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Thayampaka
Thayambaka or tayambaka is a type of solo chenda performance that developed in the south Indian state of Kerala, in which the main player at the centre improvises rhythmically on the beats of half-a-dozen or a few more chenda and ilathalam players around. Performance A thayambaka performance on the chenda has thus its focus on the stick-and-palm rolls produced on the itantala (treble) of the chenda, while the rhythm is laid by his fellow instrumentalists on the (bass) and (cymbals). Thayambaka, believed to have flourished during the feudal era, spans an average of 90 minutes. It begins at a slow pace before scaling on to a medium tempo and eventually culminating in high, frenzied speed. It has a skeletal pattern on which the performance progresses, but the main performer has the liberty to improvise and innovate to showcase his grip of rhythm, finesse of techniques and cerebral brilliance. In fact, thayambaka is one chenda concert that allows maximum individual freedom to t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chenda
The Chenda (, ) is a cylindrical percussion instrument originating in the state of Kerala and widely used in Tulu Nadu of Karnataka in India. In Tulu Nadu (Coastal Karnataka), it is known as ''chende''. The instrument is strongly associated with the cultural identity of both Kerala and Tulu Nadu. Traditionally, it is used by the Malayar ethnic groups in Kerala. According to their mythology, Lord Shiva blessed them with both the chenda and Witchcraft, matravadham, which are considered synonymous in their mantravadha tradition, where sound plays a central role. This instrument is famous for its loud and rigid sound. A Chenda has two sides, the left side called "Edamthala" (ഇടം തല)(Left Head) and the right side "Valamthala" (വലം തല)(Right Head). The "Edamthala" is made of only one/two layer of cow skin and the "Valamthala" will have a five/seven layer skin, so as to have a Bass (sound), bass sound. The skin are dried in the shade and fastened on wooden rin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carnatic Music
Carnatic music (known as or in the Dravidian languages) is a system of music commonly associated with South India, including the modern Indian states of Andhra Pradesh, Karnataka, Kerala, Tamil Nadu, Telangana and southern Odisha. It is one of three main subgenres of Indian classical music that evolved from ancient Hindu texts and traditions, particularly the Samaveda. (The other two are Hindustani music and Odissi music.) The main emphasis in Carnatic music is on vocal music; most compositions are written to be sung, and even when played on instruments, they are meant to be performed in ''gāyaki'' (singing) style. Although there are stylistic differences, the basic elements of (the relative musical pitch), (the musical sound of a single note), (the mode or melodic formulae), and (the rhythmic cycles) form the foundation of improvisation and composition in both Carnatic and Hindustani music. Although improvisation plays an important role, Carnatic music is mainly sung ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pallavur Appu Marar
Pallavur Appu Marar (1928-2002) was an Indian percussionist, widely considered to be a maestro in the Pallavur (Palakkad) style of thayambaka, edakka, sopana sangeetham, melam and panchavadyam. He was the eldest of the three brothers, the other two being Pallavur Manian Marar and Pallavur Kunhikuttan Marar, who formed the famed Pallavur trio. Biography Appu Marar was born in 1928, at Pallavur, a small hamlet in Palakkad district, in the south Indian state of Kerala, to Shankaran Marar and Ammini. His father, a nomad, left the young Appu and his mother, when he was one year old, throwing the family into poverty. Ammini was forced to remarry Subramania Iyer, and had two more sons, Manian and Kunhikuttan, who, years later, completed the ''Pallavur trio''. Appu started learning traditional percussion instruments at a very young age and had his ''arangettam'' (debut) on chenda, at Pallavur Shiva Temple, the age of 8. He, soon, became adept at playing chenda, edeka and timila, u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thiruvegappura
Thiruvegappura (also spelled Thiruvegapura) is a village in Pattambi Taluk Palakkad district in the state of Kerala, India. It is administered by the Thiruvegapura gram panchayat. The main roads passing through Thiruvegappura Panchayat are Ponnani - Palakkad road, Pattambi - Perinthalmanna Road, Pattambi - Valanchery road, and Pattambi - Kozhikode road.http://lsgkerala.in/thiruvegappurapanchayat/history/ Tirur - Shornur Railway line and Nilambur-Shoranur line pass through here. The nearest Municipal towns are Pattambi and Valanchery. The villages lies on the bank of river Thutha, a tributary to the Bharathapuzha River. Demographics India census A census (from Latin ''censere'', 'to assess') is the procedure of systematically acquiring, recording, and calculating population information about the members of a given Statistical population, population, usually displayed in the form of stati ..., Thiruvegapura had a population of 29,810 with 14,333 males and 15,477 female ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kalpathy Balakrishnan
Kalpathy Balakrishnan is an Indian percussionist who plays the chenda (a traditional Kerala drum), Thayambaka, Panchari melam, and Panchavadyam. He was born in the village called Kalpathy in the Palakkad district of Kerala. He won the Kerala Sangeetha Nataka Akademi Award Kerala Sangeetha Nataka Akademi Award is an award given by the Kerala Sangeetha Nataka Akademi, an autonomous organisation for the encouragement, preservation, and documentation of the performing arts of Kerala, set up by the Department of Cultu ... for the best thayambaka artist in 2009. References Indian percussionists Malayali people Chenda players Living people Year of birth missing (living people) Recipients of the Kerala Sangeetha Nataka Akademi Award {{drummer-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mattannur Sankarankutty Marar
Mattanur Sankarankutty Marar (M. P. Sankara Marar) is an Indian percussionist who plays the chenda (a traditional Kerala drum), Thayambaka, Panchari melam, and Panchavadyam. He was born in Mattanur in Kannur district of Kerala. He was awarded the Kerala Sangeetha Nataka Akademi Award in 1996, the Padma Shri by the Government of India in 2009 and the Sangeet Natak Akademi Award in 2012. Mattanur, as he is known, is married to Bharathi, a native of Tirur in Malappuram district. They have two sons, Mattannur Sreekanth and Mattannur Sreeraj, and a daughter named Mattannur Saranya. Both Sreekanth and Sreeraj are also popular Thayambaka artists. Triple Thayambakas played by father and sons are very popular in Kerala. See also *Pallavur Appu Marar *Peruvanam Kuttan Marar Peruvanam Kuttan Marar is a chenda artist. He leads several popular traditional orchestra performances in Kerala. He received Padma Shri, India's third highest civilian award, in 2011 for his contributions in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sadanam Vasudevan
Sadanam Vasudevan (born 1945) is an Indian percussionist who plays the chenda (a traditional Kerala drum). He is a well-known artist in both Thayambaka and Kathakali performances. He received the Pallavur Appu Marar Award from the Kerala government in 2013. He also received the Kerala Sangeetha Nataka Akademi Fellowship in 2019. Born in 1945 as the son of Karimpnaykkal Meenakshi Amma and Chenankara Gopalan Nair in Angadipuram in Malabar, Sadanam Vasudevan started learning Chenda at the age of seven. He later joined the Gandhi Seva Sadan (Sadanam), a leading Kathakali institution in Perur village near Ottappalam in Palghat, and continued his studies as a disciple of Pallassana Chandramannadiar. He later became a chenda teacher at Sadanam. He is the guru of many famous artists like Mattannoor Sankarankutty. He is also proficient in playing Madhalam, Idakka, and Timila Timil, thimila or paani, (Malayalam:തിമില) is an hour-glass shaped percussion instrument used in T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kozhikode
Kozhikode (), also known as Calicut, is a city along the Malabar Coast in the state of Kerala in India. Known as the City of Spices, Kozhikode is listed among the City of Literature, UNESCO's Cities of Literature. It is the nineteenth largest urban agglomeration in the country and the second largest one in Kerala. Calicut city is the second largest city proper in the state with a corporation limit population of 609,224 Calicut is classified as a Tier-2 city by the Government of India. It is the largest city on the Malabar Coast and was the capital of the British-era Malabar District, Malabar district. It was the capital of an independent kingdom ruled by the Samoothiris (Zamorins). The port at Kozhikode acted as the gateway to the medieval South Indian coast for the Chinese people, Chinese, the Persians, the Arabs, and finally the Europeans. According to data compiled by economics research firm Indicus Analytics in 2009 on residences, earnings and investments, Kozhikode was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kochi, India
Kochi ( , ), formerly known as Cochin ( ), is a major port city along the Malabar Coast of India bordering the Laccadive Sea. It is part of the district of Ernakulam in the state of Kerala. The city is also commonly referred to as Ernakulam. As of 2011, the Kochi Municipal Corporation had a population of 677,381 over an area of 94.88 km2, and the larger Kochi urban agglomeration had over 2.1 million inhabitants within an area of 440 km2, making it the largest and the most populous metropolitan area in Kerala. Kochi city is also part of the Greater Cochin development region and is classified as a Tier-II city by the Government of India. The civic body that governs the city is the Kochi Municipal Corporation, which was constituted in the year 1967, and the statutory bodies that oversee its development are the Greater Cochin Development Authority (GCDA) and the Goshree Islands Development Authority (GIDA). Nicknamed the Queen of the Arabian Sea, Kochi wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Travancore
The kingdom of Travancore (), also known as the kingdom of Thiruvithamkoor () or later as Travancore State, was a kingdom that lasted from until 1949. It was ruled by the Travancore Royal Family from Padmanabhapuram, and later Thiruvananthapuram. At its zenith, the kingdom covered most of the south of modern-day Kerala ( Idukki, Kottayam, Alappuzha, Pathanamthitta, Kollam, and Thiruvananthapuram districts, major portions of Ernakulam district, Puthenchira village of Thrissur district) and the southernmost part of modern-day Tamil Nadu ( Kanyakumari district and some parts of Tenkasi district) with the Thachudaya Kaimal's enclave of Irinjalakuda Koodalmanikyam temple in the neighbouring kingdom of Cochin. However Tangasseri area of Kollam city and Anchuthengu near Attingal in Thiruvananthapuram were parts of British India. Malabar District of Madras Presidency was to the north, the Madurai and Tirunelveli districts of Pandya Nadu region in Madras Presidency ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mridangam
The ''mridangam'' is an ancient percussion instrument originating from the Indian subcontinent. It is the primary rhythmic accompaniment in a Carnatic music ensemble. In Dhrupad, a modified version, the pakhawaj, is the primary percussion instrument. A related instrument is the Kendang, played in Maritime Southeast Asia. Its a complex instrument to tune and involves a lot of mathematics to construct korvais. During a percussion ensemble, the mridangam is often accompanied by the ghatam, the kanjira, and the morsing. Etymology The word "Mridangam" is formulated by the union (sandhi) of the two Sanskrit words ''mŗd'' (clay or earth) and ''anga'' (limb), as the Khol, earliest versions of the instrument were made of hardened clay. An Article in the Journal of the Madras Music Academy (Vol. XXIV P:135- 136) Dr V Raghavan opines that the Mridangam gets its name by applying the black paste which produces the specialised tone for the instrument. Eventhough the original version of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
