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The Blue Mask
''The Blue Mask'' is the eleventh solo studio album by American rock musician Lou Reed, released on February 23, 1982 by RCA Records. Reed had returned to the label after having left Arista Records. The album was released around Reed's 40th birthday, and covers topics of marriage and settling down, alongside themes of violence, paranoia, and alcoholism. Production and recording Reed and Robert Quine's guitars were mixed separately in the right and left stereo channels respectively. To differentiate his guitar's sound from Reed's, Quine used D tuning, playing each song as if it was one major second higher. For example, "Heavenly Arms" is in G major, so Quine used fingerings for A major to play the song. Quine, who years earlier followed the Velvet Underground across the country and taped several of their early shows (they were later released as '' Bootleg Series Volume 1: The Quine Tapes''), made for a suitable complement to Reed. Quine also toured in support of the album and ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Studio Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spin Alternative Record Guide
The ''Spin Alternative Record Guide'' is a music reference book compiled by the American music magazine '' Spin'' and published in 1995 by Vintage Books. It was edited by rock critic Eric Weisbard and Craig Marks, who was the magazine's editor-in-chief at the time. The book features essays and reviews from a number of prominent critics on albums, artists, and genres considered relevant to the alternative music movement. Contributors who were consulted for the guide include Ann Powers, Rob Sheffield, Simon Reynolds, and Michael Azerrad. The book did not sell particularly well and received a mixed reaction from reviewers in 1995. The quality and relevance of the contributors' writing were praised, while the editors' concept and comprehensiveness of alternative music were seen as ill-defined. Nonetheless, it inspired a number of future music critics and helped revive the career of folk artist John Fahey, whose music was covered in the guide. Content Spanning 468 pages, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Doane Perry
Doane Ethredge Perry (born June 16, 1954) is an American musician, composer and author. From 1984 to 2011 he was drummer and percussionist with the band Jethro Tull and has also appeared on hundreds of recordings spanning multiple genres on records, film and television. Early life From New York City, Perry began playing the piano at age seven and then took up drums at eleven. After hearing The Beatles, he decided to take up drums, because of what he describes as "the possibility, however unlikely that might have been, of young girls chasing me down the street, if I took up the drums." By the time he was 14, he was working with his own band on weekends, and continued to do so until he graduated high school at the age of 17. He attended Browning, St. Bernard's and Collegiate Schools in New York City. Later he briefly attended New ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fernando Saunders
Fernando Saunders is an American musician, singer and record producer from Detroit, Michigan. He is perhaps best known for his longtime partnership with musician Lou Reed, from 1982 to 1987 and again from 1996 to 2008. Biography Fernando Saunders has performed all around the world with music legends such as Marianne Faithfull, Joan Baez, Slash, Gavin Friday, Tori Amos, Pat Benatar, Steve Winwood, Jimmy Page, John McLaughlin, Heart, Jan Hammer, Luciano Pavarotti, Eric Clapton, Jeff Beck, Ron Wood and Charlie Watts from The Rolling Stones, Robert Quine, Anohni, Steve Hunter, Kevin Hearn, Julieta Venegas, Grayson Hugh and Suzanne Vega. He is also a long-time collaborator with Kip Hanrahan and Lou Reed (as a bass player, vocalist and producer). Personal life Fernando's son, András Kállay-Saunders (born January 28, 1985) represented Hungary in the 2014 edition of the Eurovision Song Contest with the song "Running". Fernando’s daughter, Marisa Saunders (born September 16 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rock's Backpages
Rock's Backpages is an online archive of music journalism, sourced from contributions to the music and mainstream press from the 1950s to the present day. The articles are full text and searchable, and all are reproduced with the permission of the copyright holders. The database was founded in 2000 by British music journalist Barney Hoskyns. As of November 2018 its database contains over 37,000 articles, including interviews, features and reviews, which covered popular music from blues and soul up to the present date. . Rock's Backpages. Rock's Backpages also features over 600 audio interviews with musicians from Jimi Hendrix and Johnny Cash to Kate Bush and Kurt Cobain. The articles are sourced from magazines including '' |
The Bottom Line (venue)
The Bottom Line was a music venue at 15 West 4th Street between Mercer Street and Greene Street in the Greenwich Village neighborhood of Manhattan, New York City. During the 1970s and 1980s the club was a major space for small-scale popular music performances. It opened on Feb 11, 1974. History For three decades the two club owners, Allan Pepper and Stanley Snadowsky, presented major musical acts and premiered new talent. Bruce Springsteen played showcase gigs at the club and Lou Reed recorded the album '' Live: Take No Prisoners'' there. Harry Chapin held his 2000th concert at the Bottom Line in January 1981. The Bottom Line hosted an extremely wide variety of music and musicians. Among the thousands who performed on its stage were Eric Clapton, João Gilberto, Carl Perkins, Linda Ronstadt, The Manhattan Transfer, Patti Smith, The Police, Rockapella, Adrian Belew, Prince, Pat Benatar, Daryl Hall & John Oates, Miles Davis, Laura Nyro (documented on '' Laura: Live at the Bott ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Quine Tapes
''The'' () is a grammatical article in English, denoting persons or things that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archaic pro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Major
A major (or the key of A) is a major scale based on A, with the pitches A, B, C, D, E, F, and G. Its key signature has three sharps. Its relative minor is F-sharp minor and its parallel minor is A minor. The key of A major is the only key where the Neapolitan sixth chord on (''i.e.'' the flattened supertonic) requires both a flat and a natural accidental. The A major scale is: : In the treble, alto, and bass clefs, the G in the key signature is placed higher than C. However, in the tenor clef, it would require a ledger line and so G is placed lower than C. History Although not as rare in the symphonic literature as sharper keys (those containing more than three sharps), symphonies in A major are less common than in keys with fewer sharps such as D major or G major. Beethoven's Symphony No. 7, Bruckner's Symphony No. 6 and Mendelssohn's Symphony No. 4 comprise a nearly complete list of symphonies in this key in the Romantic era. Mozart's Clarine ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
G Major
G major (or the key of G) is a major scale based on G, with the pitches G, A, B, C, D, E, and F. Its key signature has one sharp. Its relative minor is E minor and its parallel minor is G minor. The G major scale is: Notable compositions Baroque period In Baroque music, G major was regarded as the "key of benediction". Of Domenico Scarlatti's 555 keyboard sonatas, G major is the home key for 69, or about 12.4%, sonatas. In the music of Johann Sebastian Bach, "G major is often a key of chain rhythms", according to Alfred Einstein, although Bach also used the key for some -based works, including his third and fourth '' Brandenburg Concertos''. Pianist Jeremy Denk observes that the '' Goldberg Variations'' are 80 minutes in G major. Classical era Twelve of Joseph Haydn's 106 symphonies are in G major. Likewise, one of Haydn's most famous piano trios, No. 39 (with the ''Gypsy Rondo''), and one of his last two complete published string quartets (Op. 77, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Major Second
In Western music theory, a major second (sometimes also called whole tone or a whole step) is a second spanning two semitones (). A second is a musical interval encompassing two adjacent staff positions (see Interval number for more details). For example, the interval from C to D is a major second, as the note D lies two semitones above C, and the two notes are notated on adjacent staff positions. Diminished, minor and augmented seconds are notated on adjacent staff positions as well, but consist of a different number of semitones (zero, one, and three). The major second is the interval that occurs between the first and second degrees of a major scale, the tonic and the supertonic. On a musical keyboard, a major second is the interval between two keys separated by one key, counting white and black keys alike. On a guitar string, it is the interval separated by two frets. In moveable-do solfège, it is the interval between ''do'' and ''re''. It is considered a me ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
D Tuning
Guitar tunings are the assignment of pitches to the open strings of guitars, including acoustic guitars, electric guitars, and classical guitars. Tunings are described by the particular pitches that are made by notes in Western music. By convention, the notes are ordered and arranged from the lowest-pitched string (i.e., the deepest bass-sounding note) to the highest-pitched string (i.e., the highest sounding note), or the thickest string to thinnest, or the lowest frequency to the highest. This sometimes confuses beginner guitarists, since the highest-pitched string is referred to as the 1st string, and the lowest-pitched is the 6th string. Standard tuning defines the string pitches as E, A, D, G, B, and E, from the lowest pitch (low E2) to the highest pitch (high E4). Standard tuning is used by most guitarists, and frequently used tunings can be understood as variations on standard tuning. To aid in memorising these notes, mnemonics are used, for example, Elephants And ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Quine
Robert Wolfe Quine (December 30, 1942 – May 31, 2004) was an American guitarist. A native of Akron, Ohio, Quine worked with a wide range of musicians, though he himself remained relatively unknown. Critic Mark Deming wrote that "Quine's eclectic style embraced influences from jazz, rock, and blues players of all stripes, and his thoughtful technique and uncompromising approach led to rewarding collaborations with a number of visionary musicians." His collaborators included Richard Hell & the Voidoids, Lou Reed (notably on ''The Blue Mask''), Brian Eno, John Zorn, Ikue Mori, Marc Ribot, Marianne Faithfull ('' Strange Weather''), Lloyd Cole, Matthew Sweet and Tom Waits. Lester Bangs wrote that he was a "pivotal figure" and "the first guitarist to take the breakthroughs of early Lou Reed and James Williamson and work through them to a new, individual vocabulary, driven into odd places by obsessive attention to '' On the Corner''-era Miles Davis." Quine was ranked 80th by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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