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The Bandits (ballet)
''The Bandits'' () is a ''grand ballet'' in two acts and five scenes with prologue, choreographed by Marius Petipa to music by Léon Minkus. The libretto by Marius Petipa is based on Miguel de Cervantes' novella ''La gitanilla''. The work was first presented by the Mariinsky Ballet, Imperial Ballet on January 26/February 7 (Julian calendar, Julian/Gregorian calendar dates), 1875 at the Imperial Bolshoi Kammeny Theatre in St. Petersburg, Russia. Principal dancers: Ekaterina Vazem. References Ballets by Marius Petipa Ballets by Ludwig Minkus 1870s ballets 1875 works Works based on La gitanilla Ballets premiered at the Bolshoi Theatre, Saint Petersburg {{ballet-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bandits -Ekaterina Vazem -1875
Banditry is a type of organized crime committed by outlaws typically involving the threat or use of violence. A person who engages in banditry is known as a bandit and primarily commits crimes such as extortion, robbery, kidnapping, and murder, either as an individual or in groups. Banditry is a vague concept of Crime, criminality and in modern usage can be synonymous with gangsterism, brigandage, wikt:marauder, marauding, terrorism, piracy, and Theft, thievery. Definitions The term ''bandit'' (introduced to English via Italian around 1776) originates with the Germanic law, early Germanic legal practice of outlawing criminals, termed ''*bamnan'' (English :wikt:ban, ban). The legal term in the Holy Roman Empire was ''Acht'' or '':wikt:Reichsacht, Reichsacht'', translated as "Imperial ban". In modern Italian, the equivalent word "bandito" literally means banned or a banned person. The Oxford English Dictionary, New English Dictionary on Historical Principles (NED) defined "bandit" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marius Petipa
Marius Ivanovich Petipa (; born Victor Marius Alphonse Petipa; 11 March 1818) was a French and Russian ballet dancer, pedagogue and choreographer. He is considered one of the most influential ballet masters and choreographers in ballet history. Petipa is noted for his long career as ''Premier maître de ballet'' (First Ballet Master) of the St. Petersburg Imperial Theatres, making him Ballet Master and principal choreographer of the Imperial Ballet (today known as the Mariinsky Ballet), a position he held from 1871 until 1903. Petipa created over fifty ballets, some of which have survived in versions either faithful to, inspired by, or reconstructed from his originals. He is most noted for ''The Pharaoh's Daughter'' (1862); ''Don Quixote (ballet), Don Quixote'' (1869); ''La Bayadère'' (1877); ''The Talisman (ballet), Le Talisman'' (1889); ''The Sleeping Beauty Ballet, The Sleeping Beauty'' (1890); ''The Nutcracker'' (choreographed jointly with Lev Ivanov) (1892); ''The Awakeni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Léon Minkus
Ludwig Minkus (), also known as Léon Fyodorovich Minkus (23 March 1826, Vienna – 7 December 1917, Vienna), was an Austrian composer of ballet music, a violinist and teacher of music. Minkus is noted for the music he composed during his career in St. Petersburg, Russia. Beginning in 1871 Minkus served in the official post of ''Composer of Ballet Music'' to the St. Petersburg Imperial Theatres, a position he held until it was abolished upon his retirement in 1886. During his long career in St. Petersburg, Minkus composed for the original works and revivals staged by the ballet masters Arthur Saint-Léon and Marius Petipa. Among the composer's most celebrated compositions is his score for '' La source'' (1866; composed jointly with Léo Delibes), ''Don Quixote'' (1869); and ''La Bayadère'' (1877). Minkus composed many pieces for older works. The most well-known of Minkus's additional music is the ''Grand Pas classique'' and ''Mazurka des enfants'' composed for Petipa's 1881 re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miguel De Cervantes
Miguel de Cervantes Saavedra ( ; ; 29 September 1547 (assumed) – 22 April 1616 Old Style and New Style dates, NS) was a Spanish writer widely regarded as the greatest writer in the Spanish language and one of the world's pre-eminent novelists. He is best known for his novel ''Don Quixote'', a work considered as the first modern novel. The novel has been labelled by many well-known authors as the "best book of all time" and the "best and most central work in world literature". Much of his life was spent in relative poverty and obscurity, which led to many of his early works being lost. Despite this, his influence and literary contribution are reflected by the fact that Spanish is often referred to as "the language of Cervantes". In 1569, Cervantes was forced to leave Spain and move to Rome, where he worked in the household of a Cardinal (Catholic Church), cardinal. In 1570, he enlisted in a Spanish Marine Infantry, Spanish Navy infantry regiment, and was badly wounded at th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Gitanilla
''La gitanilla'' ("The Little Gypsy Girl") is the first novella contained in Miguel de Cervantes's collection of short stories, the ''Novelas ejemplares'' (''The Exemplary Novels).'' ''La gitanilla'' is the story of a 15 year old gypsy girl named Preciosa, who is said to be talented, extremely beautiful, and wise beyond her years. Accompanied by her adoptive grandmother and other members of her gypsy family group, Preciosa travels to Madrid, where she meets a charming nobleman, named Juan de Carcome. Juan proposes to Preciosa, only to be challenged to spend two years as a member of Preciosa's gypsy family group, under the alias of Andres Caballero. During these adventurous two years, much is learned both ''by'' the main characters and ''about'' them, resulting in an unexpected happy ending. The main themes of the story include the making and breaking of stereotypes, female power and freedom, the importance of word, and the so-called truth behind the mystery of gypsy life. Plot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mariinsky Ballet
The Mariinsky Ballet () is the resident classical ballet company of the Mariinsky Theatre in Saint Petersburg, Russia. Founded in the 18th century and originally known as the Imperial Russian Ballet, the Mariinsky Ballet is one of the world's leading ballet companies. Internationally in some quarters, the Mariinsky Ballet continues to be known by its former Soviet name the Kirov Ballet. The Mariinsky Ballet is the parent company of the Vaganova Ballet Academy, a leading international ballet school. History The Mariinsky Ballet was founded in the 1740s, following the formation of the first Russian dance school in 1738. The Imperial Theatre School, as it was originally known, was established on 4 May 1738, at the Winter Palace in Saint Petersburg. It would become the predecessor of today's Vaganova Academy of Russian Ballet. The school's founder director was the French ballet master and teacher Jean-Baptiste Landé and the purpose of creating the school was to train young ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Julian Calendar
The Julian calendar is a solar calendar of 365 days in every year with an additional leap day every fourth year (without exception). The Julian calendar is still used as a religious calendar in parts of the Eastern Orthodox Church and in parts of Oriental Orthodox Churches, Oriental Orthodoxy as well as by the Amazigh, Amazigh people (also known as the Berbers). The Julian calendar was proposed in 46 BC by (and takes its name from) Julius Caesar, as a reform of the earlier Roman calendar, which was largely a lunisolar calendar, lunisolar one. It took effect on , by his edict. Caesar's calendar became the predominant calendar in the Roman Empire and subsequently most of the Western world for more than 1,600 years, until 1582 when Pope Gregory XIII promulgated a revised calendar. Ancient Romans typically designated years by the names of ruling consuls; the ''Anno Domini'' system of numbering years was not devised until 525, and became widespread in Europe in the eighth cent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gregorian Calendar
The Gregorian calendar is the calendar used in most parts of the world. It went into effect in October 1582 following the papal bull issued by Pope Gregory XIII, which introduced it as a modification of, and replacement for, the Julian calendar. The principal change was to space leap years slightly differently to make the average calendar year 365.2425 days long rather than the Julian calendar's 365.25 days, thus more closely approximating the 365.2422-day tropical year, "tropical" or "solar" year that is determined by the Earth's revolution around the Sun. The rule for leap years is that every year divisible by four is a leap year, except for years that are divisible by 100, except in turn for years also divisible by 400. For example 1800 and 1900 were not leap years, but 2000 was. There were two reasons to establish the Gregorian calendar. First, the Julian calendar was based on the estimate that the average solar year is exactly 365.25 days long, an overestimate of a li ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Imperial Bolshoi Kammeny Theatre
The Saint Petersburg Imperial Bolshoi Kamenny Theatre (The Big Stone Theatre of Saint Petersburg, ) was a theatre in Saint Petersburg. It was built in 1783 to Antonio Rinaldi's Neoclassical design as the Kamenny (i.e., Stone) Theatre; Giovanni Paisiello’s opera ''Il mondo della luna'' was performed at the opening on 24 September. It was rebuilt in 1802 according to the designs of the architect Thomas de Thomon and renamed the Bolshoi, but burned down in 1811. The building was restored in 1818, and modified between 1826 and 1836 by Alberto Cavos to accommodate more modern machinery. Until 1886, the Bolshoi Kamenny Theatre was principal theatre for both the Imperial Ballet and the Imperial Russian Opera. In 1886 the building was declared unsafe and, at the behest of the theatre director Ivan Vsevolozhsky, the ballet and opera performances moved to the Imperial Mariinsky Theatre, where they have remained ever since. The Imperial Bolshoi Kamenny Theatre was then torn down to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ekaterina Vazem
Yekaterina Ottovna Vazem (born Matilda Vazem; ; 25 January 1848, Moscow – 14 December 1937, Leningrad) aka Ekaterina Vazem was a Russian prima ballerina and instructor, whose most noted pupil was the legendary Anna Pavlova. Early life She was born Matilda Vazem in 1848 in Moscow, Russian Empire. She moved to Saint Petersburg, where In 1866, she was named the best student of the Imperial Theatre School (now the Mariinsky Ballet). She became famous for first dancing the role of Nikiya in 1877 Marius Petipa's ballet, ''La Bayadère''. She went on to become the teacher of legendary prima ballerina Anna Pavlova. La Bayadère During the mid- to late 19th century, Russian ballet was dominated by foreign artists, though during the late 1860s through the early 1880s the theatre administration encouraged the promotion of native talent. Vazem – a ''terre-à-terre'' virtuosa – climbed the ranks of the Imperial Ballet to become one of the company's most celebrated dancers. De ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballets By Marius Petipa
Marius Ivanovich Petipa (; born Victor Marius Alphonse Petipa; 11 March 1818) was a French and Russian ballet dancer, pedagogue and choreographer. He is considered one of the most influential ballet masters and choreographers in ballet history. Petipa is noted for his long career as ''Premier maître de ballet'' (First Ballet Master) of the St. Petersburg Imperial Theatres, making him Ballet Master and principal choreographer of the Imperial Ballet (today known as the Mariinsky Ballet), a position he held from 1871 until 1903. Petipa created over fifty ballets, some of which have survived in versions either faithful to, inspired by, or reconstructed from his originals. He is most noted for ''The Pharaoh's Daughter'' (1862); ''Don Quixote (ballet), Don Quixote'' (1869); ''La Bayadère'' (1877); ''The Talisman (ballet), Le Talisman'' (1889); ''The Sleeping Beauty Ballet, The Sleeping Beauty'' (1890); ''The Nutcracker'' (choreographed jointly with Lev Ivanov) (1892); ''The Awakeni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballets By Ludwig Minkus
Ludwig Minkus (), also known as Léon Fyodorovich Minkus (23 March 1826, Vienna – 7 December 1917, Vienna), was an Austrian composer of ballet music, a violinist and teacher of music. Minkus is noted for the music he composed during his career in St. Petersburg, Russia. Beginning in 1871 Minkus served in the official post of ''Composer of Ballet Music'' to the St. Petersburg Imperial Theatres, a position he held until it was abolished upon his retirement in 1886. During his long career in St. Petersburg, Minkus composed for the original works and revivals staged by the ballet masters Arthur Saint-Léon and Marius Petipa. Among the composer's most celebrated compositions is his score for ''La source (Saint-Léon), La source'' (1866; composed jointly with Léo Delibes), ''Don Quixote (ballet), Don Quixote'' (1869); and ''La Bayadère'' (1877). Minkus composed many pieces for older works. The most well-known of Minkus's additional music is the ''Grand Pas classique'' and ''Mazurk ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
