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Tempo Rubato
; , , ;) is a musical term referring to expressive and rhythmic freedom by a slight speeding up and then slowing down of the tempo of a piece at the discretion of the soloist or the conductor. Rubato is an expressive shaping of music that is a part of phrasing. While rubato is often loosely taken to mean playing with expressive and rhythmic freedom, it was traditionally used specifically in the context of expression as speeding up and then slowing down the tempo. In the past, expressive and free playing (beyond only rubato) was often associated with the terms "ad libitum". Rubato, even when not notated, is often used liberally by musicians, e.g. singers frequently use it intuitively to let the tempo of the melody expressively shift slightly and freely above that of the accompaniment. This intuitive shifting leads to rubato's main effect: making music sound expressive and natural. Nineteenth century composer-pianist Frédéric Chopin is often mentioned in the context of rubato ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lexico
''Lexico'' was a dictionary website that provided a collection of English and Spanish dictionaries produced by Oxford University Press (OUP), the publishing house of the University of Oxford. While the dictionary content on ''Lexico'' came from OUP, this website was operated by Dictionary.com, whose eponymous website hosts dictionaries by other publishers such as Random House. The website was closed and redirected to Dictionary.com on 26 August 2022. Before the Lexico site was launched, the ''Oxford Dictionary of English'' and ''New Oxford American Dictionary'' were hosted by OUP's own website ''Oxford Dictionaries Online'' (''ODO''), later known as ''Oxford Living Dictionaries''. The dictionaries' definitions have also appeared in Google Dictionary, Google definition search and the Dictionary (software), Dictionary application on macOS, among others, licensed through the Oxford Dictionaries API. History In the 2000s, OUP allowed access to content of the ''Compact Oxford Englis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ignacy Jan Paderewski
Ignacy Jan Paderewski (; [or 1859] – 29 June 1941) was a Polish pianist, composer and statesman who was a spokesman for Polish independence. In 1919, he was the nation's Prime Minister of Poland, prime minister and foreign minister during which time he signed the Treaty of Versailles, which ended World War I. A favorite of concert audiences around the world, his musical fame gave him access to diplomacy and the media, as well as, possibly, his status as a freemason, and the charitable work of his second wife, Helena Paderewska. During World War I, Paderewski advocated for an independent Poland, including by touring the United States, where he met President Woodrow Wilson, who came to support the creation of an independent Poland. Wilson included that aim in his Fourteen Points and argued for it at the Paris Peace Conference (1919–1920), 1919 Paris Peace Conference, which drew up the Treaty of Versailles.Hanna Marczewska-Zagdanska, and Janina Dorosz, "Wilson – Paderews ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Hudson (musician)
Richard William Stafford Hudson (born 9 May 1948) is an English musician who played drums and sitar for the Strawbs. He later joined forces with bassist John Ford to form a duo, Hudson Ford, in which he played guitar and sang. Career Richard Hudson was a member of Elmer Gantry's Velvet Opera, in which he played drums and sitar and sang. In 1970, he and band-mate John Ford joined Strawbs. Hudson and Ford began to co-write material which appeared to be aiming in a slightly different direction to the compositions of Strawbs' main writer, Dave Cousins. In 1973 after a 52-date tour to promote the album Bursting at the Seams, there were acrimonious exchanges (which both parties now regret). Hudson and Ford left to form Hudson Ford. Hudson at this point switched from playing drums to guitar and sang more lead vocals. The punk era sounded the death knell of many progressive rock acts, including Hudson Ford. Hudson, Ford and Terry Cassidy founded the mock punk group The Monks and, more ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rachmaninoff Symphony3 Mov1
Sergei Vasilyevich Rachmaninoff; in Russian pre-revolutionary script. (28 March 1943) was a Russian composer, virtuoso pianist, and conductor. Rachmaninoff is widely considered one of the finest pianists of his day and, as a composer, one of the last great representatives of Romanticism in Russian classical music. Early influences of Tchaikovsky, Rimsky-Korsakov, and other Russian composers gave way to a thoroughly personal idiom notable for its song-like melodicism, expressiveness, dense contrapuntal textures, and rich orchestral colours. The piano is featured prominently in Rachmaninoff's compositional output and he used his skills as a performer to fully explore the expressive and technical possibilities of the instrument. Born into a musical family, Rachmaninoff began learning the piano at the age of four. He studied piano and composition at the Moscow Conservatory, from which he graduated in 1892, having already written several compositions. In 1897, following the disast ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symphony No
A symphony is an extended musical composition in Western classical music, most often for orchestra. Although the term has had many meanings from its origins in the ancient Greek era, by the late 18th century the word had taken on the meaning common today: a work usually consisting of multiple distinct sections or movements, often four, with the first movement in sonata form. Symphonies are almost always scored for an orchestra consisting of a string section (violin, viola, cello, and double bass), brass, woodwind, and percussion instruments which altogether number about 30 to 100 musicians. Symphonies are notated in a musical score, which contains all the instrument parts. Orchestral musicians play from parts which contain just the notated music for their own instrument. Some symphonies also contain vocal parts (e.g., Beethoven's Ninth Symphony, or Mahler's Second Symphony). Etymology and origins The word ''symphony'' is derived from the Greek word (), meaning ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symphonic Dances (Rachmaninoff)
''Symphonic Dances'', Op. 45, is an orchestral suite in three movements completed in October 1940 by Russian composer Sergei Rachmaninoff. It is his final major composition, and his only piece written in its entirety while living in the United States. The work allowed him to indulge in a nostalgia for the Russia he had known, as much as he had done in the Symphony No. 3, as well as to effectively sum up his lifelong fascination with ecclesiastical chants. In the first dance, he quotes the opening theme of his Symphony No. 1, itself derived from motifs characteristic of Russian church music. In the finale he quotes both the '' Dies irae'' and the chant "Blessed art thou, Lord" ("Blagosloven yesi, Gospodi") from his ''All-Night Vigil''. Background Rachmaninoff composed the ''Symphonic Dances'' four years after his Third Symphony, mostly at the Honeyman estate, "Orchard Point", in Centerport, New York, overlooking Long Island Sound. Its original name was ''Fantastic Dances'', ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sergei Rachmaninoff
Sergei Vasilyevich Rachmaninoff; in Russian pre-revolutionary script. (28 March 1943) was a Russian composer, virtuoso pianist, and Conducting, conductor. Rachmaninoff is widely considered one of the finest pianists of his day and, as a composer, one of the last great representatives of Romantic music, Romanticism in Russian classical music. Early influences of Pyotr Ilyich Tchaikovsky, Tchaikovsky, Nikolai Rimsky-Korsakov, Rimsky-Korsakov, and other Russian composers gave way to a thoroughly personal idiom notable for its song-like melody, melodicism, Music#Expression, expressiveness, dense Counterpoint, contrapuntal textures, and rich Orchestration, orchestral colours. The piano is featured prominently in Rachmaninoff's compositional output and he used his skills as a performer to fully explore the expressive and technical possibilities of the instrument. Born into a musical family, Rachmaninoff began learning the piano at the age of four. He studied piano and composition at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rachmaninoff SymphonicDances Mov2
Sergei Vasilyevich Rachmaninoff; in Russian pre-revolutionary script. (28 March 1943) was a Russian composer, virtuoso pianist, and conductor. Rachmaninoff is widely considered one of the finest pianists of his day and, as a composer, one of the last great representatives of Romanticism in Russian classical music. Early influences of Tchaikovsky, Rimsky-Korsakov, and other Russian composers gave way to a thoroughly personal idiom notable for its song-like melodicism, expressiveness, dense contrapuntal textures, and rich orchestral colours. The piano is featured prominently in Rachmaninoff's compositional output and he used his skills as a performer to fully explore the expressive and technical possibilities of the instrument. Born into a musical family, Rachmaninoff began learning the piano at the age of four. He studied piano and composition at the Moscow Conservatory, from which he graduated in 1892, having already written several compositions. In 1897, following the disas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metronome
A metronome () is a device that produces an audible click or other sound at a uniform interval that can be set by the user, typically in beats per minute (BPM). Metronomes may also include synchronized visual motion, such as a swinging pendulum or a blinking light. Musicians—and others including dancers, athletes, and health professionals—often practise with a metronome to improve their timing, especially the ability to maintain a steady tempo with a regular beat or pulse. Composers and conductors often use numerical metronome markings to communicate their preferred tempos to musicians preparing for a performance. A type of metronome was among the inventions of Andalusian polymath Abbas ibn Firnas (810–887). In 1815, German inventor Johann Maelzel patented a mechanical, wind-up metronome as a tool for musicians, under the title "Instrument/Machine for the Improvement of all Musical Performance, called Metronome". In the 20th century, electronic metronomes and software ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frederick Niecks
Frederick Niecks (3 February 184524 June 1924) was a German musical scholar and author who resided in Scotland for most of his life. He is best remembered for his biographies of Frédéric Chopin and Robert Schumann. Biography Friedrich Maternus Niecks was born in Düsseldorf, son of a conductor and teacher; his grandfather was a professional musician. He studied music under his father; he later studied violin under Leopold Auer and others, and studied piano and composition under Julius Tausch. At age 13 he made his debut playing Charles Auguste de Bériot's Violin Concerto No. 2, then joined the Musikverein orchestra, with whom he remained until age 21. In 1868 he expressed a desire to move to Great Britain, and Alexander Mackenzie invited him to settle in Scotland, where he became viola player in Mackenzie's string quartet in Edinburgh and an organist and teacher in Dumfries. In 1879 he became a regular contributor to ''The Musical Times''. In 1884 he published a ''Con ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nocturne Op
A nocturne is a musical composition that is inspired by, or evocative of, the night. History The term ''nocturne'' (from French '':wikt:nocturne#French, nocturne'' "of the night") was first applied to musical pieces in the 18th century, when it indicated an ensemble piece in several movements, normally played for an evening party and then laid aside. Sometimes it carried the Italian equivalent, ''notturno'', such as Wolfgang Amadeus Mozart's Notturno in D, K.286, written for four lightly echoing separated ensembles of paired horns with strings, and his ''Serenata Notturna'', K. 239. At this time, the piece was not necessarily evocative of the night, but might merely be intended for performance at night, much like a serenade. The chief difference between the serenade and the notturno was the time of the evening at which they would typically be performed: the former around 9:00 pm, the latter closer to 11:00 pm. In its form as a single-movement character piece usually written for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mazurka Op
The Mazurka ( Polish: ''mazurek'') is a Polish musical form based on stylised folk dances in triple meter, usually at a lively tempo, with character defined mostly by the prominent mazur's "strong accents unsystematically placed on the second or third beat". The Mazurka, alongside the polka dance, became popular at the ballrooms and salons of Europe in the 19th century, particularly through the notable works by Frédéric Chopin. The mazurka (in Polish ''mazur'', the same word as the mazur) and mazurek (rural dance based on the mazur) are often confused in Western literature as the same musical form. History The folk origins of the ''Mazurk'' are three Polish folk dances which are: * '' mazur'', most characteristic due to its inconsistent rhythmic accents, * slow and melancholic ''kujawiak'', * fast '' oberek''. The ''mazurka'' is always found to have either a triplet, trill, dotted eighth note (quaver) pair, or an ordinary eighth note pair before two quarter notes (cro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
