for their time. New sounds could be created by drawing a 'sound wave' on the screen, which the computer would produce as sound. Theoretically, any ...
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Gary Chang
Gary Chang (born 22 February 1953) is an American composer and musician, known for his film scores. Working primarily in the action and thriller genres, he has composed the scores to over 70 films and television productions, often collaborating with directors John Frankenheimer and Craig R. Baxley. Life and career Born into a family of musicians in Minneapolis, Minnesota, Chang studied at Carnegie Mellon University and the California Institute of the Arts. He studied electronic music under Morton Subotnick, and established himself as a session musician and synthesizer programmer for the likes of Al Jarreau, Herbie Hancock, Chick Correa, Robbie Robertson, and Weather Report. He began his film scoring career working for Giorgio Moroder and Harold Faltermeyer. His first scoring credit on a film was as an additional music credit for ''The Breakfast Club'' (1985), writing and performing the track “Dream Montage”. In 1986, he scored the film ''52 Pick-Up'' for director John Fra ...
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