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Thacholi Othenan
Vadakkan Pattukal () are a collection of Malayalam ballads from the medieval period (12th-20th century). The genre as a whole represents the sentiment of ''vira'', or the heroic, through its depictions of "valour and sacrifice." Contents The songs present stories of heroes such as Aromal Chekavar and Thacholi Othenan, and heroines like Unniyarcha. The stories centre round the fortunes of two families, Puthooram family and Thacholi Manikkoth family. Though two families belong to two different communities Thiyyar and Nair respectively, they share in common the martial traditional. The chief among the Thiyyar chieftains of Puthooram was Aromal Chekavar, who had been killed by his cousin Chanthu Chekavar in his first duel (Ankam) by deceit. His sister Attumanamel Unniyarcha, is equally adept in the use of arms. The exploits of the Nair chieftain Thacholi Othenan belonging to the Thacholi family form the theme of several ballads. Thacholi Chandu, Palattu Komappan, Putumada Kelu, K ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Malayalam
Malayalam (; , ) is a Dravidian languages, Dravidian language spoken in the Indian state of Kerala and the union territories of Lakshadweep and Puducherry (union territory), Puducherry (Mahé district) by the Malayali people. It is one of 22 Languages with official status in India, scheduled languages of India. Malayalam was designated a "Classical Languages of India, Classical Language of India" in 2013. Malayalam has official language status in Kerala, Lakshadweep and Puducherry (Mahé, Puducherry, Mahé), and is also the primary spoken language of Lakshadweep. Malayalam is spoken by 35.6 million people in India. Malayalam is also spoken by linguistic minorities in the neighbouring states; with a significant number of speakers in the Kodagu and Dakshina Kannada districts of Karnataka, and Kanyakumari district, Kanyakumari, Coimbatore district, Coimbatore and Nilgiris district, Nilgiris district of Tamil Nadu. It is also spoken by the Malayali diaspora, Malayali Diaspora wo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballad
A ballad is a form of verse, often a narrative set to music. Ballads were particularly characteristic of the popular poetry and song of Great Britain and Ireland from the Late Middle Ages until the 19th century. They were widely used across Europe, and later in Australia, North Africa, North America and South America. While ballads have no prescribed structure and may vary in their number of lines and stanzas, many ballads employ quatrains with ABCB or ABAB rhyme schemes, the key being a rhymed second and fourth line. Contrary to a popular conception, it is rare if not unheard-of for a ballad to contain exactly 13 lines. Additionally, couplets rarely appear in ballads. Many ballads were written and sold as single-sheet Broadside (music), broadsides. The form was often used by poets and composers from the 18th century onwards to produce lyrical ballads. In the later 19th century, the term took on the meaning of a slow form of popular love song and is often used for any love song ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rasa (aesthetics)
In Indian aesthetics, a rasa () literally means "juice, essence or taste".Monier Monier-Williams (1899)Rasa Sanskrit English Dictionary with Etymology, Motilal Banarsidass (Originally Published: Oxford) It is a concept in Indian arts denoting the aesthetic flavour of any visual, literary or musical work that evokes an indescribable feeling in the reader or audience.Rasa: Indian Aesthetic Theory Encyclopedia Britannica (2013) It refers to the emotional flavors/essence crafted into the work by the writer or a performer and relished by a 'sensitive spectator' or ''sahṛdaya,'' literally one who "has heart", and can connect to the work with emotion, without dryness. Rasas are created by one's bhava (one's state of mind). The ''rasa'' theory has a dedicated section (Chapter 6) in the Sanskrit text ''Natya Shastra'', an ancient te ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aromal Chekavar
Aromal Chekavar was a warrior believed to have lived during the 16th century in the North Malabar region of present-day Kerala, India. He was from the Thiyyar community and a chief of the Puthooram family and was thus also known as Puthooram Veettil Aromal Chekavar. He was the elder brother of Unniyarcha and uncle of Aromalunni, who were also skilled warriors. Chekavar's story is described in the ''Puthuram Pattukal'', a group of songs in the genre of Vadakkan Pattukal, or Northern Ballads, composed in Malayalam during the 17th and 18th centuries. The genre as a whole represents the sentiment of ''vira'', or the heroic, through its depictions of "valour and sacrifice." Puthariyankam Historian A Sreedhara Menon narrates the story of Aromal Chekavar according to the ballads. Chekavar was expert in ankam fighting, a feudal form of martial combat used to settle disputes, like his father Kannappan. Unni Konar, who was in a property dispute against his brother Unni Chandrador for th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thacholi Othenan
Vadakkan Pattukal () are a collection of Malayalam ballads from the medieval period (12th-20th century). The genre as a whole represents the sentiment of ''vira'', or the heroic, through its depictions of "valour and sacrifice." Contents The songs present stories of heroes such as Aromal Chekavar and Thacholi Othenan, and heroines like Unniyarcha. The stories centre round the fortunes of two families, Puthooram family and Thacholi Manikkoth family. Though two families belong to two different communities Thiyyar and Nair respectively, they share in common the martial traditional. The chief among the Thiyyar chieftains of Puthooram was Aromal Chekavar, who had been killed by his cousin Chanthu Chekavar in his first duel (Ankam) by deceit. His sister Attumanamel Unniyarcha, is equally adept in the use of arms. The exploits of the Nair chieftain Thacholi Othenan belonging to the Thacholi family form the theme of several ballads. Thacholi Chandu, Palattu Komappan, Putumada Kelu, K ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Unniyarcha
Unniyarcha (, ) is a legendary warrior and heroine from the 16th century, mentioned in the '' Vadakkan Pattukal'', a set of historical ballads from northern Kerala, a state in southwestern India. She was a member of a Thiyyar community family called ''Puthooram Veed'' in Kadathanad. The location of Puthooram Veed is described in the Vadakkan Pattukal as follows: ''Puthoorampaadam (large paddy field under Puthooram Veed) is situated at the eastern end of Kadathanadu (present-day Vadakara). Ilavanoor Madam is located at the western end of Puthoorampaadam, and within Ilavanoor Madam lies Puthooram Veed.'' Unniyarcha's father's name was Kannappa Chekavar.Jumbos and Jumping Devils: A Social History of Indian Circus - Nisha P.Rand Jumping Devils/ref> She is believed to have lived in the northern part of Kerala during the 16th century. She is a popular character in Kerala's folklore and is remembered for her valour and skills in Kerala's native martial art, Kalaripayattu. Accordin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tiyyar
The Ezhavas, () also known as ''Thiyya'' or ''Tiyyar'' () in the Malabar region, and Chovar () in the south, are a community with origins in the region of India presently known as Kerala, where in the 2010s they constituted about 23% of the population and were reported to be the largest Hindu community. Thiyya Pullapilly (1976) pp. 31–32 group has claimed a higher rank in the Hindu caste system than the other Ezhava groups but was considered to be of a similar rank by colonial and subsequent administrations. Nossiter (1982) p. 30 Ezhava dynasties such as the Mannanar existed in Kerala. Variations They are also known as ''Ilhava'', ''Irava'', ''Izhava'' and ''Erava'' in the south of the region; as ''Chovas'', ''Chokons'' and ''Chogons'' in Central Travancore; and as ''Thiyyar'', ''Tiyyas'' and ''Theeyas'' in the Malabar region. Some are also known as ''Thandan'', which has caused administrative difficulties due to the presence of a distinct caste of Thandan in the same re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nair
The Nair (, ) also known as Nayar, are a group of Indian Hindu castes, described by anthropologist Kathleen Gough as "not a unitary group but a named category of castes". The Nair include several castes and many subdivisions, not all of whom historically bore the name 'Nair'. Fuller (1975) p. 309 These people lived, and many continue to live, in the area which is now the Indian state of Kerala. Their internal caste behaviours and systems are markedly different between the people in the northern and southern sections of the area, although there is not very much reliable information on those inhabiting the north. Fuller (1975) p. 284 Historically, Nairs lived in large family units called '' tharavads'' that housed descendants of one common female ancestor. These family units along with their unusual marriage customs, which are no longer practiced, have been much studied. Although the detail varied from one region to the next, the main points of interest to researchers of Nair marr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kalaripayattu
Kalaripayattu (), also known simply as Kalari, is an Indian martial art that originated on the southwestern coast of India, in what is now Kerala, during the 3rd century BCE. Etymology Kalaripayattu is a martial art which developed out of combat techniques of the 11th–12th century battlefield, with weapons and combative techniques that are unique to Kerala. The word is a combination of two Malayalam words – (training ground or battleground) and (training of martial arts), which is roughly translated as "practice in the arts of the battlefield". may also be derived from the Malayalam or Sanskrit term , which is the name of a goddess associated with Shaktism who is worshipped in Kalaripayattu. The , a 5th century CE South Indian ancient text on Shaiva Siddhanta, discusses the construction of the , as place for military exercise. History Associations with Indian folklore and legends According to legend, Parashurama, the sixth avatar of Vishnu, learned the art from S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
North Malabar
North Malabar refers to the geographic area of southwest India covering the state of Kerala State, Kerala's present day Kasaragod district, Kasaragod and Kannur district, Kannur districts, Mananthavady taluk of the Wayanad District, Wayanad district, the taluks of Vatakara and Koyilandy in the Kozhikode District, Kozhikode district, and the entire Mahe district of the Puducherry (union territory), Puducherry UT. The Korapuzha, Korapuzha River or Elanthur River in north Kozhikode serves as the border separating North and South Malabar. Manjeshwaram taluk, Manjeswaram marks the northern border between North Malabar and Dakshina Kannada. The North Malabar region is bounded by Dakshina Kannada (Mangalore) to north, the hilly regions of Kodagu and Mysore Plateau to east, South Malabar (Korapuzha) to south, and Arabian Sea to west. The greater part of North Malabar (except Mahé) remained as one of the two administrative divisions of the Malabar District (an administrative district of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballads
A ballad is a form of verse, often a narrative set to music. Ballads were particularly characteristic of the popular poetry and song of Great Britain and Ireland from the Late Middle Ages until the 19th century. They were widely used across Europe, and later in Australia, North Africa, North America and South America. While ballads have no prescribed structure and may vary in their number of lines and stanzas, many ballads employ quatrains with ABCB or ABAB rhyme schemes, the key being a rhymed second and fourth line. Contrary to a popular conception, it is rare if not unheard-of for a ballad to contain exactly 13 lines. Additionally, couplets rarely appear in ballads. Many ballads were written and sold as single-sheet Broadside (music), broadsides. The form was often used by poets and composers from the 18th century onwards to produce lyrical ballads. In the later 19th century, the term took on the meaning of a slow form of popular love song and is often used for any love song ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indian Folk Songs
Indian or Indians may refer to: Associated with India * of or related to India ** Indian people ** Indian diaspora ** Languages of India ** Indian English, a dialect of the English language ** Indian cuisine Associated with indigenous peoples of the Americas * Indigenous peoples of the Americas ** First Nations in Canada ** Native Americans in the United States ** Indigenous peoples of the Caribbean ** Indigenous languages of the Americas Places * Indian, West Virginia, U.S. * The Indians, an archipelago of islets in the British Virgin Islands Arts and entertainment Film * ''Indian'' (film series), a Tamil-language film series ** ''Indian'' (1996 film) * ''Indian'' (2001 film), a Hindi-language film Music * Indians (musician), Danish singer Søren Løkke Juul * "The Indian", an unreleased song by Basshunter * "Indian" (song), by Sturm und Drang, 2007 * "Indians" (song), by Anthrax, 1987 * Indians, a song by Gojira from the 2003 album '' The Link'' Other uses ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
