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Tetsumi Takahashi
(23 February 1935 – 12 November 1990) was a Japanese avant-garde artist whose multidisciplinary practice included painting, performance, installation and sculpture. Associated with the Anti-Art (''Han-geijutsu'') movement in Japan in the late 1950s and early 1960s, Kudо̄'s provocative art was nourished by lifelong interests in science, sport and everyday objects. His work often presents a radically transformed and grotesque vision of the human body, calling into question its desires and its limits, as well as its future and origins. Never having officially identified with any one group or movement throughout his international career, the artist's body of work evades art historical classification. Biography Early life and education Kudо̄ was born in 1935 in Osaka, Japan to two artist parents, both art teachers. His father, painter Kudо̄ Masayoshi, passed away when Kudō was ten.Doryun Chung (ed.), ''Tetsumi Kudo: Garden of Metamorphosis'', exh. cat., Minneapolis, Walke ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hyōgo Prefecture
is a Prefectures of Japan, prefecture of Japan located in the Kansai region of Honshu. Hyōgo Prefecture has a population of 5,469,762 () and a geographic area of . Hyōgo Prefecture borders Kyoto Prefecture to the east, Osaka Prefecture to the southeast, and Okayama Prefecture, Okayama and Tottori Prefecture, Tottori prefectures to the west. Kobe is the capital and largest city of Hyōgo Prefecture, and the List of cities in Japan, seventh-largest city in Japan, with other List of cities in Hyōgo Prefecture by population, major cities including Himeji, Nishinomiya, and Amagasaki. Hyōgo Prefecture's mainland stretches from the Sea of Japan to the Seto Inland Sea, where Awaji Island and a small archipelago of islands belonging to the prefecture are located. Hyōgo Prefecture is a major economic center, transportation hub, and tourist destination in western Japan, with 20% of the prefecture's land area designated as List of national parks of Japan#History, Natural Parks. Hyōgo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Action Painting
Action painting, sometimes called "gestural abstraction", is a style of painting in which paint is spontaneously dribbled, splashed or smeared onto the canvas, rather than being carefully applied. The resulting work often emphasizes the physical act of painting itself as an essential aspect of the finished work or concern of its artist. Background The style was widespread from the 1940s until the early 1960s, and is closely associated with abstract expressionism (some critics have used the terms "action painting" and " abstract expressionism" interchangeably). A comparison is often drawn between the American action painting and the French tachisme. The New York School of American Abstract Expressionism (1940s-50s) is also seen as closely linked to the movement. The term was coined by the American critic Harold Rosenberg in 1952, in his essay "The American Action Painters", and signaled a major shift in the aesthetic perspective of New York School painters and critics. Ac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Atomic Bombings Of Hiroshima And Nagasaki
On 6 and 9 August 1945, the United States detonated two atomic bombs over the Japanese cities of Hiroshima and Nagasaki, respectively, during World War II. The aerial bombings killed between 150,000 and 246,000 people, most of whom were civilians, and remain the only uses of Nuclear warfare, nuclear weapons in an armed conflict. Surrender of Japan, Japan announced its surrender to the Allies on 15 August, six days after the bombing of Nagasaki and the Soviet–Japanese War, Soviet Union's declaration of war against Japan and Soviet invasion of Manchuria, invasion of Manchuria. The Japanese government signed an Japanese Instrument of Surrender, instrument of surrender on 2 September, End of World War II in Asia, ending the war. In the final year of World War II, the Allies of World War II, Allies prepared for a costly Operation Downfall, invasion of the Japanese mainland. This undertaking was preceded by a Air raids on Japan, conventional bombing and firebombing campaign that de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre Restany
Pierre Restany (22 June 1930 – 29 May 2003), was an internationally known French art critic and cultural philosopher. Restany was born in Amélie-les-Bains-Palalda, Pyrénées-Orientales, and spent his childhood in Casablanca. On returning to France in 1949 he attended the Lycée Henri-IV before studying at universities in France, Italy and Ireland. From their first meeting in 1955, Restany maintained a strong tie with Yves Klein (to whom is attributed Klein-blue). Conceptions of New Realism / Nouveau Realisme In 1960 Pierre Restany created the idea and coined the term Nouveau Réalisme with Yves Klein during a group show in the Apollinaire gallery in Milan. It was an idea that united a group of French and Italian artists. Nouveau Realisme was the European answer to the American Neo-Dada of Fluxus and Pop Art. The group included Martial Raysse, Arman, Yves Klein, François Dufrene, Raymond Hains, Daniel Spoerri, Jean Tinguely, Jacques Villeglé - and was later join ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Jacques Lebel
Jean-Jacques Lebel (; born 30 June 1936, Paris) is a French visual artist, poet, art collector, writer, political activist, and creator of performance art happening art events. Besides his heterogeneous artworks and poetry, Lebel is also known for his very early work with the Beat Generation and Happenings, as an art theory writer with close ties to Félix Guattari, Gilles Deleuze and the American poetry and art scene. He is also an art curator and son of Robert Lebel; a poet, translator, poetry publisher, political activist, art collector, art historian and expert in the work of Marcel Duchamp. Life and work Lebel had his first exhibition in 1955 at Galleria Numero in Florence, Italy. After a brief period of time with Surrealists, Lebel exhibited in Milan and Paris, and then went on to exhibit at various museums and galleries around the world. He has regularly collaborated with artist and writer Arnaud Labelle-Rojoux. Beginning in 1955, Lebel published a poetry journal called ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Allan Kaprow
Allan Kaprow (August 23, 1927 – April 5, 2006) was an American performance artist, installation artist, painter, and assemblagist . He helped to develop the " Environment" and "Happening" in the late 1950s and 1960s, as well as their theory. His Happenings — some 200 of them — evolved over the years. Eventually Kaprow shifted his practice into what he called "Activities", intimately scaled pieces for one or several players, devoted to the study of normal human activity in a way congruent to ordinary life. Fluxus, performance art, and installation art were, in turn, influenced by his work. Academic career Studies Because of a chronic illness Kaprow was forced to move from New York to Tucson, Arizona. He began his early education in Tucson where he attended boarding school. Later he would attend the High School of Music and Art in New York where his fellow students were the artists Wolf Kahn, Rachel Rosenthal and the future New York gallerist Virginia Zabriskie. As an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Genpei Akasegawa
, known by his pseudonym , was a Japanese artist and writer. He used another pseudonym, , for literary works. A member of the influential artist groups Neo-Dada Organizers and Hi-Red Center, Akasegawa went on to maintain a multi-disciplinary practice throughout his career as an individual artist. He has had retrospective exhibitions at the Hiroshima City Museum of Contemporary Art, Chiba City Museum, and Oita City Museum. His work is in the permanent collection at Museum of Modern Art in New York. Artist Nam June Paik has described Akasegawa as “one of those unexportable geniuses of Japan.” Biography Early life Akasegawa was born in 1937, in Yokohama, and moved to Ashiya, Ōita and Nagoya during his childhood because of his father's job. The artist Shūsaku Arakawa was a high school classmate in Nagoya. In the 1950s Akasegawa moved to Tokyo where he attended Musashino Art University in 1955 to study oil painting. In 1956 and 1957, Akasegawa submitted artworks to the ''Ni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Udon
Udon ( or ) is a thick noodle made from wheat flour, used in Japanese cuisine. There are a variety of ways it is prepared and served. Its simplest form is in a soup as with a mild broth called made from dashi, soy sauce, and mirin. It is usually topped with thinly chopped scallions. Other common toppings include prawn tempura, (mixed tempura fritter), (sweet, deep-fried tofu pouches), (sliced fish cake), and spice added to taste. Standard broth differs by region. Dark soy sauce is added in eastern Japan, while light soy sauce is added in the west. Instant noodles are often sold in two (or more) versions accordingly. More unusual variants include stir-fried and curry udon made with Japanese curry. It is often used in or Japanese hot pot. Dishes Udon noodles are boiled in a pot of hot water. Depending on the type of udon, the way it is served is different as well. Udon noodles are usually served chilled in the summer and hot in the winter. In the Edo period, the thicker ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tokyo Metropolitan Art Museum
The is a museum of art located in Ueno Park, Tokyo, Japan. It is one of Japan's many museums which are supported by a prefectural government. The first public art museum in Japan, it opened in 1926 as the Tokyo Prefectural Art Museum and was renamed in 1943 after Tokyo became a metropolitan prefecture. The museum's current building was constructed in 1975 and designed by modernist architect Kunio Maekawa, remaining one his most well-known works today. Currently, the museum is perhaps best known for showing high-profile temporary exhibitions of both Japanese and international modern art, recently showing major retrospectives of Tarō Okamoto, Isamu Noguchi, Edvard Munch, and Tsuguharu Foujita. Highlights of the museum’s permanent collection include twelve twentieth-century sculptures and reliefs that are on permanent display throughout the museum, as well as a collection of calligraphic works. History The Tokyo Prefectural Art Museum was first conceptualized with the suppor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yomiuri Indépendant Exhibition
The , affectionately nicknamed "Yomiuri Anpan," was a famously permissive, unjuried, free-to-exhibit art exhibition held annually in Tokyo, Japan from 1949 to 1963. Sponsored by the ''Yomiuri Shimbun'' newspaper, the exhibition was held at the Tokyo Metropolitan Art Museum and played an important role in the emergence of postwar avant-garde and contemporary art in Japan. Historian Thomas Havens has called the Yomiuri Indépendant "the chief vehicle of postwar democracy for young visual artists in Japan who lacked connections with the clubby fine arts establishment" and "a bazaar of new ideas and materials." Among artists who exhibited artworks at the Yomiuri Indépendant included Genpei Akasegawa, Shūsaku Arakawa, Nobuaki Kojima, Tetsumi Kudо̄, the Kyūshū-ha group, Natsuyuki Nakanishi, Tarō Okamoto, Ushio Shinohara, Mitsuko Tabe, Jirō Takamatsu, Katsuhiro Yamaguchi, and Jirō Yoshihara. Establishment The Yomiuri Indépendant Exhibition was established by the ''Yomi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tetsumi Kudo Shinchosha 1962-2
(23 February 1935 – 12 November 1990) was a Japanese avant-garde artist whose multidisciplinary practice included painting, performance, installation and sculpture. Associated with the Anti-Art (''Han-geijutsu'') movement in Japan in the late 1950s and early 1960s, Kudо̄'s provocative art was nourished by lifelong interests in science, sport and everyday objects. His work often presents a radically transformed and grotesque vision of the human body, calling into question its desires and its limits, as well as its future and origins. Never having officially identified with any one group or movement throughout his international career, the artist's body of work evades art historical classification. Biography Early life and education Kudо̄ was born in 1935 in Osaka, Japan to two artist parents, both art teachers. His father, painter Kudо̄ Masayoshi, passed away when Kudō was ten.Doryun Chung (ed.), ''Tetsumi Kudo: Garden of Metamorphosis'', exh. cat., Minneapolis, Walke ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
