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The BBC Sessions (Small Faces Album)
''The BBC Sessions'' (also known as ''BBC Sessions: 1965-1968'') is the second live album by the British rock group Small Faces, released on 15 November 1999 on Strange Fruit Records. It is a collection of recordings the group made for the BBC. While mostly being made up of tracks recorded for ''Saturday Club'' in 1966, it also features three songs recorded for ''Top Gear'' in 1968. Accompanying these tracks are four interviews with Steve Marriott, and one featuring Kenney Jones. Information The album was released on 15 November 1999 on Strange Fruit Records. For the US release, it was issued on Fuel 2000 the following year. Len Fico, president of Fuel 2000 states that a deal was made with the BBC and their partners on Strange Fruit Records. He stated that the project took two years to put together and that they had to track down the Small Faces in order to secure their performance rights. The album consists of fifteen songs recorded sporadically between 23 August 1965 and 18 A ...
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Small Faces
Small Faces were an English rock band from London, founded in 1965. The group originally consisted of Steve Marriott, Ronnie Lane, Kenney Jones and Jimmy Winston, with Ian McLagan replacing Winston as the band's keyboardist in 1966. The band was one of the most acclaimed and influential mod groups of the 1960s, recording hit songs such as " Itchycoo Park", " Lazy Sunday", "All or Nothing" and " Tin Soldier", as well as their concept album ''Ogdens' Nut Gone Flake''. They evolved into one of the UK's most successful psychedelic bands until 1969. When Marriott left to form Humble Pie, the remaining three members collaborated with Ronnie Wood, Ronnie's older brother Art Wood, Rod Stewart and Kim Gardner, briefly continuing under the name Quiet Melon, and then, with the departure of Art Wood and Gardner, as Faces. In North America, Faces' debut album was credited to Small Faces. Following the breakup of both Faces and Humble Pie in 1975, the classic line-up of Small Fac ...
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Pop Music
Pop music is a genre of popular music that originated in its modern form during the mid-1950s in the United States and the United Kingdom. The terms ''popular music'' and ''pop music'' are often used interchangeably, although the former describes all music that is popular and includes many disparate styles. During the 1950s and 1960s, pop music encompassed rock and roll and the youth-oriented styles it influenced. '' Rock'' and ''pop'' music remained roughly synonymous until the late 1960s, after which ''pop'' became associated with music that was more commercial, ephemeral, and accessible. Although much of the music that appears on record charts is considered to be pop music, the genre is distinguished from chart music. Identifying factors usually include repeated choruses and hooks, short to medium-length songs written in a basic format (often the verse-chorus structure), and rhythms or tempos that can be easily danced to. Much pop music also borrows elements from other st ...
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Ronnie Lane
Ronald Frederick Lane (1 April 1946 – 4 June 1997) was an English musician and songwriter who is best known as the bass guitarist and founding member of Small Faces (1965–69) and subsequently Faces (1969–73). Lane formed Small Faces in 1965 after meeting Steve Marriott, with whom he subsquently wrote many of their hit singles including "All or Nothing", "Itchycoo Park" and " Lazy Sunday". After Marriott left Small Faces in 1968, bandmembers Lane, Ian McLagan and Kenny Jones were joined by Rod Stewart and Ronnie Wood to form Faces. Like Small Faces, the band achieved critical and commercial success. Lane quit the Faces in 1973 and subsequently collaborated with other musicians, leading his own bands and pursuing a solo career. In 1977, he was diagnosed with multiple sclerosis. He was supported by charity projects and financial contributions from friends, former bandmates and fans. After living with the disease for 21 years, he died in June 1997, aged 51. For his work ...
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You've Really Got A Hold On Me
"You've Really Got a Hold on Me" is a song written by Smokey Robinson, which became a 1962 Top 10 hit single for the Miracles. One of the Miracles' most covered tunes, this million-selling song received a 1998 Grammy Hall of Fame Award. It has also been selected as one of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll. It was recorded by the Beatles for their second album, '' With the Beatles'' (1963). Many other musicians also recorded versions. Composition and recording "You've Really Got a Hold On Me" was written by Smokey Robinson while in New York in 1962 on business for Motown; he heard Sam Cooke's " Bring It On Home to Me", which was in the charts at the time, and—influenced by it—wrote the song in his hotel room. The song was recorded in Motown's Studio A on October 16, 1962, with Robinson on lead vocals, and Miracles' second tenor Bobby Rogers on harmony co-lead. Robinson was the producer, and he had Eddie Willis and Miracle Marv Tarplin s ...
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Every Little Bit Hurts
"Every Little Bit Hurts" was originally a 1964 hit single for Motown soul singer Brenda Holloway, written by Ed Cobb. Background Though she was against recording the song again (she recorded it a couple of years before signing with Motown), she reluctantly recorded the song and the label released it in the summer of the year. "Every Little Bit Hurts" was a big hit peaking at No. 13 on the ''Billboard'' Hot 100, and became one of Holloway's trademark singles. Covers * The Spencer Davis Group version reached No. 41 in the UK in early 1965. and No. 9 in Canada in 1967. *In 1968, Small Faces recorded the song and included on "The BBC Sessions" LP. * Released in October 1976, it was covered by Graeme "Shirley" Strachan (lead singer of Skyhooks) as his debut solo release and peaked at No. 3 on the Australian Kent Music Report Singles Charts. * British band The Clash recorded a cover of the song in 1980 for Sandinista!, but the track didn't make it onto the album. It was ...
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Brenda Holloway
Brenda Holloway (born June 26, 1946) is an American singer and songwriter, who was a recording artist for Motown Records during the 1960s. Her best-known recordings are the soul hits, " Every Little Bit Hurts", " When I'm Gone", and " You've Made Me So Very Happy." The latter, which she co-wrote, was later widely popularized when it became a Top Ten hit for Blood, Sweat & Tears. She left Motown after four years, at the age of 22, and largely retired from the music industry until the 1990s, after her recordings had become popular on the British " Northern soul" scene. Biography Early life and career She was born in Atascadero, California on June 26, 1946, the eldest of three children to Wade and Johnnie Mae (Fossett) Holloway. In 1948, she and her infant brother, Wade, Jr., moved with their parents to the Watts section of Los Angeles where her sister, Patrice, was born in 1951. Brenda took up violin, flute and piano and sang in her church choir, as well as developing a lo ...
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Rufus Thomas
Rufus C. Thomas, Jr. (March 26, 1917 – December 15, 2001) was an American rhythm-and-blues, funk, soul and blues singer, songwriter, dancer, DJ and comic entertainer from Memphis, Tennessee. He recorded for several labels, including Chess Records and Sun Records in the 1950s, before becoming established in the 1960s and 1970s at Stax Records. He is best known for his novelty dance records, including " Walking the Dog" (1963), " Do the Funky Chicken" (1969), and "(Do the) Push and Pull" (1970). According to the Mississippi Blues Commission, "Rufus Thomas embodied the spirit of Memphis music perhaps more than any other artist, and from the early 1940s until his death . . . occupied many important roles in the local scene." He began his career as a tap dancer, vaudeville performer, and master of ceremonies in the 1930s. He later worked as a disc jockey on radio station WDIA in Memphis, both before and after his recordings became successful. He remained acti ...
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Whatcha Gonna Do About It
"Whatcha Gonna Do About It" is the debut single released by the English rock group Small Faces, released in the UK on 6 August 1965. The song peaked at number 14 in the UK Singles Chart, and stayed on chart for a total of 14 weeks. It reached number 28 in Canada. Song profile The songwriting duo of the group Steve Marriott and Ronnie Lane already had the melody for the song, the inspiration coming from Solomon Burke's hit record " Everybody Needs Somebody to Love." However they had no lyrics, so their manager, Don Arden, brought in Ian Samwell and Brian Potter to provide the words for the song. The song entered the UK Singles Chart at number 27 and rose to number 14, just missing the all important Top Ten. Kenney Jones recalled to ''Uncut'' magazine: "We hadn't fully established our own songwriting abilities – our stage show was mainly covers of things like Otis Redding's 'Shake' – and this really suited the power of Steve's voice. The style was very indicative of ...
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Whole Lotta Love
"Whole Lotta Love" is a song by English rock band Led Zeppelin. It is the opening track on the band's second album, ''Led Zeppelin II'', and was released as a single in 1969 in several countries; as with other Led Zeppelin songs, no single was released in the United Kingdom. In the United States, it became their first hit and was certified gold. Parts of the song's lyrics were adapted from Willie Dixon's " You Need Love", recorded by Muddy Waters in 1962; originally uncredited to Dixon, a lawsuit in 1985 was settled with a payment to Dixon and credit on subsequent releases. In 2004, the song was ranked number 75 on ''Rolling Stone'' magazine's list of the 500 Greatest Songs of All Time, and in March 2005, '' Q'' placed "Whole Lotta Love" at number three in its list of the 100 Greatest Guitar Tracks. It was placed 11 on a similar list by ''Rolling Stone''. In 2009 it was named the third greatest hard rock song of all time by VH1. In 2014, listeners to BBC Radio 2 voted "Whole ...
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Led Zeppelin
Led Zeppelin were an English rock band formed in London in 1968. The group comprised vocalist Robert Plant, guitarist Jimmy Page, bassist/keyboardist John Paul Jones, and drummer John Bonham. With a heavy, guitar-driven sound, they are cited as one of the progenitors of hard rock and heavy metal, although their style drew from a variety of influences, including blues and folk music. Led Zeppelin have been credited as significantly impacting the nature of the music industry, particularly in the development of album-oriented rock (AOR) and stadium rock. Originally named the New Yardbirds, Led Zeppelin signed a deal with Atlantic Records that gave them considerable artistic freedom. Initially unpopular with critics, they achieved significant commercial success with eight studio albums over ten years. Their 1969 debut, '' Led Zeppelin'', was a top-ten album in several countries and featured such tracks as " Good Times Bad Times", " Dazed and Confused" and " Communicatio ...
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You Need Loving
"You Need Love" is a song with lyrics written by American blues musician Willie Dixon. The instrumentation was recorded first by slide guitarist Earl Hooker and backing musicians, then Chicago blues artist Muddy Waters overdubbed vocals, and Chess Records released it as a single in 1962. The song has since been covered by other artists, including the Small Faces, retitled "You Need Loving". Led Zeppelin subsequently adapted aspects from both renditions for their 1969 hit "Whole Lotta Love", which prompted Dixon to file a lawsuit against them in 1985, after his daughter heard it. Muddy Waters song Background Similar to his previous single, "You Shook Me", Muddy Waters dubbed his vocals onto a backing track, a formula also followed for "Little Brown Bird" and "Black Angel". Chess Records owner Leonard Chess contacted blues slide guitarist Earl Hooker to record tunes for a new record by Waters in July 1962. While Waters was away on tour in Ohio, Hooker and the group cut three ...
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Willie Dixon
William James Dixon (July 1, 1915January 29, 1992) was an American blues musician, vocalist, songwriter, arranger and record producer. He was proficient in playing both the upright bass and the guitar, and sang with a distinctive voice, but he is perhaps best known as one of the most prolific songwriters of his time. Next to Muddy Waters, Dixon is recognized as the most influential person in shaping the post–World War II sound of the Chicago blues.Trager, Oliver (2004). ''Keys to the Rain: The Definitive Bob Dylan Encyclopedia''. Billboard Books. pp. 298–299. . Dixon's songs have been recorded by countless musicians in many genres as well as by various ensembles in which he participated. A short list of his most famous compositions includes "Hoochie Coochie Man", "I Just Want to Make Love to You", "Little Red Rooster", "My Babe", "Spoonful", and "You Can't Judge a Book by the Cover". These songs were written during the peak years of Chess Records, from 1950 to 1965, and were ...
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