Tervagant
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Tervagant
Text from a manuscript of the ''Chanson de Guillaume'': ''Tresque il vendreit de aurer Tervagant'' In the Middle Ages, Termagant or Tervagant was the name of a god that some European Christians believed Muslims worshipped. It originates in the eleventh-century ''Song of Roland''. The word is also used in modern English to mean a violent, overbearing, turbulent, brawling, quarrelsome woman; a virago, shrew, or vixen. In the past, the word could be applied to any person or thing personified, not just a woman. Etymology European literature from the Middle Ages often refers to Muslims as pagans and depicts them worshipping Muhammad along with various idols and sometimes other deities, such as Apollyon, Lucifer and Termagant. In some writings, such as the ''Song of Roland'', these were combined to create an "unholy Trinity" of sorts composed of Apollyon, Muhammad and Termagant. The original form of the name is ''Tervagan''. There are many hypotheses explaining the origin of the nam ...
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Baligant
In ''The Song of Roland'', Baligant is the Emir of Babylon (i.e., Cairo, not the Mesopotamian Babylon), who brings an immense army to aid his vassal King Marsile (a.k.a. "Marsillion") in defending Zaragoza (sometimes spelled "Saragossa") from Charlemagne but is killed in the ensuing battle. He is sometimes described as a man from ancient times and is often seen as the parallel of Charlemagne, both being old, handsome and skillful with a sword. One might say they were equals, except that Charlemagne had the help of Saint Gabriel. The name ''Baligant'' is likely a folk-etymological rendering of Arabic or Turkish antroponymy. Baligant's banner is a dragon, and he also rides into battle with the banners of Tervagant and Apollo. These standards are guarded, it seems, by ten men of Canileu. In the midst of the battle, he cries out to these deities to succour him against Charles. Baligant and Charles meet on the field as the day of battle turns to evening. They unhorse one anoth ...
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Selene
In ancient Greek mythology and Ancient Greek religion, religion, Selene (; , meaning "Moon")''A Greek–English Lexicon's.v. σελήνη is the goddess and personification of the Moon. Also known as Mene (), she is traditionally the daughter of the Titans Hyperion (Titan), Hyperion and Theia, and sister of the Solar deity, sun god Helios and the Dawn deities, dawn goddess Eos. She drives her moon chariot across the heavens. Several lovers are attributed to her in various myths, including Zeus, Pan (god), Pan, and the mortal Endymion (mythology), Endymion. In post-classical times, Selene was often identified with Artemis, much as her brother, Helios, was identified with Apollo. Selene and Artemis were also associated with Hecate and all three were regarded as lunar deity, moon and lunar goddesses, but only Selene was regarded as the personification of the Moon itself. Her equivalent in Roman religion and mythology is the goddess Luna (goddess), Luna. Etymology and origins ...
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Old French
Old French (, , ; ) was the language spoken in most of the northern half of France approximately between the late 8th [2-4; we might wonder whether there's a point at which it's appropriate to talk of the beginnings of French, that is, when it was deemed no longer make to think of the varieties spoken in Gaul as Latin. Although a precise date can't be given, there is a general consensus (see Wright 1982, 1991, Lodge 1993) that an awareness of a vernacular, distinct from Latin, emerged at the end of the eighth century.] and mid-14th centuries. Rather than a unified Dialect#Dialect or language, language, Old French was a Dialect cluster, group of Romance languages, Romance dialects, Mutual intelligibility, mutually intelligible yet Dialect continuum, diverse. These dialects came to be collectively known as the , contrasting with the , the emerging Occitano-Romance languages of Occitania, now the south of France. The mid-14th century witnessed the emergence of Middle French, the lang ...
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Present Participle
In linguistics, a participle (; abbr. ) is a nonfinite verb form that has some of the characteristics and functions of both verbs and adjectives. More narrowly, ''participle'' has been defined as "a word derived from a verb and used as an adjective, as in a ''laughing face''". "Participle" is a traditional grammatical term from Greek and Latin that is widely used for corresponding verb forms in European languages and analogous forms in Sanskrit and Arabic grammar. In particular, Greek and Latin participles are inflected for gender, number and case, but also conjugated for tense and voice and can take prepositional and adverbial modifiers. Cross-linguistically, participles may have a range of functions apart from adjectival modification. In European and Indian languages, the past participle is used to form the passive voice. In English, participles are also associated with periphrastic verb forms ( continuous and perfect) and are widely used in adverbial clauses. In non-Ind ...
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Vulgar Latin
Vulgar Latin, also known as Colloquial, Popular, Spoken or Vernacular Latin, is the range of non-formal Register (sociolinguistics), registers of Latin spoken from the Crisis of the Roman Republic, Late Roman Republic onward. ''Vulgar Latin'' as a term is both controversial and imprecise. Spoken Latin existed for a long time and in many places. Scholars have differed in opinion as to the extent of the differences, and whether Vulgar Latin was in some sense a different language. This was developed as a theory in the nineteenth century by François Just Marie Raynouard, Raynouard. At its extreme, the theory suggested that the written register formed an elite language distinct from common speech, but this is now rejected. The current consensus is that the written and spoken languages formed a continuity much as they do in modern languages, with speech tending to evolve faster than the written language, and the written, formalised language exerting pressure back on speech. ''Vulgar ...
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Occitanization
Occitan (; ), also known by its native speakers as (; ), sometimes also referred to as Provençal, is a Romance language spoken in Southern France, Monaco, Italy's Occitan Valleys, as well as Spain's Val d'Aran in Catalonia; collectively, these regions are sometimes referred to as Occitania. It is also spoken in Calabria (Southern Italy) in a linguistic enclave of Cosenza area (mostly Guardia Piemontese) named Gardiol, which is also considered a separate Occitanic language. Some include Catalan as a dialect of Occitan, as the linguistic distance between this language and some Occitan dialects (such as the Gascon language) is similar to the distance between different Occitan dialects. Catalan was considered a dialect of Occitan until the end of the 19th century and still today remains its closest relative. Occitan is an official language of Catalonia, Spain, where a subdialect of Gascon known as Aranese is spoken (in the Val d'Aran). Since September 2010, the Parliament of Cat ...
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Morgante
''Morgante'' (sometimes also called , the name given to the complete 28-canto, 30,080-line edition published in 1483See Lèbano's introduction to the Tusiani translation, p. xxii.) is an Italian romantic epic by Luigi Pulci which appeared in its final form in 1483; a now-lost 23-canto version likely appeared in late 1478; two other 23-canto versions were published in 1481 and 1482. The work was commissioned by Lucrezia Tornabuoni. Based on popular Matter of France material, the poem tells the story of Orlando and Renaud de Montauban (in Italian, ''Renaldo'' or ''Rinaldo''), the most famous of Charlemagne's paladins, in a frequently burlesque fashion. The title character is a giant who becomes Orlando's loyal follower after the knight stops him from attacking the monastery of Chiaromonte and converts him to Christianity. After many strange adventures, Morgante is killed by a bite from a crab. Other characters include Morgante's friend, the gluttonous Margutte, who dies in ...
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Matter Of France
The Matter of France (), also known as the Carolingian cycle, is a body of medieval literature and legendary material associated with the history of France, in particular involving Charlemagne and the Paladins. The cycle springs from the Old French '' chansons de geste'', and was later adapted into a variety of art forms, including chanson de geste">chansons de geste'', and was later adapted into a variety of art forms, including Renaissance epics and opera">Renaissance">chanson de geste">chansons de geste'', and was later adapted into a variety of art forms, including Renaissance epics and operas. It was one of the great European literary cycles that figured repeatedly in medieval literature. Three Matters The Matter of France was one of the "Three Matters" repeatedly recalled in medieval literature, the others being the Matter of Britain, relating to the legends of Great Britain and Brittany, and the Matter of Rome which represented the medieval poets' interpretations of Anc ...
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Leo Spitzer
Leo Spitzer (; 7 February 1887 – 16 September 1960) was an Austrian Romanist and Hispanist, philologist, and an influential and prolific literary critic. He was known for his emphasis on stylistics. Along with Erich Auerbach, Spitzer is widely recognized as one of the foundational figures of comparative literature. Biography Spitzer was a doctoral student of Wilhelm Meyer-Lübke, receiving his doctorate in 1910. He was a professor at the University of Marburg in 1925, at the University of Cologne in 1930. In 1933 he was dismissed because of his Jewish background and left Nazi Germany, moving to Istanbul; his position was taken up by literary scholar and philologist Ernst Robert Curtius. In Istanbul, Spitzer taught at the Istanbul University for three years "as the first professor of Latin languages" and "as director of the School of Foreign Languages." From there he went to Johns Hopkins University The Johns Hopkins University (often abbreviated as Johns Hopkins, ...
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Hermes Trismegistus
Hermes Trismegistus (from , "Hermes the Thrice-Greatest") is a legendary Hellenistic period figure that originated as a syncretic combination of the Greek god Hermes and the Egyptian god Thoth.A survey of the literary and archaeological evidence for the background of Hermes Trismegistus as the Greek god Hermes and the Egyptian god Thoth may be found in He is the purported author of the ''Hermetica'', a widely diverse series of ancient and medieval pseudepigraphica that laid the basis of various philosophical systems known as Hermeticism. The wisdom attributed to this figure in antiquity combined a knowledge of both the material and the spiritual world, which rendered the writings attributed to him of great relevance to those who were interested in the interrelationship between the material and the divine. The figure of Hermes Trismegistus can also be found in both Muslim and Baháʼí writings. In those traditions, Hermes Trismegistus has been associated with the prophet ...
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Walter William Skeat
Walter William Skeat, (21 November 18356 October 1912) was a British philologist and Anglican deacon. The pre-eminent British philologist of his time, he was instrumental in developing the English language as a higher education subject in the United Kingdom. Life Skeat was born in London to architect William Skeat, of Perry Hill, Sydenham,''Interpreters of Early Medieval Britain'', ed. Michael Lapidge, Oxford University Press (on behalf of the British Academy), 2002, p. 37 later of Mount Street, Park Lane, City of Westminster, and his wife Sarah, daughter of Timothy Bluck. The Skeat family were a branch of an ancient Surrey family, and were resident in the parish of St George Hanover Square since the 1700s. He was educated at King's College School ( Wimbledon), Highgate School, and Christ's College, Cambridge. He became a fellow at Christ's College in July 1860. In 1860 Skeat was ordained an Anglican deacon and married Bertha Clara. In December 1860, he became a curat ...
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