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The Beat (British Band)
The Beat (known in the United States and Canada as the English Beat and in Australia as the British Beat) are an English band formed in Birmingham, England, in 1978. Their music fuses Latin, ska, Pop music, pop, Soul music, soul, reggae and punk rock. The Beat, consisting of Dave Wakeling (vocals, guitar), Ranking Roger (vocals), Andy Cox (guitar), David Steele (musician), David Steele (bass), Everett Morton (drums), and Saxa a.k.a. Lionel Augustus Martin (saxophone), released three studio albums in the early 1980s: ''I Just Can't Stop It'' (1980), ''Wha'ppen?'' (1981) and ''Special Beat Service'' (1982), and a string of singles, including "Mirror in the Bathroom", "Save It for Later", "I Confess (The Beat song), I Confess", "Too Nice to Talk To", "Can't Get Used to Losing You#The Beat version, Can't Get Used to Losing You", "Hands Off...She's Mine", and "All Out to Get You". Career 1978–1983 The Beat formed in Birmingham, England, in 1978 in the United Kingdom, 1978, duri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Truckee, California
Truckee is an List of municipalities in California, incorporated town in Nevada County, California, United States. As of the 2010 United States Census, the population was 16,180, reflecting an increase of 2,316 from the 13,864 counted in the 2000 United States Census, 2000 Census. History Name Truckee's existence began in 1863 as Gray's Station, named for Joseph Gray's Roadhouse on the trans-Sierra wagon road.Union Pacific Railroad Historical Society Archives A blacksmith named Samuel S. Coburn was there almost from the beginning, and by 1866 the area was known as Coburn's Station. The Central Pacific Railroad selected Truckee as the name of its railroad station by August 1867, even though the tracks would not reach the station until a year later in 1868. It was renamed Truckee (chief), Truckee after a Northern Paiute, Paiute chief, whose assumed Paiute name was Tru-ki-zo. He was the father of Chief Winnemucca and grandfather of Sarah Winnemucca. The first Europeans who came t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ranking Roger
Roger Charlery (22 February 1963 – 26 March 2019), known professionally as Ranking Roger, was an English musician. He was a vocalist in the 1980s ska band the Beat (known in North America as the English Beat) and later new wave band General Public. He subsequently was the frontman for a reformed Beat lineup. The "Ranking" moniker is short for "top-ranking" or "high-ranking", and was a titular boast common amongst reggae music MCs. Early life Roger Charlery was born in Birmingham and grew up in the Small Heath area of the city. The son of Jean Baptiste Charlery and his wife Anne Marie, he was of West Indian descent; his mother and father were from Saint Lucia. He attended Archbishop Williams school, and while still at school began deejaying with reggae sound systems before becoming a drummer with the Dum Dum Boys in 1978. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Can't Get Used To Losing You
"Can't Get Used to Losing You" is a song written by Doc Pomus, Jerome "Doc" Pomus and Mort Shuman, first made popular by Andy Williams in a 1963 record release, which was a number-two hit in both the US and the UK. Twenty years later, British band The Beat (British band), The Beat took a reggae re-arrangement to number three in the UK. Andy Williams recording "Can't Get Used to Losing You" was recorded by Andy Williams in December 1962 and released in 1963. It peaked at number two in both the US and the UK. In the US, the single spent four weeks at number two on the Billboard Hot 100, ''Billboard'' Hot 100 chart (behind "He's So Fine" by the Chiffons and "I Will Follow Him" by Peggy March, Little Peggy March) and topped the Adult Contemporary (chart), Easy Listening chart for four weeks, peaking on both in April 1963. Williams' recording peaked at number one on the ''Cashbox (magazine), Cashbox'' charts. Williams' vocals on the song's verses were double-tracked in unison, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Confess (The Beat Song)
"I Confess" is a 1982 song written and recorded by the English band the Beat (known in the United States and Canada as the English Beat). The song was released as a single from the band's third and final studio album, ''Special Beat Service'', finding moderate chart success in the UK. Inspired by the romantic escapades of English tabloids and Wakeling's own personal relationships, the song featured a piano performance led by touring keyboardist Dave "Blockhead" Wright. As the album's third single, "I Confess" found moderate success on the charts, peaking at No. 54 on the UK Singles Chart. The song was praised by critics. A music video for the track was also produced, featuring the band's parody of the New Romantics. Background Lyrically, "I Confess" was a mix of Beat frontman Dave Wakeling's personal experiences and sensationalized stories that he had read in magazines. Wakeling had been a frequent reader of these magazines; he recalled, "At the same time, I had a bit of an obse ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mirror In The Bathroom
"Mirror in the Bathroom" is a single by the British ska band the Beat, released as a single in 1980 from their debut studio album '' I Just Can't Stop It''. It reached number 4 on the UK Singles Chart and consequently was their highest charting release in the UK until 1983. It was released again in 1995 as a 12" single and early in 1996 as a CD single (both containing contemporary club remixes) to promote '' B.P.M.: The Very Best of the Beat''. The reissued single reached number 44 in 1996. The song was ranked at #3 among the top ten "Tracks of the Year" for 1980 by ''NME''. Composition According to composer and singer Dave Wakeling, the song originated when he was working on a building site and he got up for work one winter morning after "a couple of drinks" and found his clothes still wet on the bathroom floor. While shaving, he says, On his way to work on his motorbike, he thought about the idea of "The door is locked, just you and me"; and reflected on the nature of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Special Beat Service
''Special Beat Service'' is the third studio album by the British ska band the Beat, released on 1 October 1982 by Go-Feet Records. Like the rest of their material, it was released in the US under the name "the English Beat". It peaked at No. 39 on the ''Billboard'' 200 album chart in 1983 on the strength of two singles, " I Confess" and " Save It for Later," the music videos for which received modest airplay on the fledgling MTV video network. Critical reception The ''Spin Alternative Record Guide'' wrote that "'Save It for Later' and 'End of the Party' are romantic, piano-driven pop gems." ''Rolling Stone'' said that "'Special Beat Service' sparkles with surprising touches" Track listing Personnel Credits are adapted from the ''Special Beat Service'' liner notes. The Beat * Ranking Roger – toasting; vocals; percussion * Dave Wakeling – vocals; guitar * David Steele – bass; banjo * Andy Cox – guitar; mandolin * Everett Morton – drums * Saxa – saxo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wha'ppen?
''Wha'ppen?'' is the second studio album by British ska band the Beat (credited on the US release as the English Beat), released in 1981 via Go-Feet Records in the United Kingdom and Sire Records in the United States. After the critical and commercial success of ''I Just Can't Stop It'' (1980), which mixed ska, reggae and punk rock with social lyrics, the band changed direction on ''Wha'ppen?'', taking influence from many other musical styles which were intriguing the band, including African, steel band and dub music, while keeping reggae at its core. The fast pace of the band's previous work is also exchanged for a slower, mid-tempo pace. Accompanying the music is the socially conscious and political lyrics. The band recorded at Roundhouse Studios with producer Bob Sargeant. Released in May 1981, ''Wha'ppen?'' was a commercial success, peaking at No. 3 on the UK Albums Chart, though its singles were the least commercially successful the band had released up to that point. Fans ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Just Can't Stop It
''I Just Can't Stop It'' is the debut studio album by the British two-tone band the Beat, released on 23 May 1980 by Go-Feet Records in the United Kingdom. It was released the same year in the United States on Sire Records, with the band credited as "The English Beat"; in Australia, it was released on Go-Feet under the band name "The British Beat". The album was well-received; ''Rolling Stone'' raved that the music was "wild and threatening, sexy and sharp," while AllMusic later wrote it "was a stunning achievement" which had not been diminished by time. The album was reissued on CD in 1990 by I.R.S. Records in the U.S, and in 2012 by Edsel Records in the UK and Shout! Factory in the U.S. Artwork The "Beat Girl" icon seen on the cover and used on the band's merchandising was designed by Birmingham-based cartoonist Hunt Emerson. Critical reception At the end of 1980, ''I Just Can't Stop It'' appeared in numerous lists of the best albums of the year: ''NME'' ranked it thi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Punk Rock
Punk rock (also known as simply punk) is a rock music genre that emerged in the mid-1970s. Rooted in 1950s rock and roll and 1960s garage rock, punk bands rejected the corporate nature of mainstream 1970s rock music. They typically produced short, fast-paced songs with hard-edged melodies and singing styles with stripped-down instrumentation. Punk rock lyrics often explore anti-establishment and Anti-authoritarianism, anti-authoritarian themes. Punk embraces a DIY ethic; many bands self-produce recordings and distribute them through independent record label, independent labels. The term "punk rock" was previously used by American Music criticism, rock critics in the early 1970s to describe the mid-1960s garage bands. Certain late 1960s and early 1970s Detroit acts, such as MC5 and Iggy and the Stooges, and other bands from elsewhere created out-of-the-mainstream music that became highly influential on what was to come. Glam rock in the UK and the New York Dolls from New York ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reggae
Reggae () is a music genre that originated in Jamaica during the late 1960s. The term also denotes the modern popular music of Jamaica and its Jamaican diaspora, diaspora. A 1968 single by Toots and the Maytals, "Do the Reggay", was the first popular song to use the word ''reggae'', effectively naming the genre and introducing it to a global audience. Reggae is rooted in traditional Jamaican Kumina, Pukkumina, Revival Zion, Nyabinghi, and burru drumming. Jamaican reggae music evolved out of the earlier genres mento, ska and rocksteady. Reggae usually relates news, social gossip, and political commentary. It is recognizable from the counterpoint between the bass and drum downbeat and the offbeat rhythm section. The immediate origins of reggae were in ska and rocksteady; from the latter, reggae took over the use of the bass as a percussion instrument. Stylistically, reggae incorporates some of the musical elements of rhythm and blues, jazz, mento (a celebratory, rural folk form ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
