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Tennis Court (song)
"Tennis Court" is a song recorded by New Zealand singer-songwriter Lorde. She co-wrote the song with Joel Little, with production handled by the latter. Universal Music Group (UMG) released the song as the second single from her debut studio album '' Pure Heroine'' (2013) in Australia and New Zealand on 7 June 2013. On the same day, the label released an extended play (EP) of the same name containing three additional tracks throughout Europe. It combines alternative pop, art pop, and downtempo music over hip hop beats, minimalist synthesisers, and an electronic pulse. Inspired by Lorde's fresh insights into the music industry, the lyrics address her newfound fame and nostalgia for Auckland. "Tennis Court" received positive reviews from music critics, with some highlighting the song's production and lyrical content. It was a commercial success in Oceania, reaching number one in New Zealand and number 20 in Australia. Elsewhere, the single achieved modest chart success ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lorde
Ella Marija Lani Yelich-O'Connor (born 7 November 1996), known professionally as Lorde ( ), is a New Zealand singer-songwriter. Taking inspiration from aristocracy for her stage name, she is known for her unconventional musical styles and introspective songwriting. Lorde expressed interest in performing at local venues in her early teens. She signed with Universal Music Group (UMG) in 2009 and collaborated with producer Joel Little in 2011 to start recording music. Their first effort, an extended play (EP) titled '' The Love Club'', was self-released in 2012 for free download on SoundCloud before UMG's commercial release in 2013. The EP's international chart-topping single "Royals" helped raise Lorde to prominence. Her debut studio album '' Pure Heroine'' was released that same year to critical and commercial success. The following year, Lorde curated the soundtrack for the 2014 film '' The Hunger Games: Mockingjay – Part 1'' and recorded several tracks, including the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
HitQuarters
HitQuarters was an international music industry publication and contact database founded in 1999. It was noted for its in-depth interviews with industry figures, as well as its A&R and manager contact directory, free artist promo pages and song sale facility, demo reviews and A&R chart,"A&R Star Makers: The Vanishing Gatekeepers" ''LA Weekly'', 11 February 2010. and was the sister site to the songwriting tip sheet SongQuarters. The site was sporadically active from May 2017 up until September 20, 2020, and no posts have been made on its Twitter and Facebook accounts since March and May 2015 respectively. Focus on aiding unsigned and independent artists The website had a strong focus on offering unsigned and independent artists, songwriters ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Artists And Repertoire
Artists and repertoire (colloquially abbreviated to A&R) is the division of a record label or music publishing company that is responsible for talent scouting and overseeing the artistic development of recording artists (singers, instrumentalists, bands, and so on) and songwriters. It also acts as a liaison between artists and the record label or publishing company; every activity involving artists to the point of album release is generally considered under the purview, and responsibility, of A&R. Responsibilities Finding talent The A&R division of a record label is responsible for finding new recording artists and bringing those artists to the record company. A&R staff may go to hear emerging bands play at nightclubs and festivals to scout for talent. Personnel in the A&R division are expected to understand the current tastes of the market and to be able to find artists that will be commercially successful. For this reason, A&R people are often young and many are musicians, mu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melodrama World Tour
The Melodrama World Tour was the second concert tour by New Zealand singer-songwriter Lorde, undertaken in support of her second studio album, ''Melodrama (Lorde album), Melodrama'' (2017). Lorde headlined several music festivals before commencing the tour, and went on to communicate frequently with stage designer Es Devlin to plan the show's design. European shows began in September 2017, followed by dates in Oceania and a solo trek through North America. Dates in other European cities soon followed along with various festival performances. The show consisted of three segments and two costume changes. The first featured Lorde in a dark outfit, while during the second segment she wore a lighter costume. The set list consisted of songs from her debut and second studio albums. She also performed one of several cover versions of songs at each show and premiered an unreleased song titled "Precious Metals". An alternate set list with several video interludes was performed during the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pure Heroine Tour
The Pure Heroine Tour was the inaugural concert tour by New Zealand singer-songwriter Lorde, in support of her debut studio album, ''Pure Heroine'' (2013). Her first performance was at the Splendour in the Grass music festival as a last-minute replacement for Frank Ocean. Before the tour, Lorde performed at small nightclubs and bars around New Zealand and Australia. North American shows were announced in August 2013, followed by a series of dates in Oceania. Dates in Europe and South America soon followed. The show consisted of three segments and three costume changes. With the exception of a couple of covers, the set list included only songs from her debut album. Typically, Lorde appeared on stage hidden from the crowd, visible only in silhouette. She also premiered an unreleased song called "Good Fights". An alternate set list with minor changes was performed after the first North American leg of the tour. The show was met with critical acclaim, with critics complimenting the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
One Shot (film)
A one-shot cinema (also one-take film, single-take film, or continuous shot feature film) is a full-length movie filmed in one long take by a single camera, or manufactured to give the impression it was. Use and theory In a 2019 article, discussing the award-winning film ''1917'' (2019), Eric Grode of ''The New York Times'' wrote that very long takes were becoming popular in more mainstream films "as a sobering reminder of temporality, a virtuosic calling card, a self-issued challenge or all of the above", also citing the Academy Award-winner from several years prior, ''Birdman'' (2014). History Grode notes that before such films as ''1917'' and ''Birdman'', the idea of experimenting with long uninterrupted takes had a history of over 80 years, with Alfred Hitchcock being a pioneer. Aside from early experiments like ''Young and Innocent'' and '' Notorious'', the most famous early example of a film that extensively uses long takes is the 1948 ''Rope'', which was shot in mainl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Australian Recording Industry Association
The Australian Recording Industry Association (ARIA) is a trade association representing the Australian recording industry which was established in the 1970s by six major record companies, EMI, Festival, CBS, RCA, WEA and Universal replacing the Association of Australian Record Manufacturers (AARM) which was formed in 1956. It oversees the collection, administration and distribution of music licenses and royalties. The association has more than 100 members, including small labels typically run by one to five people, medium size organisations and very large companies with international affiliates. ARIA is administered by a Board of Directors comprising senior executives from record companies, both large and small. History In 1956, the Association of Australian Record Manufacturers (AARM) was formed by Australia's major record companies. It was replaced in the 1970s by the Australian Recording Industry Association, which was established by the six major record companies ope ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Recorded Music NZ
Recorded Music NZ (formerly the Recording Industry Association of New Zealand (RIANZ)) is a non-profit trade association of record producers, distributors and recording artists who sell recorded music in New Zealand. Membership of Recorded Music NZ is open to any owner of recorded music rights operating in New Zealand, inclusive of major labels (such as Sony, Universal and Warner Music Group), independent labels and self-released artists. Recorded Music NZ has over 2000 rights-holders. Prior to June 2013 the association called itself the "Recording Industry Association of New Zealand" (RIANZ). RIANZ and PPNZ Music Licensing merged and renamed themselves "Recorded Music NZ". Recorded Music NZ functions in three areas: * member services (the New Zealand Music Awards, the Official New Zealand Music Charts, music grants and direct services to artists and labels) * music licensing (undertaken independently or, in most cases, via OneMusic, a joint licensing venture bet ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Canada
Music Canada (formerly Canadian Recording Industry Association (CRIA)) is a non-profit trade organization that was founded 9 April 1963 to represent the interests of companies that record, manufacture, produce, and distribute music in Canada. It also offers benefits to some of Canada's leading independent record labels and distributors. History Originally formed as the 10-member Canadian Record Manufacturer's Association, the association changed its name to Canadian Recording Industry Association (CRIA) in 1972 and opened membership to other record industry companies. In 2006, the CRIA was in the news when a number of smaller labels resigned their memberships, complaining that the organization wasn't representing their interests. In 2011, it changed its name to Music Canada offering special benefits to some of the leading independent labels and distributors in Canada. Organization Music Canada is governed by a board of directors who are elected annually by association members. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Music Recording Certifications
Music recording certifications are typically awarded by the worldwide music industry based on the total units sold, streamed, or shipped to retailers. These awards and their requirements are defined by the various certifying bodies representing the music industry in various countries and territories worldwide. The standard certification awards given consist of Gold, Platinum, and sometimes Diamond awards, in ascending order; the UK also has a Silver certification, ranking below Gold. In most cases, a "Multi-Platinum" or "Multi-Diamond" award is given for multiples of the Platinum or Diamond requirements. Many music industries around the world are represented by the International Federation of the Phonographic Industry (IFPI). The IFPI operates in 66 countries and services affiliated industry associations in 45 countries. In some cases, the IFPI is merely affiliated with the already operational certification bodies of a country, but in many countries with lesser-developed industri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pulse (music)
In music theory, the pulse is a series of uniformly spaced beats—either audible or implied that sets the tempo and is the scaffolding for the rhythm. By contrast, rhythm is always audible and can depart from the pulse. So while the rhythm may become too difficult for an untrained listener to fully match, nearly any listener instinctively matches the pulse by simply tapping uniformly, despite rhythmic variations in timing of sounds atop the pulse.Fitch, W. Tecumseh and Rosenfeld, Andrew J. (2007). Definitions The pulse may be audible or implied. The tempo of the piece is the speed of the pulse. If a pulse becomes too fast it would become a drone; one that is too slow would be perceived as unconnected sounds.P. Fraisse, ''Les Structures Rhythmiques'', Erasme Paris 1956, H Woodrow ''Time Perception'' in "A Handbook of Experimental Psychology", ed. S.S. Stevens, Wiley, NY 1951, both quoted at http://www.zeuxilogy.home.ro/media/manifesto.pdf zeuxilogy.home.ro) When the period ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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